The first execution in Tunis since the French occupation took place yesterday. Three Kroumirs, Ali Ben Debbah, Mahomed Ben Salah, and Ali Ben Salah, who had assassinated two Kabyle merchants in order to rob them, were guillotined in the morning at the Saadoun Gate.
At half-past 4 o’clock, M. Herbault, the Procureur of the Republic, in presence of several officials, announced to the condemned men that their appeal for mercy had been rejected. They received the statement very quietly, although they protested, as they had previously done, that they were innocent. As the prison is at some distance from the place of execution, it was not till 25 minutes past 5 that the prison van, preceded and followed by a company of Zeuaves, reached the place of execution, where a large crowd had assembled. At half-past 5 the bodies were removed to the Sadiki Hospital.
In order to put down any attempt at disturbance a large number of soldiers were drawn up near the guillotine, but there was no occasion for their services. There were very few natives among those present at the execution. A fourth Kroumir, who was condemned to death for the same crime, was informed yesterday that his sentence had been commuted by the President of the Republic.
(Thanks to Robert Elder of Last Words of the Executed — the blog, and the book — for the guest post. This post originally appeared on the Last Words blog here. Fans of this here site are highly likely to enjoy following Elder’s own pithy, almanac-style collection of last words on the scaffold. -ed.)
“You may break my neck, but you won’t break the seal of manhood.”
-Thomas R. Dawson, convicted of desertion and rape, hanging, Virginia.
Executed April 25, 1864
An Englishman who had served in the Crimean War, Dawson was already the recipient of both the Victoria Cross and the Cross of Honor. [but see this post’s comments -ed.] He had been serving in Company H, Twentieth Massachusetts Infantry, when he was convicted. “He was an excellent soldier,” according to the infantry record, “intelligent and obedient.” On the gallows, a misjudgment of rope length caused Dawson to hit the ground standing when he fell through the trapdoor.
Panicking, the executioner grabbed the end of the rope “and jerked the prisoner upwards until death slowly came.”
There is next to no archival information surviving that would give us insight into this remarkably lateHexenprozess. However, it seems that Schnidenwind got Willinghamed: when a fire destroyed the village of Wyhl, local grandees immediately assumed that the cause of such a devastating event ware eine Zauberin (“would have been a sorceress,” as an abbot wrote in his diary).
Having begun from the conclusion it was simply a matter of finding the witchiest character in the vicinity to fit as the Zauberin. Schnidenwind, a 63-year-old peasant, probably had some pre-existing reputation as a possible witch — a reputation that a visit to the rack obligingly confirmed.
Alv Erlingsson made his sea-dog bones in this conflict, terrorizing Hanseatic League fleets and eventually raiding the Danish coast as well. His “Viking” reputation proceeds not only from this mastery of the waves but from his willingness to direct it even against his own king and country.
Although he was a senior enough official to be dispatched as an envoy to the English king in 1286,* a falling-out with King Eric‘s brother Haakon led Erlingsson to actually attack Oslo the following year.** His marauders put it to the torch and murdered the garrison commander — after which Erlingsson was a robber baron in the fullest sense of both words.
He set up as a freebooter operating out of Riga and preying by land and sea on whomever he could lay a sword on: the Teutonic Knights fretted the “harmful wolves led by the Count of Tønsberg.” This too is a part of his Viking image: King Eric and the Hanse made peace soon enough so that everyone could resume getting rich on trade. Erlingsson didn’t, or couldn’t, make that arrangement and so made his way taking plunder from the fringes of proper civilization. From the standpoint of posterity he looks positively anachronistic.
Call it Viking or piratical, romantic or loathsome — it caught up with him quickly in 1290 when he was captured on the Danish coast. Now despite his high birth he had no clout of his own and no diplomatic protection to shield him from revenge against the devastation he had visited upon those lands.
Information on this amazing character is not as widely available as one might hope; there’s a useful biographical sketch of him by Gabriele Campbell here (already cited in this post). The same blogger also has a follow-up post unpacking the games of thrones taking place in the same milieu.
