On an unspecified Monday in what seems to be an unspecified autumn of the 1830s, Charles Dickens had hanged one of his most memorable characters: Oliver Twist‘s Jewish pickpocket-magnate Fagin.*
The prolific English scribbler who conjured Fagin had keen empathy for the man or woman on the scaffold, leading him to contribute some of literature’s most poignant execution scenes.
Detail view (click for the full image) of the condemned Fagin in his cell, from an 1867 edition of Oliver Twist/
This from the serialized novel that hit print from 1837 to 1839 is no exception.
Dickens does not stage Fagin’s actual hanging; the writer’s predilection is for the mind of the doomed as it reaches the precipice, and let the reader fill in the final details.
And in Fagin’s case, that mind belongs to a complex character for whom the reader likely has some empathy: despite Fagin’s villainy, he’s also the orphan Oliver’s surrogate father-figure and said urchin’s ticket out of the anonymous desperation of the urban poor.
As for the date, the murder committed by Fagin’s partner-in-crime Bill Sikes occurs in “autumn” (chapter 47) — probably early autumn since the relatively proximate chapter 38 is in “summer”. That murder precipitates Sikes’s death and Fagin’s capture almost immediately: though the ensuing juridical sequence is not directly, or even indirectly, delineated, the narrative’s sense certainly suggests that Fagin was prosecuted with all speed. A sequence of arrest-trial-execution in London at this period could easily take place within just a few weeks.**
The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man—Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes.
He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still.
A slight bustle in the court, recalled him to himself. Looking round, he saw that the juryman had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face—not even among the women, of whom there were many there—could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned.
As he saw all this in one bewildered glance, the deathlike stillness came again, and looking back he saw that the jurymen had turned towards the judge. Hush!
They only sought permission to retire.
He looked, wistfully, into their faces, one by one when they passed out, as though to see which way the greater number leant; but that was fruitless. The jailer touched him on the shoulder. He followed mechanically to the end of the dock, and sat down on a chair. The man pointed it out, or he would not have seen it.
He looked up into the gallery again. Some of the people were eating, and some fanning themselves with handkerchiefs; for the crowded place was very hot. There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done.
In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another.
Not that, all this time, his mind was, for an instant, free from one oppressive overwhelming sense of the grave that opened at his feet; it was ever present to him, but in a vague and general way, and he could not fix his thoughts upon it. Thus, even while he trembled, and turned burning hot at the idea of speedy death, he fell to counting the iron spikes before him, and wondering how the head of one had been broken off, and whether they would mend it, or leave it as it was. Then, he thought of all the horrors of the gallows and the scaffold—and stopped to watch a man sprinkling the floor to cool it—and then went on to think again.
At length there was a cry of silence, and a breathless look from all towards the door. The jury returned, and passed him close. He could glean nothing from their faces; they might as well have been of stone. Perfect stillness ensued—not a rustle—not a breath—Guilty.
The building rang with a tremendous shout, and another, and another, and then it echoed loud groans, that gathered strength as they swelled out, like angry thunder. It was a peal of joy from the populace outside, greeting the news that he would die on Monday.
The noise subsided, and he was asked if he had anything to say why sentence of death should not be passed upon him. He had resumed his listening attitude, and looked intently at his questioner while the demand was made; but it was twice repeated before he seemed to hear it, and then he only muttered that he was an old man—an old man—and so, dropping into a whisper, was silent again.
The judge assumed the black cap, and the prisoner still stood with the same air and gesture. A woman in the gallery, uttered some exclamation, called forth by this dread solemnity; he looked hastily up as if angry at the interruption, and bent forward yet more attentively. The address was solemn and impressive; the sentence fearful to hear. But he stood, like a marble figure, without the motion of a nerve. His haggard face was still thrust forward, his under-jaw hanging down, and his eyes staring out before him, when the jailer put his hand upon his arm, and beckoned him away. He gazed stupidly about him for an instant, and obeyed.
They led him through a paved room under the court, where some prisoners were waiting till their turns came, and others were talking to their friends, who crowded round a grate which looked into the open yard. There was nobody there to speak to him; but, as he passed, the prisoners fell back to render him more visible to the people who were clinging to the bars: and they assailed him with opprobrious names, and screeched and hissed. He shook his fist, and would have spat upon them; but his conductors hurried him on, through a gloomy passage lighted by a few dim lamps, into the interior of the prison.
Here, he was searched, that he might not have about him the means of anticipating the law; this ceremony performed, they led him to one of the condemned cells, and left him there—alone.
He sat down on a stone bench opposite the door, which served for seat and bedstead; and casting his blood-shot eyes upon the ground, tried to collect his thoughts. After awhile, he began to remember a few disjointed fragments of what the judge had said: though it had seemed to him, at the time, that he could not hear a word. These gradually fell into their proper places, and by degrees suggested more: so that in a little time he had the whole, almost as it was delivered. To be hanged by the neck, till he was dead—that was the end. To be hanged by the neck till he was dead.
As it came on very dark, he began to think of all the men he had known who had died upon the scaffold; some of them through his means. They rose up, in such quick succession, that he could hardly count them. He had seen some of them die,—and had joked too, because they died with prayers upon their lips. With what a rattling noise the drop went down; and how suddenly they changed, from strong and vigorous men to dangling heaps of clothes!
Some of them might have inhabited that very cell—sat upon that very spot. It was very dark; why didn’t they bring a light? The cell had been built for many years. Scores of men must have passed their last hours there. It was like sitting in a vault strewn with dead bodies—the cap, the noose, the pinioned arms, the faces that he knew, even beneath that hideous veil.—Light, light!
