On this date in 1951, the made-for-tabloids killer couple Raymond Fernandez and Martha Beck were electrocuted at New York’s Sing Sing prison for murder.
He was a toupeed middle-aged lothario with a knack for conning personal ad denizens. She was a lovelorn obese single mother* with a serious dark side. Together — through a chance meeting through the personals — they became the Lonely Hearts Killers.
Martha Beck started off as just another of Raymond Fernandez’s targets: charm them, promise engagement or undergo a faux-wedding, and then rob them. He’d pulled this off a few times before; he might have even killed at least one of them.
Fernandez did the love ‘em and leave ‘em routine with Martha, whom he soon realized was penniless. But their passionate hotel rendezvous had been spied by the local bluenoses, who promptly got Martha fired for her indiscretions. She showed up unannounced at Fernandez’s door, and pushed her way right into his life.
Ere long, they were cohabiting — lurid media accounts would later savor their “abnormal sexual practices” and their, er, lifestyle relationship. She caused near-riots among the crush of spectators at their circus trial when she got into specifics of freaky stuff like voodoo fetish play.
“A request from Mr. Fernandez to me is a command,” Martha testified. Since this was so — though the power dynamic between them really seems to have run in the other direction — she willingly joined in Mr. Fernandez’s scam, posing as his “sister” when he went to meet and charm his next mark.
Once such assets as could be had were signed over, the pigeon was disposed of: often, they’d just make the “honeymoon” so unbearable that the target got the picture and left, so humiliated she wouldn’t dare come forward with the story.
And sometimes — nobody seems to know exactly how many times — Raymond and Martha killed together.
Martha (whose own sob story of ostracism and childhood neglect is really quite sad) supplied much of the vengeful energy that impelled the murders. One of their victims was a woman Beck attacked in a jealous rage when Fernandez actually slept with her. (The “sister” would often impose on the sleeping arrangements to obstruct consummation.)
The Lonely Hearts Killers’ crime spree is thoroughly covered elsewhere. It carried them to Michigan, a non-death penalty state where they were arrested. There, they confessed in a play to draw a local sentence and avoid execution.
Michigan instead extradited them to New York to stand trial in a sweltering courtroom and on every city Gotham paper’s daily headlines for the murder of a Long Island widow. That confession given in Michigan helped seal their fate in New York.
Though separated from one another on death row (but they kept up the treacly correspondence), Martha and Raymond were joined in death.
On International Women’s Day of 1951, both were executed in New York’s electric chair, along with two unconnected, run-of-the-mill murderers.
My story is a love story. But only those tortured by love can know what I mean … in the history of the world, how many crimes have been attributed to love?
-Martha Beck
Given the newspaper ink spilled over these two, it’s no surprise that they’ve inspired plenty of subsequent writers and directors. The Honeymoon Killers (review) is a creepy 1970 classic, with a couple of latter-day imitators.
* She abandoned her two kids to the Salvation Army when she hitched her wagon to Fernandez.
On this date in 1951, Charlie Gifford was electrocuted in Florida’s Raiford Prison for murder.
The murder victim was popular young Florida legislator/war hero Charles Schuh, whose promising political career ended abruptly on April 24, 1950, when the 71-year-old Gifford strode into his St. Petersburg offices and shot him dead over some head-scratching private grievance relating to Schuh’s legal practice. (Schuh represented Gifford’s ex-wife in a divorce proceeding.)
An insanity defense didn’t fly, though Gifford’s purchase on reality seems to have been … hit and miss. The septuagenarian perp didn’t seem to mind the death sentence.
The murdered legislator’s son, Charles E. Schuh, grew up into a political career of his own, eventually becoming mayor of St. Petersburg. Charles E. Schuh’s recent passing brought out this fascinating story by a former reporter who witnessed Gifford’s execution.
The electric chair was in the center, but the controls were behind a glass-enclosed area. I was repelled by the sight of “Old Sparky,” the electric chair. I was even more horrified to see that the executioner, a local electrician, wore a black hood reminiscent of the Inquisition. …
Today I am a decade older than Gifford was then, but to a 22-year-old reporter he seemed to be just a frail old man with a shaved head.
On this date in 1983, Georgia’s electric chair* got its first use in 19 years.
The Headsman is not a theologian, but does believe John Eldon Smith’s quotable last words –
Well, the Lord is going to get another one.