* England and Norway were on a friendly footing, and the countries were maneuvering towards terms for Norwegian-Scots Princess Margaret to come to the Scottish throne.
** Erlingsson’s successful 1287 attack on Oslo led directly to the initial construction (in the 1290s) of Akershus Fortress, to shore up that city’s defenses. This medieval castle still guards the port to this day; it also hosted the execution of Vidkun Quisling and several other condemned traitors after World War II.
Two hundred years ago today, Lancaster Castle hosted a quintuple hanging, starring career thief George Lyon.
At age 54, Lyon could be considered a throwback: he openly styled himself “The King of Robbers”, inspiring a sarcastic hack “to congratulate the inhabitants of Wigan and the neighbourhood, and indeed the country at large, on the conviction of George Lyon.” (This notice ran in a number of publications at the time.) He was basically a well-known crook and authorities were thrilled to get one of his fellows to turn Crown’s Evidence on him and make a charge stick.
He had eleven indictments including a stickup of the Liverpool mail, and on this basis has been described as the last highwayman executed at Lancaster — but in the main his methods less romantic and more straightforward. The crime that hanged them — for Lyon died along with two confederates, plus two other unconnected men — was taking advantage of the access a house-painting hire afforded them to just loot the joint.
Lyon did make sure to class it up for his hang-day, however, in a natty black suit and jockey boots to be on point for some 5,000 Lancastrians who reportedly crowded the banks of the castle moat to gawp.
Lyon’s wife arranged to take the body — saving the old footpad from a posthumous anatomization — and buried it in Upholland in the grave of their daughter, Nanny Lyon. (The stone can still be seen to this date: it does not mention George.) It’s been alleged that his spirit has been spooking the place in the 200 years since, including at the venerable White Lion Pub, adjacent to Nanny and George’s final resting place.
Lancaster Gazette and General Advertiser, April 29, 1815
On this date in 1897, criminals William Haas and William Wiley became the first two people to be executed in Ohio’s electric chair. Haas had actually been scheduled to die earlier that month, but the chair had a damaged electrical coil and his execution was postponed so the coil could be replaced.
William Wiley (left) and William Haas.
Haas, an illiterate farm worker, had had murdered Mrs. William Brady, his employer’s wife, the previous summer in Cincinnati. He raped her, slit her throat after she threatened to tell her husband, and set the house on fire to cover his tracks. Some berry pickers nearby saw the fire, though, and put it out before it could cause any real damage. Haas found himself arrested that very same day. He was only seventeen years old.
Thirty-eight-year-old Wiley, a tailor who was also from Cincinnati, had shot his wife to death in a drunken, jealous rage, “seemingly possessed by the devil himself.” After the murder he hid in a closet and was injured in the ensuing fight with police officers as they attempted to arrest him.
The prison officials made Haas and Wiley flip a coin to determine which would die first, and Haas “won.” He was electrocuted at 12:27 a.m.
Just after his body was removed from the chair, Wiley was brought in. A Sacramento Daily Unionarticle summarized the results:
An examination of the bodies after they had been removed to the prison morgue did not disclose even the slightest abrasion or irritation of the skin at the points of contact, and the physicians and experts pronounced the executions as perfect as it was possible to make them.
Bondy, today a Paris suburb, was in the Middle Ages a forest notorious for the bandits and murderers who laired in its leafy shadows — a reputation stretching back to antiquity. The Merovingian king Childeric II was assassinated while hunting there.
Just as the French Revolution swept away the titles and prerogatives left over from feudal Europe, it put the onetime thieves’ forest on the track to respectability. The golden age of the highwayman was rapidly closing anyway; as the 19th century unfolded, the lumberman, the railroad, and the police inspector combined to drain away the outlaw’s arboreal habitat.
Take the tram where angels once feared to tread. ((cc) image from gasdub.
