Posts filed under 'Drawn and Quartered'

1652: Captain James Hind, royalist highwayman

Add comment September 24th, 2008 Headsman

On this date in 1652, James Hind, a highwayman who preyed on Roundheads, was drawn and quartered for treason.

Famed throughout the realm for his dashing heists on the roads, Hind was the subject of no less than 16 printed pamphlets of the nascent popular press in the early 1650’s, which magnified brigand’s feats, oratory and persona into a sort of populist Cavalier superhero: Marvel Comics for the woodcut age.

The highlights of Hind’s adventures receive rapturous attention from the Newgate Chronicles:

  • Setting upon Oliver Cromwell shortly after the execution of Charles I, his partner Thomas Allen being taken in the affray;

  • An amusing duel of Biblical citations while robbing regicide Hugh Peters, resolved in the characteristic manner of such impasses by reference to which disputant holds the gun.

    “Pray, sir, make no reflections on my profession; for Solomon plainly says, ‘Do not despise a thief’; but it is to little purpose for us to dispute. The substance of what I have to say is this: deliver thy money presently, or else I shall send thee out of the world to thy master in an instant.”

  • Any number of pleasing episodes with lesser personages suitable for the gallant highwayman — ladies charmed but un-pillaged, paupers subsidized, and always, wicked Parliamentarians chastened. Several excellent Hind anecdotes are gathered by Gillian Spraggs here.

As to the veracity of this stuff, the Captain himself suggests a pinch of caution.

A Gentleman or two, desired so much favour of [the gaoler], as to aske Mr. Hind a civil question; which was granted. So pulling two books out of his pocket, the one entituled, Hind’s Ramble, The other Hind’s Exploits, asked him whether he had ever seen them or not: He answered, yes; And said upon the word of a Christian, they were fictions: But some merry Pranks and Revels I have plaid, that I deny not.

But Hind’s adherence to the Stuart cause was real enough, or at any rate something he had the 17th century media savvy to play up. At his execution, he professed pleasure in having targeted Roundheads for most of his crimes, and it was not theft that saw him to the scaffold, but treason. He made free royalist talk upon his arrest, proposing a toast to the exiled king that otherwise sympathetic guests were too cautious to take up.

Hind fits symbolically into the tradition of the romantic outlaw of Robin Hood stock, and anticipates the 18th century rogues’ gallery of noble brigands fighting a doomed rearguard against capitalism. Hind’s acts, criminal by any standard, are justified by the illegitimacy of the society he preys upon; he embodies at once a social and political rejection of the nascent mercantile England, and a biographical realization of its actuating mythos — personal aptitude and acquisition,* with a cover story for why his victims had it coming.

Neither did I ever wrong any poor man of the worth of a penny: but I must confess, I have (when I have been necessitated thereto) made bold with a rich Bompkin, or a lying Lawyer, whose full-fed fees from the rich Farmer, doth too too much impoverish the poor cottage-keeper: And truly I could wish, that thing were as little used in England amongst Lawyers, as the eating of Swines-flesh was amongst the Jews.

A dead-end position — just like James Hind himself.

* In a supposed rhapsody over gold forced from the hand of John Bradshaw — yet another regicide; Hind seemingly met them at every turn — our robber rather has his cake and eats it too in extolling and condemning lucre.

Ay, marry, sir, this is the metal that wins my heart for ever. Oh! precious gold, I admire thee as much as Bradshaw, Prynne or other such villains, who would for the sake of it sell our Redeemer again, were He now upon earth.

Entry Filed under: 17th Century, Capital Punishment, Common Criminals, Crime, Death Penalty, Drawn and Quartered, England, Execution, Gruesome Methods, Notable for their Victims, Outlaws, Public Executions, Treason

1803: Robert Emmet, “let no man write my epitaph”

1 comment September 20th, 2008 Headsman

On this date in 1803, Irish nationalist Robert Emmet was hanged and posthumously beheaded, a day after his trial for treason against England.

The well-to-do scion of a Protestant family, Robert Emmet followed his older brother into the Republican ferment of the time and led an unavailing uprising in Dublin on July 23, 1803.

Captured a month later when he romantically recklessly moved his hideout closer to his beloved Sarah Curran.

Emmet won his great laurels in the annals of Irish Republicanism with a stirring “Speech from the Dock” addressed to the courtroom the day before he died. Or better to say that it was addressed in a courtroom, for knowing that his death sentence was a foregone conclusion, the real audience was posterity and a wider world.

Emmet found that audience with one of the great orations of the 19th century.

This clip is a truncated version of a longer speech not set to paper by Emmet, so no single definitive version exists. Versions can be found at this Irish history site, and at SinnFein.ie.

I have but one request to ask at my departure from this world — it is the charity of its silence! Let no man write my epitaph: for as no man who knows my motives dare now vindicate them. let not prejudice or ignorance asperse them. Let them and me repose in obscurity and peace, and my tomb remain uninscribed, until other times, and other men, can do justice to my character; when my country takes her place among the nations of the earth, then, and not till then, let my epitaph be written. I have done.

On the strength of such sentiment — and the public’s learning of his love for Sarah Curran — the 25-year-old became iconic in death. Robert’s own death inspired the mandatory Irish patriotic ditty, “Bold Robert Emmet”:

But that sundered love between Emmet and Sarah Curran — who broken-heartedly accepted another proposal and moved to Sicily — was at least as stirring to the Romantic imagination. Washington Irving dedicated a short story to the lost romance; Emmet’s friend Thomas Moore made Curran the subject of a poem (beware: link opens an auto-playing audio file).


Anti-British terrorist Robert Emmet has a statue on Washington, D.C.’s Massachusetts Ave, and probably an entry on the no-fly list.

Part of the Themed Set: Counterrevolution.

Entry Filed under: 19th Century, Arts and Literature, Beheaded, Capital Punishment, Death Penalty, Drawn and Quartered, England, Execution, Famous, Famous Last Words, Hanged, History, Ireland, Martyrs, Occupation and Colonialism, Popular Culture, Power, Public Executions, Revolutionaries, Separatists, Treason

1305: William Wallace, Braveheart

1 comment August 23rd, 2008 Headsman

On this date in 1305, Scottish knight Mel Gibson — er, William Wallace — was hanged, drawn and quartered at Smithfield for treason to a British crown he refused to recognize.

Just like so:

Well, close enough. Some wags have alleged one or two historical liberties in Braveheart.

Among the lesser (but more pertinent here): that they weren’t — you knew this already — offering the former Guardian of Scotland the opportunity to reduce his suffering with a public submission, or use the stage for theatrical defiance. Hanging, drawing and quartering was a brand new execution Edward I was experimenting with for emasculating, disemboweling, and (so the idea went) utterly cowing the rebellious hinterlands of the British Isles. Wallace may have been just the second person to suffer it.

But only a pointy-headed blogger could possibly care when the main point is that back before Christendom succumbed to nancy decadences like Vatican II, men wore woad, defenestrated queers, and tapped top-shelf babes.


Among the few things known for certain about William Wallace is that he did not score with Isabella of France. Or with Sophie Marceau.

Facts? This is show business!

Mel’s bloodbath only riffs the already-fantastic 15th century epic of “the Wallace” by Scottish minstrel Blind Harry, which in turn got a lyrical call-out in Robert Burns’ 18th century Scottish patriotic tune Scots Wha Hae.

National martyrs — and, sure, it helps to die at the right time, as Wallace did just before Robert the Bruce secured Scottish independence — feed a train of hungry authors and ready audiences in every time, place and medium.

However genuinely flesh-and-blood the limbs that wrought his feats and were torn apart on this day, Wallace returns to his generations of interlocutors half-shrouded in mythology. Seven centuries on, his contested (and sometimes absurd) use as precedent or metaphor stakes a claim to his Truth at least as compelling as battlefield tactics at Stirling Bridge. What does he “really” have to tell us? No matter how grisly his end, William Wallace doesn’t get to decide: it’s between you, me, Mel, and a few billion other folks.