– would be conditioned on the Lord’s policy on crimes like this:
Joseph [Ronald] Akins’ former wife, appellant Rebecca Akins Smith Machetti, together with her husband, appellant John Eldon Smith, a/k/a Anthony Isalldo Machetti, a/k/a Tony Machetti** … plotted the death of Joseph Akins with the intent of redeeming the proceeds of Akins’ insurance policies, and other benefits, the beneficiaries of which were Mrs. Machetti and her three daughters by her marriage to Akins … appellant Tony Machetti drove to Macon, Georgia … contacted Ronald Akins and lured him into the area of the crime, ostensibly to install a television antenna … when he and his wife arrived at the appointed time the appellant Tony Machetti killed both of them with a shotgun.
Trial testimony against Smith said that the insurance salesman was hoping with his shotgun-slaying prowess to become a made man.
And the supposed last words, it should be noted, are not apparent on the secret audio recording of the execution, available here, although the religious theme presents itself in the form of a Catholic benediction. The rest is all clinical efficiency, a far cry from the next year’s dreadful botch.
The Dec. 16, 1983 New York Times report — executions were still oddities that drew national coverage at this time — quoted a witness remarking on the “antiseptic and sterile” process, which the Times writer described thus:
A square of material was draped over Mr. Smith’s face and a leather-strapped cap containing an electrode was placed over his head.
So tightly was he strapped to the chair, witnesses said, it was difficult to tell when the three unidentified executioners pressed three small buttons, one of which sent 2,000 volts of electricity through the condemned man’s body for two minutes. According to prison tradition, none of the executioners knew if his was the lethal button.
Far more noteworthy than either the day’s procedure or its subject was the context of a noticeably accelerating execution pace.
From resumption of executions in 1977 through 1982, there had been only six people put to death in the U.S.; Smith capped a year with five more, including back-to-back days (Robert Wayne Williams had been electrocuted in Louisiana on December 14).
Anti-death penalty lawyer and activist Henry Schwarzschild was quoted in the article bemoaning “a new period where executions are utterly likely” and prophesying 30 to 50 in the year ahead thanks to prisoners’ appeals expiring.
There were, in the event, 21 American executions during the ensuing twelvemonth, almost tripling the country’s total up to that time; the annual total has never since 1983 returned to single digits.
On this date in 1901, unemployed (and seemingly unbalanced) steelworker Leon Czolgosz rode the lightning at New York’s Auburn Prison for inducting the late U.S. President William McKinley into the club.
It hadn’t even been eight weeks since Czolgosz met McKinley gladhanding a receiving line at the Pan-American Exposition in Buffalo, and fatally (though it took the victim a week to succumb) shot the second-term Republican president.
Matters progressed from there as one might expect.
In a one-day trial that lasted 8 hours from jury selection to sentence, Czolgosz was condemned to die in New York’s electric chair. He went to his death unapologetic, but also alone; most anarchists disavowed him for hurting the cause.**
Here’s the New York Times account of the assassin’s final moments.
As he was being seated [in the electric chair] he looked about at the assembled witnesses with quite a steady stare and said:
“I killed the President because he was an enemy of the good people — of the working people.”
His voice trembled slightly at first, but gained strength with each word, and he spoke perfect English.
“I am not sorry for my crime,” he said loudly, just as the guard pushed his head back on the rubber headrest and drew the strap across his forehead and chin. As the pressure on the straps tightened and bound the jaw slightly he mumbled: “I’m awfully sorry I could not see my father.”
It was just exactly 7:11 o’clock when he crossed the threshold [into the execution chamber], but a minute had elapsed and he just had finished the last statement when the strapping was completed, and the guards stepped back from the man. Warden Mead raised his hand, and at 7:12:30 Electrician Davis turned the switch that threw 1,700 volts of electricity into the living body.
The rush of the immense current threw the body so hard against the straps that they creaked perceptibly. The hands clinched suddenly, and the whole attitude was one of extreme tension. For forty-five seconds the full current was kept on, and then slowly the electrician threw the switch back, reducing the current volt by volt until it was cut off entirely.
They made good and sure by dissolving the body in sulfuric acid.
Thomas Edison made a video recreation of the scene — not to be confused with actual film of the execution, though some sites present it as such — shortly after. Whether its creation was influenced by Edison’s now-doomed project of discrediting Alternating Current, a business rivalry that had helped introduce the electric chair in the first place, I have been unable to determine; the Edison labs produced a number of silent films exploiting “a whole string of news events surrounding the Pan-American Exposition in Buffalo … both through a monumental display of lights (including test bulbs on the reproduction of the electric chair) and by a booming output of scenics, actualities, and even a historical topical.”
