Posts filed under 'Popular Culture'
October 21st, 2014
On this date in 1621, Spain’s once-powerful Marquis of the Seven Churches fell as far as tragedy can drop a man.
Still to this day a Spanish emblem of the perils of ambition, Rodrigo Calderon hailed from the minor nobility in the rebellious Low Countries breaking away from Hapsburg rule.
Displaced to Spain, Calderon had a meteoric rise as the trusted henchman of the Duke of Lerma — who was himself the trusted (some say over-trusted) favorite of the Spanish King Philip III from the moment the latter came to the throne at age 20 in 1598. It’s not what you know, it’s who you know.
Calderon’s who became perhaps Spain’s most powerful figure, and surely its most resented. By Philip’s own decree, nothing came to the royal quill but through his valido Lerma. Lerma dominated access to Philip and to a great extent, Calderon dominated access to Lerma. Both men prospered accordingly.
Calderon cut an operatic character — he’s one of those characters awaiting a suitably coruscating literary treatment, although Bulwer-Lytton gave it a shot — of zealotry mixed with greed. His family was the aristocratic equivalent of “new money”; his father had not been born to the nobility at all, and Calderon hustled to climb so high as he did. He did not mean to forego the emoluments of office, like the flattering Rubens portrait that illustrates this post.*
Inevitably, such a figure attracted the resentment of other courtiers, and not only courtiers.
Calderon almost fell in 1607 for extracting bribes far in excess of what acceptable corruption permitted. But he had by then the open enmity of the queen herself. It’s testimony to Lerma’s power that his patronage sufficed for Calderon to maintain his station in the face of such a powerful foe.
Queen Margaret died in 1611. The cause was complications from childbirth, but rumors, like this anonymous pamphlet, hinted at other hands in her death.
moved by the outcries of the people and the advice of wise and virtuous persons … felt obliged to confront the ill intentions of those who without doubt have caused her death. Her goal was to serve our Lord by promoting justice in the distribution of favors, appointments of good ministers, and the elimination of bribes, simonies, the sale of offices, and the promotion of unworthy and inept persons.
While not daring such an accusation, a friar preaching Margaret’s funeral sermon directly to Philip made bold that
a king has two wives, the queen and the community … the offspring of the first marrriage should be children. The offspring of the second marriage should be prudent laws, the appointment of good ministers, mercies to those who deserve them, the punishment of criminals, audiences to all your subjects, dedication to affairs of state, and the consolation of the afflicted. To repay God for the abundant offspring from the first marriage Your Majesty has to comply with your duties towards your second wife. (Both quotes via Kingship and Favoritism in the Spain of Philip III.)
Nothing troubled, Calderon had become a marquis by 1614.
But the rumor mill played the long game. Calderon’s patron Lerma was displaced by his son in 1618, leaving his longtime crony vulnerable to the next turn of fortune. That turn was the 1621 death of Philip III himself, leaving the kingdom to a 16-year-old son, Philip IV.
It is said that when Calderon heard the bells tolling the elder Philip’s passing he remarked, “the king is dead, and I am dead.”
Determined to rein in the perceived decadences of the last era — this period was the peak, and the very start of the decline, of Spain’s wealth and global power — Philip’s Lerma figure the Duke of Olivares had Calderon arrested. Regicide and witchcraft were right there on the charge sheet, but it was the murder of a different man in 1614 allegedly killed to keep him silent about Calderon’s misdeeds that sustained the sentence. A bit more exotic than regular beheading, Calderon had his throat slashed, then was left to bleed out on the scaffold.
As Calderon had come to personify courtly corruption, the new regime anticipated a salutary effect from making an example of him. To their surprise, the pitiless and obviously politically-motivated handling of the fellow — who bore his fate with lauded stoicism — made the late grasping aristocrat the subject of no small sympathy.
Calderon’s mummy, the executioner’s gash through its neck still gruesomely visible, is still preserved in Valladolid. (Link in Spanish, but more importantly, with pictures.)
* Calderon was himself a great collector of art.
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Entry Filed under: 17th Century,Capital Punishment,Death Penalty,Execution,History,Murder,Nobility,Pelf,Politicians,Popular Culture,Power,Public Executions,Put to the Sword,Spain,The Worm Turns
Tags: 1620s, 1621, corruption, mummies, october 21, philip iii, philip iv, rodrigo calderon, valladolid
September 22nd, 2014
This date in 1692 saw the last executions of the Salem witch trials.
Eight souls hanged from sturdy trees at Gallows Hill on the occasion:
Mary Easty (or Eastey)
As well as:
Martha Corey, days after her husband Giles was horribly pressed to death for refusing to recognize the court’s legitimacy by lodging any plea
This group of mostly older women (and one man who married an older widow) had, like their predecessors over the course of 1692, been the victims of wailing children charging them (with afflicted histrionics to match) as supernatural malevolents — and of the credulity of their neighbors and judges.
The latter was, at least, eroding by this point in time.
Shortly before her execution this day, Mary Easty addressed to the court a dignified petition less for her own life than for the safety of everyone else who might come under her honorable judges’ scrutiny — indicted as it stood by Easty’s own certitude of her innocence.
To the honorable judge and bench now sitting in judicature in Salem and the reverend ministers, humbly sheweth that whereas your humble poor petitioner being condemned to die doth humbly beg of you to take it into your judicious and pious consideration that your poor and humble petitioner, knowing my own innocency (blessed by the Lord for it) and seeing plainly the wiles and subtlety of my accusers by myself, cannot but judge charitably of others that are going the same way with myself if the Lord step not mightily in.
I was confined a whole month on the same account that I am now condemned for, and then cleared by the afflicted persons, as some of your honors know. And in two days time I was cried out upon by them, and have been confined and am now condemned to die.
The Lord above knows my innocency then and likewise doth now, as at the Great Day will be known to men and angels.
I petition to your honors not for my own life, for I know I must die, and my appointed time is set.
But the Lord He knows it is, if it be possible, that no more innocent blood be shed, which undoubtedly cannot be avoided in the way and course you go in.