At length, when his hands were raw with beating against the heavy door and walls, two men appeared: one bearing a candle, which he thrust into an iron candlestick fixed against the wall: the other dragging in a mattress on which to pass the night; for the prisoner was to be left alone no more.
Then came the night—dark, dismal, silent night. Other watchers are glad to hear this church-clock strike, for they tell of life and coming day. To him they brought despair. The boom of every iron bell came laden with the one, deep, hollow sound—Death. What availed the noise and bustle of cheerful morning, which penetrated even there, to him? It was another form of knell, with mockery added to the warning.
The day passed off. Day? There was no day; it was gone as soon as come—and night came on again; night so long, and yet so short; long in its dreadful silence, and short in its fleeting hours. At one time he raved and blasphemed; and at another howled and tore his hair. Venerable men of his own persuasion had come to pray beside him, but he had driven them away with curses. They renewed their charitable efforts, and he beat them off.
Saturday night. He had only one night more to live. And as he thought of this, the day broke—Sunday.
It was not until the night of this last awful day, that a withering sense of his helpless, desperate state came in its full intensity upon his blighted soul; not that he had ever held any defined or positive hope of mercy, but that he had never been able to consider more than the dim probability of dying so soon. He had spoken little to either of the two men, who relieved each other in their attendance upon him; and they, for their parts, made no effort to rouse his attention. He had sat there, awake, but dreaming. Now, he started up, every minute, and with gasping mouth and burning skin, hurried to and fro, in such a paroxysm of fear and wrath that even they—used to such sights—recoiled from him with horror. He grew so terrible, at last, in all the tortures of his evil conscience, that one man could not bear to sit there, eyeing him alone; and so the two kept watch together.
He cowered down upon his stone bed, and thought of the past. He had been wounded with some missiles from the crowd on the day of his capture, and his head was bandaged with a linen cloth. His red hair hung down upon his bloodless face; his beard was torn, and twisted into knots; his eyes shone with a terrible light; his unwashed flesh crackled with the fever that burnt him up. Eight—nine—then. If it was not a trick to frighten him, and those were the real hours treading on each other’s heels, where would he be, when they came round again! Eleven! Another struck, before the voice of the previous hour had ceased to vibrate. At eight, he would be the only mourner in his own funeral train; at eleven—
Those dreadful walls of Newgate, which have hidden so much misery and such unspeakable anguish, not only from the eyes, but, too often, and too long, from the thoughts, of men, never held so dread a spectacle as that. The few who lingered as they passed, and wondered what the man was doing who was to be hanged to-morrow, would have slept but ill that night, if they could have seen him.
From early in the evening until nearly midnight, little groups of two and three presented themselves at the lodge-gate, and inquired, with anxious faces, whether any reprieve had been received. These being answered in the negative, communicated the welcome intelligence to clusters in the street, who pointed out to one another the door from which he must come out, and showed where the scaffold would be built, and, walking with unwilling steps away, turned back to conjure up the scene. By degrees they fell off, one by one; and, for an hour, in the dead of night, the street was left to solitude and darkness.
The space before the prison was cleared, and a few strong barriers, painted black, had been already thrown across the road to break the pressure of the expected crowd, when Mr. Brownlow and Oliver appeared at the wicket, and presented an order of admission to the prisoner, signed by one of the sheriffs. They were immediately admitted into the lodge.
‘Is the young gentleman to come too, sir?’ said the man whose duty it was to conduct them. ‘It’s not a sight for children, sir.’
‘It is not indeed, my friend,’ rejoined Mr. Brownlow; ‘but my business with this man is intimately connected with him; and as this child has seen him in the full career of his success and villainy, I think it as well—even at the cost of some pain and fear—that he should see him now.’
These few words had been said apart, so as to be inaudible to Oliver. The man touched his hat; and glancing at Oliver with some curiousity, opened another gate, opposite to that by which they had entered, and led them on, through dark and winding ways, towards the cells.
‘This,’ said the man, stopping in a gloomy passage where a couple of workmen were making some preparations in profound silence—’this is the place he passes through. If you step this way, you can see the door he goes out at.’
He led them into a stone kitchen, fitted with coppers for dressing the prison food, and pointed to a door. There was an open grating above it, through which came the sound of men’s voices, mingled with the noise of hammering, and the throwing down of boards. There were putting up the scaffold.
From this place, they passed through several strong gates, opened by other turnkeys from the inner side; and, having entered an open yard, ascended a flight of narrow steps, and came into a passage with a row of strong doors on the left hand. Motioning them to remain where they were, the turnkey knocked at one of these with his bunch of keys. The two attendants, after a little whispering, came out into the passage, stretching themselves as if glad of the temporary relief, and motioned the visitors to follow the jailer into the cell. They did so.
The condemned criminal was seated on his bed, rocking himself from side to side, with a countenance more like that of a snared beast than the face of a man. His mind was evidently wandering to his old life, for he continued to mutter, without appearing conscious of their presence otherwise than as a part of his vision.
‘Good boy, Charley—well done—’ he mumbled. ‘Oliver, too, ha! ha! ha! Oliver too—quite the gentleman now—quite the—take that boy away to bed!’
The jailer took the disengaged hand of Oliver; and, whispering him not to be alarmed, looked on without speaking.
