Posts filed under 'Arts and Literature'

1814: Juan Antonio Caro de Boesi

Add comment October 16th, 2019 Headsman

Above: Cristus Factus Est, composed by the black Venezuelan musician Juan Antonio Caro de Boesi. He was shot on this date in 1814 by the notoriously brutal royalist caudillo Jose Tomas Boves, for his support of independence.

There are oddly conflicting claims that he shared an orchestral martyrdom with Juan Jose Landaeta, the composer of Venezuela’s national anthem; however, most sources date this man’s death to as early as 1812, not in connection with a firing squad but an earthquake. This might be an instance where the unreliable narrator that is Clio has conflated the biographies of two similar figures.

For both of these and others besides from that generation of strife and birth, we submit Caro de Boesi’s Misa de Difuntos (Mass of the Dead).

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Entry Filed under: 19th Century,Artists,Arts and Literature,Capital Punishment,Death Penalty,Execution,History,Occupation and Colonialism,Power,Revolutionaries,Separatists,Shot,Spain,Summary Executions,Venezuela,Wartime Executions

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1983: Waldemar Krakos, Dekalog inspiration

Add comment October 10th, 2019 Headsman

Polish murderer Waldemar Krakos was hanged on this date in 1983 in Warsaw’s Mokotow Prison.

With a partner, Wiktor Maliszewski, he’d bludgeoned and strangled a female taxi driver to death on New Year’s Eve 1982/83, yielding a few thousand zlotys to drink away before their arrest on New Year’s Day.

Both initially caught a term of years when judge (and the future President of the post-Communist Supreme Court) Lech Paprzycki found that Krakos’s traumatic childhood rendered him mentally unfit to hang; but amid public clamor the sentence against Krakos was upgraded in June by the Supreme Court. (Although his was not a political crime, Krakos’s treatment was facilitated by Poland’s early 80s martial law.)

Prior to his execution the killer met cinema director Krzysztof Kieslowski. Five years later, Kieslowski’s acclaimed Dekalog drama series explores, in Dekalog: Five, a capital punishment case very much like Krakos’s own.

That film’s portrayal of violent lumpen “Jacek Lazar” brutally murdering a taxi driver and suffering a brutal hanging in retribution has been credited with helping bring about the abolition of the death penalty in Poland. Krakos, as a result, is among the very last to suffer that punishment in Polish history.

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Entry Filed under: 20th Century,Arts and Literature,Capital Punishment,Common Criminals,Crime,Death Penalty,Diminished Capacity,Execution,Hanged,History,Murder,Poland

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1938: Vladimir Varankin, Esperantist

Add comment October 3rd, 2019 Headsman

Russian writer Vladimir Varankin was executed on this date in 1938, during Stalin’s purges.

Varankin got interested in the international Esperanto language movement as a secondary school student in Nizhny Novgorod during the ecstatic months following the Bolshevik Revolution, and he founded an Esperantist club there that soon reached throughout the province.* This was the high-water moment for the Esperanto movement, now 30 years mature since its founding: World War I had shattered the international system and spawned small states and revolutionary governments shaping a new world on the fly. Esperanto would have been adopted by the League of Nations for official use but for the furious resistance of jealous France.

For the same reason that it interested visionaries and radicals, the language attracted the suspicion of authoritarians; in Mein Kampf Hitler denounced Esperanto as an insidious Semitic project.

the language spoken at the time by the Jew … is never a means of expressing his thoughts, but for hiding them. When he speaks French, he thinks Jewish, and when he turns out German poetry, he only gives an outlet to the nature of his people.

As long as the Jew has not become the master of the other peoples, he must, whether he likes it or not, speak their languages, and only if they would be his slaves then they might all speak a universal language so that their domination will be made easier (Esperanto!).

Esperantists became targets for political persecution in the Third Reich as a result.

In Soviet Russia, the utopian 1920s offered a far more congenial scene. These were the years Varankin came into himself and as he advanced in life, so did his enthusiasm for the artificial tongue. The late 1920s find him living in Moscow, teaching at the pedagogical institute and churning out a corpus of Esperanto books (Theory of Esperanto, the ideologically calibrated Esperanto for Workers) as well as study curricula. His magnum opus, the 1933 novel Metropoliteno, was also composed in Esperanto.