I question not but your honors do to the utmost of your powers in the discovery and detecting of witchcraft, and witches, and would not be guilty of innocent blood for the world. But by my own innocency I know you are in the wrong way.
The Lord in his infinite mercy direct you in this great work, if it be His blessed will, that innocent blood be not shed.
I would humbly beg of you that your honors would be pleased to examine some of those confessing witches, I being confident that there are several of them have belied themselves and others, as will appear, if not in this world, I am sure in the world to come, whither I am going.
And I question not but yourselves will see an alteration in these things. They say myself and others have made a league with the Devil; we cannot confess. I know and the Lord He knows (as will shortly appear) they belie me, and so I question not but they do others. The Lord alone, who is the searcher of all hearts, knows that I shall answer it at the Tribunal Seat that I know not the least thing of witchcraft, therefore I cannot, I durst not belie my own soul.
I beg your honors not to deny this my humble petition for a poor dying innocent person, and I question not but the Lord will give a blessing to your endeavors.
As she herself foresaw, Easty’s petition availed her own self nothing — but her judges would soon feel the rebuke Easty voiced.
Exactly why the Salem witch trials started when they did, and ended when they did, has always been a speculative matter. This occasion was a mere 15 weeks after the first Salem witch hanging. It was the largest single mass-hanging of the affair, and it brought the body count to 19 or 20, depending on whether you count Giles Corey. (His death by pressing wasn’t technically an “execution,” merely the violent termination of his life by a legally constituted judicial process.)
The snowballing investigation, sweeping up dozens more accused besides just those executed, was making people uneasy. It surely hastened the end of the hysteria that the little accusers started pointing their witch — notably at the wife of Massachusetts Gov. William Phip(p)s.
Phips had initially established the special Court of Oyer and Terminer that was finding his little colony honeycombed with necromancy. Now considering his creature to be run amok and targeting “several persons who were doubtless innocent,” Phips stopped proceedings in October — first, by barring so-called “spectral evidence” (which was tantamount to barring the trials altogether since kids claiming to be tormented by underworld spirits was the only evidence on hand); and on October 29, dissolving the court altogether and prohibiting further arrests.
A special court established to try the remaining 52 cases in January of 1693 acquitted 49 of the prisoners; the rest, and all those still in jail for witchcraft, were pardoned by May of 1693. Within just a few years, jurors and judges and even accusers issued public mea culpas for hanging the Salem “witches”.
The original witch-court’s Judge William Stoughton joined Cotton Mather in pridefully refusing to acknowledge the injustice they had helped to author.* Among most others, it would very quickly become shamefully understood that Salem had done the accused witches a very great wrong.
John Hale, the Puritan minister of nearby Beverly, Mass. — and like Gov. Phips a man who had had his own wife chillingly accused by one of the “possessed” brats — would later write a book ruminating on “the nature of witchcraft” (like Mary Easty, he wasn’t quite ready to give up the concept categorically). In it, he notes the forehead-slapping indicia of the witches’ innocence — and if we dock him points for obtaining his wisdom retrospectively, we might also consider as motes in our own jaundiced eyes the ridiculous non-evidence and overlooked exculpations that have served to seat men and women on the mercy chair in our own time.
It may be queried then, How doth it appear that there was a going too far in this affair?
Answer I. — By the number of persons accused. It cannot be imagined, that, in a place of so much knowledge, so many, in so small a compass of land, should so abominably leap into the Devil’s lap, — at once.
Ans. II. — The quality of several of the accused was such as did bespeak better things, and things that accompany salvation. Persons whose blameless and holy lives before did testify for them; persons that had taken great pains to bring up their children in the nurture and admonition of the Lord, such as we had charity for as for our own souls, — and charity is a Christian duty, commended to us in 1 Cor. xiii, Col. iii.14, and many other places.
Ans. III. — The number of the afflicted by Satan daily increased, till about fifty persons were thus vexed by the Devil. This gave just ground to suspect some mistake.
Ans. IV. — It was considerable, that nineteen were executed, and all denied the crime to the death; and some of them were knowing persons, and had before this been accounted blameless livers. And it is not to be imagined but that, if all had been guilty, some would have had so much tenderness as to seek mercy for their souls in the way of confession, and sorrow for such a sin.
Ans. V. — When this prosecution ceased, the Lord so chained up Satan, that the afflicted grew presently well: the accused are generally quiet, and for five years since we have no such molestation by them.
In 300-odd years since September 22, 1692 on Gallows Hill, nobody else has been executed for witchcraft in the United States.
* Stoughton clashed with Phips to the extent of actually ordering in January 1693 the executions of old sentences that had been stayed for pregnancies or other reasons. Phips immediately blocked them, causing Stoughton to resign the bench.
Stoughton was no ordinary magistrate: he was also the sitting Lieutenant Governor, and would succeed Phips as the head man in Massachusetts. Had he been the man with executive power at the time all this toil and trouble bubbled over, considerably more than 20 souls might have been lost to the madness.
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Entry Filed under: 17th Century,Capital Punishment,Death Penalty,England,Execution,Hanged,History,Mass Executions,Massachusetts,Milestones,Occupation and Colonialism,Popular Culture,Posthumous Exonerations,Public Executions,USA,Witchcraft,Women,Wrongful Executions
Tags: 1690s, 1692, alice parker, ann pudeator, giles corey, innocence, margaret scott, martha corey, mary easty, mary parker, salem, salem witch trials, samuel wardwell, september 22, william phips, william stoughton, wilmot redd
September 6th, 2014
On this date in 1771, the German outlaw Matthias Klostermayr was broken on the wheel in Dillingen.
The “Bavarian Robin Hood” (English Wikipedia entry | German) led a band of poachers (their merriness or lack thereof is unrecorded) who in the 1760s did a famous business, exploiting the jigsaw of tiny statelets in the region to keep the heat off by ducking across a border every few weeks.
Their exploits zestily raiding the hated private hunting preserves of haughty lords elevated them in the popular imagination to social bandits. They’re really said to have distributed a portion of their booty to the poor. They were slated with nine homicides during their run, of game wardens or soldiers whom they did not hesitate to handle much less generously. The gang’s long run proliferated legends multiplying their prowess, even crediting them with supernatural powers like invulnerability to bullets.
