UPI photographer Andrew Lopez won the Pulitzer Prize for his photographs of Jose Cipriano Rodriguez, a corporal of the deposed Batista dictatorship, going to his firing squad execution in the bloody first weeks of Cuba’s revolutionary conquest. Rodriguez had been found guilty of two murders by a snap tribunal that same day.
Their deaths were the consequence of the near-miss bid to bring down Morocco’s King Hassan II by bringing down his airplane, a plot to which Lt. Col. Mohamed Amekrane, the commander of the air base that launched fighters against the king’s convoy, was utterly pivotal. It’s no surprise that he’d be in the way of the royal revenge domestically after this incident; more surprising and controversial was the role the British would play in dooming the man.
As he discovered that the king’s passenger plane had somehow escaped the predations of his F-5s, Amekrane (it’s also sometimes spelled Amokrane) alertly requisitioned a helicopter and fled with another officer to British soil at nearby Gibraltar, where they requested asylum on Aug. 16.
This put Westminster in an awkward situation: repatriate the men to sure execution, or give refuge to the would-be assassins of a friendly head of state.* Still more was it a procedural twilight, where the power of bureaucratic discretion prevailed by declaring the form of the law in ambiguous circumstances.
After a flurry of consultations “at ministerial level” that also weighed “the possibility of repercussions with other governments,” (London Times, Aug. 18, 1972) the Heath government classified the fugitives as refugee illegal aliens and repatriated them within days, lamely explaining that Gibraltar, a small place, didn’t have much room for asylum claimants. And once they were fitted with the “illegal alien” hat it was simple: “they were returned to Morocco because that was the place from which they came.” (the Times, Aug. 19) Application, rejection, and deportation all took place within a mere 15 hours, purposefully too fast for anyone to get wind of what was happening or to mobilize resources in support of the Moroccans.
London’s legal chicanery drew a discomfited response from some other elites as well as members of the public or at least those with a propensity towards letters to the editor in the early 1970s. Parliamentarian Ivor Richard fumed that “there was surely no necessity in international law or in humanity deliberately to have sent them back to what appears to be their deaths.”
The Times would editorialize in that same Aug. 19, 1972 edition against the “haste and informality in the procedure which contradict Britain’s long tradition of care in such cases” — noting the irony that
the absence of an extradition treaty [might have been thought] would make it more difficult for the Moroccan authorities to reach out to fugitive offenders on British soil. In fact it has made it easier for them … because of British ministers’ willingness to use the power to deport aliens whose presence is judged undesirable in such a way as to achieve the result of extradition. And the exercise of that power is not subject to the same safeguards.
Amekrane had no safeguards at all once he was back in Moroccan hands. That November, he was condemned to die along with his companion on the Gibraltar caper Lt. Lyazid Midoaui, plus nine other members of the Moroccan Air Force complicit in the coup attempt; the whole batch was executed together on this date at a prison in Kenitra.
But in Britain his case outlived the fusillade. For the overhasty asylum refusal, Amekrane’s widow filed suit against the UK in a European Commission of Human Rights court, eventually winning a £37,500 settlement.
* The relations between the states in question went beyond mere chumminess: Franco’s Spain was maintaining a blockade against Gibraltar, in consequence of which the imperial outpost was heavily supplied by and from Morocco. The men’s lives were sold, so critics carped, for “lettuces.”
Danish “pastor-poet” Kaj Munk was kidnapped and extrajudicially executed by the German occupation on this date in 1944.
Named for the adoptive family who raised him on the Baltic island of Lolland, Munk (English Wikipedia entry | Danish) was one of his country’s most popular playwrights of the 1930s.
He felt then the era’s pull to the Führerprinzip, and expressed admiration for the fascist rulers emerging in Germany and Italy — and disdain for parliamentarian prattle. Mussolini, he wrote, “was the new man, the future of Europe.”
He could scarcely have been ignorant of the danger this posture invited.
To this period dates Munk’s postwar fame, as well as his celebrated play Niels Ebbesen — which is all about a medieval Danish squire who assassinated a German tyrant. You can imagine how that went over in Berlin.
And as a working pastor, Munk had another platform, too.
“The pulpit has become for us a place of responsibility,” he wrote in 1941. “We tremble in our black garments when we ascend its stairs, because here, in God’s house, the Word is free … the Holy Ghost … forces us not to stay silent but to speak.”
And Munk was willing to do it, to exploit his position to oppose the cooperative stance his superiors were trying to promulgate; to preach against the occupation from the Copenhagen Cathedral in December of 1943; and to have subversive sermons illegally printed and promulgated — the last just days before his death.