Only a character really worth remembering is worth that kind of fictionalizing.

Entry Filed under: 14th Century, Arts and Literature, Capital Punishment, Death Penalty, Drawn and Quartered, England, Execution, Famous, Famous Last Words, Hanged, Heads of State, History, Martyrs, Mature Content, Myths, Occupation and Colonialism, Popular Culture, Public Executions, Scotland, Separatists, Soldiers, Treason

1594: Rodrigo Lopez, Shylock inspiration?

Add comment June 7th, 2008 Headsman

On this date in 1594, a 70-year-old Portuguese physician was torn apart at Tyburn before a jeering London mob for attempting to poison Queen Elizabeth I.

Born around 1525 to a family of conversos — Jewish converts forcibly converted to Christianity — Rodrigo Lopez (alternatively, Lopes) went abroad because the Spanish Inquisition menacingly suspected him of secretly maintaining the faith of Abraham.*

For us, the man’s true doctrines might be a matter for his god. In the 16th century, Lopez never could outrun his Jewishness.

Establishing himself in London in 1559, nearly the precise midpoint of his life, Lopez built a thriving medical practice, eventually rising in 1586 to the attendance of Her Majesty herself. England in those days was scrapping with the mighty Spanish empire, one front of which was endlessly byzantine diplomatic intrigue. It happened that Elizabeth gave harbor to a Portuguese pretender (Lopez had attended him, too), whose circles the Spanish were naturally endeavoring to infiltrate.

Some nefarious machinations in this ambit that came to light in 1593 opened an investigation characteristically heavy on the torture, and Lopez’s name came up. Allegedly, the doctor was negotiating to take Spanish gold for slipping the Queen a mickey.

Lopez doesn’t seem to be any less capable of greed or intrigue than anyone else at court, but poison? It was doubted at the time, the prosecution itself a product of the courtly rivalry between Essex and Cecil.** Despite a confession (extracted by torture, like the accusations), even Elizabeth never seems to have really bought the charge: she held Lopez more than three months after his sentence before finally permitting the punishment to go forward, and pensioned his family when the treason conviction entitled her to confiscate their property.

The London mob entertained no such nuance. When Lopez was hauled to the scaffold this day for his public butchery — still protesting that he “loved the Queen as he loved Jesus Christ,” derisively taken as a backhanded confession by spectators who didn’t doubt the practicing Protestant was really a Jew — it elevated popular anti-Semitism to fever pitch.

Hath not a Jew eyes?

Lopez, or at least the popular mood of Jew-baiting current after his trial, is thought to have helped inspire William Shakespeare’s use of the Shylock character in The Merchant of Venice — one of the most controversial and captivating of all the Bard’s creations, a villain far more compelling (and sympathetic) than the play’s lightweight good guys and one whose place in the Shakespeare canon and the fabric of Elizabethan England is still vigorously debated.

Is Shylock a vicious caricature? A sublimely three-dimensional human? Both? Wherever the “real” William Shakespeare stood on the matter of religious equality, he put one of literature’s great apologias for it in Shylock’s mouth:

* Insincerely converted Muslims and Jews were a choice target of the Inquisition in the 16th century; many thousands were driven to emigrate. For the fate of some other crypto-Jews who fled to Spain’s possessions in the New World, see here.

** Lopez’s Javert, the Earl of Essex, lost the power struggle a few years later … and with it, his own head.

Entry Filed under: Arts and Literature, Capital Punishment, Death Penalty, Disfavored Minorities, Doctors, Drawn and Quartered, Execution, Famous Last Words, Gallows Humor, Gruesome Methods, History, Jews, Notable for their Victims, Public Executions, Scandal, Torture, Wrongful Executions

1610: Francois Ravaillac, because Paris was worth more than a mass

1 comment May 27th, 2008 Headsman

On this date in 1610, the fanatical Catholic who assassinated Henri IV of France was ripped apart on the Place de Greve.

The road to this man’s calvary begins long before his infamous crime, even long before the birth of his illustrious victim.

The Protestant Reformation — so richly represented in the executioner’s annals — had fractured France in the 16th century.

After decades of voluptuously indecisive Catholic-versus-Hugeunot slaughter, matters had finally been settled by the man upon whom French absolutism would erect its (ill-fated) edifice.

Henri IV, the first Bourbon monarch and a Huguenot, had unified the country by the sword, capped by his memorably politic conversion to Catholicism in 1593 to win over the holdout capital of Paris — the occasion of his understated declaration that “Paris is worth a mass”.

Let us tarry here to appreciate “the good king Henri” in a kaleidoscope of flattering artwork to the tune of Vive Henri IV, the monarchy’s unofficial anthem after its subject’s passing:

Did you catch that last image?

Henri’s fine gesture of sectarian triangulation and the reign of relative calm it inaugurated were naturally resented by godly partisans of both camps who either considered his conversion a betrayal or considered the king a closet Protestant.

At the crazed end of this latter spectrum, we meet our day’s principal, Francois Ravaillac.

Readers unconstrained by time may enjoy this Tolstoyan trek into the regicide’s mind and milieu, but it will suffice us to say that the modern shotgun-wielding postal clerk who just seemed like a quiet, harmless type to all his coworkers might like the cut of Ravaillac’s jib. A bit of a loner, a bit of a professional washout, with a penchant for religious visions and a passel of ill-arranged grievances … by this point in the movie, that’s about what you expect the police profiler to be reciting.*

It is only right that such a contemporary-sounding lone nut story ought to have a vigorous conspiratorial counternarrative.

There has always been a strong suspicion that behind Ravaillac’s hand was the work of the scheming Catholic Duc d’Epernon, perhaps even with the complicity of Henri’s wife Marie de’ Medici, who had conveniently been crowned as queen the day before the murder** and promptly teamed up with Epernon to cement an alliance with a traditional French rival, the ultra-Catholic Habsburgs.

Balzac, for one, had no doubt about it:

all of [her] actions were prejudicial to France … Marie de’ Medici wasted the wealth amassed by Henri IV.; she never purged herself of the charge of having known of the king’s assassination; her ‘intimate’ was d’Epernon, who did not ward off Ravaillac’s blow, and who was proved to have known the murderer personally for a long time. … [T]he victory Richelieu at last won over her (on the Day of the Dupes) was due solely to the discovery the cardinal made, and imparted to Louis XIII, of secret documents relating to the death of Henri IV.

The historical jury is out on that question, presumably for good.

If Ravaillac was a conspirator, he proved to be a damned good one, denying under repeated torture that he had any accomplices. On this date, the tortures reached their crescendo and conclusion — to the horrible delight of the Parisian mob, as reported by Alistair Horne (via The Corner):

On 27 May, still protesting that he had acted as a free agent on a divinely inspired mission, Ravaillac was put to death. Before being drawn and quartered, the lot of the regicide, on the Place de Grève scaffold he was scalded with burning sulphur, molten lead and boiling oil and resin, his flesh then torn by pincers. Then his arms and legs were attached to horses which pulled in opposite directions. One of the horses “foundered,” so a zealous chevalier offered his mount; “the animal was full of vigour and pulled away a thigh.” After an hour and a half of this horrendous cruelty, Ravaillac died, as the mob tried to prevent him receiving last rites. When he finally expired,

“…the entire populace, no matter what their rank, hurled themselves on the body with their swords, knives, sticks or anything else to hand and began beating, hacking and tearing at it. They snatched the limbs from the executioner, savagely chopping them up and dragging the pieces through the streets.”

Children made a bonfire and flung remains of Ravaillac’s body on it. According to one witness, Nicholas Pasquier, one woman actually ate some of the flesh. The executioner, supposed to have the body of the regicide reduced to ashes to complete the ritual demanded by the law, could find nothing but his shirt.

Ravaillac was the last Frenchman drawn and quartered for a century and a half — but his punishment as a regicide formed the precedent for that handed down in 1757 to Damiens.