Klostermayr was the subject of folk songs even in his lifetime, and that exposure meant that he eventually became the subject of multilateral coordination among the principalities whose limited jurisdictions he so expertly exploited. A 1769 mutual-assistance arrangement permitted authorities to cross the border in hot pursuit; by the end of 1770, an outright military expedition with 300 troops had been arranged. They took Klostermayr by storm on January 14, 1771 in the town of Osterzell; the theater and the shooting club still carry Klostermayr’s name in Osterzell, a small testament to the robber’s enduring popularity two and a half centuries on from his death.
That death was bound to be a demonstrative one, revenging all the offenses Klostermayr had done to his superiors.
The agonizing public shattering of his bones on the breaking wheel, preserved for us in graphic drawings, did no disfavors to the bandit’s fame. Buttressed by his thinly-veiled appearance a few years later as the protagonist of Schiller‘s first play, The Robbers, Klostermayr’s renown persists in Germanophone Europe right down to the present day.
Detail view (click for a larger image) of the terrifying device on which Bavarian outlaw Matthias Klostermayr was stretched out to have his limbs crushed with a breaking-wheel on September 6, 1772.
Detail view (click for a larger image) of Matthias Klostermayr being broken on the wheel.
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Entry Filed under: 18th Century,Arts and Literature,Broken on the Wheel,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Famous,Germany,History,Murder,Outlaws,Popular Culture,Public Executions,Theft
Tags: 1770s, 1771, dillingen, friedrich schiller, literature, matthias klostermayr, september 6, social bandits, theater
September 3rd, 2014
Till was hung yesterday
for murder and rape with trimmings
-Ezra Pound’s Pisan Cantos, remarking on the execution of an army private later (in)famous as the father of Civil Rights era lynch victim Emmett Till
Today’s admittedly slight entry is a milestone not only for Finland but for this site as well: it’s the 2,500th consecutive day we’ve posted since we launched on Halloween all the way back in 2007, roughly two or three Ice Ages in Internet years. Lord knows the site design looks it.
One can well doubt the utility of passing the epoch in execution-hunting. But if there is one thing that thousands of hours over 2,500 days plumbing archives for scaffold stories confers, it’s a certain facility with the subject matter. I’ve read an awful many literary products from many a time and place, on the occasion of this rare meta-post, I’d like to mine them in service of a petty peeve.
There is a certain English convention favoring the use of the word “hanged” to refer to the execution of a human at the end of a rope, in contravention to the word “hung” in every other imaginable context of a dangling past participle. Though this is certainly an intervention in an ancient argument that tends to generate more light than heat, I do wish it understood in no uncertain terms that a vast concourse of primary literature testifies that it is perfectly acceptable to use “hung” to refer to an execution.
While I have my own preference and peccadillos about language, I associate most readily with the descriptivist camp.
But I hope to convince you, gentle reader, that for us to hang together on this matter it is not even unnecessary that you share my readiness to welcome ever more shocking barbarisms into the tongue.
The verb to hang derives from two different Old English words, hon (intransitive) and hangian (intransitive). A good thousand years ago, hon and hangian collapsed into a single word, whose dominant past tense across the board was hanged. Centuries after that, the alternate form hung migrated out of the north of England and basically crowded out the old hanged past participle, sort of like snuck is doing to sneaked today. No doubt the pubs of old rang in their day with outrage that apprentices these days no longer said hanged my codpiece but preferred this degenerate novelty quasi-word instead.
Ever thus. Anyway, when all was said and hung, hanged only hanged on to its archaic noosey usage, perpetuated by innumerable (it’s way more than 2,500) formulaic judicial sentences. It’s hanged right onto it all the way down to the present.
Let’s just see about that.
However, there’s never been any sort divinely inscribed rule to halt the advance of hung at the edge of the scaffold — nor has that been the consensus practice of actual English speakers over the generations.
It’s practically mandatory among the descriptivist set to roll out the 1994 Merriam-Webster Dictionary of English Usage on this subject. The source has its detractors and other dictionaries argue differently, but underscore at a minimum its point as to the worth of the distinction. Sure, your teacher, like mine, probably told you that “pictures are hung and people are hanged,” and hanged is certainly a correct word for what the hangman did. But …
Our evidence shows that hung for hanged is certainly not an error. Educated speakers and writers use it commonly and have for many years … Hanged is, however, more common than hung in writing. It is especially prevalent when an official execution is being described, but it is used in referring to other types of hanging as well …
The distinction between hanged and hung is not an especially useful one (although a few commentators claim otherwise). It is, however, a simple one and easy to remember. Therein lies its popularity. If you make a point of observing the distinction in your writing you will not thereby become a better writer, but you will spare yourself the annoyance of being corrected for having done something that is not wrong.
Tastes aside — and I will admit to a deeply inculcated preference for “hanged” — what does the language profit by throwing up a Berlin Wall to preserve from hung only this one specific sense of to hang — this sense, and no other? How does the noose, a minuscule enclave of usage, command its own irregularity in 21st century English? There’s even a specific variant on the old hanging sentence that came into vogue in the 17th and 18th centuries, after hung displaced hanged; it’s most usual to say of someone who suffers this fate that he has been hung in chains.
Languages evolve in funny ways, to be sure. Hanged is certainly good for the gallows but less so for your picture, and that alone is an acknowledged oddity.
But it is not only in the 21st century that English has resorted to “hung” to refer to execution, and done so with perfect ease and clarity.
The Merriam-Webster source aforementioned was good enough to provide some of the examples informing its conclusion, and these are repeatedly found in the various forum threads on the Internet where the sorts of readers who make war over the Oxford comma hang out. For example:
“These men were … at last brought to the scaffold and hung.”
-Percy Bysshe Shelley
“I have not the least objection to a rogue being hung.”
-W. M. Thackeray
“The negro murderer was to be hung on a Saturday without pomp.”