Glum.
More lighthearted (and more audible) is “The Ballad of Leon Czolgosz,” from Stephen Sondheim’s offbeat Broadway hit Assassins, here presented with liberal use of the Edison labs’ Pan-Am Expo footage.
… it’s not the first pop culture ephemera generated by McKinley’s martyrdom; folk ballad variations under different titles (”The White House Blues,” “McKinley,” “McKinley’s Rag,” or this version, “Zolgotz”) were in circulation in the early 20th century. Other variations and some background can be had here.
This third assassination of an American chief executive in the span of 36 years (with similar fates for James Garfield’s killer and the Lincoln conspirators) led the Secret Service, originally a Treasury Department anti-counterfeiting unit, to assume responsibility for bodily safeguarding the President in 1902.
** Anarchist titan Emma Goldman was blamed for inciting the murder and initially arrested; she was also one of the few anarchists to defend Czolgosz: “He had committed the act for no personal reasons or gain. He did it for what is his ideal: the good of the people. That is why my sympathies are with him.”
At 10:09 a.m. this morning in Starke Prison, 46-year-old Ernest Dobbert threw a wink to his minister and was electrocuted for torturing his nine-year-old daughter to death.
He was a child abuser, dating back to 1969. With his wife in prison for kiting paper, his four children obviously got on his nerves. His daughter, age 9, he tortured by beating with boards and belts, by kicking, by poking in her eyes, and by holding her head underwater in the toilet. He celebrated New Year’s Eve of 1971 by dressing her poor abused body in the finest garb on hand, placing it in a garbage bag and concealing it in the attic.
No chauvinist, he. Within weeks, he had done much the same with his son, aged 7. With the help of another terrorized son, age 12, he buried them both out in the scrub somewhere, with their bodies not yet found.
An unsympathetic character deservedly forgotten a quarter-century later, Dobbert interestingly illustrates some of the wide legal and ethical gray area in the real-life application of the death penalty for the many prisoners who are guilty yet not the like of Ted Bundy.
The Sun editorial cited urges Dobbert’s commitment to a mental institution on the nicely circular grounds that “no person is truly sane who tortures — much less kills — the fruit of his own loins.” This might bespeak an impoverished appreciation of human psychology’s potential.
More legally serious is the matter of intent and premeditation, ambiguous here as it so frequently is in life. Dobbert was convicted of only second-degree murder for killing his son; for slaying his daughter, the jury convicted him of capital murder but recommended only a life sentence, unsure of his degree of calculation.
But Ernest Dobbert is on this blog because Florida law allowed a judge to overrule the jury’s recommendation, opining,
this murder of a helpless, defenseless and innocent child is the most cruel, atrocious and heinous crime I have ever personally known of — and it is deserving of no sentence but death.
Maybe so … maybe no. In a 2000 paper* that undoubtedly plays better for an academic audience than a popular one, death penalty expert (and opponent) Michael Radelet points out that if one does suppose Dobbert’s intent to be less than fully formed, a case like his could be held to constitute a species of “wrongful execution” notwithstanding his guilt for the crime.**
The cases of those wrongly sentenced to death and who were totally uninvolved in the crime constitute only one type of miscarriage of justice. Another (and more frequent) blunder arises in the cases of the condemned who, with a more perfect justice system, would have been convicted of second-degree murder or manslaughter, making them innocent of first degree murder. For example, consider the case of Ernest Dobbert, executed in Florida in 1984 for killing his daughter. The key witness at trial was Dobbert’s 13-year-old son, who testified that he saw his father kick the victim (this testimony was later recanted). In a dissent from the Supreme Court’s denial of certiorari written just hours before Dobbert’s execution, Justice Thurgood Marshall argued that while there was no question that Dobbert abused his children, there was substantial doubt about the existence of sufficient premeditation to sustain the conviction for first-degree murder. “That may well make Dobbert guilty of second-degree murder in Florida, but it cannot make him guilty of first-degree murder there. Nor can it subject him to the death penalty in that State” (Dobbert v. Wainwright, 468 U.S. 1231, 1246 (1984)). If Justice Marshall’s assessment was correct, then Dobbert was not guilty of a capital offense, and—in this qualified sense—Florida executed an innocent man.
