(Thanks to Amelia Fedo, a graduate student in French literature, for the guest post.)
On this date in 1793, Manon Roland (née Phlipon)* was guillotined as part of the Girondist purges in the Paris Terror.
As Olympe de Gouges — who preceded her to the guillotine by only a few days — observed, being a woman may have prevented her from holding political power under her own name, but it didn’t stop her from losing her own head.
Born in Paris to a bourgeois engraver, she married up through her alliance with quasi-aristocrat Jean-Marie Roland de la Platière. Twenty years her senior, he was chosen by her for his class status and intellect rather than for the love he inspired.
Ambitious from the start, Madame Roland took advantage of her husband’s (and later, her Girondin not-quite-lover François Buzot‘s) engagement in civic life to catapult herself into the role of behind-the-scenes stateswoman. She had been prepared for this role since childhood, when she had voraciously read Rousseau and Plutarch. Unlike Olympe de Gouges, she internalized the idea that women did not belong in politics — yet still she yearned to have an influence on the Republic.
And she did indeed succeed in wielding political power, with enough competence that Robespierre wanted her guillotined at least as much as her husband: everyone knew that she was the real force to be reckoned with.
Her political career was inextricably tied to her husband’s. Unable to hold political office herself, she lived vicariously through him. At first he was a bureaucrat, and she his secretary and personal assistant; but then he became involved in Parisian politics and was eventually appointed Minister of the Interior.
It was his wife who encouraged him to accept the position; for a year now she had been hosting salons frequented by a wide range of political movers and shakers, and she was itching to get in the game.
Monsieur Roland did not have a brilliant career as minister. His wife was the one with the vision and energy (the historian Lucy Moore claims that every good idea he had was hers); although devoted to Republican ideals he remained something of a milquetoast, and was attacked both by the snobby old guard (the lack of buckles on his shoes caused a scandal) and by the extreme left.
Although Madame Roland identified with Robespierre and was a good deal more radical than the Girondins (especially in her feelings about the monarchy), she and her husband were still officially associated with them. As such, they were swept up in Robespierre’s purges.
There were a few pre-Terror false alarms: a warrant was issued for Monsieur Roland’s arrest after the September Massacres, which Danton put the kibosh on; and in 1792, Madame Roland was dragged into court on trumped-up charges of corresponding with émigrés, but was able to use her oratorical skills to get herself acquitted.
When the Terror began, Monsieur Roland opted to keep his head down in the hopes of keeping it on, and resigned from his post as minister.
It was too late. In May 1793 Madame Roland was arrested again — unaccompanied by her husband, who had managed to escape into hiding.
She was subjected to a show trial like so many before and after her; although she had prepared a defense, she was not allowed to read it. Given that she was accused of “conspiring against the unity and the indivisibility of the Republic and attempting to introduce civil war,” neither her verdict nor her sentence are much of a surprise.
She was preoccupied with her husband (whom she declared would be driven to suicide by her execution), with Buzot (who was in grave danger of suffering her same fate), and with her own legacy. She seized the opportunity to be a martyr like the men she so admired — men who had been able to act in the open, rather than behind the scenes — and took advantage of the free time she had in prison to write her memoirs.
Most sources give similar accounts of her behavior before and during the execution. Content to die for her principles — or, perhaps, simply resolved to make a show of contentment — she maintained great calm and resignation in her final hours. The only favor she asked of anyone was that her childhood friend Sophie Grandchamp wait for her on the Pont-Neuf so that they could see each other when the tumbrel passed.
Influencing people up to the very end, Roland’s last political act was an attempt to impart some of her courage to the man who would share her tumbrel, a forger of assignats named Lamarche.
Lacking the sort of great social narrative that would give meaning to his death (such as a personal feud with Robespierre), Lamarche did not share Roland’s sanguine attitude; he thus found himself the recipient of a performance designed to alter his mood, consisting mostly of jokes, distractions, and modeled behavior. The events surrounding her execution have passed into legend, but various sources agree that she quipped to Lamarche after his hair was cut, “It suits you wonderfully. You have the head of a Roman.”
She also urged the executioner to leave her own hair long enough to serve as a suitable handle — for him to show her head to the crowd, of course.
As much as she detested Danton, it appears she had a few things in common with him after all.
Counterintuitively, it was considered a privilege to be guillotined first; it was merciful, the reasoning went, to kill someone before they could see others die. Roland chose to pass up this “privilege”; most attribute this to her desire to spare Lamarche the sight of her death, but Lucy Moore points out in Liberty: The Lives and Times of Six Women in Revolutionary France that she may have rejected the logic of such a “mercy” altogether and wished to live — like Madame du Barry — even a few moments longer.
After mounting the scaffold, she addressed a statue of Marianne, left over from a festival held in the Place de la Révolution; she is traditionally said to have exclaimed, “O liberty, what crimes are committed in your name!”, although a less reputable source (i.e., the apocryphal Sanson memoirs) assigns her the more prosaic last words, “Oh! Liberty, how they’ve tricked you!”
As she had predicted, her husband committed suicide two days later, falling on his sword as soon as he learned of her fate.
*This is only one of many names she has been called; Siân Reynolds explains in Marriage and Revolution: Monsieur and Madame Roland that “Manon” is a childhood name, and her adult name remains mysterious; it was either “Marie,” “Jeanne,” or “Marie-Jeanne.”
A few books about Madame Roland |
|
On this day..
- 1738: George Whalley and Dean Briant, wife-murderers
- 1842: The prisoner-mutineers of the Governor Phillip
- 1721: Catharaina Margaratha Linck, lesbian
- 1873: Twelve Cuban revolutionaries
- 1866: Robert Dodge, haunter
- 1944: Joseph Watson and Willie Wimberly Jr.
- 1752: James of the Glen
- 1676: Anna Schmieg and Barbara Schleicher, Langenburg witches
- 1861: Sushun, by Empress Dowager Cixi
- 1969: Nahashon Isaac Njenga Njoroge, assassin of Tom Mboya
- 1845: Lavinia Burnett and Crawford Burnett
- 1892: Jens Nielsen, the last in Denmark
- 1520: Stockholm Bloodbath