Educated, knowledgeable wielders of the language have been right at home with hung in our sense for centuries. These examples tend to elicit the objection that one is cherry-picking a few careless errors every writer makes here and there, and while that has the look of circularity to me — educated speakers don’t say “hung”, so every example to the contrary is by definition a mistake — maybe the problem is a dearth of data points.
Please allow your narrator to remedy this! Two and a half thousand posts in, I’ve seen “hung” used many times in primary (or secondary, but still quite vintage) sources in a wide variety of literary forms and quoted some number of them on the site.
Any individual example of a word’s use can always be defined away. For example, when Thomas Hardy recalled the disturbingly sensuous appeal of a murderess he saw die on the gallows in his youth — “I remember what a fine figure she showed against the sky as she hung in the misty rain and how the tight black silk gown set off her shape as she wheeled half round and back” — one can well note that here he uses “hung” to draw attention not to the execution itself but to the fact of her dangling, her suspended corpse’s impression as an object under his eyes.
Perhaps this is also why our correspondent finds that the beloved thief Skitch “hung but a few seconds, before the rope slipped from the gallows.” It is certainly in this sense that Christ “hung on the cross” because he was physically sagging off it.
And this lyric celebrating Irish “Invincible” Joe Brady would obviously lose the rhyme if it resorted to “hanged”, so artistic license may be admitted as well if it be confined to stylists of poetry and not prose:
It was in Kilmainham Prison the Invincibles were hung.
Mrs Kelly she stood there all in mourning for her son.
She threw back her shawl and said to all:
“Though he fills a lime-pit grave,
My son was no informer and he died a Fenian blade.”
Grammar very quickly becomes the proverbial blind man’s lamppost here, used not for illumination but for support of an ungenerous and predetermined conclusion. But I think the frequency of the examples of “hung” over the years, often used precisely in a spot that would induce today’s most fastidious language police to fire off a blog comment, builds a strong case that “hung” has been an acceptable past participle in English for our line of work for a very long time.
There are many instances of “hung” to be dredged from English archival sources, for example. (Albeit many more for “hanged”.) These official 17th century Middlesex county records, to pick a trifling example, consistently index the various felons “sentenced to be hung.” Much later, the prolific 19th century scribbler George Walter Thornbury‘s Old and New London volumes remark that Lord Sanquhar was “sentenced to be hung till he was dead.”
Jonathan Swift’s poetic rogue Tom Clinch went to his death with intrepidity that Swift commended to his readers in a line whose meter could just as easily have borne “hanged”.
Then follow the Practice of clever Tom Clinch,
Who hung like a Hero, and never would flinch.
When Lord Nelson had the Jacobin Neapolitan admiral executed by asphyxiation with a rope attached to a ship’s yardarm on June 29, 1799, he recorded in his journal:
A slight breeze; a cloudy sky. Sentenced, condemned, and hung Francesco Caracciolo.
Crossing the pond into the 19th century, we find the New York Times correspondent reporting the execution of five indigenous Cayuse for perpetrating the Whitman Massacre. “The town,” he reported, “was full of men and women, the former coming to see how the election resulted, and the latter to see how the Indians were hung.” Grammarians may enjoy their chuckle here, but nobody misunderstands the meaning.
Surveying the British suppression of India’s 1857 revolts, Harpers magazine similarly noted that
[s]ome of the mutineers were to be hung, and around the gallows, erected during the night previous, the soldiers were drawn up.
In none of these are the various authors lingering over the physical quality of suspension. The word conveys the act of execution alone.
“Hung” is ubiquitous in the use of everyday speakers who are not literary craftsmen. An eyewitness report to the post-Civil War execution of Confederate guerrilla Sue Mundy:
The fall was not more than three feet, and did not break his neck; he choked to death. We have seen a great many persons hung, but never before did we witness such hard struggles and convulsions.
Much more recently, a Liverpool screw recalled the morning of Britain’s last executions for the Telegraph:
At half past seven in the morning, all the prisoners started tapping their cell doors: bang, bang, bang. It just went on. As we got nearer to eight o’clock they started banging quicker: bang, bang, bang, bang. And at eight o’clock exactly they all banged once, hard, and then stopped dead. And I thought, ‘That’s the moment he’s been hung.’ The hairs on the back of my neck went up, they really did. I remember it to this day.
So how many more centuries must the line against common folk saying “hung” be policed to save the Queen’s English from degradation?
I can’t speak readily to the thrust of English in all the many parts of the world that it is spoken, but at least as pertains Great Britain and North America, I do wonder if a wider colonization of the word “hung” in this sphere was unnaturally aborted by the vanishing of the hangman from the Anglo public eye.
Britons have not laid eyes on a public execution in a century and a half; hardly any Americans are still alive who would remember the last one stateside. Although Britain has been fifty years without an execution of any kind, its current frequency of execution by hanging is basically statistically identical to that of the United States. Even allowing for the imprint of judicial executions abroad, or suicides by hanging, most of those who don’t choose to write a daily blog about the death penalty perhaps have altogether less reason to talk or think about hangings than did ancestors milling about the public gallows at Tyburn or the Boston Common.
It’s just a theory.
Two thousand, five hundred posts into this project, only the devil knows how long this site might continue to run or what it will all mean when we come to the end of it. I can only assure the reader that I’ll, er, hang on as long as I can. If the substance of this post can be Executed Today’s legacy, I’ll consider it an epoch well-wasted.
Previous self-congratulatory milestone posts:
2001, musing on the death penalty in literary dystopias
1500, about the Hand of Glory legend
1000 (and one), about the Arabian Nights stories
500, merely a Spartan marking of the date
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Entry Filed under: Administrative Messages,Language
August 15th, 2014
Three centuries ago today, Wallachian prince Constantine Brancoveanu was beheaded in Istanbul with his four sons.
Brancoveanu (English Wikipedia entry | Romanian) had fallen foul of the Sublime Porte, which dominated Wallachia, by dallying with the Ottomans’ European rivals, the Habsburgs and the Russians.
During the then-current installment the oft-renewed Russo-Turkish War derby, he actually massed armies for a potential swing all the way to the anti-Ottoman team. Breaking those up and returning Peter the Great’s gifts after the Russian clock got cleaned did not a tribute of loyalty make in the eyes of Turkey.
