Jacob Bonfadius, a man otherwise not in the last place among the erudite, because of copulation with boys (a most vile and sordid thing), was beheaded in prison and publically burned. The French Dominique Phinot, a distinguished musician, was also killed in the same way for a very similar folly.
This throwaway remark by the Italian Renaissance man Cardano is our only clue to the fate — indeed, to the very biography — of the composer Dominique Phinot. Based on the volume’s publication in 1561, it is thought that Phinot suffered for his folly around 1557-1560. We don’t even know the place.
Whatever damnatio memoriae obscured him in death, Phinot (English Wikipedia entry | French) was a prominent and highly regarded musician in his working life, acclaimed an expert in polychoral motets. Some 90 exemplars, and dozens of other compositions, survive; the 17th century Italian musicologist Pietro Cerone credited Phinot’s innovations with opening the way for Palestrina.
He emerges for posterity through those compositions; the earliest surviving date to 1538 and his publication locales (and the powerful men to whom they were dedicated) suggest a man for whom patrons in northern Italy (and across the Alps in Lyons) eagerly competed in the 1540s and 1550s. It is known that Phinot was retained by the Duke of Urbino for a period.
It is surely topical to notice that our correspondent Cardano was himself widely whispered to enjoy the same folly, too: a Venetian whose deep interest in music led him to “adopt” into his wifeless** household a number of boys with musical gifts, Cardano could hardly fail to court suspicion. “The rumor was being circulated everywhere that I was using my boys for immoral purposes,” Cardano reports autobiographically of one instance where he was threatened with exposure. Cardano appears never to have been formally charged as a sodomite, but it is remarkable — and even, he admits, “foolishness” — that his brushes with danger never caused him to reconsider the boy-keeping policy.†
As a proper Renaissance man, Cardano’s interests stretched far beyond pederasty and a good tune. He was, in the backhanded compliment of Sir Thomas Browne, “a great Enquirer of Truth, but too greedy a Receiver of it” and treatised profusely on philosophy, law, geology, astronomy, pedagogy, medicine, and mathematics. The latter two fields brought him his fame, but his musings flashed intermittent prescience across disciplines. Cardano argued for the full mental capacity of the deaf, and correctly inferred that mountains had once been underwater from the presence of seashell fossils upon them. A cryptographic technique, a puzzle, and a gear mechanism all bear the Cardano name. His mathematician’s sure grasp on probability also made him a deft gambler — and he published yet another volume on this subject as a young man.
Cardano the physician’s most famous patient was the Archbishop of St. Andrews, whom Cardano in 1553 cured of a debilitating asthma that had stricken the prelate speechless and was thought untreatable by contemporaries. Thanks to Cardano, Archbishop Hamilton became spry enough to get hanged for murder in 1571.
Yet Cardano the man had a still closer acquaintance with the executioner’s office through the person of his firstborn son … a topic for another day’s post.
* Opera Omnia, vol. 2, p. 354 (Theonoston seu de tranquilitate) Translation via Clement Miller in “Jerome Cardan on Gombert, Phinot, and Carpentras,” The Musical Quarterly, July 1972. The aforementioned Gombert was another composer who got busted for same-sex contact; he caught a term in the galleys.
** Cardano’s wife Lucia died in 1546.
† For more see Guido Giglioni, “Musicus Puer. A note on Cardano’s household and the dangers of music,” Bruniana & Campanelliana, vol. 11, no. 1 (2005).