‘Take him away to bed!’ cried Fagin. ‘Do you hear me, some of you? He has been the—the—somehow the cause of all this. It’s worth the money to bring him up to it—Bolter’s throat, Bill; never mind the girl—Bolter’s throat as deep as you can cut. Saw his head off!’
‘Fagin,’ said the jailer.
‘That’s me!’ cried the Jew, falling instantly, into the attitude of listening he had assumed upon his trial. ‘An old man, my Lord; a very old, old man!’
‘Here,’ said the turnkey, laying his hand upon his breast to keep him down. ‘Here’s somebody wants to see you, to ask you some questions, I suppose. Fagin, Fagin! Are you a man?’
‘I shan’t be one long,’ he replied, looking up with a face retaining no human expression but rage and terror. ‘Strike them all dead! What right have they to butcher me?’
As he spoke he caught sight of Oliver and Mr. Brownlow. Shrinking to the furthest corner of the seat, he demanded to know what they wanted there.
‘Steady,’ said the turnkey, still holding him down. ‘Now, sir, tell him what you want. Quick, if you please, for he grows worse as the time gets on.’
‘You have some papers,’ said Mr. Brownlow advancing, ‘which were placed in your hands, for better security, by a man called Monks.’
‘It’s all a lie together,’ replied Fagin. ‘I haven’t one—not one.’
‘For the love of God,’ said Mr. Brownlow solemnly, ‘do not say that now, upon the very verge of death; but tell me where they are. You know that Sikes is dead; that Monks has confessed; that there is no hope of any further gain. Where are those papers?’
‘Oliver,’ cried Fagin, beckoning to him. ‘Here, here! Let me whisper to you.’
‘I am not afraid,’ said Oliver in a low voice, as he relinquished Mr. Brownlow’s hand.
‘The papers,’ said Fagin, drawing Oliver towards him, ‘are in a canvas bag, in a hole a little way up the chimney in the top front-room. I want to talk to you, my dear. I want to talk to you.’
‘Yes, yes,’ returned Oliver. ‘Let me say a prayer. Do! Let me say one prayer. Say only one, upon your knees, with me, and we will talk till morning.’
‘Outside, outside,’ replied Fagin, pushing the boy before him towards the door, and looking vacantly over his head. ‘Say I’ve gone to sleep—they’ll believe you. You can get me out, if you take me so. Now then, now then!’
‘Oh! God forgive this wretched man!’ cried the boy with a burst of tears.
‘That’s right, that’s right,’ said Fagin. ‘That’ll help us on. This door first. If I shake and tremble, as we pass the gallows, don’t you mind, but hurry on. Now, now, now!’
‘Have you nothing else to ask him, sir?’ inquired the turnkey.
‘No other question,’ replied Mr. Brownlow. ‘If I hoped we could recall him to a sense of his position—’
‘Nothing will do that, sir,’ replied the man, shaking his head. ‘You had better leave him.’
The door of the cell opened, and the attendants returned.
‘Press on, press on,’ cried Fagin. ‘Softly, but not so slow. Faster, faster!’
The men laid hands upon him, and disengaging Oliver from his grasp, held him back. He struggled with the power of desperation, for an instant; and then sent up cry upon cry that penetrated even those massive walls, and rang in their ears until they reached the open yard.
It was some time before they left the prison. Oliver nearly swooned after this frightful scene, and was so weak that for an hour or more, he had not the strength to walk.
Day was dawning when they again emerged. A great multitude had already assembled; the windows were filled with people, smoking and playing cards to beguile the time; the crowd were pushing, quarrelling, joking. Everything told of life and animation, but one dark cluster of objects in the centre of all—the black stage, the cross-beam, the rope, and all the hideous apparatus of death.
* Fagin was named for a workman named Bob Fagin, who showed a few tricks of the trade when the boy Dickens did his own turn in a workhouse.
** For instance, the the London Burkers in 1831 and Benjamin Courvoisier in 1840 were each condemned to death less than two months after their arrests, and each hanged within days of sentence.
On this day in 1721, Jean-Pierre Balagny, alias Capuchin, was broken on the wheel in Paris. He was one of the lieutenants and boon companions of legendary French outlaws Cartouche.
We have noted that that renowned bandit crowned his fame at the last by enduring all tortures, only to voluntarily give up the names of his companions as he approached the scaffold and perceived that they had failed to arrange a rescue.
“Capuchin”, who was with Cartouche when he was captured and subject to much the same interrogation, proved as good as his captain. He, too, endured the boot without breaking. And he, with two companions, likewise reached the scaffold and only there coughed it up.
They gave information as to their accomplices, and made, at the foot of the scaffold, confessions which torture had failed to elicit from them.
They implicated so many persons, that another series of trials began, which lasted as long as the declarations of convicted prisoners compromised other persons, and threw new light on the immense ramifications of an association of miscreants which had for many years defied the police. More than sixty persons were under lock and key at the time of the execution of Cartouche and Balagny. This number increased every day in consequence of the confession of those who hoped to save their lives by denouncing their accomplices, and in June of the following year it rose to one hundred and fifty … all this blood, instead of washing the affair away, seemed rather to make it more serious. Every day brought to light some new discovery; and this shows how profoundly mistaken were those who denied that Cartouche, the centre and wire-puller of this horrible association, possessed the organising spirit without which he could not have extended this immense net over the Parisian society.
One is left to infer from this entry in the memoirs of the Parisian hereditary executioner-family Sanson that Balagny likewise did in his friends over some ornate notion of honor … although if the anecdote is true, one could as easily suppose any number of less “creditable” reasons.
