ExecutedToday.com

On this date in 1396, Ottoman Sultan Bayezid I put thousands of Christian Crusaders to the sword — and with them, Christians’ zest for holy war against the Turk.

The day after crushing a European Crusading expedition at the Battle of Nicopolis — where Christ’s multinational divisions might have crippled themselves by opting for political reasons to go with gloryhounding French knights’ demand for a heavy cavalry charge as opposed to sneakier tactics — Bayezid was mighty sore to find that the invaders had executed en masse Muslim prisoners from their last engagement.

Barbara Tuchman’s A Distant Mirror relates the result:

The defeat was followed by a frightful sequel. As Bajazet toured the battlefield … he was “torn by grief” at the sight of his losses, which outnumbered the Christian. He swore he would not leave their blood unavenged, and the discovery of the massacre of the prisoners of Rachowa augmented his rage. He ordered all prisoners to be brought before him next morning. … [T]he leading nobles … were … spared [for ransom], as well as all those judged to be under twenty for forced service with the Turks.

The rest, an uncertain figure of several thousand, were marched naked before the Sultan, bound together in groups of three or four, with hands tied and ropes around their necks. Bajazet looked at them briefly, then signed to the executioners to set to work. They decapitated the captives group by group, in some cases cut their throats or severed their limbs until corpses and killers alike were awash in blood. [The Christian nobles being spared] were forced to stand by the Sultan and watch the heads of their companions fall under the scimitars and the blood spurt from their headless trunks…. The killing continued from early morning to late afternoon until Bajazet, himself sickened at the sight or, as some say, persuaded by his ministers that too much rage in Christendom would be raised against him, called off the executioners.

In truth, the era of the Crusade as most readily conceived — a bid to conquer the Holy Land — was long past by this time. But it had been under that tattered old banner that Christendom summoned its vassals to check the rising Ottoman Empire, which by this time had reduced Byzantium to a rump state around Constantinople.

The battle that precipitated this day’s* feast of carrion occurred in Bulgaria, where the Turks’ growing European footprint (and this affair essentially pinched out the Bulgarian Empire of the day) exercised the European courts in figurative as well as literal ways. Though other ventures would hoist the crusading pennant, there would be no major offensive incursions against the Turks until “crusades” had fallen well out of fashion.

None of this gory affair is to be confused with Indiana Jones and the Last Crusade, where a leap of faith proved more felicitous.

* Most sources place the Battle of Nicopolis at September 25, although some say September 28 — the latter date would obviously place this massacre on September 29.

On this date in 1305, Scottish knight Mel Gibson — er, William Wallace — was hanged, drawn and quartered at Smithfield for treason to a British crown he refused to recognize.

Just like so:

Well, close enough. Some wags have alleged one or two historical liberties in Braveheart.

Among the lesser (but more pertinent here): that they weren’t — you knew this already — offering the former Guardian of Scotland the opportunity to reduce his suffering with a public submission, or use the stage for theatrical defiance. Hanging, drawing and quartering was a brand new execution Edward I was experimenting with for emasculating, disemboweling, and (so the idea went) utterly cowing the rebellious hinterlands of the British Isles. Wallace may have been just the second person to suffer it.

But only a pointy-headed blogger could possibly care when the main point is that back before Christendom succumbed to nancy decadences like Vatican II, men wore woad, defenestrated queers, and tapped top-shelf babes.

Among the few things known for certain about William Wallace is that he did not score with Isabella of France. Or with Sophie Marceau.

Facts? This is show business!

Mel’s bloodbath only riffs the already-fantastic 15th century epic of “the Wallace” by Scottish minstrel Blind Harry, which in turn got a lyrical call-out in Robert Burns’ 18th century Scottish patriotic tune Scots Wha Hae.

National martyrs — and, sure, it helps to die at the right time, as Wallace did just before Robert the Bruce secured Scottish independence — feed a train of hungry authors and ready audiences in every time, place and medium.