But Stalin’s purge years soon cast a pall over Esperanto and much else besides — even though Stalin actually studied a little Esperanto himself in his youth, according to Trotsky. (Pray, good reader, for Koba’s Esperanto instructors.) In about 1937 he abruptly reversed the Soviet Union’s formerly benign view of Esperanto; now, the movement’s internationalism would be held to affiliate it with the purported foreign cabals whose subversions furnished the pretext for demolishing so many lives. In Varankin’s case, and facilitated by an unauthorized visit he had made to an Esperanto conference in Germany many years before, the charge — unanswerable in those terrible days — was that his Esperantist circles comprised a network of fascist spies and saboteurs overseen by enemies abroad.

The verdict against him was posthumously reversed in 1957.

* The regional environs of present-day Nizhny Novgorod Oblast, of which the city Nizhny Novgorod is the capital; in Varankin’s youth, this was a gubernia, a regional unit held over from the deposed imperial administration. Russia’s “states” were greatly redrawn and redefined during the first decade of the Soviet experiment, and gubernias were abolished in 1929.

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Entry Filed under: 20th Century,Activists,Artists,Arts and Literature,Capital Punishment,Death Penalty,Espionage,Execution,History,Posthumous Exonerations,Russia,Shot,Torture,Treason,USSR

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Feast Day of St. Maurice

Add comment September 22nd, 2019 Headsman

September 22 is the feast date of early Christian martyr Saint Maurice, and of the legendary all-Christian Theban Legion which he commanded.

This legion raised from Egypt is supposed to have converted en masse to Christianity, and suffered the persecution of Diocletian when it was deployed to Gaul and there refused to sacrifice to pagan gods or harass local Christians. The hagiography — and the earliest source is Eucherius of Lyon, a century and a half after the supposed events — holds that the legion stood a decimation to punish its fidelity, and then another, and then another … and then finally they dispensed with the fractional increments and killed the entire remaining 72.9% of them.

Ancient Christian martyrologies of course boast quite a few soldiers but in their day, from late antiquity all the way to Early Modern Europe, Maurice and the Theban Legion had star treatment on the relic-and-pilgrimage circuit. Many bygone political concerns adopted Maurice as a patron: Burgundy, the French Merovingian and Carolingian dynasties, and their successors the Holy Roman Emperors; the House of Savoy; the Lombard kingdom; and of course such cities as Saint-Maurice, Switzerland, St. Moritz, Switzerland.

Notably, Maurice has been depicted as black since the refurbishment of the Magdeburg cathedral in the mid-1200s, when a piece of statuary (still surviving today) marks an apparent pivot from previous white Maurices perhaps reflecting Europe’s contact with Ethiopian Christians facilitated by the Crusades.

Whatever the reason, the black Maurice quickly became the dominant image in Germanic central Europe, which in turn redounded to a reputation as “the first black saint”. For that reason, Maurice is a seminal figure in European artistic representation of black Africans.

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Entry Filed under: Ancient,Arts and Literature,Egypt,Execution,France,God,History,Martyrs,Mass Executions,Put to the Sword,Racial and Ethnic Minorities,Religious Figures,Roman Empire,Soldiers,Uncertain Dates

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1943: Amos Pampaloni, Captain Corelli’s Mandolin inspiration

Add comment September 21st, 2019 Headsman

Italian artillerist Amos Pampaloni, the real-life model for the title character of the novel and film Captain Corelli’s Mandolin, miraculously survived execution on this date in 1943.

It occurred at the outset of the Cephalonia Massacre on September 21, 1943, which began a dayslong slaughter on that Greek island by German soldiers of their former Italian comrades. With some 5,000 victims, it’s one of the largest POW massacres of the Second World War.