At any rate, Balagny’s evidence added to that of Cartouche’s snowballed into a bloody cycle of tortures and executions and fresh denunciations over the year to come.
Of course, getting rid of all the criminals did not get rid of crime.
“In spite of the executions at La Greve, there are more thieves than ever in Paris,” lamented one observer (quoted here). “Cartouche has died on the wheel; but his name and memory engender robbers.”
This date in 1868 marks the end of one of the guilty.
Sam Dugan, aka Sanfourd Dougan, is seen here lynched to a cottonwood tree at Cherry Street, midway between 4th and 5th streets, in Denver.
(Denver’s city plan has changed quite a bit since those days, but I believe the present-day location of this lynching would be approximately Speer Blvd. in a knot of paving the edge of the downtown University of Colorado campus.)
The photo, snapped by the morning light of Dec. 2, 1868, showed the previous night’s work of the Vigilance Committee.
Dug(g)an was a young (23 years old) knockabout in the territories with a blackhearted reputation, having been thought to have killed a man at a camp the year before.
In 1868, he and buddy Ed Franklin robbed a justice of the peace, one Orson Brooks, at gunpoint. As one can imagine, Brooks was one of the little town’s more prominent citizens and the crime outraged residents.
Denver lawmen chased Brooks’s assailants to nearby Golden, Colo., where Dugan’s accomplice Franklin — blind drunk — was shot dead resisting arrest. An innocent Golden citizen named Miles Hill also died when he was caught up in the the shootout to take Dugan … but Dugan himself escaped.
Public fury over this bloodshed (on Nov. 22) precipiated the Nov. 23 lynching of already-jailed outlaw L.H. Musgrove from a Cherry Creek bridge, not far from where Dugan would soon stretch hemp. (Musgrove had ridden in a murderous gang with the late unlamented Ed Franklin.)
Given the Musgrove lynching, Cook must have had an idea of the danger Dugan would face in Denver. Denver papers anticipating the party’s arrival said that Cook’s team “will bring the prisoners dead or alive. The former condition would be preferred by many.”
About 90 to 100 vigilantes made that preference into fact after dark on Tuesday, Dec. 1, stopping a police wagon moving Dugan between lockups, just as it was crossing a bridge over Cherry Creek.
The hijackers redirected the wagon around the corner to a copse of trees and “in a moment a rope was thrown over the limb, and in another moment, Dugan was standing in the wagon immediately under the fatal noose.”
That’s from a newspaper report that appeared in several publications; our cite is from the Milwaukee Daily Sentinel on December 21, 1868.
Dugan, “completely unmanned, crying and sobbing like a baby,” wheedled and stalled, begging for a Catholic priest and making various professions of innocence or mitigation that would cut no ice with his judges.
After he had said all that he had to say, the order was heard, “Drive on,” and the wagon which had served as his frail bulwark between life and eternity moved from under, and the spirit of Sanford S.C. Dugan took its flight into the presence of Him who shall judge us all according to the deeds done in the body. The fall, about eighteen inches, broke his neck. He was a man six feet two inches in height, and weighed 205 pounds.
Cook, in Hands Up!, says he “would gladly have prevented” the lynchings, “but it was useless for [lawmen] to fly in the face of an entire community, which had been outraged and which was aroused, not so much to vengeance as to the necessity of protecting itself against the rough element of the plains.”
On this date in 1871, Gaston Cremieux was shot at Marseilles for his role in that city’s lately-destroyed Commune.
Cremieux (French Wikipedia page: most external links in this post are also in French) was a gifted young lawyer with a social conscience who was known for taking on indigent-defense cases and working-class causes.
Given his prominence in radical circles, Cremieux was naturally thrust into leadership when word of the Paris Commune brought Marseilles, too, into a popular rising.
Lissagaray called Cremieux “an elegant and effeminate speaker … a mild enthusiast, who beheld the revolution under rather a bucolic aspect.” His admirable principles were not those of bloody revolutionary will, and he was accordingly viewed (or disdained) as a moderate.
The Marseilles Commune lasted only a fortnight: neighboring towns did not rally to it, and elsewhere in the south Toulouse and Narbonne communards were crushed within days.
When troops of the bourgeois Versailles government — the city to which it had fled from Paris — took Marseilles, according to Lissagaray, they “arrested at random, and dragged their victims into the lamp-stores of the station. There an officer scrutinized the prisoners, made a sign to one or the other of them to step out, and blew out his brains. The following days there were rumours of summary executions in the barracks, the forts and the prisons. The number of dead the people lost is unknown, but it exceeded 150.”
Cremieux’s own conscience was pretty clean in all this — he’d even advocated against keeping hostages. (Unsuccessfully, but Marseilles did not kill its hostages, unlike Paris.) “Show me those whom Cremieux has shot,” his lawyer would later protest to the military tribunal called to try him.
Cremieux’s own shooting would have to suffice. He died crying “Vive la République!” as the firing squad emptied its barrels into his torso … as per Cremieux’s request to preserve his face lest his parents be too shaken by his corpse. Just call him a family man.
That’s the familiar name for Tarashkyevich’s 1918 grammar (Belarusian link) that standardized the tongue, or rather the collection of related “Belarusian” dialects.
Its creator also happened to be a political leftist; he served briefly in the parliament of Poland (which then controlled West Belarus), then became a leader of the Belarus Peasant and Worker Masses, a communist movement. Tarashkyevich was arrested in 1928 and subsequently exchanged for a Belarusian journalist whom the Soviets had imprisoned.