Ernest Dobbert has been executed because of his brutal actions toward his own children. I hope that this indication of the seriousness of child abuse will be an example of the value which the people of Florida place upon the lives of infants and young people in our state, and a measure of the lengths the people of Florida are prepared to go to prevent and punish such crimes.
* “The Changing Nature of Death Penalty Debates,” Annual Review of Sociology, vol. 26, August 2000.
** Fellow anti-death penalty academic Hugo Bedau on people whose murders are “arguably not … capital murder”:
We rarely think about this category when discussing innocence and the death penalty, but it is relevant and extremely important. The problem has been with us for at least two centuries, ever since the invention of the distinction between first-degree (capital) murder and second-degree (noncapital) murder.
On this date in 1987, Jimmy L. Glass died in Louisiana’s electric chair — having come one vote short of having the device declared unconstitutional by the Supreme Court.
The 20-year-old Glass escaped from a parish jail with fellow inmate Jimmy Wingo on Christmas Eve, 1982, robbing and murdering an elderly couple in the process. Each blamed the other; both got the chair.*
By a 5-4 decision, the high court held that electrocution, still at that point the country’s prevailing method of execution despite its medieval reputation for grisly botches, remained a constitutional method of inflicting death.
Liberal Justice William Brennan’s vigorous dissent from that judgment is not for the squeamish. (For readability, I’ve added emphasis and removed the many citations in the original.)
[E]vidence suggests that death by electrical current is extremely violent and inflicts pain and indignities far beyond the “mere extinguishment of life.” Witnesses routinely report that, when the switch is thrown, the condemned prisoner “cringes,” “leaps,” and ” ‘fights the straps with amazing strength.’ ” “The hands turn red, then white, and the cords of the neck stand out like steel bands.” The prisoner’s limbs, fingers, toes, and face are severely contorted. The force of the electrical current is so powerful that the prisoner’s eyeballs sometimes pop out and “rest on [his] cheeks.” The prisoner often defecates, urinates, and vomits blood and drool.
“The body turns bright red as its temperature rises,” and the prisoner’s “flesh swells and his skin stretches to the point of breaking.” Sometimes the prisoner catches on fire, particularly “if [he] perspires excessively.” Witnesses hear a loud and sustained sound ” like bacon frying,” and “the sickly sweet smell of burning flesh” permeates the chamber. This “smell of frying human flesh in the immediate neighbourhood of the chair is sometimes bad enough to nauseate even the Press representatives who are present.” In the meantime, the prisoner almost literally boils: “the temperature in the brain itself approaches the boiling point of water,” and when the postelectrocution autopsy is performed “the liver is so hot that doctors have said that it cannot be touched by the human hand.” The body frequently is badly burned and disfigured.
The violence of killing prisoners through electrical current is frequently explained away by the assumption that death in these circumstances is instantaneous and painless. This assumption, however, in fact “is open to serious question” and is “a matter of sharp conflict of expert opinion.” Throughout the 20th century a number of distinguished electrical scientists and medical doctors have argued that the available evidence strongly suggests that electrocution causes unspeakable pain and suffering. Because ” ‘[t]he current flows along a restricted path into the body, and destroys all the tissue confronted in this path . . . [i]n the meantime the vital organs may be preserved; and pain, too great for us to imagine, is induced. . . . For the sufferer, time stands still; and this excruciating torture seems to last for an eternity.‘ ” L.G.V. Rota, a renowned French electrical scientist, concluded after extensive research that
“[i]n every case of electrocution, . . . death inevitably supervenes but it may be very long, and above all, excruciatingly painful . . . . [T]he space of time before death supervenes varies according to the subject. Some have a greater physiological resistance than others. I do not believe that anyone killed by electrocution dies instantly, no matter how weak the subject may be. In certain cases death will not have come about even though the point of contact of the electrode with the body shows distinct burns. Thus, in particular cases, the condemned person may be alive and even conscious for several minutes without it being possible for a doctor to say whether the victim is dead or not. . . . This method of execution is a form of torture.”
At least neither the juridical near miss nor Brennan’s graphic description of his impending manner of death dented Jimmy’s sense of humor. Asked for his last words, the “swaggering” inmate, already strapped in the chair, replied
Yeah, I think I’d rather be fishing.
