On this date in 1945, seven former members of Croatia’s World War II Ustasha regime were hanged in Zagreb by Tito‘s postwar Yugoslav government — the morning after they had all been death-sentenced at a one-day military trial.*
Despite the presence of wartime Prime Minister Nikola Mandic (English Wikipedia entry | Croatian) in the batch, the marquee name was writer Mile Budak
(English Wikipedia entry | the far more detailed Croatian and German).
The “minister of culture with a machine gun” in the branding of his leftist literary contemporary Miroslav Krleza, Budak spent the interwar years writing hit novels valorizing the Croatian peasantry (The 1,000-page Ognjište — Hearth — is the magnum opus) and also voluminous copy for far-right periodicals. Thanks to the latter activity, Budak endured an arrest, an attempted assassination, several years’ self-imposed exile to Italy, and (after his return) the murder of his wife.
Small wonder that when Germany broke off from the post-imperial Kingdom of Yugoslavia an “independent” Croatian puppet state, Budak signed up as its chief propagandist. Initially Minister of Education in 1941, he subsequently became its ambassador to Germany, and in 1943 its Foreign Minister.
He’s most notorious for the alleged aphorism “One third of the Serbs we will kill, one third expel, and the last third convert to Catholicism” — and though adherents widely dispute his authorship of any such phrase, Budak’s racial cosmology elevating Croatians (“an intersection of Slav and Gothic blood”) over their South Slav brethren was part of the intellectual scaffolding for his state’s wartime campaign of ethnic cleansing against Serbs. (It goes without saying that Jews and Roma were even more screwed.)
Judgments on the literary merit of Budak’s output appear to be driven heavily by the critic’s sympathy level with Budak’s politics. Post-independence Croatia has a robust far right that has often shown keen to rehabilitate the Ustasha, so it’s no surprise that Budak has been rediscovered as a writer and his name stapled to numerous streets in Croatia** and even to one in the Bosnian city Mostar — strictly in honor of his artistry and not the war business, mind you.
* Indeed, several — Mandic included — were only yielded up from British captivity in mid-May. (Link goes to a Croatian pdf)
** There’s one, for instance, in present-day nationalist enclave Knin — formerly the capital of the Serbian Krajina during the internecine 1990s wars. Knin’s capture and, er, ethnic reordering is the occasion celebrated on Croatia’s Victory Day holiday (August 5). It was for this operation that Croatian general Ante Gotovina was prosecuted by the International Criminal Tribunal for the former Yugoslavia; Gotovina’s eventual shock acquittal and release to a great nationalist orgy in Zagreb led Serbia to quit cooperation with the ICTY’s “selective justice”.