* No need, though, as Francois wasn’t hard to catch: he stepped up to Henri’s carriage when it was caught in a traffic jam on May 14, 1610, and stabbed the king to death plain as can be. He was lucky (sort of) to avoid a lynching.

** Rubens later painted a gaudy celebration of this event.

Entry Filed under: 17th Century, Assassins, Capital Punishment, Death Penalty, Drawn and Quartered, Execution, France, God, Gruesome Methods, History, Infamous, Murder, Notable for their Victims, Public Executions, Torture, Treason

1582: John Payne, snitched out

Add comment April 2nd, 2008 Headsman

On this date in 1582, the Jesuit priest John Payne suffered drawing and quartering at Chelmsford for his forbidden faith.

This blog tips its cap to any fellow who prefers that awful punishment to a timely change of doctrine. Payne (or Paine) is accordingly one of the Forty Martyrs of England and Wales recognized by the Catholic church.

But at our present distance, Payne hardly stands out from the slew of 16th century Catholic martyrs in the way an Edmund Campion does.

We pause instead to take note of a small continuity between Payne and Campion, a secondary character whose shadow we observe but fleetingly, but whose presence suggests the condition of a community under siege — and whose character seems not unknown to our time.

Campion was apprehended by a police informant named George Eliot (”Judas Eliot”, Protestants as well as Catholics would call him).* A Catholic himself, Eliot took to collecting bounties on fugitive priests — to relieve himself, the Catholics said, of a murder charge pending against him. Eliot attended Campion’s last service, excused himself, and returned with a posse.

Later, he would meet his prize in prison:

“If I had thought that you would have had to suffer aught but imprisonment through my accusing of you, I would never have done it,” [Eliot] said, “however I might have lost by it.”

“If that is the case,” replied Campion, “I beseech you, in God’s name, to do penance, and confess your crime, to God’s glory and your own salvation.”

But it was fear for his life rather than for his soul that had brought the informer to the Tower; ever since the journey from Lyford,** when the people had called him “Judas,” he had been haunted by the specter of Catholic reprisal.

“You are much deceived,” said Campion, “if you think the Catholics push their detestation and wrath as far as revenge; yet to make you quite safe, I will, if you please, recommend you to a Catholic duke in Germany, where you may live in perfect security.”

But it was another man who was saved by the offer. Eliot went back to his trade of spy; Delahays, Campion’s jailer, who was present at the interview, was so moved by Campion’s generosity that he became a Catholic.

In fact, not long after Campion met his death, Eliot testified against Payne:

The said priest Payne went about once to persuade me to kill (Jesus preserve her) the Queen’s Majesty, and said that there were divers matters from the Pope published against her, that it was lawful to kill her Highness without any offence to Godward … the Pope would yield as much allowance of money as would fully furnish fifty men, to every man a good horse, an arming sword, a privy coat, and a pocket-dagge.

Which Payne answered:

For Eliot I forgive his monstrous wickedness and defy his malicious inventions; wishing that his former behaviour towards others being well known, as hereafter it will, were not a sufficient reproof of these devised slanders.

Reviled to posterity — to the extent he is not utterly obscure — Eliot enjoyed the material rewards of his labors. The Catholic source we have been citing reports that “he had been made a yeoman of her Majesty’s guard, and had come flaunting into court with his red coat.”

On this date, when John Payne was hanged, drawn and quartered still professing his innocence of treason and adherence to the Roman church, Eliot pocketed £4 for his service.

* The informants themselves became public figures who not only had to defend their integrity from the impeachments of their victims but contend with one another for pride of place. Eliot and fellow-informant Anthony Munday, later to make himself a name less blackened as a minor playwright, wrote competing pamphlets each asserting (and justifying) their own contributions to Campion’s arrest. (Source)

** Eliot arrested Campion at Lyford; on the journey to prison, Catholic tradition has it that Campion was supported by the crowd and Eliot openly jeered.

Entry Filed under: 16th Century, Capital Punishment, Death Penalty, Disfavored Minorities, Drawn and Quartered, England, Execution, God, Gruesome Methods, History, Martyrs, Notable Sleuthing, Public Executions, Religious Figures, Torture, Treason

1757: Robert-Francois Damiens, disciplined and punished

1 comment March 28th, 2008 Headsman

On this date in 1757, Robert-Francois Damiens became the last Frenchman to suffer the dreadful punishment of drawing and quartering.

Damiens attempted to assassinate King Louis XV, inflicting, however, only a slight dagger wound.

He may be best-known today as the subject of the jarring opening passage of Foucault’s Discipline and Punish, in which the full flower of this medieval torture* is described in detail by way of contrasting it with the regimented penal institutions that would sprout up in a few decades’ time. Here’s Foucault’s rendering of the scene:

On 1 March 1757 Damiens the regicide was condemned “to make the amende honorable before the main door of the Church of Paris”, where he was to be “taken and conveyed in a cart, wearing nothing but a shirt, holding a torch of burning wax weighing two pounds”; then, “in the said cart, to the Place de Grève, where, on a scaffold that will be erected there, the flesh will be torn from his breasts, arms, thighs and claves with red-hot pincers, his right hand, holding the knife with which he committed the said parricide, burnt with sulphur, and, on those places where the flesh will be torn away, poured molten lead, boiling oil, burning resin, wax and sulphur melted together and then his body drawn and quartered by four horses and his limbs and body consumed by fire, reduced to ashes and his ashes thrown to the winds” (Pièces originales…, 372-4).

“Finally, he was quartered,” recounts the Gazette d’Amsterdam of 1 April 1757. “This last operation was very long, because the horses used were not accustomed to drawing; consequently, instead of four, six were needed; and when that did not suffice, they were forced, in order to cut off the wretch’s thighs, to sever the sinews and hack at the joints…

“It is said that, though he was always a great swearer, no blashemy escaped his lips; but the excessive pain made him utter horrible cries, and he often repeated: ‘My God, have pity on me! Jesus, help me!’ The spectators were all edified by the solicitude of the parish priest of St Paul’s who despite his great age did not spare himself in offering consolation to the patient.”

Bouton, an officer of the watch, left us his account: “The sulphur was lit, but the flame was so poor that only the top skin of the hand was burnt, and that only slightly. Then the executioner, his sleeves rolled up, took the steel pincers, which had been especially made for the occasion, and which were about a foot and a half long, and pulled first at the calf of the right leg, then at the thigh, and from there at the two fleshy parts of the right arm; then at the breasts. Though a strong, sturdy fellow, this executioner found it so difficult to tear away the pieces of flesh that he set about the same spot two or three times, twisting the pincers as he did so, and what he took away formed at each part a wound about the size of a six-pound crown piece.

“After these tearings with the pincers, Damiens, who cried out profusely, though without swearing, raised his head and looked at himself; the same executioner dipped an iron spoon in the pot containing the boiling potion, which he poured liberally over each wound. Then the ropes that were to be harnessed to the horses were attached with cords to the patient’s body; the horses were then harnessed and placed alongside the arms and legs, one at each limb.

“Monsieur Le Breton, the clerk of the court, went up to the patient several times and asked him if he had anything to say. He said he had not; at each torment, he cried out, as the damned in hell are supposed to cry out, ‘Pardon, my God! Pardon, my Lord.’ Despite all this pain, he raised his head from time to time and looked at himself boldly. The cords had been tied so tightly by the men who pulled the ends that they caused him indescribable pain. Monsieur le [sic] Breton went up to him again and asked him if he had anything to say; he said no. Several confessors went up to him and spoke to him at length; he willingly kissed the crucifix that was held out to him; he opened his lips and repeated: ‘Pardon, Lord.’

“The horses tugged hard, each pulling straight on a limb, each horse held by an executioner. After a quarter of an hour, the same ceremony was repeated and finally, after several attempts, the direction of the horses had to be changed, thus: those at the arms were made to pull towards the head, those at the thighs towards the arms, which broke the arms at the joints. This was repeated several times without success. He raised his head and looked at himself. Two more horses had to be added to those harnessed to the thighs, which made six horses in all. Without success.