Not only Contantine but his entirely family — wife, four sons, and six daughters — were carried thereafter to Istanbul prisons. On the Feast Day of the Blessed Virgin, in the presence of the Sultan himself and of Christian diplomats who would be sure to put the word out, his four sons Constantine, Stefan, Radu and Matei were beheaded in his presence, as was the Wallachian treasurer Enache Vacarescu. The 60-year-old prince exhorted them as they endured their martyrdoms to remain steadfast, until at last he too lost his head. (Istanbul Christians managed to give the bodies honorable burials after fishing them out of the Bosphorus. The remains were later translated to Bucharest.*)
Most of the web sites about Branacoveanu and family are in Romanian; he was in his quarter-century reign a great cultural patron. The first Romanian Bible was completed in his time, and he undertook a great building program whose distinctive architectural stile still bears his name — Brancovenesc.
The Romanian Orthodox church conferred upon the martyred family the laurels of sainthood in 1992, a fine time to honor Romanian independence from foreign domination although of course by that time the Ottomans were yesteryear’s news and the outside heavy in question was the Russians.
Constantine also has a full panoply of secular miscellany in his honor: roads, statues, ballads, a metro station named after him, and so forth.
* At least, the alleged remains; it is well not to turn a forensic lens on saintly relics, and when Brancoveanu’s tomb was opened at the bicentennial of his death the skeleton therein appeared by the state of its teeth to be that of a man half Brancoveanu’s age. (Source)
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Entry Filed under: 18th Century,Arts and Literature,Beheaded,Capital Punishment,Death Penalty,Execution,Heads of State,History,Martyrs,Mass Executions,Nobility,Occupation and Colonialism,Ottoman Empire,Politicians,Popular Culture,Power,Religious Figures,Romania,Torture,Treason,Turkey
Tags: 1710s, 1714, august 15, constantine brancoveanu, constantinople, istanbul
August 3rd, 2014
On this date in 1530, Francesco Ferruccio (or just Ferrucci) and his executioner Fabrizio Maramaldo clinched their immortality at the Battle of Gavinana.
The battle was the tragic final scene of the War of the League of Cognac, in which an alliance of Italian city-states tried to expel the Habsburg Holy Roman Emperor Charles V from the peninsula. Charles had already in effect decided matters by forcing the French out of the fight, which also brought about the capitulation of the Vatican.
Left alone in the fray, doughty Florence — ever so briefly at this moment restored as a Republic, having given the Medici the boot — continued to hold out against impossible odds. A vast imperial army swollen by landsknechts whose mercenary arms were now unnecessary elsewhere in Italy besieged Florence on October 24, 1529.
The intrepid Florentine commander Francesco Ferruccio (English Wikipedia entry | Italian) strove to take his hopeless fight to the enemy. After a plan to coerce papal support by striking Rome was vetoed, Ferruccio mounted a march through the Apennines to threaten the Imperials’ rear.
He was intercepted at Gavinana, a battle decided by the arrival of landsknecht reinforcements under the command of the notoriously cruel condottiere Fabrizio Maramaldo.
Maramaldo would elevate himself for posterity out of the ranks of his merely brutal brethren by finding Ferruccio, badly wounded, his prisoner, and putting him to immediate death by his own hand — an execution that resulted in Florentine capitulation one week later, and the installation of Alessandro de’ Medici as Duke of the now ex-Republic.*
While admittedly borderline as an “execution” suitable for this here site, Ferruccio’s defiance in the face of his killer and his last denunciation of Maramaldo — “Coward, you kill a dead man!” — became the stuff of legend in a later Italy. (It also helped Ferruccio’s case for the nationalist pantheon that he died fighting against the Germans, not against the next city-state over.)
The romantic novelist Francesco Domenico Guerrazzi** made Ferruccio the subject of his magnum opus L’Assedio di Firenze, and before you knew it the name was on the lips of every risorgimento Tom, Dick and Francesco. Garibaldi invoked him in speech; Goffredo Mameli wrote him into the national anthem.
Every man has the heart
and hand of Ferruccio …
Under the Italian state those men helped to make, Ferruccio was appropriated as the name of a battleship; fascist Italy especially found Ferruccio congenial to the national-pride project and valorized the martyr relentlessly.
1930 Fascist Italy stamp depicting — for the 400th anniversary of the occasion — Fabrizio Maramaldo murdering his prisoner Francesco Ferruccio. Other Februccio stamps from the same period can be found on the man’s Italian Wikipedia page.
For Maramaldo, a less flattering but possibly more durable legacy: Italian gained the noun maramaldo, the adjective maramaldesco, and the verb maramaldeggiare to signify bullying or cruel domineering.
* Alessandro had a reputation for despotism, and was assassinated a few years later by his cousin Lorenzino de’ Medici in a tyrannicide that was Brutus-like in both its motivation and effect. That later affair is the subject of the 19th century play Lorenzaccio.
** Guerrazzi also did his bit for the legend of Beatrice Cenci.
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Tags: 1530, 1530s, alessandro de medici, august 3, battle of gavinana, fabrizio maramaldo, francesco ferrucci, francesco ferruccio, francesco guerrazzi, giuseppe garibaldi, goffredo mameli, literature, risorgimento, stamps, war of the league of cognac
July 15th, 2014
On this date in 756, the imperial consort Yang Guifei was expediently executed during the An Lushan Rebellion.
The Tang dynasty Emperor Xuanzong, whose beloved concubine Yang was, undertook this cruel extremity only in great duress. Initially married to one of the emperor’s sons, Yang so enamored the emperor that he usurped the prince’s place and got the kid a different wife. In the c. 800 classic poem “Song of Everlasting Sorrow” the poet Bai Juyi mused on the smitten sovereign rushing headlong into waiting tragedy.
The emperor neglected the world from that moment,
Lavished his time on her in endless enjoyment.
She was his springtime mistress, and his midnight tyrant.
Though there were three thousand ladies all of great beauty,a
All his gifts were devoted to one person.