Captain Pampaloni was among 500-odd officers deployed with the 12,000-strong Acqui Infantry Division. This formation had been part of fascist Italy’s invasion of Greece in 1940-41; after victory in that campaign, the Acqui Division occupied several Greek islands over the succeeding years, where German troops were also stationed.

The Pact of Steel uniting these powers melted abruptly in early September of 1943, when the Allies forced Italy into an armistice. For Italian forces standing in the field cheek-by-fascist epaulette, this forced a sudden and dangerous reckoning. Some units had barely even heard of the new situation before they were under German guns; in a best-case scenario, they had to decide within a few hours or days between radically different attitudes towards their up-to-now comrades-in-arms.

The Acqui on the Ionian island of Cephalonia (Kefalonia) was a case in point. In the days following the Italian armistice, the much larger German force presented its commanders an ultimatum to decide among three alternatives:

  1. Continue fighting alongside the Germans
  2. Fight against the Germans
  3. Surrender, disarm, and repatriate

While the last of these might seem the obvious course, disarming was contrary to the Italian high command’s ambiguous order neither to initiate hostilities with Germans, nor to cooperate with them. Moreover, the Cephalonia division got some reports in those confused days that the Germans weren’t always repatriating units that surrendered. The soldiery was polled on the options, and went for resistance.

Unfortunately the Italians were thoroughly outgunned in this fight, and the Allies refused to permit dispatching reinforcements from Italy that might easily be captured by the Germans. Within days the Acqui had been roughly brought to heel.

Outnumbered and suffering under accurate mortar fire, Pampaloni decided to surrender. The captain protested that it was against the rules of war when his men were systematically robbed of their wallets and watches, only to be told by the German commanding officer that those rules applied to prisoners, not to traitors.

The officer then shot the captain through the back of the neck, and the rest of his men, including the wounded, were mown down with machine gun fire. Miraculously still alive, Pampaloni remained conscious as a German soldier removed his own watch from his apparently lifeless body.

Captain Pampaloni was not, in fact, the only soldier from his company to survive. “The mule handlers were spared, because every mule responds best to his own master,” he said. “Ten minutes after the massacre the German soldiers left, singing.”

Captain Pampaloni went on to fight for a year with the Greek resistance on the mainland. Having witnessed the brutality of the conflict on Cephalonia, he was still shocked by the sight of partisans slitting the throats of German prisoners with their daggers — ammunition was too precious to be wasted on executions.

Cefalonia – crimine di guerra 1 from Va.Le. Cinematografica 78 on Vimeo.

Cefalonia – crimine di guerra 2 from Va.Le. Cinematografica 78 on Vimeo.

Numerous summary executions disgraced the German victory. (There’s a monument to the victims in Verona.) Our man Amos Pampaloni faced his on the first day of the general massacre; according to a 2001 profile in the Guardian,

Outnumbered and suffering under accurate mortar fire, Pampaloni decided to surrender. The captain protested that it was against the rules of war when his men were systematically robbed of their wallets and watches, only to be told by the German commanding officer that those rules applied to prisoners, not to traitors.*

The officer then shot the captain through the back of the neck, and the rest of his men, including the wounded, were mown down with machine gun fire. Miraculously still alive, Pampaloni remained conscious as a German soldier removed his own watch from his apparently lifeless body.

Captain Pampaloni was not, in fact, the only soldier from his company to survive. “The mule handlers were spared, because every mule responds best to his own master,” he said. “Ten minutes after the massacre the German soldiers left, singing.”

Captain Pampaloni went on to fight for a year with the Greek resistance on the mainland. Having witnessed the brutality of the conflict on Cephalonia, he was still shocked by the sight of partisans slitting the throats of German prisoners with their daggers — ammunition was too precious to be wasted on executions.

In the novel Captain Corelli’s Mandolin, Pampaloni’s fictional imitator survives thanks to a noble comrade who hurls his body in front of the fusillade.

Pampaloni didn’t appreciate Mandolin all that much, owing to its hostile depiction of the Communist partisan movement that he joined after surviving his execution. For those seeking alternative literatures, there’s also a 1960s novelization of the Greek resistance on Cephalonia by Marcello Venturi; written in Italian (as Bandiera bianca a Cefalonia), it’s long out of print in English as The White Flag.