“Finally, the executioner, Samson, said to Monsieur Le Breton that there was no way or hope of succeeding, and told him to ask their Lordships if they wished him to have the prisoner cut into pieces. Monsieur Le Breton, who had come down from the town, ordered that renewed efforts be made, and this was done; but the horses gave up and one of those harnessed to the thighs fell to the ground. The confessors returned and spoke to him again. He said to them (I heard him): ‘Kiss me, gentlemen.’ The parish priest of St Paul’s did not dare to, so Monsieur de Marsilly slipped under the rope holding the left arm and kissed him on the forehead. The executioners gathered round and Damiens told them not to swear, to carry out their task and that he did not think ill of them; he begged them to pray to God for him, and asked the parish priest of St Paul’s to pray for him at the first mass.

“After two or three attempts, the executioner Samson and he who had used the pincers each drew out a knife from his pocket and cut the body at the thighs instead of severing the legs at the joints; the four horses gave a tug and carried off the two thighs after them, namely, that of the right side first, the other following; then the same was done to the arms, the shoulders, the arm-pits and the four limbs; the flesh had to be cut almost to the bone, the horses pulling hard carried off the right arm first and the other afterwards.

“When the four limbs had been pulled away, the confessors came to speak to him; but his executioner told them that he was dead, though the truth was that I saw the man move, his lower jaw moving from side to side as if he were talking. One of the executioners even said shortly afterwards that when they had lifted the trunk to throw it on the stake, he was still alive. The four limbs were untied from the ropes and thrown on the stake set up in the enclosure in line with the scaffold, then the trunk and the rest were covered with logs and faggots, and fire was put to the straw mixed with this wood.

“…In accordance with the decree, the whole was reduced to ashes. The last piece to be found in the embers was still burning at half-past ten in the evening. The pieces of flesh and the trunk had taken about four hours to burn. The officers of whom I was one, as also was my son, and a detachment of archers remained in the square until nearly eleven o’clock.

“There were those who made something of the fact that a dog had lain the day before on the grass where the fire had been, had been chased away several times, and had always returned. But it is not difficult to understand that an animal found this place warmer than elsewhere” (quoted in Zevaes, 201-14).

Among the throngs in attendance that day was Casanova who, according to his memoirs, rented out a windowed flat to watch that stomach-churning torture for four hours with some male friends and female companions.

One of the legendary libertine’s friends found this moment, serenaded by the prisoner’s “piercing shrieks”, opportune for an altogether different adventure of the flesh:

The three ladies packing themselves together as tightly as possible took up their positions at the window, leaning forward on their elbows, so as to prevent us seeing from behind. The window had two steps to it, and they stood on the second; and in order to see we had to stand on the same step, for if we had stood on the first we should not have been able to see over their heads. I have my reasons for giving these minutiae, as otherwise the reader would have some difficulty in guessing at the details which I am obliged to pass over in silence.

Tiretta kept the pious aunt curiously engaged during the whole time of the execution, and this, perhaps, was what prevented the virtuous lady from moving or even turning her head round.

Finding himself behind her, he had taken the precaution to lift up her dress to avoid treading on it. That, no doubt, was according to the rule; but soon after, on giving an involuntary glance in their direction, I found that Tiretta had carried his precautions rather far, and, not wishing to interrupt my friend or to make the lady feel awkward, I turned my head and stood in such a way that my sweetheart could see nothing of what was going on; this put the good lady at her ease. For two hours after I heard a continuous rustling, and relishing the joke I kept quiet the whole time. I admired Tiretta’s hearty appetite still more than his courage, but what pleased me most was the touching resignation with which the pious aunt bore it all.

Casanova’s Complete Memoires are available free online; this episode is recounted in the first chapter of “Paris and Holland”.

* Damiens’ punishment, certainly medieval, was in fact already archaic at the point when it was inflicted. Somewhat unsure of itself, the court sought precedent in the last regicide executed — Francois Ravaillac, who in 1610 was also the most recent person to suffer this horrific penalty. The clumsiness of the Damiens’ execution can surely be attributed to the art being a century and a half out of practice.

Entry Filed under: 18th Century, Arts and Literature, Assassins, Capital Punishment, Crime, Death Penalty, Drawn and Quartered, Execution, France, Gruesome Methods, History, Infamous, Mature Content, Notable Jurisprudence, Notable for their Victims, Power, Public Executions, Torture, Treason

1803: Edward Marcus Despard, a patriot without a nation

4 comments February 21st, 2008 Headsman

On this date in 1803, during an era ruled by an Empire’s rough assertion of security against instability abroad, Britain hung its liberal-minded former governor of Belize — along with six others — for treason.

Book CoverThis ought-to-be-memorable occasion lies half-lost in time’s shifting sands, retrieved in part only by the oddity of being the last sentence of drawing and quartering handed down in Britain. (The sentence was moderated to simple hanging and posthumous beheading.)

But there was much more to be said about Despard than his sentence. Today, Executed Today is pleased to feature Col. Edward Marcus Despard as remembered by his biographer, Mike Jay.

Guest-posted here with permission is the prologue to his The Unfortunate Colonel Despard. (A chapter on Despard’s remarkable — perhaps, at the time, unique — marriage to a black woman is also available on MikeJay.net.) Following the prologue is an Executed Today interview with the author.


The day Colonel Edward Marcus Despard was executed was one of the most dramatic, and strangely forgotten, in British history. In this, as in much else, his death mirrored his life.

He was to be publicly hung, drawn and quartered for high treason, a punishment which had barely been carried out in London within living memory. Its most vivid associations were still with the Jacobite rebellions over fifty years before: the days when the British state’s greatest fear had been that a Catholic monarch might seize the throne. Those days were now long gone and, many thought, the old ceremony with them; Despard, as it turned out, would be the last person on whom the sentence would ever be passed. As specified by the Lord Chief Justice, the Colonel and his six confederates were ‘to be drawn on a hurdle to the place of execution, there to be hanged by the neck, but not until you are quite dead, then to be cut down and your bowels taken out and cast into the fire before your faces; your heads to be taken off and your bodies quartered’.

Intimations of the drama had already begun to transform the city the day before: Sunday 20 February 1803. At first light, carpenters had begun to assemble scaffold and gallows, large enough to accommodate the seven men, on the roof of Surrey County Jail in Horsemonger Lane, just south of the Thames in Southwark. The jail was a plain barracks-style building, recently constructed to replace the old prison which had been torn down in the Gordon Riots some twenty years before. The roof had been built flat for precisely this purpose, and this was the first occasion for its use. The main gates of the jail opened to admit seven plain wooden coffins.

According to contemporary witnesses, even as the preparations began, ‘vast multitudes of people immediately began to assemble’. It was noted that the throng consisted ‘chiefly of the lowest of the vulgar’, but that, unusually for a public execution, ‘a considerable number of persons of genteel appearance were observable’. The forces of law and order, too, were out in unprecedented force. Every single member of the Bow Street police patrol, the other London patrols at Queen Street, Marlborough Street and Hatton Gardens, and a ‘numerous tribe’ of petty constables from the outlying London boroughs, were placed on duty. The jail and its surrounds were emphatically staked out, surrounded by a cordon two officers deep. All ‘the public houses and other places of resort for the disaffected’ bristled with police. A detachment of mounted Horse-Guard cavalry clopped into Horsemonger Lane; all the infantry regiments in the city, at the Tower of London and Knightsbridge Barracks, were placed on the highest alert. The head keeper of the jail was issued with six sky rockets, each containing a pound of explosives, ‘to be let off as a signal to the military, in case of any disturbance’. London’s entire martial forces were instructed not to leave their posts until the danger was past.

