On this date in 1340, the English and French fought an early naval engagement of the Hundred Years’ War: the Battle of Sluys.
The English won the battle … and the French admiral wound up hanging from a mast.
At the outset of the Hundred Years’ War in 1337, the French bossed the Channel and inflicted devastating sea raids on the English coast. In the long war’s first major battle at sea, a French fleet in September 1338 overwhelmed an English flotilla carrying valuable English wool to the Low Countries.
Nicholas Behuchet, one of the French commanders at this earlier battle, did not hesitate to massacre his prisoners.
Thus conquering did these said mariners of the king of France in this winter take great pillage, and especially they conquered the handsome great nef called the Christophe, all charged with the goods and wool that the English were sending to Flanders, which nef had cost the English king much to build: but its crew were lost to these Normans, and were put to death.
England’s allies were in the Low Countries, so too many battles like this stood to strangle the English cause in the crib. For near two years, French privateers had leave to ravage the English coast, while French troops overran Flanders and made the English Queen Philippa* hostage.
Seeking a breakout, King Edward III requisitioned English merchant cogs — there was no standing navy at the time — into a fleet of perhaps 160 or 200 vessels, heavy with soldiers to invade Flanders.
On June 24, two days after setting out from the Orwell estuary at Ipswich, Edward’s armada boldly fell upon a larger French fleet anchored at the Flanders port of Sluys.
The medieval chronicler Froissart’s account makes for riveting reading.** This was no stately ballet of seamanship but a gory close-quarters melee: as was characteristic for the time, the “sea” battle was mostly just about coming together for the respective fleets’ marines to board one another’s ships and murder anyone on board who wasn’t worth a ransom. The French admiral Behuchet lashed his ships together across the mouth of the harbor, a sort of floating breastwork that would enable the French soldiery to shimmy up and down the entire line no matter where the English focused their attack.
To the sound of “scores of trumpets, horns and other instruments,”
Fierce fighting broke out on every side, archers and crossbowmen shooting arrows and bolts at each other pell-mell, and men-at-arms struggling and striking in hand-to-hand combat. In order to come to closer quarters, they had great iron grappling-hooks fixed to chains, and these they hurled into each others’ ships to draw them together and hold them fast while the men engaged. Many deadly blows were struck and gallant deeds performed, ships and men were battered, captured and recaptured. The great ship Christopher [a large English cog previously captured by the French and situated in the French front row -ed.] was recovered by the English at the beginning of the battle and all those on board were killed or taken prisoner …
An illustration of the Battle of Sluys from Froissart’s chronicle. Note the mast of the ship at far left: it displays the English arms quartered with the French, Edward III’s heraldic assertion of sovereignty over both realms.
It was indeed a bloody and murderous battle. Sea-fights are always fiercer than fights on land, because retreat and flight are impossible. Every man is obliged to hazard his life and hope for success, relying on his own personal bravery and skill … [it] rage[d] furiously from early morning until afternoon, during which time there were many notable feats of arms and the English were hard put to it to hold their own, since they were opposed by hardened soldiers and seamen, who outnumbered them by four to one.
Edward III took an arrow or crossbow bolt to the leg — great-man historical legend has it that it was fired by Nicholas Behuchet himself — but captained his flotilla to an overwhelming victory, capturing most of the French ships and destroying the French, their Genoese allies, “and all who were with them … [they were] killed or drowned, not a single one escaping in the general slaughter.” Poetic license aside, it was a spectacular triumph for the English — and a crushing defeat for the French.†
In the 1596 play Edward III, which might have been co-written by Shakespeare, imagined the scene in the report of an escaped mariner:
Purple the sea, whose channel filled as fast
With streaming gore that from the maimed fell
As did the gushing moisture break into
The crannied cleftures of the through-shot planks.
Here flew a head dissevered from the trunk,
There mangled arms and legs were tossed aloft
As when a whirlwind takes the summer dust
And scatters it in middle of the air.
Then might ye see the reeling vessels split
And tottering sink into the ruthless flood,
Until their lofty tops were seen no more.
Let it not be said that in this instance the commander escaped the consequences of his folly. Behuchet, who insisted against advice on lashing the boats together and thereby sacrificed all maneuverability, didn’t have much room for maneuver himself when the victorious English hanged him at battle’s end from the mast of his own ship.
* Seen elsewhere in these pages successfully begging her husband’s pardon of the famed Six Burghers of Calais later in the war. Philippa was a homegrown native of the Low Countries, and her marriage to Edward III reflects the alliance between their respective regions.