* Prior to the Italian armistice, the Italian forces on the island were working on an arrangement to obey German command structures; hence, the brutal treatment of Italian prisoners who could be conceived as not merely prisoners of war, but traitors or rebels unprotected by any law of war. A German directive had explicitly demanded as much: “because of the perfidious and treacherous behaviour on Kefalonia, no prisoners are to be taken.”

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Entry Filed under: 20th Century,Arts and Literature,Borderline "Executions",Capital Punishment,Death Penalty,Execution,Executions Survived,Germany,Greece,History,Italy,Mass Executions,No Formal Charge,Not Executed,Occupation and Colonialism,Shot,Soldiers,Summary Executions,Wartime Executions

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1973: Charles Horman, American journalist in the Pinochet coup

Add comment September 18th, 2019 Headsman

Horman was interrogated at the military school and then transferred to the national stadium for further questioning. He was ordered shot and killed the evening of September 19. According to [redacted] the authorities at the stadium did not know that Horman was an American … the body was taken from the stadium and left at a location to create the idea that he had been killed in a firefight with the military. However, in the confused days following the coup, and after it was known that he was an American, the military sought to hide the fact that he was dead.

Declassified informant’s report (pdf) of the death of Charles Horman

On this date in 1973,* American journalist Charles Horman was extrajudicially executed by the Chilean coup junta of Augusto Pinochet.

Horman was a prizewinning U.S. journalist and filmmaker from the heyday of crusading, adversarial journalism: stateside, he’d made a documentary about napalm use in Vietnam and protested that war at the 1968 Democratic convention in Chicago.

With his wife Joyce, Horman had been living in the Chile of socialist president Salvador Allende since the spring of 1972, reporting freelance while working as a screenwriter. He was right there in the capital on September 11, 1973, to see Allende’s vision ground under tank treads when the Chilean military with U.S. support overthrew the elected civilian government and initiated a litany of horrors.

One of the most emblematic atrocities of Pinochet in his earliest hours was his regime’s commandeering the Santiago football stadium as a makeshift concentration camp for leftists whose blood would desecrate the facility’s recreational purpose.**

The putschists did not fear to extend their terror to subversive Yanks like Horman and (a few days after him) a fellow-journalist named Frank Teruggi — their murders secretly okayed by Pinochet’s CIA comrades.†

There’s a 1978 book investigating this affair, titled The Execution of Charles Horman; the book, and Horman’s fate, inspired the 1982 Costa-Gavras film Missing.

* There are some citations out there for September 17 (the date of Horman’s arrest) or September 19, and a good many general punts to only “September 1973” for this extrajudicial execution/murder. We’re depending for our part on the firm published findings of Chilean judge Jorge Zepeda:

the following day, September 18, 1973 at around 1:35 p.m., military officials took the remains of an unidentified male to the Servicio Medico Legal [Medical Legal Department], and this individual was later fingerprinted and identified as Charles Edmund Horman Lazar, in accordance with Protocol No. 2663/73; the Medical Legal Department concluded that his death had occurred on September 18 at approximately 9:45 a.m. The corresponding death certificate was issued on October 4, 1973 by Doctor Ezequiel Jimenez Ferry of the aforementioned Department.

** In November 1973, the Soviet Union honorably refused to set boots on this boneyard to contest a World Cup playoff and was disqualified as a result — although not before the hosts were made to take the pitch unopposed in a sham “match”.

Thanks to Chile’s consequent advance to the 1974 tourney, a Chilean player holds the distinction of being the first footballer red-carded at the World Cup finals.

† Post-Pinochet Chile unsuccessfully sought the extradition of the former American military mission commander for permitting these murders, when he as the delegate of the coup’s sponsor-empire presumably would have had the juice to forbid them.