However genuinely flesh-and-blood the limbs that wrought his feats and were torn apart on this day, Wallace returns to his generations of interlocutors half-shrouded in mythology. Seven centuries on, his contested (and sometimes absurd) use as precedent or metaphor stakes a claim to his Truth at least as compelling as battlefield tactics at Stirling Bridge. What does he “really” have to tell us? No matter how grisly his end, William Wallace doesn’t get to decide: it’s between you, me, Mel, and a few billion other folks.

Only a character really worth remembering is worth that kind of fictionalizing.

On this date in 1343, a noble widow’s career in piracy got its start where such ventures more usually end: the scaffold.

Olivier III de Clisson beheaded with his knights, in an illustration of Froissart.

Olivier III de Clisson, a powerful Breton noble nominally loyal to France, had been persuaded to ally with England’s Edward III in what nobody yet realized was the opening stage of the Hundred Years’ War.

Intriguing to advance a claim to the French throne, Edward knew right where to look. “Brittany was France’s Scotland, choleric, Celtic, stony, bred to opposition and resistance, and ready to use the English in its struggles against its overlord as the Scots used the French in theirs,” Barbara Tuchman wrote. And the Breton War of Succession was just the sort of pretext for meddling.

Clisson was one of the great lords of the region, and in the feudal era where liege relationships counted more than “nationality,” his alliance would swing a considerable network of retainers to the English cause.

He was hardly the only one, according to Jonathan Sumption’s The Hundred Years War:

The duchies of Brittany and Normandy seemed to [the French king Philip VI] to be seething with rebels, led by the very noblemen who had promised to serve him till his dying day. He was shocked and puzzled.

When Clisson’s (apparent) lord Philip VI got wind of the secret deal, he invited Olivier to a joust in Paris and had him arrested. Then, as knight follows day …

In the year of grace one thousand three hundred and forth-three, on Saturday, the second day of August, Olivier, lord of Clisson, knight, prisoner in the Chatelet of Paris for several treasons and other crimes perpetrated by him against the king and the crown of France, and for alliances that he made with the king of England, enemy of the king and kingdom of France, as the said Olivier … has confessed, was by judgement of the king given at Orleans drawn from the Chatelet of Paris to Les Halles … and there on a scaffold had his head cut off. And then from there his corpses was drawn to the gibbet of Paris and there hanged on the highest level;* and his head was sent to Nantes in Brittany to be put on a lance over the Sauvetout gate [as a sign of his treason]. (Cited here.)

That’s chivalry for you.

The unexpected turn came while Clisson’s headless corpse was clanking away on the gibbet: his warlike, 40-something wife Jeanne de Clisson vowed vengeance, sold off the Clisson estates to buy a small fleet, and turned privateer, murderously ravaging French shipping along the Breton coast and reportedly personally beheading aristocrats she could get her hands on.

After more than a decade of avenging Olivier, the “Lioness of Brittany” retired triumphantly to England to remarry the sort of British toff whose preference ran towards strong women.

Her son, also named Olivier de Clisson, returned to fight in the Hundred Years War on the side of England … and eventually defected back to the French.

* Meaning, at the imposing tiered gallows of Montfaucon.

On this date in 1358, 14th-century France’s most serious peasant uprising was crushed when its capable commander was lured into his enemies’ power and torturously put to death in Clermont.

The Jacquerie (English Wikipedia entry | French) sprang from the fertile farmlands north of Paris. It had a hundred fathers, no one of them self-evidently the decisive cause but many in debatable combinations and proportions conspiring to render a perfect storm of catastrophe for the despised villeins who sweated out their masters’ chivalrous living.

The Calamitous 14th Century, historian Barbara Tuchman subtitled her popular work on this period: France was buffeted by famine, the Black Death, and attendant social and economic shocks; the Hundred Years’ War opened, laying the countryside waste at the hands of crossing armies, and then marauding mercenaries during the downtime between battles, and then “friendly” forces pillaging for sustenance and pressing peasants into uncompensated labor. In 1356, the English captured France’s King John II at the Battle of Poitiers, opening a yawning gap in the country’s political authority and undermining the mounted nobility’s military prestige vis-a-vis the (smaller) yeoman army that had routed it.