† It is said that no courtier dared give King Philip VI of France the horrifying news until a jester availing his station’s license for cheek informed him that “Our knights are much braver than the English.” Asked why, the fool replied, “The English do not dare jump into the sea in full armour.”
This controversial intervention briefly put a Venetian puppet ruler in charge of Ferrara, but it also led Clement to excommunicate Gradenigo and place La Serenissima under a papal interdict.
The moral force which the condition of society lent to such a measure was immense … It paralyzed trade; it dried up the sources of industrial wealth; it laid a country under every civil and religiou disability; it shed over society an atmosphere of gloom; it affected every relation of life … At home it fomented agitation, gave colour and pretext to the worst motives, and evoked all the latent distempers of the public mind. Abroad, it legitimized rebellion, imparted to moribund antipathies a new vitality, and transformed wavering allies into open enemies. (From History of the Venetian Republic, vol. II, whose detailed narrative of the events relevant to this post continues in Volume III)
Clement also had more temporal weapons to fight with, and he used them to ruthless effect.
In August 1309, papal troops overran the Venetian garrison at the Ferrara fortress of Tedaldo and handled the prisoners like they had the Dolcinians, choking the Po with Venetian corpses.
Conditions were ripe for some disturbances in La Serenissima. The Ferrara thing was a complete debacle, and not only was the same guy still in charge, but his previous foreign policy resume basically consisted of being repeatedly outmaneuvered by Genoa.
Hotheads of three leading families of the Venetian opposition who had vainly counseled neutrality in the Ferrara affair, the Quirini, the Badoer, and the Tieopolo, embarked an audacious plot to mount a coup d’etat toppling the Doge and the whole Ground Council of noblemen by whom he ruled. The conspirators were to act on the morning of June 15 — but hours before that, a vacillating confederate had betrayed them. As a result, when the ferocious Marco Quirini arrived at the Piazza San Marco that morning with his men-at-arms, the Doge had a surprise force waiting to rout him under a furious downpour.
Quirini at least had the honor of dying in hopeless battle for his cause. His son-in-law and co-conspirator Bajamonte Tiepolo, who was to arrive at the same square via the Mercerie, dithered and showed up only when Quirini was already defeated and dead. Legend has it that a woman named Giustina Rosso killed Tiepolo’s standard-bearer dead by hurling (or just accidentally dropping) a mortar upon the rebels as they advanced up the street. (Present-day tourists traversing this upscale shopping street can catch a small bas-relief commemorating this character near the clock tower where the Mercerie opens onto St. Mark’s.)
Tiepolo belatedly charged the square, and was like Quirini repulsed; however, he was able to fall back across the Grand Canal, cutting the bridge against his pursuers, and holed up in a makeshift fortress hoping for reinforcements from the last-arriving of their fellows, Badoer Badoer.
The latter, however, was intercepted on his way to reinforcing the revolutionaries’ position and taken prisoner, which defeat of his hopes led Tiepolo and Doge alike to prefer a negotiated surrender to the charnel house that would have resulted from storming the redoubt. His followers were amnestied and Tiepolo himself sent into exile.
But Badoer Badoer was not covered by this deal. The Council he had proposed to overturn instead tried him for treason, and voted his condemnation on June 22 — a sentence put into immediate effect.
The plot’s other legacy to Venice was the Council of Ten, a sort of inner secretariat of the Grand Council. Introduced in July 1310 as an emergency measure, the Ten soon became a permanent feature of the state, and an increasingly powerful one into the 17th century. The “temporary” council ended up lasting until the Napoleon finally toppled a by-then tottering Venetian Republic in 1797.
On this date in 1330, the king’s half-brother Edmund of Woodstock lost his head for treason.
Edmund was the youngest son of Edward I. That patrimony didn’t come with a throne attached, but hey, you could do a lot worse than Earl of Kent.
You could do a lot better too, though, if you had royal blood.
According to the chronicle Vita Edwardi Secundi, Edmund (or possibly the middle brother Thomas) was intended by his father for the more august and lucrative earldom of Cornwall.* But Edward I died when Edmund and Thomas were young boys, and “his sad death prevented what would have been appropriate from being consummated.” Instead, the heir-turned-king Edward II stiffed flesh and blood to hand Cornwall to his notorious favorite, Piers Gaveston.
Edmund seemed to get over the slight and generally had the king’s back during the turbulent 1320s.