His career as a Soviet appartchik in Moscow was short-lived, however, before those guys clapped him in prison, too, with the outcome typical to that frightening time and place.
A like deletion was supposed to befall taraskevica when the Stalin-era Belarus SSR ordered a standardization with grammar and orthography that more closely resembled Russian; this version (“narkomawka”) still remains the official “Belarusian” to this day.
However, the taraskevica variant has established a stubborn foothold among users who consider it more authentic than its Russified rival.*
* See Curt Woolhiser, “Communities of Practice and Linguistic Divergence: Belarusophone Students as Agents ofLinguistic Change,” Harvard Ukrainian Studies, Vol. 29, No. 1/4 (2007).
On this day in 1828, a black slave named James Guild, also known as Little Jim, was hanged in Farmington, New Jersey.
His crime, though brutal, was commonplace enough. But his case was extraordinary for another reason: at the time of his offense, Little Jim was twelve years, five months and thirteen days old.
On September 24, 1827, Little Jim took a break from his work in his master’s cornfield and went to the home of Catherine Beakes, a white woman in her sixties who lived with her son and grandson. She was home alone at the time, and Jim wanted to borrow her rifle to go fowling.
Some time prior to this, someone had tampered with Mrs. Beakes’s livestock, releasing the pigs from their pen during the night and letting the chickens out of their coop. She believed the culprit was Little Jim and, though he denied this, she had told him to stay off her property or she would tell his master, Mr. Bunn.
So when he knocked on the door and asked for the gun, she refused to give it to him.
Jim was angry, he said later, that the “damned old bitch” had been “saucy” to him for no reason.
So, after Mrs. Beakes had her back turned and thought he was gone, he took up a metal horse yoke and sneaked up on her from behind. He bludgeoned her to death in her own house as she was tending the fire, crushing her skull, shattering her jaw and gouging out one of her eyes.
He left the gore-caked weapon next to her corpse.
Little Jim came under suspicion and confessed to the murder after someone told him liars went to hell. At his trial, he said he’d killed Mrs. Beakes because he was afraid she would inform on him to Mr. Bunn and get him in trouble.
It is an issue that remains highly controversial even now, nearly 200 years later.
The jury convicted James Guild of first-degree murder, which meant an automatic death sentence … but the judge was reluctant to execute a preteen. He referred the case to the New Jersey Supreme Court for sentencing, as Hearn records:
Special hearings were held to probe all aspects of Jim’s mentality. It was found that he knew right from wrong as well as the consequences of murder. He knew about the sanctity of an oath. It was also clear that Jim had had the wherewithal to confess what he had done based on his own rationale. Moreover, the appellate judges found what they considered to be ample precedent for condoning the execution of preteen felons — especially those of precocious acumen … The use of his tender age alone as a pretext for sparing his life under such circumstances would “be of dangerous consequence to the public … by propagating a notion that children might commit atrocious crimes with impunity. So the New Jersey Supreme Court ruled that Jim Guild was “a proper subject of capital punishment.”
On this date in 1835, John Smith and James Pratt (sometimes reported as John Pratt) were hanged outside Newgate Prison for (in the exhausting fulminations of the Old Bailey trial records) “feloniously, wickedly, diabolically, and against the order of nature, carnally … commit and perpetrate[d] the detestable, horrid, and abominable crime (among Christians not to be named) called buggery.”
These men were the last put to death anywhere in the realm under the ghastly Tudor-era Buggery Act,* and indeed among the last to die at Newgate for any crime other than murder or attempted murder.
“The grave will soon close over me,” Smith allegedly wrote to a friend before his hanging, “and my name [be] entirely forgotten.”
But that’s not altogether true.
Unbeknownst to the sufferers, they were destined for literary preservation by a young writer on the make, one Charles Dickens: Smith and Pratt make an appearance in Dickens’ Sketches by Boz, an 1836 compilation of London scenes of which “A Visit to Newgate” is perhaps the best-known.
This description of the author’s visit to Newgate Prison narrates a visit made, according to William Carlton’s “The Third Man at Newgate” (The Review of English Studies, Nov., 1957), on November 5, 1835. Dickens would write in subsequent correspondence that the experience left him “intensely interested in everything I saw.”
Prisons and the threat or reality of execution would loom large in that redoubtable author’s canon. “You cannot throw the interest over a year’s imprisonment, however severe, that you can cast around the punishment of death,” the perspicacious 23-year-old told his publisher.
So too did the still-living apparitions of the condemned Smith and Pratt occupy Dickens’s reflections in “A Visit to Newgate”; they comprise a good third of the essay.
In the press-room below, were three men, the nature of whose offence rendered it necessary to separate them, even from their companions in guilt. It is a long, sombre room, with two windows sunk into the stone wall, and here the wretched men are pinioned on the morning of their execution, before moving towards the scaffold. The fate of one of these prisoners was uncertain; some mitigatory circumstances having come to light since his trial, which had been humanely represented in the proper quarter. The other two had nothing to expect from the mercy of the crown; their doom was sealed; no plea could be urged in extenuation of their crime, and they well knew that for them there was no hope in this world. ‘The two short ones,’ the turnkey whispered, ‘were dead men.’
Smith and Pratt, of course, were the “dead men.”