Seized by the Gestapo on January 4, 1944, he was shot immediately after at Silkeborg. (The site is dignified by a a pious and understated memorial.) His abandoned corpse was discovered the next morning; consequently, January 5 is often the occasion for events marking the anniversary of Munk’s martyrdom.
On about the 18th December 1942 a group of about 6 prisoners intended to escape but were betrayed by somebody. All six prisoners were led out ofthe camp beyond the wire, taken about 20 metres to a pit and shot without any hearing. Before the execution the interpreter told the prisoners that the 6 men had wanted to escape from the camp and for that they would be executed. This would happen to anyone who tried to escape from the camp. The surnames of those who died are not known to me.
This is the testimony of Konstantin Krupachenko, a Red Army prisoner-of-war retrieved from the Germans’ “Dulag-205″ camp — a transit facility behind German lines at Stalingrad which was liberated as the Soviets overran the encircled German position.
Krupachenko’s testimony was part of the evidence prepared against six Wehrmacht officers taken prisoner at that camp and ultimately executed, men whose case we have previously detailed.
Though not well-known and hardly by scale a major contributor to the ghastly death toll among Soviet POWs, Dulag-205 was horror aplenty for those who survived it. Starvation rations gave way to no rations at all in the dead of winter, and the skeletal inmates cannibalized the dead. Harassment by guard-dogs, capricious beatings, and the usual regimen of dawn-to-dusk forced labor were the lot of the lucky ones.
The less fortunate, well …
On about the 25th November 1942 while working on a road which led to Gumrak three kilometres from the camp a group of prisoners of about 50-60 was levelling and clearing the road. One prisoner whose name I don’t know collapsed from tiredness and exhaustion and couldn’t work. The guard tried to force the exhausted man to stand and work but the prisoner couldn’t get up. Then the guard shot the prisoner dead with a sub-machine gun and ordered that he be buried in a ditch at the side ofthe road. (Krupachenko again)
There were public executions in the camp. In January 1943 on about the lOth-llth a former senior Lieutenant of the Red Army, his surname I don’t know, was executed for allegedly organising an escape attempt. (Anatoly Alexeev)
In all cases the Germans would shoot prisoners without any warnings at all. In the month of October 1942 I personally saw up to 30 prisoners shot. They shot people every day for falling behind to and from work, and sometimes for breaking ranks. I am unable to give the surnames of the prisoners shot by the Germans. Moreover, when we were herded from the Alekseevka camp to the area of Karpovka village, then several prisoners were shot dead by German officers for the fact that when we were working we were bombarded by Soviet troops and several prisoners took cover. After the firing had stopped the officers came out of their trench dug-outs and shot them on the spot. Three prisoners were shot dead for taking some tobacco while working on a dump. (Ivan Kosinov)
As one of the Germans on trial for these abuses agreed (Otto Mäder was trying to throw blame onto the camp commanders),
[t]here was no trial of any kind, they [prisoners] were shot without any trial on the order of [Dulag-205 commandant] Colonel Korpert. I am a lawyer by education and I understand perfectly that this these shootings were illegal, simply murder in fact.
All these quotations are via Frank Ellis’s “Dulag-205: The German Army’s Death Camp for Soviet Prisoners at Stalingrad” (Journal of Slavic Military Studies, March 2006),
On this date in 1943, German troops occupying Greece massacred the entire male population of the town Kalavryta.
Memorial to the December 13, 1943 massacre.
Weeks earlier, resistance partisans had waylaid a German patrol in the vicinity, taking about 80 German soldiers prisoner and subsequently executing them.
A bestial Lidice-like mass reprisal, Unternehmen Kalavryta, commenced in December with German columns descending on the small Peloponnesian town — murdering civilians at nearby towns and firing the historic Agia Lavra monastery in the process.
Once they reached their target, the women and children of Kalavryta were locked in a school that was put to the torch, while men and older boys were marched to the outskirts and machine-gunned en masse, killing at least 500. (About thirteen are known to have survived this mitraillade and its ensuing finishing-off with axes.) The total death toll in Kalavryta was near 700, significantly mitigated by the women eventually forcing their way out of their burning tomb. Those survivors faced immediate winter privation to go with the horror of the massacre, for the Germans also destroyed homes and drove off the livestock.
A memorial at Kalavryta today* records some 1,300 names including villagers from the surrounding towns slain during the course of the operation — and the church clock is permanently fixed to 14.34, the moment on that awful December 13 that the massacre in Kalavryta began.