However, after fighting for his brother’s interests in France, he found himself there in Paris in 1325-26 with Edward’s French Queen Isabella and her lover Roger Mortimer just as that couple set about plotting their rebellion.
Edmund joined their circle, took part in their invasion of England, and sat on the tribunal that condemned the deposed king’s new notorious favorite, Hugh Despenser, to death. As the price for his support, Isabella and Mortimer fulfilled the cash pledges Edward I had long ago made to the boy.
His attitudes and allegiances appear ambiguous during the unsteady years of Isabella and Mortimer. Whatever his acquiescence — whatever his payoff — he had little real affection for the new master and mistress of the realm.
Edmund’s end in 1330 touches a sensitive historical controversy.
Of a sudden, the Earl of Kent became convinced that his brother Edward II was being held at Corfe Castle and resolved to liberate him. He attempted to pass a letter to the captive king — a letter that proved quite enough to incriminate him when it was intercepted by Roger Mortimer. (Mortimer might have baited him into writing it in the first place.)
Worships and reverence, with a brother’s liegeance and subjection. Sir knight, worshipful and dear brother, if you please, I pray heartily that you are of good comfort, for I shall ordain for you, that you shall soon come out of prison, and be delivered of that disease in which you find yourself. Your lordship should know that I have the assent of almost all the great lords of England, with all their apparel, that is to say with armour, and with treasure without limit, in order to maintain and help you in your quarrel so you shall be king again as you were before, and that they all – prelates, earls and barons – have sworn to me upon a book.
What’s really queer about this isn’t so much the volte-face on whether Edward ought to rule: it was the fact that Kent had actually attended Edward II’s funeral in 1327.
How could Edmund think a guy he saw buried would read his letter three years later? Was the funeral a sham? Did Edward survive his (conventionally accepted) 1327 death/murder in captivity? Edward II blogger Kathryn Warner, who calls Edmund “a brave man who tried to do the right thing”, thinks so. She makes the case in a four-part series on the Earl of Kent’s conspiracy here:
Fortunately for your humble narrator, mere headsmen are not called upon to adjudicate such controversies. Our job is just to cut whose head we’re told. Although in Edmund’s case, even that couldn’t go to plan: the poor guy was parked outside the walls of Winchester for the whole day of March 19th before someone could finally be found to give him the chop. It was a condemned prisoner who obtained his own release by turning executioner. (Source)
Later that same year of 1330, Edmund’s 17-year-old nephew Edward III — in whose name the usurpers Isabella and Mortimer ruled — mounted a palace coup to take his reign into his own hands.
With that turn of fortune, Mortimer found himself in the executioner’s clutches, and Edmund was posthumously rehabilitated. Edmund’s daughter Princess Joan — the “Fair Maid of Kent”, and in Froissart’s estimation, “the most beautiful woman in all the realm of England, and the most loving” — married Hundred Years War hero Edward, the Black Prince. Among the children Joan bore Edward was the eventual King Richard II.
* Infinitely more lucrative: the Earldom of Kent was a newly re-created title that had last been used 50 years before. It came initially with no estates or income at all.
This is the generally attributed death date of Duke Erik and Duke Valdemar of Sweden — intentionally starved to death at the order of their royal brother, according to the 14th century Erikskrönikan.
This is pretty borderline as an execution, to be sure, but brutal games of thrones ran in these men’s family. Their grandfather Birger Jarl was a powerful duke who got his young child elected king when the throne came open in 1250, possibly circumventing family of the preceding monarch.
And no sooner did the old silverback shuffle off then said son was rudely usurped by his little brother Magnus.
We’re still in the family lore here, but past proved to be prologues for King Magnus’s kids. Magnus had his oldest child Birger set up to succeed, but Birger’s brothers Erik and Valdemar would struggle with the official heir for power after Magnus died.
The boys had a civil war in the 1300s that even resulted in Erik and Valdemar deposing Birger and clapping him in a dungeon — an outcome reversed by pressure from the Norwegians and Danes.
Come the 1310s, things were still tense. Situated on impressive domains of their own — Erik was Duke of Sodermanland, Valdemar, Duke of Finland — the kid brothers looked a potent threat to King Birger once again. Not fancying another stay in the family prison, Birger pre-emptively arrested his brothers at the family Christmas celebration in 1317.
Birger would learn that you can’t solve all family problems by starving them. Weeks after his fratricide, the brothers’ supporters ousted him for good.