Their third companion, otherwise unconnected with them, was a soldier named Robert Swan, convicted of robbery. Swan was indeed reprieved, a few days before the execution. “Boz” sketched the aspect of these men as he observed them:
The man to whom we have alluded as entertaining some hopes of escape, was lounging, at the greatest distance he could place between himself and his companions, in the window nearest to the door. He was probably aware of our approach, and had assumed an air of courageous indifference; his face was purposely averted towards the window, and he stirred not an inch while we were present. The other two men were at the upper end of the room. One of them, who was imperfectly seen in the dim light, had his back towards us, and was stooping over the fire, with his right arm on the mantel-piece, and his head sunk upon it. The other was leaning on the sill of the farthest window. The light fell full upon him, and communicated to his pale, haggard face, and disordered hair, an appearance which, at that distance, was ghastly. His cheek rested upon his hand; and, with his face a little raised, and his eyes wildly staring before him, he seemed to be unconsciously intent on counting the chinks in the opposite wall. We passed this room again afterwards. The first man was pacing up and down the court with a firm military step – he had been a soldier in the foot-guards – and a cloth cap jauntily thrown on one side of his head. He bowed respectfully to our conductor, and the salute was returned. The other two still remained in the positions we have described, and were as motionless as statues.
If we have Dickens to thank in part for this unexpected glimpse of these poor fellows in the shadow of death, we also can hardly help but notice that — and this is in keeping with Smith’s forecast of posthumous anonymity — he does not name them, nor breathe a word about their scandalous crime. Only the man destined for the reprieve has animation; Smith and Pratt, immobile and affectless, are … but are little else besides. “Dead men,” like that turnkey said. This is not necessarily implausible, but it is also very pat for the literary construction of “A Visit to Newgate,” and we might be entitled to wonder how close to journalistic accuracy the writer has really come here, or regret the details Dickens has discarded that might have salvaged their humanity for a later readership.
Dickens’ party proceeded from these characters to a tour of the physical cells in which these doomed “statues” passed their last sleepless nights.
A few paces up the yard, and forming a continuation of the building, in which are the two rooms we have just quitted, lie the condemned cells. The entrance is by a narrow and obscure stair-case leading to a dark passage, in which a charcoal stove casts a lurid tint over the objects in its immediate vicinity, and diffuses something like warmth around. From the left-hand side of this passage, the massive door of every cell on the story opens; and from it alone can they be approached. There are three of these passages, and three of these ranges of cells, one above the other; but in size, furniture and appearance, they are all precisely alike. Prior to the recorder’s report being made, all the prisoners under sentence of death are removed from the day-room at five o’clock in the afternoon, and locked up in these cells, where they are allowed a candle until ten o’clock; and here they remain until seven next morning. When the warrant for a prisoner’s execution arrives, he is removed to the cells and confined in one of them until he leaves it for the scaffold. He is at liberty to walk in the yard; but, both in his walks and in his cell, he is constantly attended by a turnkey who never leaves him on any pretence.
We entered the first cell. It was a stone dungeon, eight feet long by six wide, with a bench at the upper end, under which were a common rug, a bible, and prayer-book. An iron candlestick was fixed into the wall at the side; and a small high window in the back admitted as much air and light as could struggle in between a double row of heavy, crossed iron bars. It contained no other furniture of any description.
A year after Sketches‘ February 1836 publication, Dickens’ serialized novel of the London underclass Oliver Twist began its run. That story’s heart-wrenching denouement of the thief Fagin awaiting execution in Newgate seems to owe a debt to Dickens’ meditation in Sketches on the dolorous condition of Smith, Pratt, or any doomed prisoner facing death in these awful cells.
“A Visit to Newgate” concludes:
Conceive the situation of a man, spending his last night on earth in this cell. Buoyed up with some vague and undefined hope of reprieve, he knew not why – indulging in some wild and visionary idea of escaping, he knew not how – hour after hour of the three preceding days allowed him for preparation, has fled with a speed which no man living would deem possible, for none but this dying man can know. He has wearied his friends with entreaties, exhausted the attendants with importunities, neglected in his feverish restlessness the timely warnings of his spiritual Fagin in Newgate – Cruikshank consoler; and, now that the illusion is at last dispelled, now that eternity is before him and guilt behind, now that his fears of death amount almost to madness, and an overwhelming sense of his helpless, hopeless state rushes upon him, he is lost and stupefied, and has neither thoughts to turn to, nor power to call upon, the Almighty Being, from whom alone he can seek mercy and forgiveness, and before whom his repentance can alone avail.
Hours have glided by, and still he sits upon the same stone bench with folded arms, heedless alike of the fast decreasing time before him, and the urgent entreaties of the good man at his side. The feeble light is wasting gradually, and the deathlike stillness of the street without, broken only by the rumbling of some passing vehicle which echoes mournfully through the empty yards, warns him that the night is waning fast away. The deep bell of St. Paul’s strikes – one! He heard it; it has roused him. Seven hours left! He paces the narrow limits of his cell with rapid strides, cold drops of terror starting on his forehead, and every muscle of his frame quivering with agony. Seven hours! He suffers himself to be led to his seat, mechanically takes the bible which is placed in his hand, and tries to read and listen. No: his thoughts will wander. The book is torn and soiled by use – and like the book he read his lessons in, at school, just forty years ago! He has never bestowed a thought upon it, perhaps, since he left it as a child: and yet the place, the time, the room – nay, the very boys he played with, crowd as vividly before him as if they were scenes of yesterday; and some forgotten phrase, some childish word, rings in his ears like the echo of one uttered but a minute since. The voice of the clergyman recalls him to himself. He is reading from the sacred book its solemn promises of pardon for repentance, and its awful denunciation of obdurate men. He falls upon his knees and clasps his hands to pray. Hush! what sound was that? He starts upon his feet. It cannot be two yet. Hark! Two quarters have struck; – the third – the fourth. It is! Six hours left. Tell him not of repentance! Six hours’ repentance for eight times six years of guilt and sin! He buries his face in his hands, and throws himself on the bench.