We do not seem to have a certain record of what match was set to this tinderbox — the most suggestive proximate cause is a fresh tax for fortifying noble citadels in the area — but the conflagration singed the gentry’s beard. Froissart, who wrote a few years after the fact and from a distinctly hostile standpoint, captured the aristocracy’s view of rising:

[C]ertain people of the common villages, without any head or ruler, assembled together in Beauvoisin. In the beginning they passed not a hundred in number they said how the noblemen of the realm of France, knights and squires, shamed the realm, and that it should be a great wealth to destroy them all: and each of them said it was true, and said all with one voice: “Shame have he that cloth not his power to destroy all the gentlemen of the realm!”

Thus they gathered together without any other counsel, and without any armour saving with staves and knives, and so went to the house of a knight dwelling thereby, and brake up his house and slew the knight and the lady and all his children great and small and brent his house. … And so they did to divers other castles and good houses; and they multiplied so that they were a six thousand, and ever as they went forward they increased, for such like as they were fell ever to them, so that every gentleman fled from them and took their wives and children with them, and fled ten or twenty leagues off to be in surety, and left their house void and their goods therein. These mischievous people thus assembled without captain or armour robbed, brent and slew all gentlemen that they could lay hands on, and forced and ravished ladies and damosels, and did such shameful deeds that no human creature ought to think on any such, and he that did most mischief was most praised with them and greatest master. I dare not write the horrible deeds that they did to ladies and damosels; among other they slew a knight and after did put him on a broach and roasted him at the fire in the sight of the lady his wife and his children; and after the lady had been enforced and ravished with a ten or twelve, they made her perforce to eat of her husband and after made her to die an evil death and all her children.

Froissart’s Chronicle is the most notable of the age and (calumiously) the most defining one on the event; it helped establish the word “jacquerie” as a synonym for bloodthirsty insurrection that would be pinned to countless riots and risings for centuries to come. Some other chronicles suggest more deliberate and purposeful (and less maniacal) organization by these original Jacques, and the trenchant “charge against these noble traitors, who have shirked on their duties to defend the kingdom, who desire to do nothing but devour the sustenance of the commoners.” (Source)

Interestingly, and seemingly contrary to the obvious reading of a downtrodden underclass driven to desperation, more recent scholarship has pointed out that the rising broke out in the best farmland, seemingly among the wealthiest of the rural third estate — artisans, proprietors, petty bureaucrats and clergy.

Leadership fell to this day’s victim, Guillaume Cale, also known by the folksy sobriquet “Jacques Bonhomme” (Goodman, or Goodfellow). A charismatic man of some fighting experience, he was able to marshal this mob into a creature of passable military capacity.

His short appearance on our stage also suggests a character of strategic vision not the less impressive for its failure to materialize.

Cale was a well-off farmer, like the backbone of his movement, and reached out to make common cause with the nearby Parisian bourgeoisie then in rebellious possession of their own city — a far more consequential challenge to authority that was soon to meet its own violent termination.

The terrorized nobility turned to Charles the Bad, King of Navarre at that time attempting to exploit the captivity of John II to hoist himself onto the throne of France. Even though Charles was also treating with the Parisian bourgeoisie in this endeavor, as Jonathan Sumption puts it in his authoritative The Hundred Years’ War: “The opportunity to present himself as the leader of the united nobility of France was not to be missed.”

Charles handled the rebels with efficiency, if not with honor. Tuchman relates:

[Charles of Navarre] invited Cale to parley, and upon this invitation from a king, Cale’s common sense apparently deserted him. Considering himself an opponent in war to whom the laws of chivalry applied, he went to the parley without a guard, whereupon his royal and noble opponent had him seized and thrown into chains. The capture of their leader by such easy and contemptuous treachery* drained the Jacques’ confidence and hope of success. When the nobles charged, the commoners succumbed … To consummate his victory, Charles of Navarre beheaded Guillaume Cale after reportedly crowning him, in wicked mockery, King of the Jacques with a circlet of red-hot iron.