Birger fled to exile. His own son, Magnus Birgersson, remained to answer at the executioner’s block for his father’s sins … while his three-year-old cousin, Erik’s son King Magnus, succeeded the throne and held it until 1364.
Cold comfort to the dead dukes, perhaps, but they at least had the consolation of being exalted as “holy dukes” thanks to the winner-written history.
The Neapolitan King Robert “the Wise”* dominated Italian politics for his 34-year reign, but his death in 1343 left a disastrously disputed succession.
Robert, who hailed from the French House of Anjou, had had only two sons, and they both predeceased him. So Robert’s will designated his granddaughter Joanna as his successor, and her sister Maria as no. 2 in line should Joanna die without an heir.
But Joanna was 16 years old, and Robert had had three brothers whose lines each coveted a taste of Neapolitan for themselves. In particular, the family of Roberts’ oldest brother, whose descendants had managed to establish an Angevin ruling dynasty in Hungary, arguably had a better claim that Robert himself. So in an effort to cement the Joanna-plus-Maria succession plan, Robert married Joanna off to a child of that branch, Andrew, Duke of Calabria, Joanna.
Maria, for her part, had been intended for another dynastic marriage, but after Robert’s death she got abducted by the heirs to the youngest of Robert’s brothers and married off to Charles (or Carlo), Count of Gravina and Duke of Durazzo (English Wikipedia entry | Italian). This set their branch up to be a player for Robert’s patrimony, too; as one may infer from this character’s presence on this here execution blog, the play didn’t go to plan.
Dumas reckoned Charles an inveterate, and a sinister, schemer, “one of those men who to gain their end recoil at nothing; devoured by raging ambition and accustomed from his earliest years to conceal his most ardent desires beneath a mask of careless indifference, he marched ever onward, plot succeeding plot … His cheek grew pale with joy; when he hated most, he smiled; in all the emotions of his life, however strong, he was inscrutable.”
Now that we have the dramatis personae … to the action!
Robert was scarcely cold in his coffin when Joanna’s husband Andrew (supported by a faction within the Neapolitan court) began maneuvering for more power. Days before he was to capture a strategic hilltop in that campaign by becoming crowned in his own right in September 1345, a conspiracy of his rivals surprised Andrew on a hunting trip and murdered him — violently subduing the resisting teenager until they could strangle him to death and pitch him out a window. Joanna cowered in her bed as her shrieking husband was murdered; the suspicion of her involvement in the plot would follow her all the 37 years she had left on this earth, although she defeated the charge when she was formally investigated.
With this stunning act, peninsular politics got almost as messy as the Angevin family tree.
Andrew’s murder, which was succeeded by no pretext of punishing any guilty parties, opened a power vacuum and simultaneously supplied all Andrew’s power-hungry kinsmen the ideal pretext for elbowing their respective ways into it. The Hungarian Angevins, led by the murdered Andrew’s big brother King Louis I swept into Naples, routing Joanna** who was forced in 1348 to flee to the pope at Avignon, maybe on the very ships that were at this very moment introducing the Black Death from Sicily to ports all over Europe.
Cousin Charles made an expedient alliance with cousin Louis and joined the fun, angling to add Naples to his own domains once the dust settled and Hungarian affairs pulled Louis away. But almost immediately after expelling Joanna, the Hungarian king turned on Charles, too. In Dumas’s dramatic rendering, he accuses Charles of complicity in Andrew’s murder and treachery against his own royal person.
Traitor! At length you are in my hands, and you shall die as you deserve; but before you are handed over to the executioner, confess with your own lips your deeds of treachery towards our royal majesty: so shall we need no other witness to condemn you to a punishment proportioned to your crimes. Between our two selves, Duke of Durazzo, tell me first why, by your infamous manoeuvring, you aided your uncle, the Cardinal of Perigord, to hinder the coronation of my brother, and so led him on, since he had no royal prerogative of his own, to his miserable end? Oh, make no attempt to deny it. Here is the letter sealed with your seal; in secret you wrote it, but it accuses you in public. Then why, after bringing us hither to avenge our brother’s death, of which you beyond all doubt were the cause,–why did you suddenly turn to the queen’s party and march against our town of Aquila, daring to raise an army against our faithful subjects? You hoped, traitor, to make use of us as a footstool to mount the throne withal, as soon as you were free from every other rival. Then you would but have awaited our departure to kill the viceroy we should have left in our place, and so seize the kingdom. But this time your foresight has been at fault. There is yet another crime worse than all the rest, a crime of high treason, which I shall remorselessly punish. You carried off the bride that our ancestor King Robert designed for me, as you knew, by his will. Answer, wretch what excuse can you make for the rape of the Princess Marie?