Luckily for Carlisle United, he’s not the same guy as journeyman goaltender Jimmy Glass, who in 1999 improbably struck home one of the greatest goals in English football history.
On this date in 1972, Jaime Jose, Basilio Pineda and Edgardo Aquino were electrocuted* in Muntinlupa for the gang-rape of actress Maggie de la Riva (or dela Riva) five years before.
The rising young actress had scarcely wavered after the assault before courageously making the always-fraught rape charge against a quartet** of attackers themselves from elite families. (The particulars are recounted in the Supreme Court ruling.)
J’accuse! Maggie de la Riva identifies two of the culprits just five days after her gang rape. Talk about facing your accuser; according to the accompanying article, “the frail-looking mestiza was a picture of righteous indignation as she extended her arms, showed her bruises, and asked Pineda, pointedly: ‘Do you remember these?’”
The case was a media sensation from day one. The Philippine film blog Video 48 republished a three-part series on the rapists’ capture (parts 1 and 2) and execution (part 3), complete with the desperate efforts of the offenders’ families to save them.
The victim herself continued her acting career.
Decades later, she’s still a public personality, and seems to have made peace with and moved on from her famous ordeal with impressive equanimity.
When that misfortune happened to me, I realized that although my body was raped my true self was never defiled and that there’s another person in me that’s beautiful, strong and true. The old Maggie has faded away. I look at my experience as something that happened to someone else who is no longer the person I am today. (Source)
* The Philippines adopted use of the electric chair in the early 20th century from the U.S., its colonial ruler at the time. It’s the only country besides the United States to have used the chair.
** One of the four condemned to death for the rape, Rogelio Canial, died in prison of a drug overdose several months before the executions.
On May 9, 1947, Willie Francis was executed in the same electric chair that he had walked away from a year and a week earlier, when a drunken prison guard and trustee bungled the wiring. Willie’s story had made front-page headlines around the country as the United States Supreme Court grappled with questions about what the State of Louisiana was permitted to do with regard to double jeopardy and cruel and unusual punishments.
One of the things that drew me to this story as I was working on my book, The Execution of Willie Francis, was the shroud of secrecy that surrounded the Willie Francis case.
Willie was accused and convicted of killing 53-year-old Andrew Thomas, a Cajun pharmacist who was something of a mystery to the people in the small town of St. Martinville, Louisiana. Thomas’ brother Claude was the town’s chief of police, and Willie was convicted by twelve Cajun jurors and sentenced to death by a Cajun judge. His court-appointed attorneys neither called nor cross examined any witnesses, and did not even make a case in defense of their 16-year-old client.
The prosecution based its entire case on a confession obtained while Willie was in police custody without the aid of a lawyer. In this confession, Willie wrote, “it was a secret about me and him,” which was never explained. It was obvious to me that there was more to Willie’s story than the version presented in trial and to the public.
In my research, I came across a photograph taken on the evening Willie had survived his own execution. He’d been brought back to his cell, and the sheriff allowed reporters and a photographer to visit with Willie, where he told them that death tasted “like peanut butter” and looked a lot “like shines in a rooster’s tail.” The photographer asked for a few pictures, and Willie, holding his dog-eared Bible, stood in front of a dull pink wall. The flash fired.
This picture was never used by any of the newspapers. There was a lot of glare on the wall, and the photographer had gotten a much better one of Willie smiling — the picture that ended up on the front page of many newspapers the next day. But there was some writing on the wall image that was barely legible. I scanned it onto my computer and ran it through Photoshop, adding contrast and burning and dodging until the words could be read. The handwriting matched Willie’s.
Detail of the enhanced photograph. Click for the full image.
Not surprisingly, the sheriff had testified under oath that Willie had confessed to killing Andrew Thomas in writing on the wall of his cell a month before he was scheduled to die in the chair. But the Sheriff had also taken Willie’s words out of context, reading only select portions of the writing, and mischaracterizing others. In fact, Willie Francis, just as he had when he wrote in his confession that “it was a secret about me and him,” alluded to something different than the robbery-turned killing prosecutors accused him of. Willie wrote, “Practically I killed Andrew by accident. It will happen once in a life time”
Only two people know the truth about that fateful confrontation at the house of the Cajun bachelor and the black teenager who once worked for him. Both are dead, and the official story does not ring true. Willie Francis never denied killing Andrew Thomas. But he disputed the prosecution’s accusation that he was trying to rob the pharmacist. “I wasn’t after money,” Willie insisted to a reporter before he went to the chair a second time. Yet he would never elaborate, and took whatever “secret” there was between him and Thomas to his grave.