The impending execution had dominated the news all week. The Times had led its news pages with testy dismissals of the rumours which were spreading around the city: that Despard and his confederates were being cruelly chained together, that they were being tortured for their confessions, that a last-minute reprieve was in the air. It was beginning to dawn on the authorities that the graphic medieval ritual they had scheduled might be counterproductive, inflammatory and unpredictably dangerous. The Police Magistrate of Southwark had expressed grave concerns, pointing out that the question which had been on the common people’s lips during the week was ‘When are these poor men to be murdered?’. It had been hard, apparently, even to find labourers prepared to erect the scaffold. When the warrant for the execution was issued on the morning of 20 February, it became clear that these anxieties had led to a change in the sentence. Exercising their statutory discretion, the magistrates announced: ‘we have thought fit to remit part of the sentence, viz. the taking out and burning their bowels before their faces, and dividing the body severally into four parts’. Despard would now be drawn –- to the place of execution on a carriage without wheels –- hung until dead, and then beheaded. The Observer commented with relief that ‘the cutting out of the heart of the malefactor, quartering &c is very humanely and properly to be dispensed with’.

On the day of the execution, 21 February 1803, the pace quickened long before dawn. ‘A vast number of police officers’ were soon massively outnumbered by the spectators streaming through the bitter cold and darkness. Southwark was a hard area to police at the best of times, a hinterland to the city of London proper dominated by the unedifying activities which were prohibited across the Thames. A warren of timber shacks among the marshy waste ground and garbage landfills, it had long been a teeming red light district; in recent times it had become dominated by malodorous and insanitary industries — distilleries, tanneries and vinegar mills — which were forced south of the river by City of London edicts. It also had a long history of insurrection. In 1381, Wat Tyler had led the Peasant’s Revolt through the same streets; in 1450, Jack Cade had set up camp here with his Kentish rebel army. Despard’s sentence of high treason had more powerful resonances with this period than it did with the freshly-minted nineteenth century. Most of the crowd had never seen a treason execution; now, jostling to witness one, they were passing shops selling roller-skates, umbrellas, toothbrushes, matches, alarm clocks, condoms, Twining’s Tea and Pears’ Soap. Part of the appeal of the spectacle must have been this lurid collision of the old and the new; part, also, the uncertainty on all sides as to whether the crowd had really assembled only to stand and watch. It was widely rumoured that the execution would not take place as scheduled — or, if it did, that the main event would turn out to be an entirely unscheduled one. The people of London had rioted countless times over much less — and, given the nature of Despard’s alleged crime, there were an unknown number among the crowd who might attempt to turn a riot into a full-scale revolution.

The character of execution crowds seems, as with most crowds, to have been largely in the eye of the beholder. For many, they were simply the scum of society: crude, vulgar, leering, gawping, sadistic. For others, though, they were the salt of the earth, good men and true come to witness and legitimise the exercise of state power. Despite the rough spectacle that they presented, they were often visibly civic-minded: rescuing stranded children, or crying ‘shame’ if one of their number insulted a woman. The beholder’s view of such crowds tended to reflect their attitude to public execution itself, as the most graphic and visceral demonstration of the ultimate power of the state. There were many who were already campaigning for its abolition on the grounds, as one put it, that ‘the real effect of these scenes is to torture the compassionate and harden the obdurate’. There were many more, though, who thronged to such occasions in high spirits. Their hilarity and ribaldry –- the proverbial ‘gallows humour’ – may have been heartless mockery, but it may also have been a response to the unspoken but unmissable tension between the pomp and solemnity of the occasion and ghastly reality of the act.

This tension reached its high water mark with Despard’s execution. There had been a long observed trend in Britain towards public disrespect at hangings: the victim cheered, the executioner and officials booed and mocked. But the crime of high treason placed an unprecedented focus on the legitimacy of the act a focus sharpened still further by the fact that the majority of the onlookers believed Despard to be innocent of it. He had been accused and convicted of a shocking, cold-blooded plot to overthrow the state, an accusation which he had consistently and calmly denied. Now, at the moment of the state’s cold-blooded retribution, he had a final chance to speak the case for his defence. Part of the unique appeal of executions was always that the victims, in the moments before their death, might say anything; it was often the only time that the unspeakable could be spoken in public. But if Despard chose to speak the unspeakable, it would be more than a howl of rage, a fruity obscenity or a cheeky quip. The danger he posed might yet be far from over.

The bell of St.George’s Church began tolling at five, and continued for about an hour. By the time it finished, every conceivable vantage point was packed solid. It was estimated that there were twenty thousand people jammed into the carriageway of Horsemonger Lane and spilling onto every nearby roof and patch of open ground ‘that afforded the least prospect’. It was evident, too, that this was no ordinary gallows crowd, just as it was no ordinary hanging. The packed observers were almost completely silent: ‘no tumult, no disorder appeared among the multitude … all was stillness and expectation of the approaching event’. For the massed guards and officers, this must have been considerably more unnerving than the unruly mob which they had feared. It might be an expression of uncertainty, of a crowd unsure of the tone of the event, and too diffident to break the silence. But it could equally, and perhaps more plausibly, be read as a mute but chilling sign of pre-arranged intent.

Inside Surrey County Jail, as the prison bell struck seven, Despard was invited into the chapel for a service of last rites. He politely refused the invitation, and remained in his cell. At seven thirty, his arms were bound with ropes and he was led out into the walled and enclosed prison yard. He was still a colonel, and still entitled to wear the uniform of his rank, but he appeared instead in his favourite dark greatcoat and boots, bare-headed, without wig or powder. His solicitor was waiting for him outside his cell and, manoeuvering around his ropes, he shook hands with him ‘very cordially’.

Awaiting Despard in the prison yard was a very strange sight indeed. Two horses were harnessed to a small cart which contained two trusses of clean straw, and whose floor rested directly on the ground. Behind the cart stood the Sheriff of Surrey; behind him a fully-robed priest, and behind the priest the head keeper of the jail, Mr.Ives, solemnly holding a white wand. Behind Ives stood a line of high constables, and behind them a line of duty policemen. Bringing up the rear was the executioner, holding up a drawn sword.

The quartering and dismembering had been waived, but there had never been an execution for high treason without the victim first being drawn through the streets to the scaffold. It was integral to the ceremony, but today it was out of the question. The ritual was intended to allow the people to vent their feelings towards the traitor, to abuse him and spit on him; today, though, no-one was minded to test how the ominously silent crowd outside would react if Despard was paraded among them. Apart from anything else, the packed streets made it logistically impossible. It had hastily been decided to switch the ritual to the privacy of the prison yard.

Outside the yard, the traditional gallows humour may have been conspicuously absent, but Despard himself was unable to keep a straight face at the display of furtive pomp that confronted him. ‘Ha! ha!’, he laughed, ‘what nonsensical mummery is this?’ The solemn procession was not programmed to respond. Despard was ushered into the cart, seated backwards on the straw bales and, as the dawn spread grey over the prison walls, bumped around the cobbled yard until it was deemed that the drawing had been completed. There was to be no thwarting of justice, but neither would the ancient ritual of drawing a traitor survive that morning’s embarrassment and ridicule. Despard, though powerless against it, had nevertheless passed a sentence of death on the sentence itself.

(Click to continue reading on page 2).

As day broke, officials could be seen making the gallows ready on the prison roof. The seven wooden coffins were brought up; the drop was erected; bags of sawdust were arranged to catch the blood when the heads were severed. Still the crowd watched in oppressive silence. At eight thirty, the prisoners began to file up to the scaffold.

First was John Macnamara, a stout, florid Irishman, who looked down at the packed streets and exclaimed loudly and devoutly: ‘Lord Jesus, have mercy upon me!’. Next came Arthur Graham, at fifty-three the oldest of the traitors, who looked shaken, ‘pale and ghastly’. Next, James Wratton, a thin, pinched-looking shoemaker, who ‘ascended the gallows with much firmness’. The carpenter Thomas Broughton followed, then the two tall, amiable-looking soldiers, John Wood, then John Francis. Finally, the Colonel took the steps up to the drop. He was impassive; ‘his countenance underwent not the slightest change’ as the rope was fastened around his neck and the cap placed on his head. He assisted the executioner in adjusting the noose, taking care to tie the knot under his left ear to facilitate a speedy death. John Macnamara is reported to have muttered to Despard: ‘I am afraid, Colonel, we have got ourselves into a bad situation’. Despard replied: ‘There are many better, and some worse’.