Charles was put to summary death upon this accusation on January 23, 1348.
As for the Princess Marie, who at this point was 18 years old and had already borne Charles five children in almost continuous succession, she wasn’t done being abducted: another nobleman, the Lord of Baux, snatched her from the Castel dell’Ovo later that same year and had four more children with her before Maria had him murdered in 1353. Then she married yet another cousin and had five more kids by him.
In Constance’s entourage came the enchanting Ines, the daughter, albeit illegitimate, of a Galician nobleman.
Peter was entirely smitten by entirely the wrong woman. Vainly did the Portuguese sovereign Afonso IV strive to conform his indiscreet son to the demands of conjugal propriety. At last, the put-upon Constance died after bearing Peter his heir in 1345 and left the field to her rival.
Afonso steadfastly refused to let his lovestruck son marry Ines, and even tried banishing her to Castile, but the two carried on their forbidden passion secretly like they were in poetry, which would soon be the case.
One of 20-plus operas and ballets about Ines de Castro. She also turns up in the Portuguese national epic The Lusíadas, the French play La Reine Morte, and Ezra Pound’s Cantos (“Ignez da Castro murdered, and a wall / Here stripped, here made to stand”) … among many other literary appearances.
But beyond any qualms of prudery, Peter’s made dad sweat the politics. Peter refused to marry anyone else, and got tight with Ines’s brothers. These guys were Castilian exiles with their own axes to grind. Was the whole fortune of his house and his realm to fall under the sway of this unpredictable faction just because Peter couldn’t keep it in his codpiece? The affair had already made a dog’s breakfast of the alliance Peter was supposed to contract with his scorned wife’s family; now that Peter was having kids** with his mistress, there was the potential for a contested succession, and the brothers were goading Peter to pretend to the throne of their native Castile.
Afonso figured that this was about where his son’s right to romantic love ended. Peter had proven many times that only the most drastic of steps could separate him from Ines.
On the 7th of January 1355, Afonso and his own advisors met in secret and declared Ines’s death. Then three of the king’s emissaries, Pêro Coelho, Álvaro Gonçalves and Diogo Lopes Pacheco, rode out to find the irksome mistress at Coimbra, and chopped off her head right in front of her children.†
It was only with difficulty that a sufficient reconciliation between father and son was effected to manage a stable transition once Afonso kicked off in 1357. Finally in charge, Peter set about earning that “the Cruel” sobriquet by hunting down the retainers who had slain his wife and having them all put to terrible deaths in their turn, like their hearts ripped out of their chests. Just like had happened to Peter, see.
Peter also announced that he had been secretly married to Ines, posthumously legitimizing her. Legend, probably apocryphal, has it that he even exhumed her body and set her up on the throne in regal finery like the cadaver synod, so that his courtiers could pay their respects to the putrefying flesh of “the queen who was crowned after death”. But she wasn’t coming back for real: in the still-extant Portuguese idiom, “Agora é tarde; Inês é morta” — “It’s too late, Ines is dead.”
Couronnement d’Inés de Castro en 1361 (c. 1849), by Pierre-Charles Comte.
In death at this hour, Ines de Castro reigns in a gorgeous carved tomb in the Alcobaca Monastery … right next to her lover, King Peter I.
* The Peter-Constance marriage was itself an alliance of marital castaways. Constance had been the child bride of Castilian King Alfonso XI, but was put aside by Alfonso so that he could realign his bedroom politics by instead marrying Peter’s own elder sister. But Alfonso neglected her, too — causing a love triangle that would in time end with an execution.
When Peter’s humiliated sister fled the Castilian court, the Portuguese royal family allied with Constance’s family against Alfonso, by marrying the spurned Constance to the spurned-in-law Peter.
** High noble titles were bestowed on the three children of Peter and Ines who survived into adulthood. Two of them, John and Denis, unsuccessfully attempted to claim the throne during the chaotic interregnum of Portugal’s 1383-1385 Crisis.
† Ines’s execution/murder is associated with Quinta das Lagrimas, the Estate of Tears, even though that’s not where it actually occurred. A fountain there is said to have sprung from the tears she said as she was slain, and its red stones stained by her blood.
The chronicles supply an unusually graphic and detailed description (pdf) of this horrible manner of death. (Paragraph breaks have been added for readability.)