Indeed, over the 740s Yang’s relations rose at court on the strength of her hold over the emperor, causing no few resentments among courtiers now obliged to flatter them. She’s been cast as a femme fatale, a siren whose chords called the emperor to capsize his own ship of state.
The general An Lushan was the rock of his ruin. Though An Lushan’s revolt would one day claim Yang’s life, he was a great favorite of hers and eventually adopted as Yang’s son; it was whispered that the imperial gifts showered on this commander might reflect favor with the concubine quite surpassing the bounds of propriety.
The most important favor was command of all northern China’s garrisons, with 150,000-plus troops.
His influence (and the fact that he was not ethnically Han, but of Turkic and Iranic extraction) made him rivals at the imperial court, even including the concubine Yang’s cousin, chancellor Yang Guozhong.
One can speculate as to who suspected whom first, but as we’ve seen with the Roman Empire a sufficiently strong inducement to treachery inevitably becomes tantamount to the real thing: eventually one’s intemperate supporters or implacable enemies will cast the die for even the most retiring general. An Lushan was Caesar enough to cross the Tang’s Rubicon, which for him was the Yellow River, above which his armies had been confined.
In the winter of 755-756, An crossed this river and marched towards Chang’an (Xi’an, then the imperial capital and the world’s most populous city), styling himself the Emperor of Yan. This aspirant state proved far from durable, and vanished by 763 — but by the time that long term had come into view, all of our principal characters were dead.
Yang Guifei was the first of them. (Plenty of secondary characters — generals, eunuchs, rivals and family of rivals — were being put to death all along and well before Yang, of course.) As the rebel army advanced on the capital, Xuanzong and his court fled in panic, Yang included. One day’s march further inland towards Chengdu, the royal guards themselves rebelled. Embittered like many others by the sway Yang and her family held — and blaming the consort for the ignominious retreat they were embarked upon — the soldiers refused to proceed without Yang’s execution. Xuanzong had little choice under the circumstances but to assent to her summary strangulation.
The Son of Heaven made good his escape, and his kingdom prevailed in the fight. (An was assassinated in 757.) Xuanzong himself, however, had to abdicate in favor of his son before the chaotic summer was out, and lived out his last five years as Taishang Huang, “Retired Emperor”.
One can only guess at the regrets he had in those days for the beloved mistress sacrificed to the safety of his person and throne. It’s a circumstance that has become a staple of Chinese literature over the centuries since, from the aforeentioned Bai Juyi right down to the present day, in every medium imaginable.
In Bai’s “Song of Everlasting Sorrow”, the bereft former emperor at last sends a Taoist priest to the heavens in search of his lost love, whose spirit has not even appeared to him in a dream. Yang Guifei sends the messenger back with a last pledge of sundered love:
“Our spirits belong together, like these precious fragments,
Sometime, in earth or heaven, we shall meet again.”
And she sent these words, by the Taoist, to remind him
of their midnight vow, secret between them.
“On that Seventh night, of the Herdboy and the Weaver,
In the silent Palace we declared our dream was
To fly together in the sky, two birds on the same wing,
To grow together on the earth, two branches of one tree.”
Earth fades, Heaven fades, at the end of days.
But Everlasting Sorrow endures always.
Yang Guifei’s tomb remains a popular tourist destination to this date.
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Tags: 756, an lushan, bai juyi, femme fatale, july 15, literature, love, opera, poetry, song of everlasting sorrow, xi'an, xuanzong, yang guifei
July 2nd, 2014
This date, the second of July, would in 1914 have been the eve of the thirty-first birthday of Franz Kafka, so it seems a fit occasion — shall we call it the centennial? — to mark the death of the the character “Josef K.” in Kafka’s great novel The Trial. In this captivating work — it does not feel sufficient to call it a dystopia of the emerging bureaucratic state, although this story surely helped as much as any other to put the word Kafkaesque in the dictionary — K. has spent the whole novel since his arrest on his 30th birthday grappling with an absurd trial on charges he is never told and upon evidence he cannot know.
In the last, two insipid functionaries arrive at K.’s apartment to whisk him away to his death.
Historically, Kafka began this book in August 1914, a few weeks yet from our spurious dating. It was only published in 1925 — posthumously.
Chapter Ten: End
The evening before K.’s thirty-first birthday — it was about nine o’clock in the evening, the time when the streets were quiet — two men came to where he lived. In frock coats, pale and fat, wearing top hats that looked like they could not be taken off their heads. After some brief formalities at the door of the flat when they first arrived, the same formalities were repeated at greater length at K.’s door. He had not been notified they would be coming, but K. sat in a chair near the door, dressed in black as they were, and slowly put on new gloves which stretched tightly over his fingers and behaved as if he were expecting visitors. He immediately stood up and looked at the gentlemen inquisitively. “You’ve come for me then, have you?” he asked. The gentlemen nodded, one of them indicated the other with the top hand now in his hand. K. told them he had been expecting a different visitor. He went to the window and looked once more down at the dark street. Most of the windows on the other side of the street were also dark already, many of them had the curtains closed. In one of the windows on the same floor where there was a light on, two small children could be seen playing with each other inside a playpen, unable to move from where they were, reaching out for each other with their little hands. “Some ancient, unimportant actors — that’s what they’ve sent for me,” said K. to himself, and looked round once again to confirm this to himself. “They want to sort me out as cheaply as they can.” K. suddenly turned round to face the two men and asked, “What theatre do you play in?” “Theatre?” asked one of the gentlemen, turning to the other for assistance and pulling in the corners of his mouth. The other made a gesture like someone who was dumb, as if he were struggling with some organism causing him trouble. “You’re not properly prepared to answer questions,” said K. and went to fetch his hat.
As soon as they were on the stairs the gentlemen wanted to take K.’s arms, but K. said “Wait till we’re in the street, I’m not ill.” But they waited only until the front door before they took his arms in a way that K. had never experienced before. They kept their shoulders close behind his, did not turn their arms in but twisted them around the entire length of K.’s arms and took hold of his hands with a grasp that was formal, experienced and could not be resisted. K. was held stiff and upright between them, they formed now a single unit so that if any one of them had been knocked down all of them must have fallen. They formed a unit of the sort that normally can be formed only by matter that is lifeless.