The truck was a 1941 International Harvester K–3 two-ton cornbinder, from the manufacturer known at the time for its production of heavy-duty farm equipment. Painted red, it was mounted with a large, gray sheet-metal trailer, unmarked and nondescript. In fact, the only thing odd about this truck was the additional muffler and exhaust pipe that extended from the roof of the van. It would not have turned heads, at least not until it pulled up to park behind a Louisiana parish jail. Then, as photographs show, people would stop dead in their tracks and stare, as if some ancient beast of classical mythology was lurking behind the thick, metal doors. And when Captain Ephie Foster, the Angola prison guard who, on May 3, 1946 had arrived to execute Willie Francis emerged from the truck, they stared at him, too — their somber eyes carefully registering the face of a killer.
May 3rd was supposed to be Willie’s last day on earth. His head had been shaved and his pant leg had been torn so that current could cleanly surge through the body of the 17-year-old Louisiana youth as he sat strapped into the electric chair known as “Gruesome Gertie.” But things did not proceed as planned in the small town of St. Martinville. Foster and his assistant had been drinking and did not wire the chair properly on that hot morning, and when the switch was thrown, Willie convulsed and screamed for more than a minute, until it became obvious to everyone in the death room that something was wrong. “I am not dying,” Willie shouted, until finally, the sheriff ordered the electricity shut off.
Deputies put Willie back in his cell and Louisiana Governor Jimmie Davis was called as town officials were unsure what to do with the boy who walked away from the electric chair. About an hour later, Davis had made up his mind. Foster was to load the chair back into the truck and drive it home to Angola where it would be fixed. Then they’d send it back to St. Martinville a week later where Willie Francis was to be re-executed.
Gruesome Gertie had haunted the dreams of many a condemned man in Louisiana. Willie was the twenty-third person to take the deadly current, but the first to survive an electrocution. By the 1940s, executions were private affairs. They took place behind the walls of prison complexes, and the most anyone might see of them would be a hearse driving out with a coffin loaded in the back.
But Louisiana had a traveling electric chair that turned an execution into a bizarre, macabre road show.
A crowd would often gather to watch prison officials unload Gruesome Gertie and bring her into a parish jail. The chair would then be attached to two long, black, snake-like cables that would lead back to the truck, plugged into a powerful gasoline engine in the back that gave Gertie her juice. The engine was loud, and people were drawn to the noise from blocks away. On May 3rd, one of the people in the crowd in St. Martinville, Louisiana was Frederick Francis, Willie’s father. He’d arrived with a coffin and was seen pacing back and forth beneath a live oak tree, waiting to claim the body of his youngest son.
I’d been working on my book, The Execution of Willie Francis for nearly two years, but had never seen a picture of the truck that had delivered death to so many condemned men (and one woman, Tony Jo Henry) in Louisiana. I’d read about it in countless newspaper stories, as well as in Ernest Gaines’ book, A Lesson Before Dying, which was loosely based on Willie’s story. But it wasn’t until I had the opportunity to go through the legal files of Bertrand DeBlanc, the lawyer who took Willie’s case after the botched execution, that I ever got a glimpse of the truck. DeBlanc lived across the street from the St. Martinville jail, and when the truck parked in front of his house, he was just another curious onlooker who went outside with his Brownie camera to take pictures.
The photographs DeBlanc took on that fateful day not only provide a record of one of the most famous execution attempts in this country’s history, but they also serve to illustrate the inequity of the death penalty in the south at the time. Lynchings were becoming less common, but the implied bargain of swift justice pacified the vigilante cry for death. This innocuous looking truck rolled through small Louisiana towns to execute mostly black men at the hands of white law enforcement officials. But when townspeople gathered around, and the doors swung open and Gertie was taken up the back steps and fired up, the spectacle of this traveling show of death sent as strong a message to blacks as any public mob lynching.
The electric chair has gotten a bad rap in recent years, and nowhere is this more evident than in the 1997 Florida execution of Cuban refugee Pedro Medina.
The improper application of an electricity-conducting sponge caused a “crown of foot-high flames” to shoot from Medina’s head, in a botched execution that caused Florida to reexamine its use of the electric chair and accelerated the trend towards lethal injection as the preferred method of execution — modern, sanitary and humane. But electrocution was once preferred for just those very reasons — well, that, and politics.