Worn with watching and excitement, he sleeps, and the same unsettled state of mind pursues him in his dreams. An insupportable load is taken from his breast; he is walking with his wife in a pleasant field, with the bright sky above them, and a fresh and boundless prospect on every side – how different from the stone walls of Newgate! She is looking – not as she did when he saw her for the last time in that dreadful place, but as she used when he loved her – long, long ago, before misery and ill-treatment had altered her looks, and vice had changed his nature, and she is leaning upon his arm, and looking up into his face with tenderness and affection – and he does NOT strike her now, nor rudely shake her from him. And oh! how glad he is to tell her all he had forgotten in that last hurried interview, and to fall on his knees before her and fervently beseech her pardon for all the unkindness and cruelty that wasted her form and broke her heart! The scene suddenly changes. He is on his trial again: there are the judge and jury, and prosecutors, and witnesses, just as they were before. How full the court is – what a sea of heads – with a gallows, too, and a scaffold – and how all those people stare at HIM! Verdict, ‘Guilty.’ No matter; he will escape.
The night is dark and cold, the gates have been left open, and in an instant he is in the street, flying from the scene of his imprisonment like the wind. The streets are cleared, the open fields are gained and the broad, wide country lies before him. Onward he dashes in the midst of darkness, over hedge and ditch, through mud and pool, bounding from spot to spot with a speed and lightness, astonishing even to himself. At length he pauses; he must be safe from pursuit now; he will stretch himself on that bank and sleep till sunrise.
A period of unconsciousness succeeds. He wakes, cold and wretched. The dull, gray light of morning is stealing into the cell, and falls upon the form of the attendant turnkey. Confused by his dreams, he starts from his uneasy bed in momentary uncertainty. It is but momentary. Every object in the narrow cell is too frightfully real to admit of doubt or mistake. He is the condemned felon again, guilty and despairing; and in two hours more will be dead.
Lotta books about Dickens
A magistrate with the Dickensian name of Hesney Wedg(e)wood appealed vigorously for clemency for Smith and Pratt — pointing out that the only reason these two had been doomed among the rather many enthusiasts** for this victimless offense was that they were penurious enough to have to pursue their desires in a lodging-house rented by a friend where they were easily spied-upon.
(The testimony lodged against them in court came from the nosy landlord who got suspicious, and with his wife peeped through the keyhole on “Pratt laying on his back with his trowsers below his knees, and with his body curled up—his knees were up—Smith was upon him—Pratt’s knees were nearly up to Smith’s shoulders—Smith’s clothes were below his knees … and a great deal of fondness and kissing.” The landlord burst in on the sodomites and put a stop to the fondness right away.)
“There is a shocking inequality in this law in its operation upon the rich and the poor,” wrote Wedgwood.
It is the only crime where there is no injury done to any individual and in consequence it requires a very small expense to commit it in so private a manner and to take such precautions as shall render conviction impossible. It is also the only capital crime that is committed by rich men but owing to the circumstances I have mentioned they are never convicted. The detection of these degraded creatures was owing entirely to their poverty, they were unable to pay for privacy, and the room was so poor that what was going on inside was easily visible from without. (Quoted here)
* The first executed under the Buggery Act shared his scaffold with Thomas Cromwell almost 300 years before. Although there were no further executions for sodomy after Smith and Pratt in 1835, that penalty remained theoretically available for the “crime” until 1861.
David’s mildness managed it so well,
The bad found no occasion to rebel.
But when to sin our biassed nature leans,
The careful devil is still at hand with means, 
And providently pimps for ill desires;
The good old cause, revived, a plot requires.
Plots, true or false, are necessary things,
To raise up commonwealths, and ruin kings.
-John Dryden’s Absalom and Achitophel, a Biblical allegory of the English political/religious scene in which the Popish Plot (“plots, true or false”) took place
On this date in 1679, a Catholic goldsmith was hanged and quartered for treason … a preposterous case that would preview the tragic main acts of the “Popish Plot”.
This 17th century anti-Catholic witch hunt traced to weird and unprincipled Anglican divine Titus Oates.
With his friend Israel Tonge, Oates in 1678 ginned up a fantastical Jesuit plot against the life of Charles II — which supposed conspiracy played insidiously to the realm’s age-old religious divisions, in a moment when a Catholic royal sibling stood next in line to the throne.
In Queen Elizabeth’s time there were conspiracies against her, when Mary Queen of Scots was taken off. In King James’s time, the Gunpowder-Treason. In the last King’s time, a horrid Rebellion, that ended in his murder; but here the Crown is under such a character as is more dangerous than all those; and from Popery came the notion of a standing Army and arbitrary power.
Oh, and London had just burned down within everyone’s living memory, an event popularly ascribed to a French Catholic conspiracy even into the 19th century.
There was an awful lot of latent (and not-so-latent) anti-Popery around for Oates to stir up, and he proved to have a gift for this demagoguery. (pdf) In late 1678, a magistrate investigating Oates’s claims, Edmund Berry Godfrey, was mysteriously murdered, and all hell broke loose: a political assassination could now be hung on the alleged Catholic conspiracy. In short order, alleged Catholic conspirators would themselves hang for it.