The potentially tricky Battle of Mello turned into a butchery that shattered the Jacquerie, and relieved nobles gorged themselves for weeks to come on peasant blood — no less horribly than any depredation of the Jacquerie. “Our mortal foes, the English, would not have done what the nobles then did in our homeland,” wrote another 14th century scribe, Jean de Venette. (Cited by Robert Knecht; some additional Venette commentary on the Jacquerie is here, in French.)

If Cale’s decision to risk parley seems madness in retrospect, picture his situation. Sumption says the Jacquerie’s bands were already beginning to dissipate; Cale himself was known and surely in line for execution — practically the preordained denouement of every medieval peasant uprising — if he were to throw in the towel peaceably. He had no way forward but forward, and even supposing that Cale-commanded peasant lines would have held at the battle that particular day, his forces had no military prospects beyond a few more weeks.

The Jacques needed something — an exit strategy, perhaps, with the opportunity to return to life pardoned of reprisal and guaranteed against the next onerous levy; or, a cemented part in the alliance of Navarre and the Parisian bourgeoisie. To get that something, Guillaume Cale had to throw the dice, and what better odds would he get than in a pavilion face to face with the man who might become king of France? Staying in the field at the head of his ill-armed peasant horde must have looked the more improbable gamble.

Cale’s wager failed horribly this day, but from the luxurious vantage of centuries, the movement of people in those days shows the germ of an altogether more revolutionary future. Thierry’s history of the Third Estate (available free at Google Books):

The destruction of the Jacques was followed almost immediately by the failure of the revolution of the bourgeoisie in Paris itself. Those two movements, different as they were, of the two great classes of the commonalty, terminated simultaneously — one to revive and carry all before it when its time should come; the other to leave nothing behind it but an odious name, and sad recollections.

…

The Tiers Etat, displaced from the dominant position which it had prematurely won, resumed its ordinary part of patient industry, less pretentious ambition, and slow but uninterrupted progress.

Update: Nice tangential follow-up from The Naked Philologist into a fantasy literature recommendation. Also see more about those jittery nobles.

* You’re supposed to think this is okay because chivalric codes written by nobles say nobles don’t have to keep oaths to commoners. Readers still appalled at Charles the Bad’s bad faith: enjoy the Schadenfreude of his bad end.

On this date in 1315, an obscure petty noble who had become the king’s right-hand man was hanged by his rivals a few months after his royal sponsor expired.

Late in the epoch-making reign of King Philip the Fair — under whose rule the papacy was hijacked to Avignon and the Templars were crushed — Enguerrand de Marigny was the man loyally keeping the books.

Since Philip was a stubbornly spendthrift fellow, that meant Marigny’s chief pursuit was the creative extraction of new revenues, through fresh taxes and the debasement of coinage. His public esteem suffered commensurately, little aided by the fact that his duties made him fabulously wealthy and the most powerful man in the country, give or take a king.

Said monarch was vigorous in that age-old pastime of the feudal monarchy, centralization of the power scattered among the nobility, further to which end he was happy to promote a competent administrator of scanty lineage and dependable loyalty.

Aggrieved lords, like the grasping Charles de Valois, were ready with their grudges against the unpopular minister when Philip shuffled off in November 1314. When charges of financial impropriety didn’t stick, they cooked up an allegation of sorcery — just then coming into vogue as a trump card in the game of judicial homicide.

Enguerrand hung two years upon the monumentally terrifying Montfaucon Gibbet (the link is to the structure’s French Wikipedia page), but everyone felt just terrible about it later. (the link is French, again) An actual inquiry — they skipped that step when they strung him up — exonerated the luckless minister, allowing his heirs to retrieve his body and a chunk of his fortune from the sympathetic king; Charles was so pursued by guilt that on his deathbed, he sent out a fat dispensation of alms with the request that recipients pray for both Enguerrand de Marigny and himself.