But such transitions do not happen overnight, and on this date in 1824 were guillotined in Paris three representatives of this vanishing species — brigands from a ferocious gang who, in the words of their executioners’ memoirs, “excelled in the art of waylaying stage-coaches, and killing the passengers if they refused to give up their money.”
Renaud, Ochard and Delaporte were their names; five others of their band had received sentences of life in prison at hard labor.
On this date in 1779, Londoners crowded Tyburn to witness the hanging of James Hackman for a sensational high-society murder.
Just twelve days before his date with the hemp, Hackman had walked up to Martha Ray at the Royal Opera and shot her in the head with a single-shot pistol. Then, he turned a second weapon on himself in a vain attempt to commit suicide.
The reader is not mistaken to detect here the mania of unrequited passion. Several years before the young Hackman was a handsome lieutenant introduced to Martha Ray’s social circle. She was a successful soprano on the London stage and though unmarried lived with the Earl of Sandwich as his wife in all but the illustrious name.
Yes, this is the very Earl of Sandwich who pioneered the eating of things stuck between bread slices.* Sandwich — John Montagu to his parents — had other interests besides the munchies; he was the capable First Lord of the Admiralty throughout the 1770s. (As a result, Captain Cook, whose seafaring explorations were occurring at that time, kept naming islands for the Earl of Sandwich).
Domestic life for the Earl and his legal Countess — not “Earless”; that’s a different thing — wasn’t quite as satisfying. Dorothy Montagu, going gradually insane, separated from Sandwich. The lord plucked 17-year-old commoner Martha Ray — a quarter-century Sandwich’s junior — in 1759 and she lived as his mistress from there on out.*
Despite their age difference and never-formalized status they had a comfortable arrangement; Ray bore Sandwich nine children** and the two appeared in public as a couple. The Earl sponsored Martha Ray’s opera career and education.
James Hackman met the Earl’s mistress around 1775 and the two formed an intimacy. Just how intimate they might have been has never been firmly established but is clear that as time passed the infatuation increasingly ran in only one direction. Hackman sold his commission in the 68th Regiment of Foot to become a Church of England deacon, perhaps angling by this expedient to woo Martha Ray away from Sandwich to a wholly respectable union.
She understandably demurred on this “opportunity” — leading the greenhorn Reverend to his blackguard act.
Hackman’s pointless waste of Martha Ray’s life and his own plucked his contemporaries’ sentimental heartstrings like nothing else. “All ranks of people … pitied the murderer’s fate,” remarks the Newgate Calendar. One newspaper report of the death sentence noted that “all present were greatly affected” at Hackman’s agitations “and however we may detest the crime, a tear of pity will fall from every humane eye on the fate of the unhappy criminal.” (General Advertiser and Morning Intelligencer, Apr. 17, 1779)
James Boswell was fascinated by the crime; he attended the trial and spilled many public and private words on its subject.
Boswell empathized with Hackman: in a report of the trial for the St. James’s Chronicle (Apr. 15-17, 1779) he opined that the “natural Effect of disappointed Love, however, shocking it may appear, is to excite the most horrid Resentment against his Object, at least to make us prefer the Destruction of our Mistress, to seeing her possessed by a Rival.” Not that Boswell condoned the murder, but “I would say to all that are conscious that their Passions are violent, Think ye that htis unfortunate Gentleman’s general Character is … worse than yours? No, it is not.”
While Human Justice is to be satisfied, let us consider that his Crime was neither premeditated‡ Cruelty, nor base Greediness. He is therefore an Object neither of Abhorrence nor of Contempt … Let us unite our fervent Prayers to the Throne of Heaven, that this our Brother may obtain Forgiveness through Jesus Christ, and be admitted in another State of Being to everlasting Happiness.