Whenever they passed under a lamp K. tried to see his companions more clearly, as far as was possible when they were pressed so close together, as in the dim light of his room this had been hardly possible. “Maybe they’re tenors,” he thought as he saw their big double chins. The cleanliness of their faces disgusted him. He could see the hands that cleaned them, passing over the corners of their eyes, rubbing at their upper lips, scratching out the creases on those chins.
When K. noticed that, he stopped, which meant the others had to stop too; they were at the edge of an open square, devoid of people but decorated with flower beds. “Why did they send you, of all people!” he cried out, more a shout than a question. The two gentleman clearly knew no answer to give, they waited, their free arms hanging down, like nurses when the patient needs to rest. “I will go no further,” said K. as if to see what would happen. The gentlemen did not need to make any answer, it was enough that they did not loosen their grip on K. and tried to move him on, but K. resisted them. “I’ll soon have no need of much strength, I’ll use all of it now,” he thought. He thought of the flies that tear their legs off struggling to get free of the flypaper. “These gentleman will have some hard work to do”.
Just then, Miss Bürstner came up into the square in front of them from the steps leading from a small street at a lower level. It was not certain that it was her, although the similarity was, of course, great. But it did not matter to K. whether it was certainly her anyway, he just became suddenly aware that there was no point in his resistance. There would be nothing heroic about it if he resisted, if he now caused trouble for these gentlemen, if in defending himself he sought to enjoy his last glimmer of life. He started walking, which pleased the gentlemen and some of their pleasure conveyed itself to him. Now they permitted him to decide which direction they took, and he decided to take the direction that followed the young woman in front of them, not so much because he wanted to catch up with her, nor even because he wanted to keep her in sight for as long as possible, but only so that he would not forget the reproach she represented for him. “The only thing I can do now,” he said to himself, and his thought was confirmed by the equal length of his own steps with the steps of the two others, “the only thing I can do now is keep my common sense and do what’s needed right till the end. I always wanted to go at the world and try and do too much, and even to do it for something that was not too cheap. That was wrong of me. Should I now show them I learned nothing from facing trial for a year? Should I go out like someone stupid? Should I let anyone say, after I’m gone, that at the start of the proceedings I wanted to end them, and that now that they’ve ended I want to start them again? I don’t want anyone to say that. I’m grateful they sent these unspeaking, uncomprehending men to go with me on this journey, and that it’s been left up to me to say what’s necessary”.
Meanwhile, the young woman had turned off into a side street, but K. could do without her now and let his companions lead him. All three of them now, in complete agreement, went over a bridge in the light of the moon, the two gentlemen were willing to yield to each little movement made by K. as he moved slightly towards the edge and directed the group in that direction as a single unit. The moonlight glittered and quivered in the water, which divided itself around a small island covered in a densely-piled mass of foliage and trees and bushes. Beneath them, now invisible, there were gravel paths with comfortable benches where K. had stretched himself out on many summer’s days. “I didn’t actually want to stop here,” he said to his companions, shamed by their compliance with his wishes. Behind K.’s back one of them seemed to quietly criticise the other for the misunderstanding about stopping, and then they went on. The went on up through several streets where policemen were walking or standing here and there; some in the distance and then some very close. One of them with a bushy moustache, his hand on the grip of his sword, seemed to have some purpose in approaching the group, which was hardly unsuspicious. The two gentlemen stopped, the policeman seemed about to open his mouth, and then K. drove his group forcefully forward. Several times he looked back cautiously to see if the policeman was following; but when they had a corner between themselves and the policeman K. began to run, and the two gentlemen, despite being seriously short of breath, had to run with him.
In this way they quickly left the built up area and found themselves in the fields which, in this part of town, began almost without any transition zone. There was a quarry, empty and abandoned, near a building which was still like those in the city. Here the men stopped, perhaps because this had always been their destination or perhaps because they were too exhausted to run any further. Here they released their hold on K., who just waited in silence, and took their top hats off while they looked round the quarry and wiped the sweat off their brows with their handkerchiefs. The moonlight lay everywhere with the natural peace that is granted to no other light.
After exchanging a few courtesies about who was to carry out the next tasks — the gentlemen did not seem to have been allocated specific functions — one of them went to K. and took his coat, his waistcoat, and finally his shirt off him. K. made an involuntary shiver, at which the gentleman gave him a gentle, reassuring tap on the back. Then he carefully folded the things up as if they would still be needed, even if not in the near future. He did not want to expose K. to the chilly night air without moving though, so he took him under the arm and walked up and down with him a little way while the other gentleman looked round the quarry for a suitable place. When he had found it he made a sign and the other gentleman escorted him there. It was near the rockface, there was a stone lying there that had broken loose. The gentlemen sat K. down on the ground, leant him against the stone and settled his head down on the top of it. Despite all the effort they went to, and despite all the co-operation shown by K., his demeanour seemed very forced and hard to believe. So one of the gentlemen asked the other to grant him a short time while he put K. in position by himself, but even that did nothing to make it better. In the end they left K. in a position that was far from the best of the ones they had tried so far. Then one of the gentlemen opened his frock coat and from a sheath hanging on a belt stretched across his waistcoat he withdrew a long, thin, double-edged butcher’s knife which he held up in the light to test its sharpness. The repulsive courtesies began once again, one of them passed the knife over K. to the other, who then passed it back over K. to the first. K. now knew it would be his duty to take the knife as it passed from hand to hand above him and thrust it into himself. But he did not do it, instead he twisted his neck, which was still free, and looked around. He was not able to show his full worth, was not able to take all the work from the official bodies, he lacked the rest of the strength he needed and this final shortcoming was the fault of whoever had denied it to him. As he looked round, he saw the top floor of the building next to the quarry. He saw how a light flickered on and the two halves of a window opened out, somebody, made weak and thin by the height and the distance, leant suddenly far out from it and stretched his arms out even further. Who was that? A friend? A good person? Somebody who was taking part? Somebody who wanted to help? Was he alone? Was it everyone? Would anyone help? Were there objections that had been forgotten? There must have been some. The logic cannot be refuted, but someone who wants to live will not resist it. Where was the judge he’d never seen? Where was the high court he had never reached? He raised both hands and spread out all his fingers.