Two priests arrived on the platform: a Roman Catholic who read the last rites to Macnamara and the Anglican prison chaplain, Rev. William Winckworth, who did the same to the other five associates. Despard himself declined any religious absolution. It had emerged during his imprisonment that ‘although he thought the institution of religion politic, he had no faith in its efficacy’. When pressed by Winckworth, he had admitted that, as far as he was concerned, ‘the opinions of churchmen, dissenters, Quakers, Methodists, Catholics, savages or even atheists were equally indifferent’.

By this time nearly a hundred officers, dignitaries and guards had joined the condemned on the roof. When all was ready, Despard turned to the Sheriff of Southwark, who was presiding over the event, and asked permission to address a few words to the people. The Sheriff told him that he had no objection, ‘provided nothing inflammatory or improper was intended’; but if Despard were to speak a single word of that kind, the platform would be immediately dropped. Given Despard’s situation, this was a difficult tightrope to walk, but he was ready for the challenge. What followed was, even in the remarkable annals of gallows speeches, perhaps the most notorious and best-remembered.

Despard stood up straight and, in clear tones, addressed the crowd: ‘Fellow Citizens’. It was a carefully judged phrase, with clear republican associations yet in itself some way short of an incitement to revolution. Despard may have used it to gauge the crowd’s mood, or the Sheriff’s tolerance, but its reception is impossible to judge today. The accounts of Despard’s speech perfectly illustrate the paradox that the more witnesses are present at an event, the harder it is to establish exactly what happened. Robert Southey, the future Poet Laureate, was among the packed crowd; he records that ‘the mob applauded him while he spoke’. Others maintained that his speech was received ‘in the most perfect silence’. Still others squared the circle by reporting that the speech ‘was applauded by certain persons who appeared to have placed themselves near for the purpose’, presumably attempting to incite the crowd to a frenzy, but that the crowd refused to join in. Doubtless others still would have suspected — and with some justification — that the vocal front row were government agents provocateurs, trying to encourage Despard’s fellow-traitors in the crowd to reveal themselves in the presence of the massed guard.

‘I come here, as you see’, Despard continued, ‘after having served my country faithfully, honourably and usefully served it, for thirty years and upwards, to suffer death upon a scaffold for a crime of which I protest I am not guilty. I solemnly declare that I am no more guilty of it than any of you who may now be hearing me’. Again, a judicious combination of plain speaking and hidden meaning: Despard’s not guilty plea was a matter of public record, and he was perfectly entitled to repeat it. Yet, as everyone knew, much more depended on the statement than the Colonel’s own innocence or guilt. If the government was prepared to use the ultimate penalty to silence him, and unjustly, then they were themselves condemned. For Robert Southey, this was Despard’s sly masterstroke. ‘This calm declaration of a dying man’ he wrote later, ‘was so well calculated to do mischief’. It was, for Southey at least, the perfect instrument of malice and revenge, far more plausible than a rabble-rousing denunciation. But the majority of the crowd would have taken it as a simple statement of record. So much of what was known of Despard’s views had been disputed, attributed, denied or fabricated, that simply hearing him in his own words would have conveyed a forceful impression of truth.

But now Despard set his sights more broadly, and edged towards the unspeakable. ‘Though His Majesty’s ministers know as well as I do that I am not guilty, yet they avail themselves of a legal pretext to destroy a man, because he has been a friend to truth, to liberty and to justice, because he has been a friend to the poor and the oppressed.’ Here was an obvious cue for applause; the next day’s Times reported ‘a considerable huzzah’ from the front rows at this crescendo. But it was still the crowd’s forbearance rather than its clamour which struck most observers. The Sheriff, too, kept silent, and Despard went on. ‘But, Citizens, I hope and trust, notwithstanding my fate, and the fate of those who no doubt will soon follow me, that the principles of freedom, of humanity, and of justice, will finally triumph over falsehood, tyranny and delusion, and every principle inimical to the interests of the human race.’

This, now, was enough for the Sheriff; he moved over to Despard and told him that any more in this vein and the platform would drop. Despard nodded his understanding and fell silent. Then he raised his head and spoke once more. ‘I have little more to add’, he concluded, ‘except to wish you all health, happiness and freedom, which I have endeavoured, so far as was in my power, to procure for you, and for mankind in general.’

It was a gentlemanly sign-off, courteous both to the crowd and to the officials clustered around him, but it smuggled in another subtle barb. It was the references to tyranny and falsehood which had prompted the Sheriff to put an end to his speech, casting aspersions as they did not just on the government of the day but on the monarchy and the entire political establishment. Yet ‘mankind in general’, added to his previous and precise use of the term ‘the human race’, made a larger point. Who or what, precisely, was he referring to? Many in the crowd would have assumed he was referring to them, the disenfranchised masses, and implying that his cause was theirs: liberty and justice for all, not merely for the few. Those of Irish background or sympathies, of whom there were undoubtedly many, might have construed it more pointedly in terms of their own struggle for self-government. In fact, if Despard had anyone particular in mind, it was most likely to have been those for whom he first took it upon himself to seek justice: a small and scattered tribe of creoles, Irish convicts and freed black slaves in a remote part of the world which most of the crowd had never heard of.

Some among the crowd, though, would certainly have caught this drift. Pamphlets and memoirs telling the rollicking tale of Despard’s life had been circulating widely in recent weeks. Many would have known, for example, that his wife, Catherine, was a black woman with whom he had returned from his years of military service in the Caribbean and the Spanish Main. Despard’s conviction for high treason had been secured, contentiously, on allegations of a plot against the British Crown; but his final exhortation expanded the frame to a panorama beyond Britain’s shores. It may have been the struggle for British liberties which had finally claimed him, but he had been forged in a wider world of which most in the crowd were yet unaware. The British might celebrate that they never would be slaves, but what right had they to celebrate if their liberty was founded on the slavery of another portion of mankind? Few among the crowd could have conceived that, within twenty years, sovereignty over two hundred million people — a quarter of the world’s population — would be claimed in their name. Yet this was a future which Despard had already seen: his life had unfolded there, and its front line was perhaps still the closest he had to a home.

John Francis, next to Despard, looked straight ahead. ‘What an amazing crowd’, he observed. Despard looked up, and spoke his final words: ‘Tis very cold; I think we shall have some rain’.

The moment around which all the activity of the last two days had centred could be put off no longer. At seven minutes to nine the signal was given to drop the platforms, beginning with Despard’s. In the first unambiguous expression of their feelings since they had assembled, the crowd all removed their hats. The rope was jerked, the platform gave way; Despard uttered no sound and betrayed no struggle. He clenched his hands in spasm twice, and then hung perfectly still as he was, in the words of one eye-witness chronicle, ‘launched into eternity’.

Yet, as everyone was well aware, there was more to come. Despard hung in the massive silence. In the days before measured ropes and weighted drops, death by hanging was an uncertain business. It was thirty-seven minutes before the executioner finally cut him down, and wrestled his corpse over the block. Despard’s dark coat flapped back to reveal a blue undercoat with gilt buttons, a cream waistcoat trimmed with gold lace, and a strip of scarlet flannel turned over the waist of his grey breeches.

The executioner stepped back to make way for the surgeon with the dissecting knife. This was the part of the ritual which had barely been seen within living memory and, as soon became clear, had never previously been attempted by anyone present. The surgeon aimed at a joint in the neck vertebrae but missed it, and was soon reduced to nervous hacking. The executioner barged him out of the way and began twisting Despard’s neck this way and that, a spectacle which ‘filled everyone present with horror’. (Again, other sources –- whether from restricted view or self-censorship -– recorded that the head was ‘severed in an instant’.) When Despard’s head was eventually separated, the executioner picked it up by the hair, carried to to the edge of the parapet in his right hand and held it before the crowd. As he did so, he spoke the words which had for centuries marked the climax of the ceremony, but which were now ringing out for the first time over the modern world: ‘This is the head of a traitor: Edward Marcus Despard’.