There weren’t any there — just townsfolk whose numbers were swollen by peasant refugees from the brutal civil war. After ransacking the town and interrogating and robbing the residents, the Atlacatl Battalion sent everyone home and bivouaced down for the night in the town square.
Dawn’s light the next morning would bring the unspeakable horror.
The battalion forced the entire population to the town square, divided men from women, and set about murdering men with gunshot, machetes, and worse — and raping and murdering the women — and then slaughtering all the children, too.
More than 800 civilians died. The next month, a Washington Post journalist described “dozens of decomposing bodies still seen beneath the rubble and lying in nearby fields, despite the month that has passed since the incident … countless bits of bones — skulls, rib cages, femurs, a spinal column — poked out of the rubble.”
A few survivors did manage to reach neighboring villages and the story of what had occurred at El Mozote worked its way out to the wider world over the days and weeks to come. It made little matter to the government in San Salvador where bloodbath was policy, openly espoused by the likes of the man who was about to be elected president of the Constituent Assembly.
In Washington, where the checks were written, destroying Latin American peasant guerrilla movements was a Cold War lodestar and so Orwellian denial of this atrocity soon became the virtual law of the land. After heroically risking his life venturing into the conflict zone to collect evidence, the New York Times reporter Raymond Bonner was tarred and feathered by America’s foreign policy apparatchiks and eventually driven off the Times foreign policy beat while the U.S. continued pumping money to the murderers. The Atlacatl Battalion in particular would author several more notorious atrocities in the course of the 1980s dirty war.
A U.N.-backed Truth Commission convened after the conflict finally ended in 1992, investigated the affair and agreed that
There is full proof that on December 11, 1981, in the village of El Mozote, units of the Atlacatl Battalion deliberately and systematically killed a group of more than 200 men, women and children, constituting the entire civilian population that they had found there the previous day and had since been holding prisoner… there is [also] sufficient evidence that in the days preceding and following the El Mozote massacre, troops participating in “Operation Rescue” massacred the non-combatant civilian population in La Joya canton, in the villages of La Rancheria, Jocote Amatillo y Los Toriles, and in Cerro Pando canton.
The El Salvador government officially apologized in 2011. Nobody has ever been prosecuted for the slaughter.
As it was put by the sadly defunct Shot At Dawn site (still preserved at the Wayback Machine), “The cemetery register of Poperinghe New Military Cemetery states that Lt. Eric Skeffington Poole died of wounds on 10 December 1916. Tactfully, it omits to record also that his death was caused by a British Army firing squad.”
A Canadian-born engineer, Poole had enlisted in the very first weeks of the war and been commissioned an officer by May 1915.
In July of 1916, a falling artillery shell struck so close that its concussion knocked Poole down, spattering him with earth. He was hospitalized for shellshock but returned to duty in September — still complaining of rheumatism and feeling “damned bad.”
One night in October as his unit moved up to a forward trench, Poole disappeared from it — nobody knows how or when, but he wasn’t there when it mustered at its new position at midnight. He was detained two days later, wandering well west of the trenches, a leather jacket hiding his private’s tunic … “in a very dazed condition,” an officer who interviewed him would later remember. “From conversation which I had with him I came to the conclusion he was not responsible for his actions. He was very confused indeed.”
Evidence collected in Poole’s desertion trial pointed to a man taxed beyond his capacities by command responsibility and the strain of two years at war. His division commander recommended against the court martial, for Poole was “not really accountable for his actions. He is of nervous temperament, useless in action, and dangerous as an example to the men” — but still “could [be] usefully employed at home in instructional duties or in any minor administrative work, not involving severe strain of the nerves.” Another captain in his battalion described him as “somewhat eccentric, and markedly lacking in decision” and liable under pressure to “become so mentally confused that he would not be responsible for his actions.”
By the book the man’s irresolute midnight ramble was a clear instance of abdicating duty, but Poole’s weakness was apparent enough to trouble the court that tried him for desertion — not only to solicit this and other testimony from his comrades about the lieutenant’s state of mind but even to remark from its own observation that his “mental powers [were] less than average. He appears dull under cross examination, and his perception is slow.” Perhaps this was fellow-feeling by other officers that would not have been extended to a mere grunt; if so, what was a mitigating consideration for the court made Poole’s execution a in the eyes of Field Marshal Haig: “Such a case is more serious in the case of an officer than a man, and it is also highly important that all ranks should realise the law is the same for an officer as a private.” Two years in, and somehow not one officer had suffered such a punishment; Shot At Dawn speculated that military courts’ recent shocking verdict excusing Captain John Bowen-Colthurst on grounds of insanity for an atrocity in Ireland had also raised pressure on the armed forces to show that British officers stood not above the law.*
The British army executed 306 of its own soldiers during World War I. Among them, Poole was the first of only three officers.