But the hands of one of the gentleman were laid on K.’s throat, while the other pushed the knife deep into his heart and twisted it there, twice. As his eyesight failed, K. saw the two gentlemen cheek by cheek, close in front of his face, watching the result. “Like a dog!” he said, it was as if the shame of it should outlive him.
The Trial can be enjoyed (if that’s the right word) in a public domain English translation here.
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June 15th, 2014
June 15 is the feast date of the early Christian saint and martyr Vitus.
The 6th century roster Martyrologium Hieronymianum gives us “In Sicilia, Viti, Modesti et Crescentiae”. From this nub grew a legend of the young child of a Roman Senator who turned to Christianity and would not apostatize, fleeing finally to Lucania with his tutor Modestus and his nanny Crescentia and eventually exorcising a demon possessing the son of the Christian-hunting, Empire-quartering Roman sovereign Diocletian. They were all — boy, tutor, and nanny — tortured to death for their troubles; that occurred either by means of or (manifesting God’s customary disdain for the pagan persecutors) after surviving execution in a boiling pot, which has become Vitus’s most typical iconographical emblem. (For example, as seen on the coat of arms of the Austrian town Sankt Veit im Pongau.)
The Martyrdom of St. Vitus
, anonymous c. 1450 painting
This story doesn’t have much historical merit, but shrines and chapels to Vitus date as far back as the 5th century so Vitus, whomever he was, had real importance to early Christians.
His cult became especially prominent in medieval central Europe. Prague’s imposing Gothic cathedral bears his name, because Wenceslaus, Duke of Bohemia* allegedly retrieved for it the saint’s arm in a reliquary.**
While many places are dedicated to St. Vitus in Germany, Hungary, and Croatia, the man has red-letter treatment in Serbia — owing to this also being the date in 1389 that the Serbs’ Tsar Lazar was martyred by the Turks at the Battle of Kosovo. As a result, the feast date Vidovdan is a major celebration in Serbia (and to some extent Bulgaria and Macedonia), where it is observed on June 28th — the Gregorian date presently corresponding to the Julian calendar’s June 15th.
The same Vitus who cheers Balkan nationalists trod a completely different path into medical textbooks.
For centuries, Europeans were known to break out in curious ecstatic mass dancing, even sometimes dancing themselves to death. Generally believed today to be psychosocial afflictions, these dancing manias became widely associated with St. Vitus (his patronage includes both dancers and epileptics), whose intercession would be sought to calm the capering souls.
Dancing manias stopped happening in the 17th century or so, but the link between Vitus and involuntary rollick gave the name St. Vitus’s Dance to the condition Syndenham’s chorea — which is characterized by uncontrolled dance-like movement.
* The very Good King Wenceslaus who looked down on the feast of Stephen.
** Speculatively, Sanct Vid might have been selected for Christian veneration in this area to facilitate replacement of the similarly-named Slavic god Svantovid. An active (albeit declining) pagan community persisted in Prague as late as the 12th century.
As with most Slavic deities, Svantovid’s exact characteristics and the extent of his veneration are very poorly documented; however, in 1168, the Wendish fortress of Arkona was conquered by the Danes and the forced Christianization of its inhabitants is commemorated in Laurits Tuxen‘s late 19th century image of Archbishop Absalon casting down Arkona’s idol of Svantovid. (It’s also commemorated by the name of the neo-pagan Russian metal band Arkona.)
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Tags: battle of kosovo, dance, dancers, june 15, medicine, paganism, st. vitus, st. vitus's dance, st. vitus's day, syndenham's chorea, vidovdan
May 22nd, 2014
From Henry-Clement Sanson‘s memoirs:
On May 22 the scaffold was again erected for the execution of an Italian, a native of Rome, named Antonio Brochetti. He was imprisoned at Bicetre at the time of the murder, he having been previously sentenced to hard labour for life. He killed one of the turnkeys, with no other object than putting an end to his own life. Life in a prison or in the hulks seemed to him a much more severe punishment than death. His wish was fulfilled; he was condemned to death, and executed on the Place de Greve five days after, at four o’clock in the afternoon.
He went to the scaffold with eagerness. “I would rather die a thousand times than go to the hulks!” he exclaimed several times. Since Brochetti’s execution the severity displayed in French penitentiaries has increased; and his example has been followed by many.
“Galley slavery” in the antique Ben-Hur sense had been a mainstay of European navies since France got the bright idea to address a shortage of oarsmen by making press gangs out of magistrates. This idea was widely copied, and intensified.
At their peak in 1690, French galleys had 15,000 under oars — captured Turks, defeated Huguenots, slaves seized from Africa and North America, and, of course, criminals or anyone who could be construed as such.
Yet even by this time the galley was virtually obsolete as a military asset; Paul Bamford argues that they were maintained for pageantry and (internal) state-building for the French crown. Thus, as the 18th century unfolded, “galley” slaves were increasingly used for hard labor on the docks and in the arsenals — still-brutal punishment in a similar spirit, but no longer literally pulling an oar. By 1748, they were at last formally subsumed into a network of port prisons.
By this late date, however, usage had established the word galérien for convict galley-slaves so firmly that it persisted even now with the new redefinition.** (Italian still to this day has la galera for prison: the acme of seagoing Italian city-states coincided with that of the galley.)
* Lionel Casson (in “Galley Slaves” from the Transactions and Proceedings of the American Philological Association, vol. 97 (1966)) dates this to a January 22, 1443 edict of Charles VII conferring on merchant Jacques Coeur the right to impress vagabonds into his fleet.
** Victor Hugo’s Jean Valjean (Les Miserables) was a galley-slave; he would have been by Antonio Brochetti’s time just a few years out of the galleys himself.
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Tags: 1820s, 1824, antonio brochetti, galleys, henry-clement sanson, may 22, paris, place de greve, suicide