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Entry Filed under: 20th Century,Artists,Arts and Literature,Borderline "Executions",Capital Punishment,Chile,Death Penalty,Execution,History,No Formal Charge,Power,Shot,Summary Executions,Torture

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1767: Elsjen Roelofs

Add comment September 9th, 2019 Headsman

Elsjen Roelofs was broken on the wheel at Assen on this date in 1767 — an unusual fate for a woman, inflicted for poisoning her husband. The sources about her, and the links in this post, are almost exclusively in Dutch.

A farmer’s daughter who made a property-driven arranged marriage to another farmer, Roelofs was seemingly (so a neighbor described) driven to her desperate act when the said Jan Alberts purposed to move away, which would have separated her from her own family.

This poignant story is speculatively novelized by Janne IJmker in Achtendertig Nachten (Thirty-Eight Nights, which was the distance of time between the pregnant Roelofs delivering her daughter in prison on August 2, and the execution of the sentence). (Here’s a review.)

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Entry Filed under: 18th Century,Arts and Literature,Broken on the Wheel,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Gruesome Methods,Murder,Netherlands,Public Executions,Women

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2013: Sushmita Banerjee, Escape from the Taliban author

Add comment September 4th, 2019 Headsman

On the night of September 4-5, 2013, Afghan author Sushmita Banerjee was kidnapped and summarily executed by the Taliban.

Born Hindu to a Bengali Brahmin family in Kolkata, India, Banerjee secretly married a Muslim businessman named Janbaz Khan and moved with him to Afghanistan, converting to Islam in the process.

She ran a women’s clinic there until goons from the rising Taliban movement beat her up and held her prisoner in 1995. In danger of being executed by her captors, she managed to escape and return to Kolkata.

She made her mark publishing a memoir of her harrowing experience. Kababuliwalar Bangali Bou (A Kabuliwala’s Bengali Wife) was the nondescript title; Bollywood punched it up for the silver screen as Escape from the Taliban.

This was Banerjee’s claim to fame or — Taliban perspective — infamy, and it’s possible it was the eventual cause of her murder.

“She had no fear,” a sister remembered of her. Fearlessly, or even recklessly, she returned to Afghanistan in 2013 — daring even to live in the militant-dominated border province of Paktika and refusing to wear the burka.

A Taliban splinter group disavowed by the Taliban itself ultimately claimed responsibility for kidnapping Banerjee on the night of September 4, 2013 and depositing her bullet-riddled body to be discovered the following morning; their charge was that Banerjee was an “Indian spy”.

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Entry Filed under: 21st Century,Afghanistan,Artists,Arts and Literature,Borderline "Executions",Disfavored Minorities,Execution,No Formal Charge,Racial and Ethnic Minorities,Ripped from the Headlines,Shot,Summary Executions,Wartime Executions,Women

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1662: Claude Le Petit, dirty poet

Add comment September 1st, 2019 Headsman

Poet Claude Le Petit was burned in Paris on this date in 1662 for “verse and prose full of impieties and blasphemies, against the honor of God, the Virgin and the State”.

Although in his youth he had fled abroad to escape the custody of the Jesuits, Le Petit was back in Paris studying law when he took up the pen to lampoon the scandals of the great and the good. He’s most famous for Le Bordel des Muses, a collection of 73 little sonnets, songs, and other tidbits plus five great lampoons about several of the European capitals his expatriate feet had trod: Paris Ridicule, Madrid Ridicule, London RidiculeVienna Ridicule, and Venice Ridicule. Alas, of this magnum opus only the first two of these Ridicules, plus eight of the little poems, survive to us.

He’s known for scabrous verse but Le Petit had a subversive outlook that made him far more dangerous in the eyes of France’s gathering absolutism than some mere pornographer, as in two surviving pieces that he wrote against the 1661 execution of Jacques Chausson, for sodomy.*

If we burned all those
Who do like them
In a very short time alas
Several lords of France
Great prelates of importance
Would suffer death.
Do you know the storm that rises
Against all good people?
If Chausson loses his case,
The arse (“le cu“) will not serve any more.
If Chausson loses his case,
The cunt (“le con”) will prevail.
I am this poor boy
Named Chausson
If I was roasted
At the flower of my age
It’s for the sake of a page
Of the Prince of Conde. [a bisexual lord -ed.]
If the bastard D’Assouci. [a raunchy poet who was possibly the lover of Cyrano de Bergerac -ed.]
Had been taken
He would have been roasted
In the flames
Like these infamous two
Chausson and Fabri.