* The War Office’s decision not to publicize his fate (and the euphemistic reference in the cemetery register) would seem sharply at odds with any intended demonstrative effect.
After a (different) failed kidnapping, Cheung ducked into mainland China to lay low for a spell; he was arrested there in early 1998, months after his Hong Kong stomping-grounds had been transferred to Chinese sovereignty.
Although the man’s guilt was not merely plain but legend, his case was a controversial one when it became an early bellwether for Hong Kong’s judicial independence. Cheung was put on trial for his Hong Kong robbery and kidnapping spree not in Hong Kong but in Guangzhou, the neighboring mainland city — seemingly in order to subject him China’s harsher criminal justice system. (Among other differences, Hong Kong does not have the death penalty.)
“A crime — that of kidnapping certain Hong Kong tycoons — allegedly committed in Hong Kong by some Hong Kong residents [was] tried in the Guangzhou court,” one prominent Hong Kong lawyer explained. “Is it surprising that Hong Kong people are alarmed and ask how is this permissible?”
But if possession is nine-tenths of the law, the Guangzhou authorities had all the permission they could need — the criminal’s own person.
An event horribly underscoring the heartlessness of the brass against frail flesh in their ghastly war of machines, this shooting succeeded a surprise German attack on November 27 whose short-lived push into the French line momentarily drove part of the 298th Regiment to fall back out of their forward trench, before the French rallied and retook their own position to restore the status quo ante. The whole back-and-forth consumed spanned mere minutes — just another snapshot of the trench war stalemate that would become so grindingly familiar to all belligerents in the years ahead.
French commanders in the earliest months of the war had shown a notable lack of empathy for any vexation of plans arising from the fog of war; indeed, exemplary executions became policy for enforcing military discipline to an unrealistic expectation. So, as punishment for their units’ “unauthorized* retreat,” six were selected for execution as an example to their fellows.
Some heartbreaking (or blood-boiling) last letters of the doomed survive.
Corporal Henri Floch (to his wife)
My darling Lucie,
By the time you receive this letter I shall be dead by firing squad. This is why: on 27th November, around 5pm, after 2 hours of heavy shelling in a trench on the front line, just as we were finishing our supper, Germans got into the trench. They captured me and two others. In the confusion I was able to escape from the Germans. I followed my comrades and then I was accused of dereliction of duty in the face of the enemy.
Twenty-four of us went before the War Council last night. Six were condemned to death and one of them was me. I am no more guilty than the others, but they want to make an example of us. My wallet will be sent home to you along with its contents.
In haste I say my last farewell to you, with tears in my eyes and a heavy heart. I humbly beg your forgiveness for all the grief that I will cause you and the difficulties that you will have to face because of me.
My dear Lucie, again, please forgive me. I’m going to Confession now and I hope to see you again in a better place. I die innocent of the crime of desertion of which I stand accused. If, instead of escaping from the Germans, I had remained a prisoner, my life would have been spared. It must be fate.
My last thoughts are for you, right to the end.
Jean Quinault (to his wife)
I am writing to you my latest news. It’s over for me. I do not have the courage. We had a story in the company. We went to the court martial. We are 6 condemned to death. I am in the six and I am no more guilty than the comrades, but our life is sacrificed for others. Last farewell, dear little woman. It’s over for me. Last letter from me, deceased for a reason of which I do not know well the reason. The officers are all wrong and we are condemned to pay for them. I should never have thought of finishing my days at Vingre, and especially of being shot for so little and not guilty. It never happened, a case like this. I am buried in Vingré
Jean Blanchard (to his wife)
3 December 1914, 11.30 pm
My dear Beloved, it is in great distress that I begin to write to you and if God and the Blessed Virgin do not come to my aid it is for the last time …
I will try in a few words to tell you my situation but I do not know if I can, I do not feel the courage. On November 27, at night, as we occupied a trench facing the enemy, the Germans surprised us, and panicked us, in our trench, we retreated into a trench behind, and we returned to resume our places almost immediately, with this result: a dozen prisoners in the company of which one was in my squad, for this fault our squad (twenty-four men) spent today before the council of war and alas! We are six to pay for all, I can not explain it further to you, my dear friend, I suffer too much; friend Darlet will be able to explain to you better, I have a calm conscience, and submit entirely to the will of God who wants it so; It is this which gives me strength to be able to write to you these words, my dear beloved, who have made me so happy the time that I spent with you and of which I had so much hope to find. December 1 morning we were deposed on what had happened, and when I saw the charge that was brought against us and which no one could suspect, I cried a part of the day and have not had the strength to write to you …
Oh! Blessed be my parents! My poor parents, my poor mother, my poor father, what will become of them when they learn what I have become? O my beloved, my dear Michelle, take good care of my poor parents so long as they are of this world, be their consolation and support in their grief, I leave them to your good care, tell them I have not deserved this hard punishment and we will all find each other in the other world, assist them in their last moments and God will reward you for it, beg my forgiveness of your good parents for the punishment that they will experience by me, tell them well that I loved them very much and that they do not forget me in their prayers, that I was happy to have become their son and to be able to support and care for them their old days but since God has judged otherwise, that His will be done and not mine. Goodbye up there, my dear wife.