The thought of designing an apparatus to stimulate death by electrocution first came to dentist Dr. Albert Southwick in 1881, who watched an drunk man touch the terminal of an electricity generator in Buffalo, New York. Impressed at how quickly and painlessly the man died, he mentioned the incident to his friend, a state senator, who promptly brought the matter to the attention of the governor. The state legislature was then asked to consider how modern day electricity might emerge as an alternative to the often grisly process of hanging, in which incompetent executioners often inadvertently subjected prisoners to slow deaths by strangulation or decapitation.
Several years later, an inventor by the name of Harold Brown, an employee of the famous Thomas Edison, designed the first electric chair, deliberately adopting the Alternating Current (AC) form of electricity because Edison did not want his Direct Current (DC) form associated with the gruesome business of death — a sordid chapter in the history of public relations. The first execution was carried out in New York State in 1890, but the novel method was far from foolproof: it took two attempts, and the inmate was reported to have gone down in the same sort of smoke, flames, and smell of Medina’s over a hundred years later.
Still, the method caught on, and over the course of the 20th century, the electric chair became an indelible symbol of the death penalty in the nation’s consciousness.
“The chair” didn’t begin to decline until the mid-1980s, when newspaper accounts about botched executions, together with the emerging technology of lethal injection, again prompted some states to reexamine their death penalty statues.
It was around this time that Pedro Medina first came to the US from Cuba, part of the Mariel boat lift of 1980, in which Fidel Castro “permitted” some 125,000 Cuban prisoners and mentally ill to depart from the Mariel harbor for the fertile shores of America. (Medina himself had been released from a psychiatric hospital in Cuba and diagnosed with illnesses including paranoid schizophrenia and major depressive disorder with psychosis.) The boatlift polarized public sentiment in the United States.
These factors combined to lend Medina, a black man, a low status indeed in the eyes of prosecutors and jurors when, two years after his arrival on American shores, he was convicted of murdering his neighbor, Dorothy James.
Medina was executed in Albert Southwick’s brainchild 15 years later, despite pleas from James’ daughter, Lindi James, who said that she did not believe Medina had killed her mother and that her mother would not have wanted him executed regardless, and from Pope John Paul II, who also made a public call for mercy on Medina’s behalf. Medina’s lawyers also filed a petition claiming he was insane and thus incompetent to be executed, but the Florida Supreme Court ruled that, while he had mental problems, he could still be executed.
Early in the morning on March 25, 1997, Medina went out in flames.
A crown of foot-high flames shot from the headpiece during the execution, filling the execution chamber with a stench of thick smoke and gagging the two dozen official witnesses. An official then threw a switch to manually cut off the power and prematurely end the two-minute cycle of 2,000 volts. Medina’s chest continued to heave until the flames stopped and death came. (From the Death Penalty Information Center’s botched executions page.)
The source of the malfunction was not immediately apparent; prison officials claimed the fire had been caused by a corroded copper screen in the electric chair’s headpiece, but later investigation revealed that it was due to improper application of an electricity-conducting sponge to Medina’s head. Attorney General Bob Butterworth hailed the deterrent value of malfunctions: “People who wish to commit murder, they better not do it in the state of Florida, because we may have a problem with our electric chair.”
However, the debacle of Medina’s execution caused a media sensation and led to a case by another Florida death row inmate, Thomas Provenzano, claiming that lethal injection constituted cruel and unusual punishment prohibited under the Eighth Amendment.
Provenzano lost his case, but with the release of bloody photographs of the 1999 execution of Allen Lee Davis, more states began moving against the use of the electric chair. Of the six states that today retain it (Virginia, South Carolina, Kentucky, Tennessee, Alabama and, yes, Florida), none currently use it as their only method of execution.
Rather, lethal injection has become the norm.
But for how long? There may be no AC/DC marketing gambit in the new, modern business of death, and no crown of flames. But maybe all we’ve really done by moving to the needle is render invisible ongoing Medina-like botches.
On this date in 1951, the made-for-tabloids killer couple Raymond Fernandez and Martha Beck were electrocuted at New York’s Sing Sing prison for murder.
The murder victim was popular young Florida legislator/war hero Charles Schuh, whose promising political career 
It was around this time that Pedro Medina first came to the US from Cuba, part of the 
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