The kinship so many Londoners felt for this homicidal stalker moved print copy high and low, before Martha’s body had gone quite cold. Its most notable product was the 1780 Love and Madness, an epistolary novel of tragic passion presented via the (fictitious) letters exchanged by the supposed lovers. So heavily did this understanding of events by Hackman’s contemporaries color its subsequent remembrance that Love and Madness is also the title or subtitle of two 21st century nonfiction considerations of the affair. (1, 2 | Review of both)
Hackman for his part carried off the requisite public posture of resigned tragic nobility in the few days before he satisfied human justice. The General Evening Post, April 17-20 1779 described the execution:
This unfortunate gentleman received the sacrament in the morning with all the fervency and devotion of a sincere repenting criminal: — he repeated that affecting acknowledgment of his guilt, which on his trial drew tears from the audience, and seemed in a state of composure, unruffled with the idea of punishment, which, he said, was no more than he deserved.
At nine o’clock he came into the press-yard, where a great crowd of persons assembled to gratify their curiosity. That all might have an equal share of the sight, a lane was formed by the multitude on each side, through which Mr. Hackman passed, dressed in black, leaning on the arm of his friend the Rev. Mr. Porter, whose hand he squeezed as he muttered the solemn invocation to Heaven, not to forsake a sinner of so enormous a degree, in the trying hour of death.
Mr. Hackman was conveyed from Newgate in a mourning coach, attended by the Rev. Mr. Porter Mr. Villette, the ordinary of Newgate, and Mr. Leapingwell, a Sheriff’s officer.
He reached Tyburn about a quarter before eleven o’clock. When he arrived at the fatal tree, a cart lined with black was under the gallows ready to receive him. Mr. Porter and Mr. Villette ascended it by a pair of steps, and he followed them unsupported. As soon as he had got into it he walked forward, and fell on his knees, (a position seldom used by persons in his circumstances at Tyburn, as they always pray standing) and the Clergymen did the like, one on each side of him, where they remained praying for about fifteen minutes, then got up, when the rope was put about his neck, and tied to the gallows.
In this manner he remained praying between the two Divines for ten minutes more, when the Rev. Mr. Porter embraced him, and Mr. Villette took his leave, and both left the cart. The convict[‘]s cap being pulled over his face, he told the executioner to leave him to himself for a few minutes, and he would drop his handkerchief as a signal when he was ready, which he did after a few minutes pause, and was thereupon launched into eternity.
His whole behaviour was manly, but not bold: his mind seemed to be quite calm, from a firm belief in the mercies of his Saviour.
He wore not hat, not any bandage on his face where he gave himself the wound, that the public curiosity might not be interrupted in looking at him; saying, “that he wished to be made a public spectacle of, and hoped his death might be of service to mankind.”
He was no ways convulsed, nor was their [sic] any motion of the body that tended to shew it experienced any pain. Nothing more was to be seen than what proceeded from the jerk on quitting the cart.
The mob was more numerous than on any other occasion since the death of Dr. Dodd. It was expected Mr. Hackman would suffer at Covent-garden, and preparations were made by some speculating carpenters, who met with a mortifying disappointment.
After hanging the usual time, his body was put into a hearse, and taken to Surgeons-hall in the Old Bailey, where it was prepared for the inspection of the public.
Mr. Harkman expressed a wish to his friends, that the ceremony of anatomizing his body might be dispensed with; and that his corpse might be treated in the same manner as that of Lord Ferrers.
Mr. Hackman intimated to a particular friend, that if his remains could be deposited near those of Miss Ray he should feel inexpressible happiness in the hour of death.
A man who was standing near a dray in Oxford-street to see Mr. Hackman pass, was thrown down under one of the horses by the crowd; the horse being frightened, stamped on the man, and beat out his brains.
* Allegedly so that the Earl wouldn’t have to leave his beloved gambling table to dine.
** There is a wonderful bon mot that has enlivened compendia of anecdotes through the years, consisting of more or less the following exchange:
First speaker: You will either die on the gallows or of some social disease.
Second speaker: That depends upon whether I embrace your principles or your mistress.