* The “cowards” contended that a falling-back had been ordered by a lieutenant who no doubt was as war-befogged as everyone else. Since this order could have set up Lt. Paulaud himself to be the guy shot for example, he naturally denied issuing it; when the six were exonerated after the war, Paulaud was indicted for perjury, but acquitted.
The strictures on artists also reflected Moscow’s abiding preoccupation with the cultural preeminence of Russia and of Communism.
Among the USSR’s many and varied exertions towards the latter end during the 1930s, not least was a project to induce a return to the motherland by genius (and homesick) composer Sergei Prokofiev, who had been mostly living and working Europe since the Bolshevik Revolution.*
In the mid-1930s, Stalin’s cultural ambassadors finally got their man.** And one of the plums that secured Prokofiev’s permanent repatriation was a commission to create for Mutnykh’s Bolshoi Theater a ballet version of the Shakespeare classic Romeo and Juliet.
Today, Prokofiev’s Romeo and Juliet is one of the best-known and most widely performed of all his considerable output.
Some might even call Romeo and Juliet Prokofiev’s magnum opus. But Prokofiev wouldn’t have called it that.
Having gone to such great trouble to lure back a revolutionary artist, Soviet cultural officers were predictably aghast to discover that he produced a revolutionary reimagining of the Bard. In Prokofiev’s original composition, the star-crossed lovers get a happy ending and escape together instead of dying in the tomb. “Living people can dance, the dead cannot,” Prokofiev explained, unavailingly. The idea is that their love transcends the shackles of their family rivalry; even, that they had transcended the backwards political order that made them enemies. But Soviet bureaucrats were positively hidebound when it came to fiddling with the classics, and the director was forced to return to the tragic ending.
Nor was this the end of the meddling.
In 1936, joyless cultural commissar Platon Kerzhentsev ransacked the Bolshoi leadership, including Mutnykh — who had given the initial green light to Prokofiev’s first, heretical version.
For the next several years, the ballet with the checkerboard floor was twisted into shape by the Soviet bureaucracy, wringing change after change out of a frustrated but powerless Prokofiev. By the time it finally premiered — at the Kirov, not the Bolshoi — Prokofiev’s collaborator dramatist Sergei Radlov disgustedly wrote to friends that “I take no responsibility for this disgrace.”
“The version that’s known and loved around the world is completely incorrect,” said Simon Morrison, a Princeton professor. “There’s an act missing. There are dances orchestrated by people against Prokofiev’s wishes, and other stuff he was forced to put in there against his will.”
In the course of researching his 2010 book on Prokofiev, The People’s Artist, Morrison amazingly dredged up the original Prokofiev composition and documentary trails showing that the composer was forced to scrap three too-exotic dances, to “thicken” the orchestration, and to add elements like a group dance number and solos to show off the Kirov’s talent.† The ballet didn’t debut at the Bolshoi until 1946, when Stalin himself signed off it.
“Once the work was performed, Prokofiev was dismayed at a lot of things, including the sound of the orchestra. He wrote a long letter of protest but none of the changes were made to the score,” Morrison told the London Independent. “It became the canonic version, a reorganised, torn-up work. It’s a testament to how great the melodic writing is – it still became a great classic despite this mangling of it.”
A few books by Simon Morrison on Prokofiev and his world
* Prokofiev was neither an exile nor a refugee; his departure from the USSR in 1918 was voluntary and legally blessed. He had had no problem in the intervening years coming back to Russia and leaving again.
** One immediate product of Prokofiev’s return was the beloved 1936 children’s production Peter and the Wolf.
He also in 1938 gloriously scored Eisenstein’s Alexander Nevsky.
† Morrison in 2008 staged performances of Prokofiev’s original version of Romeo and Juliet.