After Chausson was indeed executed, Le Petit wrote:

Friends, we burned the unfortunate Chausson,
That rascal so famous, with a curly head;
His death immortalized his virtue:
Never will we expire in a more noble way.
He sang cheerfully the lugubrious song
And bore without blanching the starched shirt,
And the hot fagots at the fiery stake,
He looked at death without fear or shudder.
In vain his confessor exhorted him in the flame,
The crucifix in hand, to think of his soul;
Then lying under the stake, when the fire had conquered him,
The infamous one towards the sky turned his foul rump,
And, to die finally as he had lived,
He showed his naughty ass to everyone.

Writing behind the mask of anonymity, Le Petit was obscene, yes, but more important was that he deployed obscenity to mock the powerful extending even to the sovereign and the organs of society that upheld his authority. In his tour of Paris Ridicule — lingering stanza by stanza over various landmarks and institutions — we’re drawn to his commentary on the site of his own future passion, the Place de Greve where public executions were staged:

Unhappy plot of land
At the dedicated public gibbet,
Where we massacred
A hundred times more men than at war.

It’s said that Le Petit was exposed when a gust of wind incidentally whipped a leaf from his latest profane commentary out an open window and into the hands of a passing normie who reported the smut and thereby cascaded an avalanche upon the young writer. (Le Petit was only 23 at his death.)

“I believe this punishment will contain the unbridled license of impious and the rashness of printers,” one official noted** — underscoring the overt intention of the execution to intimidate other practitioners on the growing print culture scene. Le Petit’s fame and that of his outlaw pasquinades only grew as a result of his punishment — but this outcome was by no means detrimental to the intended policy, since each impression also came with the murmured recollection of its creator’s fate.


Claude Le Petit verse on the ceiling of a porch at rue de Nevers near Pont Neuf. (cc) image by vpagnouf.

* The original French verse is from Chausson’s French Wikipedia page.

** Cited in this Francophone academic paper on the affair.

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Entry Filed under: 17th Century,Artists,Arts and Literature,Burned,Capital Punishment,Death Penalty,Execution,France,History,Lawyers,Public Executions

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Feast Day of St. Genesius

Add comment August 25th, 2019 Headsman

“I love acting. It is so much more real than life.”

Oscar Wilde

August 25 is the feast date of Saint Genesius of Rome.

He’s the patron of actors and to judge by his career he was the earliest and greatest pioneer of the Method.

The story with Genesius, and as usual for early Christians we have more of hagiography than historicity, is that during the persecutions of Diocletian, the very pagan St. G. was tasked with caricaturing a Christian convert on stage. As a fellow thespian poured a “baptism” over him, Genesius was bathed instead by the Holy Spirit and actually converted, right on the spot — preaching to the infuriated emperor,

I came here today to please an earthly Emperor but what I have done is to please a heavenly King. I came here to give you laughter, but what I have done is to give joy to God and his angels. From this moment on, believe me, I will never mock these great mysteries again. I now know that the Lord Jesus Christ is the true God, the Light, the Truth and the Mercy of all who have received his gift of baptism. O great Emperor, believe in these mysteries! I will teach you, and you will know the Lord Jesus Christ is the true God.

Diocletian had him tortured and beheaded instead.

Apart from actors, Genesius also accepts petitions from the whole gamut of jesters and caperers including clowns, comedians, dancers and musicians. Also lawyers.

There is a Fraternity of St. Genesius, recently developed to support Catholics working in theater and cinema. Theaters bear his name in Illinois, Pennsylvania, and Sydney, Australia.

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Entry Filed under: Actors,Ancient,Arts and Literature,Beheaded,Capital Punishment,Death Penalty,Entertainers,Execution,God,Italy,Martyrs,Religious Figures,Roman Empire,The Supernatural,Torture,Uncertain Dates

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