The King [Henry IV] commanded his chamberlain, Sir Thomas Erpingham, to have justice executed upon the lords who were taken prisoners, and to put them all to death, except a young knight whom he had dubbed the Saturday before his coronation, whom the King pardoned for rising in arms against him, on account of his youth and noble lineage.
Sir Thomas Blount and Sir Benet [Shelley] were drawn from Oxford unto the place of execution, a long league or more, and there they were hung; they then cut them down and made them speak, and placed them before a long fire. Then came the executioner with a razor in his hand, and kneeling down before Sir Thomas Blount, who had his hands tied, begged his foregiveness [sic] for putting him to death, for he was obliged to perform his office.
‘Are you he,’ said Sir Thomas, ‘who will deliver me from this world?’
The executioner replied, ‘Yes, my lord; I beg you to pardon me.’
The lord then kissed him and forgave him.
The executioner had with him a small basin and a razor, and kneeling between the fire and the lords, unbuttoned Sir Thomas Blount, and ripped open his stomach and tied the bowels with a piece of whipcord that the breath of the heart might not escape, and cast the bowels into the fire.
As Sir Thomas was thus seated before the fire, his bowels burning before him, Sir Thomas Erpingham said, ‘Now go and seek a master who will cure you.’
Sir Thomas Blount placed his hands together, saying, ‘Te Deum laudamus! Blessed be the hour when I was born, and blessed be this day, for I die this day in the service of my sovereign lord King Richard.’
After he had thus spoken, Sir Thomas Erpingham asked him, ‘Who are the lords, knights, and esquires who are of your accord, and treason?’
To which the good knight replied, suffering as he was, ‘Art thou the traitor Erpingham? Thou art more false than I am or ever was; and thou liest, false knight as thou art; for, by the death which I must suffer, I never spake ill of any knight, lord, or esquire, nor of anybody in the world; but thou utteredst thy false spleen like a false and disloyal traitor; for by thee, and by the false traitor the Earl of Rutland [who ratted out the conspiracy], the noble knighthood of England is destroyed.
‘Cursed be the hour when thou and he were born! I pray to God to pardon my sins: and thou traitor Rutland, and thou false Erpingham, I call you both to answer before the face of Jesus Christ for the great treason that you two have committed against our sovereign lord noble King Richard, and against his noble knighthood.’
The executioner then asked him if he would drink.
‘No,’ he replied, ‘you have taken away wherein to put it, thank God’! and then he begged the executioner to deliver him from this world, for it did him harm to see the traitors.
The executioner kneeled down, and, Sir Thomas having kissed him, the executioner cut off his head and quartered him; and he did the same to the other lords, and parboiled the quarters. And in Oxford castle many other knights and esquires were beheaded.
Thomas Erpingham doesn’t exactly exude charm in this account, going out of his way to bust on a guy having his entrails ripped out. But good guys and bad guys are a matter of perspective: Erpingham’s loyal service to the new dynasty got him a complimentary bit part in Shakespeare’s Henry V (Erpingham fought at Agincourt). Shakespeare’s young King Harry calls him his “Good old Knight”.
There exists a receipt for January 9, 1386, in which the executioner of Falaise, France, acknowledges payment of ten sous and ten deniers
for his efforts and salary for having dragged and then hanged at the [place of] Justice in Falaise a sow of approximately three years of age who had eaten the face of the child of Jonnet le Macon, who was in his crib & who was approximately three months old, in such a way that the said infant died from [the injuries], and [an additional] ten s. tournoise for a new glove when the Hangman performed the said execution: this receipt is given to Regnaud Rigaut, Vicomte de Falaise; the Hangman declares that he is well satisfied with this sum and that he makes no further claims on the King our Sire and the said Vicomte.
From this tiny kernel of primary documentation — the only primary source that exists — an impressive legend has grown up around the “Sow of Falaise”. It’s been alleged by subsequent interlocuters that the condemned sow was dressed up as a person for execution, that other pigs were made to attend in order to take warning by their swinish sister’s fate, and even that the incident became so famous as to merit depiction in a church fresco.
The supposed fresco has been whitewashed, but Arthur Mangin’s L’Homme et la Bete (1872) took a stab at reconstructing it.
This bizarre scenario can’t help but raise the question for we later observers — just what was the objective in trying and “executing” a farm animal? Did the human supporting cast to this scene not feel itself ridiculous?