‡ Hackman had to be talked off simply pleading guilty but in the end he hung his trial hopes on arguing that he intended to kill himself, in Martha’s presence, and was overwhelmed by a momentary “phrensy”. A letter in his pocket meant to be delivered posthumously to his brother-in-law supported this claim; the fact that he brought two guns to meet her rebutted it.
Trial judge William Blackstone pointed out to Hackman’s jurors that the composure of the accused before and after the crime did not suggest a madman and that accepting Hackman’s claim of only an instant’s insanity could present a very slippery slope indeed for future murder prosecutions.
On this date in 1635, Elizabeth Evans (known as “Canonbury Besse”) was hanged for murder.
Sometimes characterized as one of early modern Europe’s pioneer serial killers, Evans was not driven to slaughter by compulsion — merely by its emoluments. Using an early version of the timeless “Lonely Hearts killer” scheme familiar to a later era of classified adverts and Craigslist postings,* Evans and her beau Tom Sherwood committed at least five homicides via the expedient of Canonbury Besse’s allures.
Once the prospect had been enticed to a private rendezvous, Sherwood — “Country Tom” — would jump him, and the couple would rob the body. A straightforward enterprise, with a straightforward consequence. (Sherwood had already gone to the gallows on April 14th.)
The ballad “Murder Upon Murder” blames Evans for seducing Sherwood, “a man of honest parentage”, both bodily and spiritually:
she sotted so his minde,
That unto any villany,
fierce Sherwood was inclind,
His coyne all spent he must have more,
For to content his filthy (Whoore).
So shocking was the spree these lovebirds carried out — as reflected in nicknames that denote a degree of celebrity — that they were doomed to posthumous terrors as well.
Sherwood was hung in chains near St. Pancras Church where he so notably failed to deter crime that a later group of thieves, frustrated at finding their mark penniless, contempuously lashed him naked to Country Tom’s gibbet.
“Oh pity! Still running on to more mischief, having such a fearful spectacle before their eyes as Country Tom, which should rather have frightened and hindered them from doing this bold and insolent act,” laments Henry Goodcole in Heaven’s Speedie Hue and Cry, a narrative pamphlet trading on that same “fearful spectacle.”
Detail view (click for the full image) of Heaven’s Speedie Hue and Cry, a pamphlet narrating the crimes of Sherwood and Evans.
This date in 1355 was the morning after the failed coup of Venetian Doge Marino Faliero. And it was the first date that vengeance began to fall upon the plotters.
Faliero, voted power by the fellow-noblemen who bossed the Serene Republic, intended to displace the patrician class with commoner support. The scheme called for Faliero’s supporters secretly to mobilize hundreds of men who on April 15 would gather at the Piazza San Marco and mount their surprise takeover. But the plot sank like a stone on the big day, with anticipated adherents turning out sparsely or flatly declining and word soon reaching aristocratic ears of trouble afoot. The would-be masters of Venice were soon rounded up without resistance by the real masters of Venice.
In this misfired drama, Faliero’s henchmen — the men to whom the task of orchestrating the cells who would summon the traitor militia — were Filippo Calendario and Bertuccio Isarello. And on this, the following day, they tried, sentenced, and by evening hung from upper windows of the Ducal Palace. Both men were gagged: one last precaution against the sort of popular exhortation that they had not managed when it counted.
“The earth was set in motion,” one chronicler recorded of the Venetian establishment’s reaction to the menace. (Source) Faliero would die the next day; in all, eleven gibbeted corpses festooned the palace as a warning against the next aspirant.
Isarello was the captain of a Venetian galley who had been appointed by Faliero — controversially bypassing the usual noble prerogatives — and had rewarded his prince by expertly harrying Genoese merchantmen.
Calendario (English Wikipedia entry | the more detailed German), Isarello’s father-in-law, was a stonemason, sculptor and architect who actually worked on the very palace he was hanged from.
Column capital of Drunken Noah dating from the period of Calendario’s work on the Venetian Ducal Palace. (cc) image from Honza Beran.