Robert Southey records that the crowd broke their silence at this point to hiss the executioner. Others claim that they maintained it to the end, when the freezing rain began to bucket down.

In addition to this guest post, Mike was generous enough to talk more with Executed Today about Col. Despard. Read on for the interview …


Executed Today: What an amazing story — why in the world is he so obscure?

Mike Jay: Basically, because history is written by the victors. Although his execution was a huge story at the time, it was almost entirely airbrushed out of British history in the years that followed. The story that the British told to themselves throughout the 19th century was one of triumphal progress from Trafalgar and Waterloo to empire and global ascendancy.

Despard’s story, by contrast, speaks of an alternative history that ‘failed’ — Britain never had the revolutions that shook almost every other modern state between 1776 and 1848 — but that nevertheless revealed Britain to have been deeply divided, and a significant stand of British opinion consistently opposed to its emerging colonial/imperial role. We also hear little, for example, of the naval mutinies in 1798, during which the British fleet threatened to sail across the Channel and join the French enemy. Nor do we hear much of the mass public campaigns against the war with France and Pitt’s heavy-handed suppression of dissent, which formed the background to Despard’s treason.

Much of this lost history was recovered by the historians of the new left, E.P. Thompson et. al., in the 1960s. But Despard is also an uncomfortable fit with their project to (crudely put) draw a line of continuity between these forms of working class resistance and the later history of Chartism/socialism/Marxism. Despard’s committment to liberty was, I think, better characterised as patriotic and strongly conservative: a conviction (widely shared in the 1790s) that Britain stood for precisely the liberties that the Pitt administration was intent on dismantling. So, in a way, he fits with no-one’s story — hence his obscurity I think.

ET: The particulars of what he might really have been “guilty” of, by the standards of his prosecutors, seem a little obscure. Did you form a judgment about what he was and was not involved in?

MJ: Throughout the 19th century he was universally regarded as guilty, and mad to boot (how else could he have come to believe that Britain was ready for a revolution?). But subsequent research has turned up lots of relevant material, though much of it consists of espionage reports that are highly unreliable and contested. In outline, it seems that some sort of plot or barracks mutiny was under way, but Despard’s relation to it is unclear. He may have got involved to stop it — then again, if he did, it may have been in order to organise it into a bigger and more effective plot.

But the indications are that the government actually believed he was only on the fringes of the ‘Despard Plot’ — they knew of others who were more deeply involved, but to charge them would have blown their embedded agents. They also wished to avoid alarming the public with any suspicions that the plot might be large or well-organised, or have an international (French/Irish) component. Despard was a ‘name of consequence’ who had exposed himself by meeting known conspirators in the Oakley Arms, and they decided to push his moment of indiscretion for all its was worth.

It should be remembered that he was found guilty at a point when the government had extended the definition of treason, and had done so precisely because its meaning was contested. By the same token, under the new definitions of Pitt’s clampdown, it’s hard to imagine that Despard could have kept the company he did without belonging to organisations that had recently been classed as seditious, or having signed ‘illegal’ oaths. In short, he wasn’t entirely innocent, but questions of his ‘guilt’ beg larger questions about the state’s authority and legitimacy at that time.

ET: Do you have an idea of how he came to espouse the opinions that got him into trouble? And how radical were they, really, for his time? Do we mainly think of them as radical because they were successfully repressed?

MJ: He was really a casualty of British politics’ sharp reactionary turn following the French Revolution. He returned from the Caribbean in 1790 convinced that colonial oppression and discrimination offended against the British sense of fair play, but his politics was really codified by reading Tom Paine’s Rights of Man in 1792 (he referred to it as his ‘Bible’). But by 1794 Paine was exiled, his book prosecuted for sedition and his followers labelled as terrorists. Despard, who had lived in the colonies by a strict code of honour (like his friend Nelson) was naive about this shift, and stuck to his principles without entirely understanding how much trouble they would get him into.

Many of his causes were adopted by the subsequent generation, and were eventually legitimised by, for example, the Reform Act of 1832. But this generation was keen to distance themselves from the revolutionary language of the 1790s, and to paint themselves as representatives of a more consensual and moderate element of society. So in this sense the triumph of Despard’s (really mostly Paine’s) causes — freedom of the press, abolition of slavery, the right to public meetings and trade unions, religious tolerance, tax based on means, state provision for the poor, and of course the right to vote — were won at the expense of their original proponents’ reputations.

ET: I was intrigued by your characterization of Despard as seeing a vista of the future that most of his countrymen were not yet ready to understand. But there were many people on that “front line” of colonial power, and Despard’s was a revolutionary age. So why was the path he took so much the exception rather than the rule?

MJ: Because of the way his superintendency of the Bay of Honduras (later Belize) turned out. The Home Office showed no interest in his principled defence of the inhabitants of colour and their rights. They simply replaced him with someone more compliant, and when he protested they sidelined him and didn’t give him another commission. My analogy from the book:

His was an awkward and unusual position. Had he been living in feudal Japan at the time, he might have been recognised as a familiar archetype: the ronin, a samurai without a master, a loose cannon, dangerous to his former superiors and a valuable asset to any plotter. In Britain, he was an anomaly: a man out of time, a patriot without a nation.

ET: The excerpt on mikejay.net says we have next to nothing about the subsequent fate of his wife and son. Nothing more has been discovered or developed?

MJ: That’s all I’ve managed to glean (and hard work some of that was too!). Catherine and James were written out of the family history by the next generation — there are memoirs written by two of Edward’s nieces that refer to her as ‘his black housekeeper’ and ‘the poor woman who called herself his wife’.(!!) James was serving as an ensign in the French army at the time of his father’s death, and I think it’s likely that both ended up either in France or Ireland, where I’ve been unable to follow them.

ET: And we don’t have anything about Catherine during her marriage, her sense of the world?

MJ: She’s entirely invisible in the archive — no picture, no place or date of birth or death. (Of course, this is true of most people who lived in the 18th century.) I’ve filled in the context of black people in Britian at the time as far as I could, and there are some suggestively parallel case histories (e.g. Olaudah Equiano) but beyond that one would have to resort to fiction. I’d love to know more.

ET: Your title makes an explicitly modern connection — “Britain’s first war on terror”. What does the Despard case have to tell us now? Is there a modern-day Despard?

MJ: There are many similarities — Coldbath Fields, where Despard was held without charge or trial for three years in a legal black hole, was very much the Guantanamo Bay of its day, and provoked a similar public outcry. There have been lots of recent examples of courageous/naive whistleblowers, and victims of illegal surveillance and detention under disputed ‘terrorist’ charges, but with Despard, in my view at least, one

must grapple with the paradox, rare in the history of treason, of an honourable traitor: a man who acted honestly and selflessly, believed himself innocent, refused to tailor his story for different sides and went to his grave betraying not a soul.

Generally, I think his case tells us that today’s War on Terror is not as unprecedented as many would have us believe. It’s also noteworthy that the episode is still so contested: historians have not (and clearly never will) resolve the question of whether Despard’s case represented a serious terrorist or revolutionary threat. I suspect that, when the dust settles, our current episode will offer equally little consensus or closure.

More about Col. Despard can be found for free in this contemporary Criminal Recorder entry and this complete trial record.

Neither approaches the perspective — and cracking writing — in The Unfortunate Colonel Despard.

Entry Filed under: 19th Century, Beheaded, Botched Executions, Drawn and Quartered, England, Famous Last Words, Gallows Humor, Hanged, Interviews, Mass Executions, Milestones, Notable Jurisprudence, Notably Survived By, Occupation and Colonialism, Other Voices, Political Expedience, Public Executions, Revolutionaries, Soldiers, Treason

1606: Guy Fawkes and other Gunpowder Plot conspirators

4 comments January 31st, 2008 Headsman

On this date in 1606, Guy Fawkes, “the only man to ever enter parliament with honorable intentions,” was hanged, drawn and quartered in London with three conspirators for attempting to blow up the Houses of Parliament … and the government with it.