“Punishment may be about many things, but in the last instance, we citizens of the modern world have an almost visceral need to believe that it is primarily about one thing: deterrence,” Friedland opines.
“The punishment of a pig for murder violates our modern understanding of the essential purpose of punishment because it punishes an animal, which we ordinarily do not believe to be capable of criminal intent, and because it does not lend itself very well to the principle of exemplary deterrence.” The tale’s evolution in later centuries “allowed an incomprehensible anecdote from the past to fit neatly into the modern paradigm of penal deterrence.”
Seeing Justice Donesituates that murderous pig within an unfolding saga of penal theory and practice stretching from the Roman Empire to the 20th century. And while Friedland’s study focuses on France in particular, the historical threads he teases out will look familiar much further afield.
We had the pleasure of interviewing Dr. Frieldand about his book recently, and we’re pleased to present it here not in our customary Q&A form, but as Executed Today‘s debut podcast. The mediocre sound quality is on me, but Dr. Friedland’s insights are more than worth it. (Unlike your host, Friedland is a podcasting natural; catch him in a July 2012 episode of the New Books In Human Rights podcast.)
Trouble seeing the podcast player? Access the interview on podbean.
On this date in 1328, the Inquisition relaxed the heretic Na Prous Boneta (or Bonnet) to the secular authorities at Carcassonne for execution.
Na Prous Boneta was part of the great religious movements towards poverty and spiritual rebirth then shaking Europe — the same impulse that drove men like Segarelli and Dolcino to the stake.
In southern France, the first name in this movement so suspect to Catholic orthodoxy was Peter Olivi, a charismatic prophet of egalitarian poverty from the Franciscan order. The Franciscans were the institutional expression of that same renewal movement, but their incorporation into the church had co-opted their once-radical energy. They were divided internally between the ascetic “Spiritual Franciscans” (or Fraticelli) and their brethren grown comfortable with worldly emoluments.*
After Olivi’s (natural) death in Narbonne, France, in 1298, he became an object of popular veneration for the Fraticelli’s lay admirers, among whom the communities of lay Beguin(e) women were especially prominent.**
As we have seen, the Church would soon resolve upon a fearful suppression of the Fraticelli and the Beguines, who came to be closely identified with one another. Scores went to the flames; the Inquisitor Bernard Gui complained that fugitive Beguines (and their Beghard brethren) had the gall to keep up their own calendar of martyrology. (Executed Today fully endorses this practice.)
According to the confession her adversaries would later extract, a mystical vision on Good Friday 1321 in her home town of Montpellier would transport Na Prous Boneta into Beguine leadership — fully aware of the dangers to life and limb.
“Put your heart and mind into the work of the Holy Spirit,” she preached. And “keep your body prepared for martyrdom if it should be necessary.”
And boy, did she have to be prepared.
Prous was all-in on her heretical denunciation of a church that had committed itself to bloody suppression of her sect. She denied the efficacy of the sacraments, said that salvation followed from good deeds even for “Jews and Saracens” and as for the guy in charge just down the way at Avignon …
this present pope, John XXII, is like Caiaphas, who crucified Christ. Moreover, the poor beguins who were burned, and also the burned lepers, were like the innocents beheaded by Herod’s command. Again, just as Herod procured the death of innocent children, thus this Herod, the devil, procured the death of those burned beguins and lepers. Again, she claims that Christ told her the sin of this pope is as great as the sin of Cain.
Though all these confessions were given in 1325, Na Prous Boneta appears to have been kept in prison for three years in an effort to persuade her to change her tune. That Caiaphas-like pope himself took an interest in the case, even ordering (perhaps suggestive of the woman’s following) that her eventual execution take place not in her own city but in Carcassonne.
That execution took place on this date when the visionary, having refused every blandishment to save her soul, caused the inquisitors to declare that
knowing from experience that those who are evil simply get worse by the day when they think they will go unpunished, we, compelled by our office which we are obliged by holy obedience to fulfill diligently, since we neither should nor indeed wish to tolerate any longer such abominations and such dangerous opposition to the entire church and the catholic faith, having obtained counsel concerning the above matters from many religious and secular persons learned in both laws, having God before our eyes and the holy gospels of Jesus Christ placed before us so that our judgment should proceed from God and appear right before God and our eyes should see what is just, on this day, in this place and time assigned by us to hear definitive sentence, sitting as a tribunal, invoking the name of Christ, we pronounce, judge and declare you, Na Prous, to be an impenitent heretic and heresiarch and pertinacious in your obduracy. Since the church can do nothing more with such people, we release you to the secular authorities.
