(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)
These executions were witnessed by thousands of people and carefully choreographed, as historian Mary Fulbrook records in her book A Small Town Near Auschwitz:*
The hangings in Bedzin and Sosnowiec had been orchestrated in advance, in meticulous detail, by the Police President in Sosnowiec. The execution in Bedzin was to take place one hour later than the one in Sosnowiec. As much thought was given by the police authorities to questions of security and seating arrangements as might be appropriate for a modern open-air musical concert: this was not to be a simple punishment for an individual offense, as had happened innumerable times, but rather a mass spectacle, intended to have a major impact on the audience…
The identities of the executed Jews in Bedzin have been lost to history. (Correction: Per Yad Vashem, they were Jehuda Warman and “Feffer” (no first name).) They were hanged at the old Jewish cemetery on the corner of Zawale Street, before a crowd of about 5,000, at 5:00 p.m. Jewish workers in the Bedzin Ghetto had their work identity cards confiscated that day and were let out of work early, at 4:00 p.m., and ordered to watch the hangings. Only after they witnessed the executions did they get their work cards back. The bodies remained hanging on the scaffold until 7:30 p.m.
The condemned men in Sosnowiec were 30-year-old Mayer Kohn and his father, Nachun or Nahum.
Nachun (left, with wife) and Mayer.
They’d been caught trading on the black market, probably trying to feed their families, as no one could live long on the official rations. But as Fulbrook points out, the actual offense didn’t matter much to the Nazis:
These coordinated public spectacles of mass hangings do not seem … to have been in direct response to a particular crime; it seems there was a policy of ‘any Jew will do’, although infringements of German rules (including not only black market dealings but also very trivial ‘offenses’) were adduced as the ostensible ‘reason’ for these executions.
Thousands of people, both Jews and Germans, watched Mayer and Nachun Kohn die, then quietly went home.
Although virtually the entire Kohn family perished at the hands of the Nazis, Mayer and Nachun Kohn can claim a bit of immortality by virtue of being mentioned in Maus, Art Spiegelman’s famous graphic novel about the Holocaust: the author’s father, Vladek, hailed from Sosnowiec.
* The author of A Small Town Near Auschwitz is interviewed in this New Books In History podcast.