It was a full 9/12 mentality: people going about armed, loyalty oaths, rumors of French invasion or Guy Fawkes tunneling.
Oates, when feeling his, would have the juice to put peers of the realm on the scaffold … so what chance did poor William Staley have?
This patsy, no great ornament of the “plot”, was more an incidental (and expedient) casualty of the swelling paranoia. Overheard at a tavern chatting about the Protestant freak-out, in French (quelle horreur!), a couple of unscrupulous eavesdroppers shopped for treason when they couldn’t blackmail him.
The sovereign was supposed to have been characterized in this chat as “a great Persecutor or Tormentor of the people of God … And ([Staley] stretching forth his Arm, and then clapping his Hand on his Breast), speaking of His Sacred Majesty, said, I my self will kill him.” (Source) Whether a frustrated Catholic into his cups incautiously popping off, an innocent naif set up by reprobates, or a case of lost in translation, it seems safe to say that William Staley was no danger to the monarchy.
Staley, at any rate, denied having said anything of the sort all the few hours that remained to draw breath, which wasn’t many. It was a mere 12 days from the “treasonable” conversation on Nov. 14 to Staley’s execution.
Image from William Faithorne‘s 1681 (misdated) engraving depicting William Staley being drawn to execution.
With this hanging, and another (that of Edward Coleman) a week later, the Popish Plot persecutions were into full swing … three years of Stuart England McCarthyism that would claim at least 15 lives and end with Titus Oates imprisoned, whipped, and pilloried.
After the Orange Revolution chased the Catholic monarch out of England, Oates was released and pensioned: the incident long remained an ideological litmus test between proto-Whigs (pro-Oates, as he was a club wielded against the absolutist aspirations of Charles II and James II) and Tories (anti-Oates, for the same reason). Centuries later, one commenter could still remark, “There are three events in our history that may be regarded as the touchstone of party men: an English whig who asserts the reality of the Popish plot, an Irish Catholic who denies the massacre of 1641, a Scotch Jacobite who maintains the innocence of Queen Mary, must be considered as men beyond the reach of argument or reason.”
Aquino, a lifetime politician from one of the archipelago’s powerbroking families, was one of the principal opposition figures against the increasingly autocratic Marcos. His 1968 denunciation of the “garrison state” — Marcos would quadruple the size of the military and infiltrate it widely into civil society — was one of the definitive and lasting brands upon that regime.
So nobody, not least Aquino himself,* was surprised when the outspoken senator was arrested hours after Marcos imposed martial law in September 1972.
Unlike most such political prisoners, Aquino stubbornly refused to cut any deal for amnesty that would confer any hint of submission to Marcos. Their conflict reads, on both sides, as an intensely personal one.
Placed on trial for allegedly arming a guerrilla organization, murdering a political follower, and trying to place the Philippines under (unspecified) foreign domination, Aquino staged a headline-grabbing 40-day hunger strike in 1975 and received extreme unction. The Archbishop of Manila finally talked the wasting Aquino out of letting himself starve to death, but perhaps not out of a certain thirst for martyrdom. (New York Times, Feb. 22, 1977)
“If Marcos believes I’m guilty, I want to be shot tomorrow,” he’s supposed to have exclaimed as he was led away from the tribunal that pronounced his death. (New York Times, Nov. 26, 1977)
That didn’t happen.
While Aquino’s death sentence on this date was expected, it was also generally thought that Marcos — who had allowed only one (non-political) execution during five years of martial law to that point — would spare his foe, as indeed he did. Marcos even released Aquino to travel to the U.S. for treatment after suffering two heart attacks in 1980.
Aquino had those few years to raise his profile and that of the Philippines opposition around the states. Returning to his native country on August 21, 1983, a moment when a then-ailing Marcos seemed weakened enough for a political opening, Aquino was infamously assassinated right on the tarmac as he stepped off the plane.
This event, and the two million-strong funeral march of Aquino’s bullet-riddled body to Manila’s Rizal Park, helped galvanize the country’s opposition. By 1986, popular demonstrations sent Marcos fleeing to exile … and elevated to the presidency Ninoy Aquino’s widow, Corazon.
On this date in 1868, Italian revolutionaries Giuseppe Monti and Gaetano Tognetti were guillotined in Rome.
Theirs was a passion of the Risorgimento, the 19th century drive to unify as a single nation the peninsula’s quiltwork of minor kingdoms, duchies, and city-states.
Following the Third Italian War of Independence, this had largely been accomplished … with the notable exception of the Papal States surrounding Rome. You can hardly have Italy without the Eternal City.
Inside Rome, Monti and Tognetti prepared a little morte of their own. Intending to mount a fifth-column uprising to coincide with the arrival of Garibaldi’s army, the two detonated a couple barrels of gunpowder under the Serristori barracks, killing 23 French zouaves and four Roman civilians. (All links in this paragraph are Italian.)
Unfortunately for the bombers, no general rising ensued, and the Papal and French armies subsequently repulsed Garibaldi at the Battle of Mentana on Nov. 3, 1867 — extending the papal enclave’s lease on life only slightly, but just enough to deal with Monti and Tognetti.
Their fate at the hands of the civil and religious authorities (one and the same, at this time), is dramatized in the 1977 Italian film In Nome Del Pap Re. (This Google books freebie purports to relate their final days.)