** One need not stretch too far to see a bit of comeuppance in the emergence of a feminine anti-papal voice at this period; the original movement into all-women beguinages is thought to have been facilitated by the surplus population of unmarried or widowed women created by Europe’s recent enthusiasm for sending young men to die on Crusade.
Edward III had proceeded to invest Calais directly after the previous year’s staggering win at Crecy. The crippled French leadership could not relieve the city, and after fruitlessly probing for an opening, the relief army marched away at the start of August 1347.
By this time reduced to eating vermin and ordure, the starved city had little choice but to capitulate. According to Froissart’s account, the king declared that “the Calesians have done him so much mischief, and have, by their obstinate defence, cost him so many lives and so much money, that he is mightily enraged.” He wasn’t only sore about the city’s holding out over the preceding year: Calais was notorious as a refuge for English Channel pirates who had long bedeviled the commerce of Edward’s realm.
As a condition for sparing the rest of the town, Edward demanded that six of its leading citizens present themselves to him, “with bare heads and feet, with ropes round their necks, and the keys of the town and castle in their hands.” Edward seems truly to have meant (much against the conscience of his own nobles) to put these men to death “for that the Calesians had done him so much damage, it was proper they should suffer for it.”
This information caused the greatest lamentations and despair [in Calais]; so that the hardest heart would have had compassion on them; even the lord de Vienne wept bitterly.
After a short time, the most wealthy citizen of the town, by name Eustace de St. Pierre, rose up and said: “Gentlemen, both high and low, it would be a very great pity to suffer so many people to die through famine, if any means could be found to prevent it; and it would be highly meritorious in the eyes of our Saviour, if such misery could be averted. I have such faith and trust in finding grace before God, if I die to save my townsmen, that I name myself as first of the six.” When Eustace had done speaking, they all rose up and almost worshipped him: many cast themselves at his feet with tears and groans Another citizen, very rich and respected, rose up and said, he would be the second to his companion, Eustace; his name was John Daire. After him, James Wisant, who was very rich in merchandise and lands, offered himself, as companion to his two cousins; as did Peter Wisant, his brother. Two others then named themselves, which completed the number demanded by the king of England.
Wealthy elites sacrificing themselves for the greater good? The past really is a different country.
These six duly presented themselves, nearly naked and haltered and braced to bear the brunt of Edward’s vengeance. The English king had the executioner summoned … and then, Edward’s (very pregnant) queen Philippa dramatically fell to her knees
and with tears said, “Ah, gentle sir, since I have crossed the sea with great danger to see you, I have never asked you one favour: now, I most humbly ask as a gift, for the sake of the Son of the blessed Mary, and for your love to me, that you will be merciful to these six men.”
The king looked at her for some time in silence, and then said; “Ah, lady, I wish you had been anywhere else than here: you have entreated in such a manner that I cannot refuse you; I therefore give them to you, to do as you please with them.” The queen conducted the six citizens to her apartments, and had the halters taken from round their necks, after which she new clothed them, and served them with a plentiful dinner: she then presented each with six nobles, and had them escorted out of the camp in safety.
Edward still had the last laugh when it came to Calesian carnage.
This nigh-unconquerable foothold on the French coast would persist in English hands for two centuries: the first century spanned the Hundred Years’ War, which England was licensed to protract by dint of (and France would not settle because of) the menacing northern base England won this day. “Each will have to take up his shield,” ran a French verse cited in Barbara Tuchman’s A Distant Mirror: The Calamitous 14th Century, “For we’ll have no peace till they give back Calais.”
The Six Burghers persisted even longer than that.
George Bernard Shaw wrote a one-act play standing the story on its head, in which a henpecked Edward exasperatedly yields to his nagging wife’s merciful caprice, to the open derision of the burghers themselves.
I have, as it were, threaded them one behind the other, because in the indecision of the last inner combat which ensues, between their devotion to their cause and their fear of dying, each of them is isolated in front of his conscience. They are still questioning themselves to know if they have the strength to accomplish the supreme sacrifice–their soul pushes them onward, but their feet refuse to walk.
They drag themselves along painfully, as much because of the feebleness to which famine has reduced them as because of the terrifying nature of the sacrifice … And certainly, if I have succeeded in showing how much the body, weakened by the most cruel sufferings, still holds on to life, how much power it still has over the spirit that is consumed with bravery, I can congratulate myself on not having remained beneath the noble theme I dealt with.