It worked … at least for Marigny’s reputation.

None can tell, after this lapse of time, whether this remorse proceeded from weakness of mind or sincerity of heart, and which of the two personages was really guilty; but, ages afterwards, such is the effect of blind, popular clamor and unrighteous judicial proceedings, that the condemned lives in history as a victim and all but a guileless being. (Source)

It was no hard feelings from Enguerrand’s little brother, Jean. The family influence had landed him a bishopric, and he held the job until his death in 1350, even repelling an English siege of Beauvais during the Hundred Years’ War.

A European Ham?

Enguerrand de Marigny comes in for a passing notice as T.H. White affectionately surveys the Middle Ages in The Once and Future King:

What an amazing time the age of chivalry was! Everybody was essentially himself — was riotously busy fulfilling the vagaries of human nature … [a] coruscating mixture of oddities who reckoned that they possessed the things called souls as well as bodies, and who fulfilled them in the most surprising ways.

…

[Y]ou might have seen Enguerrand de Marigny, who built the enormous gallows at Mountfalcon, [sic] himself rotting and clanking on the same gallows, because he had been found guilty of Black Magic.*

That Marigny erected the gallows on which he hung is an oft-repeated claim, an instance of a whole subgenre of moralistic folklore in which death-dealing inventors are hoisted on their own petard. These stories are not always dependable — contra rumor, for instance, Dr. Guillotin was not guillotined — and today’s protagonist may not have a firm hold on this small consolation, either.

Here is Victor Hugo’s rendering of the structure’s history in The Hunchback of Notre Dame.

Montfauçon was, as Sauval says, “the most ancient and the most superb gibbet in the kingdom.” …

Let the reader picture to himself, crowning a limestone hillock, an oblong mass of masonry fifteen feet in height, thirty wide, forty long, with a gate, an external railing and a platform; on this platform sixteen enormous pillars of rough hewn stone, thirty feet in height, arranged in a colonnade round three of the four sides of the mass which support them, bound together at their summits by heavy beams, whence hung chains at intervals; on all these chains, skeletons; in the vicinity, on the plain, a stone cross and two gibbets of secondary importance, which seemed to have sprung up as shoots around the central gallows; above all this, in the sky, a perpetual flock of crows; that was Montfauçon.

At the end of the fifteenth century, the formidable gibbet which dated from 1328, was already very much dilapidated; the beams were wormeaten, the chains rusted, the pillars green with mould; the layers of hewn stone were all cracked at their joints, and grass was growing on that platform which no feet touched. The monument made a horrible profile against the sky; especially at night when there was a little moonlight on those white skulls, or when the breeze of evening brushed the chains and the skeletons, and swayed all these in the darkness. The presence of this gibbet sufficed to render gloomy all the surrounding places.

The mass of masonry which served as foundation to the odious edifice was hollow. A huge cellar had been constructed there, closed by an old iron grating, which was out of order, into which were cast not only the human remains, which were taken from the chains of Montfauçon, but also the bodies of all the unfortunates executed on the other permanent gibbets of Paris. To that deep charnel-house, where so many human remains and so many crimes have rotted in company, many great ones of this world, many innocent people, have contributed their bones, from Enguerrand de Marigni, the first victim, and a just man, to Admiral de Coligni, who was its last, and who was also a just man.

Hugo — who, let us admit, is not to be depended upon for history — has elevated Marigny to the very first victim of the Montfaucon gallows, but the reader will also notice that the same passage dates the edifice’s construction thirteen years after Marigny’s own execution.

Helpless Historiography

Montfaucon the execution site had a rich history. There seem to have been at least two separate gallows sites (the link is French) on the hill, and its vintage as an execution space dates back to the 13th century. (more French)

About this point, this blog runs against the limits of its writer’s access to primary documentation and werewithal to pursue it. Sources seem mightily confused on the embryonic era of Montfaucon; at least two other ministers — Pierre de Brosse, a confidante of the previous king, and Pierre Remy, another royal treasurer hanged a generation after Marigny — also have their own claim to have been hanged on the structure they erected.