Fawkes, a soldier, was part of the Gunpowder Plot, a Catholic attempt to assassinate the new king James I when it became clear the House of Stuart would continue its Tudor predecessors’ intolerance of the Roman church.

The conspiracy was crowded, so it was something of a miracle the secret kept for over a year while the plotters filled a rented room under the House of Lords with 36 barrels of gunpowder and waited for parliament to open. The explosion would have slain not only James, but numerous officials of the government; the conspirators’ “then what?” plan seems a little vague, but with a modern recreation confirming that the gunpowder packed under Westminster was sufficient to blow the place to smithereens, it’s safe to say something dramatic would have ensued. That “something” might easily have been a savage crackdown against Catholics.

All that remains safely in the domain of the speculative — because as the date approached, one of the conspirators felt moved to warn a Catholic Lord in writing not to attend the opening.

My lord out of the love i beare to some of youere frends i have a care of youer preseruasion therefor i would advise youe as youe tender youre life to devise some excuse to shift of youre attendance at this parliament for god and man hath concurred to punishe the wickedness of this time and think not slightly of this advertisement but retire youre self into youre contri where youe may expect the event in safti for thoughe there be no appearance of any stir yet i saye they shall receive a terrible blowe this parliament and yet they shall not see who hurts them this councel is not to be condemned because it may do youe good and can do youe no harme for the dangere is passed as soon as youe have burnt the letter and i hope god will give youe the grace to maketh good use of it to whose holy protection i commend youe.

Subtle.

Fawkes was not the leader of the conspiracy, but his wartime siege experience made him an important participant in an operation similar to undermining a castle. The affair became remembered to history under his name because he was the one caught when, once the incriminating letter was turned over to the government, yeoman guards searched the cellars.

Fawkes was tortured by express permission of the king for his conspirators’ identities, but held his tongue; those conspirators, however, went ahead with the desperate uprising that was supposed to follow the explosion, and within days they had been apprehended or killed.

Four lesser conspirators were hanged, drawn and quartered on January 30; the remainder suffered that dreadful fate today. Fawkes himself, however, managed to avoid the worst of it by leaping from the scaffold when he was strung up to be half-hung — so he was dead of a broken neck when disemboweled.

The fortuitous abortion of this stupendous act of terrorism (if we can call it “terrorism”) made November 5 Guy Fawkes Night on the English calendar, still a day of fireworks and bonfires in many of the Commonwealth countries.

Remember, remember the Fifth of November,
The Gunpowder Treason and Plot,
I know of no reason
Why Gunpowder Treason
Should ever be forgot.
Guy Fawkes, Guy Fawkes, t’was his intent
To blow up King and Parli’ment.
Three-score barrels of powder below
To prove old England’s overthrow;
By God’s providence he was catch’d
With a dark lantern and burning match.
Holloa boys, holloa boys, let the bells ring.
Holloa boys, holloa boys, God save the King!

The opening lines of this 17th century poem celebrating the king’s miraculous deliverance introduce the 2006 film V for Vendetta

… in which Fawkes’ subversive persona is pitted against a theocratic dictatorship in the dystopian near future. It’s notable for a forthright celebration, in a mass-market film, of the liberatory power of terrorism.

Today’s well-known victim also left a less obvious but more ubiquitous cultural artifact. The practice of marking Guy Fawkes Night with effigies of the traitor — “Guys” — caused the word to enter the general lexicon as slang for a strangely-dressed man, eventually coming to mean any man (or, arguably, any person regardless of gender) at all.

The House of Commons has a fact sheet (.pdf) on the affair.

Part of the Themed Set: The English Reformation.

Entry Filed under: 17th Century, Arts and Literature, Botched Executions, Cycle of Violence, Disfavored Minorities, Drawn and Quartered, England, Famous, God, Gruesome Methods, Hanged, Infamous, Language, Martyrs, Notable Sleuthing, Popular Culture, Power, Public Executions, Revolutionaries, Soldiers, Torture, Treason

1581: Edmund Campion, Ralph Sherwin and Alexander Briant

Add comment December 1st, 2007 Headsman

On this date in 1581, three English Catholic martyrs were hanged, drawn and quartered at Tyburn, casualties of the bloody confrontation between religious and secular power of the English Reformation.

Edmund Campion — later sainted — was the towering figure among them and the great attraction for those that thronged the Tyburn scaffold on a rain-drenched Friday.

A brilliant Oxford scholar once tipped as a possible future Archibishop of Canterbury, Campion abjured his Anglican holy orders in favor of Rome — a mortal peril in Elizabethan England.

He slipped away to Ireland, then to the continent and safety. But at age 40, after nearly a decade abroad, the missionary zeal of the converted called him back to Albion as part of a secret Jesuit mission. Hunted from the day he set foot back in Britain, he survived a year on the run, an underground minister to an illicit faith.

Though priestly investiture alone technically made him capitally liable, a government with millions of Catholic citizens grappled for some firmer ground upon which to condemn the renowned intellectual. Since Campion succumbed neither to torture nor to blandishments, nor to the surreal interludes when he was hauled out of his dungeon and made to debate with the Crown’s theologians, he was finally convicted on the strength of made-to-order witness testimony to the effect that his mission had some vague upshot of undermining Queen Elizabeth’s hold on her subjects.

In effect, it was very much like convicting him for his faith: the Anglican-Catholic conflict had crystallized, and dozens of priests would follow the route of Campion in the years to come. Between a mutually implacable state and church, either flesh or soul must burn.

Not a few of those who trod the martyr’s path would take inspiration from the beatific Jesuit — as young Henry Walpole, whose own route to Calvary is said to have begun when he was spattered by Campion’s blood this day and come full circle to his own execution 15 years later. Walpole’s embrace of martyrdom fairly glows from his proscribed tribute to Campion:

Hys fare was hard, yet mylde & sweete his cheere,
his pryson close, yet free & loose his mynde,
his torture great, yet small or none his feare,
his offers lardge, yet nothing coulde him blynde.
O constant man, oh mynde, oh vyrtue straunge,
whome want, nor woe, nor feare, nor hope coulde chaunge.

Yee thought perhapps, when learned Campion dyes,
his pen must cease, his sugred townge be still.
But yow forget how lowd his deathe yt cryes,
how farre beyond the sownd of tounge or quill.
yow did not know how rare and great a good
yt was to write those precious guiftes in bloode.

That famous eloquence was Campion’s legacy, so overwhelmingly so that he presents in the lineup of men who might have written Shakespeare.

His best-know work was “Campion’s Brag”, the scornful nickname his foes gave to an apologia he produced while underground in England … and to whose steady words Edmund Campion proved true this day:

[B]e it known to you that we have made a league — all the Jesuits in the world, whose succession and multitude must overreach all the practices of England — cheerfully to carry the cross you shall lay upon us, and never to despair your recovery [to Catholicism], while we have a man left to enjoy your Tyburn, or to be racked with your torments, or consumed with your prisons. The expense is reckoned, the enterprise is begun; it is of God, it cannot be withstood. So the Faith was planted: so it must be restored.

But Protestant England did withstand the enterprise. The generation to come saw Catholic ideas and writing put to withering siege, Campion’s not least among them. For all the tribute of history to the man of Christlike fortitude, it is by no means apparent that the enjoyments of Tyburn and the kindred “practices of England” did not, after all, lay a cross heavier than English Catholics could bear.

Entry Filed under: 16th Century, Arts and Literature, Disfavored Minorities, Drawn and Quartered, England, Famous, God, Gruesome Methods, Hanged, Heresy, Intellectuals, Martyrs, Public Executions, Religious Figures, Treason, Tyburn


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