It may be that this wa actually true of Remy, a less dramatically captivating figure with an official portfolio similar to Marigny’s, and the two simply became conflated in legend. Something certainly seems to have been built during his time, and it may have been the stone replacement for the original gallows.

The suggestion of someone who researched it more thoroughly than I have (another French page, but worth the visit if only for the pictorial schematics) is that the landmark structure may have predated all these men.** Brosse and Marigny, in this conception, may simply have worked various repairs upon it that became magnified in the retelling, while the gallows Remy set up might have been those on the secondary location, erected as a stopgap during a more thorough reconstruction of the permanent site, and/or reserved for more vulgar elements than ministers of the crown.

* Readers may appreciate an annotation of other references White makes in his fantasy classic.

** We find repeated claims that the alleged “sorceror” Marigny engaged for his capital crime was hanged below him, which would support that notion; I have been unable to identify the provenance of this detail, however.

(Thanks to Jeff at BrainMortgage for the guest post -ed.)

On this day in 1302, the governing commune of the city of Florence condemned to death Dante Alighieri, statesman, philosopher, and above all, poet. Arguably the greatest mind of his generation, Dante is most famous for his authorship of the Divine Comedy, relating his journeys through, successively, hell, purgatory, and heaven.

Born in 1265 to a noble family of Florence that, while not the city’s most prominent family, had already seen several of his ancestors banished as a result of political turmoil, Dante could hardly have avoided becoming embroiled in public life had he even wanted to. In brief, a long-running struggle between pro-imperial (the so-called Holy Roman Empire) and pro-papal factions was finally won by the pro-papal forces, known as the Guelphs. Two decisive battles in 1289 established both Florence’s independence (particularly from their old nemesis, Pisa) and the rule of the Guelphs, Dante’s own party.

Dante is likely to have taken part in those battles and was active in city politics in the following decade, culminating in a turn in 1300 as prior (one of six key counsellors to the city, serving a two-month term). Florence prided itself on a tradition of democratic rule going back to the death of the Holy Roman Emperor Frederick II in 1250.

Persona Non Grata

Giotto painted Dante prior to his exile — the oldest portrait of Dante known.

Unfortunately, by the time Dante took on the priorate, the old rivalries had reshaped themselves into new factions eerily parallel to their predecessors: the so-called “Black” Guelphs, who aligned themselves with the Pope (as of 1294, Boniface VIII), and “White” Guelphs, who took a more moderate political stance and saw themselves as defending an independent Florence from the Pope and his allies (namely, the Blacks).

Things got so bad that, at the time of Dante’s priorate, the city’s ruling body banished leaders of both sides in an effort to stabilize the city. The pope took the opportunity to send emissaries to Florence on the pretext of negotiating a peace. After more than a year of this maneuvering, the commune sent Dante and two others to have words with Boniface in Rome in 1301.

The Pope “invited” Dante to stay in Rome while his companions returned to Florence to try to bring the commune around. In the meantime, the Pope’s key man had got himself into Florence and helped the Blacks take power, whereupon they confiscated properties and levied fines.

Dante was ordered to appear before a tribunal to answer for his alleged crimes. When he did not show up, he was banished to two years of exile, permanently banned from holding city office, and ordered to pay a further fine of some five thousand florins–a staggering sum–within three days. When that did not happen, either (Dante was apparently in Siena, a short ways from Florence, when he heard this news), the commune confiscated all of his goods and condemned him to death by burning should he ever return.

Fortunately, there were others in Italy at the time who had more sense, but Dante spent the rest of his life–almost another twenty years–wandering from city to city with his sons. He was excluded from an amnesty in 1311, and when he refused the terms of another in 1315, his death sentence was not only reaffirmed, but extended to include his sons. Despite all this, he still held out hope of returning to Florence to be crowned as poet, declining to be so crowned in Bologna as little as a year or two before he died.

Art in Exile

It was over the course of that time in exile that Dante composed his political and philosophical works, together with what must be considered his single greatest contribution to letters, the three-volume Divina Commedia.

There is no way to do justice to any of these works, much less all of them, but in the present context it is worth noting that in three key works — the Commedia (Dante’s title is this simple), Il Convivio (or The Banquet), and De Monarchia (On Monarchy) — Dante develops a serious, even strikingly modern, religious political philosophy.

In contrast to many of his religious contemporaries, taking issue with the great St. Augustine even as he espouses positions derived from Thomas Aquinas, Dante argues in favor of a strong central secular authority, specifically an emperor, and even more particularly, that this authority should be understood by Christians as co-equal with, not subordinate to, the spiritual authority of the Church: “two suns,” he says, rather than the sun and the moon (which merely reflects the light of the sun).

Indeed, he held out an almost messianic hope for the return of an emperor who would restore peace and order. He even wrote public letters to the Emperor Henry VII requesting that he restore justice in Florence (and this is surely a factor in the commune’s treatment of him with respect to amnesty). When Henry died before accomplishing these things, much of Dante’s hope for imperial cohesion died along with him.

He Knew Beatrice All Along

It would be nothing short of travesty to write anything of this length about Dante and not mention Beatrice, the love of his life from the age of nine, when he first laid eyes on her, to the day he died in exile. Beatrice, who only spoke to Dante once and who died an early death, directly inspired his poetic-explicatory work, the Vita Nuova (New Life), an exemplar of the dolce stil nuovo (”sweet new style”) movement in poetry. As a character in the Commedia, Beatrice sends Virgil to rescue Dante from a dark forest in the Inferno, and guides him through the spheres of Heaven in Paradiso.

Despite two decades of exile, Dante never gave up hope of returning to Florence in his lifetime, and clearly hoped (perhaps “expected” is more accurate) to be united with his other true love in the next. His body remains in Ravenna, where he died and was buried in 1321.

Florentines wish they could have him back.

Part of the Themed Set: The Written Word.

On this date in 1388, royal retainer Thomas Usk was convicted in a one-day trial of treason and immediately drawn, hanged and beheaded at Tyburn.

The man’s end was savage: cut down alive to savor his beheading, which took nearly 30 strokes of the sword. And by all odds, this minor character’s demise would have had scant legacy as one more drop in the ocean of Albion’s blood long-ago spilt.

It was Usk’s misfortune to enter the political arena during a violently evolving political crisis in the 1380’s, when the boy-king Richard II and the English nobility struggled for power. A self-taught scrivener, Usk comes to posterity’s notice in the train of London mayor John Northampton. He was arrested for this association, and having no aspiration to become “a stinking martyr,” obligingly switched to the king’s side and informed on his former master.

This act of faithlessness made Usk (among many others) a marked man when the nobles’ faction gained a decisive upper hand after the Battle of Radcot Bridge and sat in what history records as the Merciless Parliament. Many were executed or forced into exile.

Usk would number among the victims, but before being launched into eternity — as the euphemism went — with the rope, he touched eternity from his prison cell by writing The Testament of Love (several versions linked here).

Long attributed wrongly to Usk’s contemporary Geoffrey Chaucer, the Testament — regrettably not available in anything like its original form — consists of the imprisoned author’s dialogue with Love, who descends as a spirit into his dungeon to counsel him as he pines for the affection of the (presumably) symbolic woman “Margaret”. The work is reminiscent in its dialectal style of that produced by another client of the executioner — Boethius’ Consolation of Philosophy.

ALAS! Fortune! alas! I that som-tyme in delicious houres was wont to enjoye blisful stoundes, am now drive by unhappy hevinesse to bewaile my sondry yvels in tene! … witless, thoughtful, sightles lokinge, I endure my penaunce in this derke prison, caitived fro frendshippe and acquaintaunce, and forsaken of al that any word dare speke.

Part of the Themed Set: The Written Word.