On April 1, 1464 mayor of Cologne Johann Breyde was chopped into quarters … with ink.
This startling image does not depict an actual flesh-and-blood execution. It is, instead, an outstanding (and conveniently for our purposes, dated) instance of an artifact from medieval Germany, the Schandbild. Such “defamatory pictures” often supplemented a Schmahbrief or “defamatory letter” — intended, as the names suggest, to impugn publicly the target over a debt, a broken promise, or some other private breach of faith.
Something like 100 of these defamations survive from late medieval and early modern Germany (approximately 1400 to 1600), many of them fantasizing about their debtors’ executions in bloodthirsty scenes that also gesture to the place that ritual, spectacle, and dishonor held on the real-life gallows. Here are a few of the more piquant examples; many more await at a wonderful Pinterest gallery here.
The purpose of defamatory letters and pictures was to bring low the reputation of their target in the eyes of a wider community — leveraging social pressure either for revenge, or to force the defamed to repair the breach.
Matthias Lentz, one of the (regrettably few) historians working on these underappreciated objects, notes* that there are even surviving contracts from Germany, Bohemia and Poland enumerating an “explicit understand about injuring a person’s reputation and bringing dishonour upon a defaulting individual … a clause called Scheltklausel that laid down the practice of publicly scolding a defaulter.” For every Schandbild or Schmähbrief there must have been a dozen other potential swindlers quietly forced by the threat of public infamy to make good their contracts.
Per Lentz, the earliest known instance of an explicit contract dates to 1379, “wherein a ducal councillor accorded a nobleman, in eventuality of the former violating the terms of the contract, the right to denounce him as a fraud by ‘posting his name on the pillory [of the councillor’s home town], or wherever he likes'” — again, linking the “mere” text to the instruments of official corporal punishment.
Nor was it uncommon for the Schmähbrief, if things got to that point, to fantasize about the debtor’s bodily suffering in brutal terms that would like invite an investigation for terroristic threats were the modern debt collection call center to deploy them in its harangue. One quoted by Lentz captioned his illustration thus:
It is customary to judge thieves and traitors according to their offences, the first is sent to the gallows, the second broken on the wheel. As I have not got power to carry out the above-mentioned acts, it is my intention to use the painter to have them painted hanging from the gallows and being tortured on the wheel.
Still, Schandbilder und Schmähbriefe meant to intimidate not physically, but socially.** It was in this capacity that the iconography of the pillory and the scaffold entered the frame: ’twas an infamy to be exposed upon them for a public crime — serving as “an indictment of those who knew the criminal … [and] a punitive stigma over his or her relatives and friends.”† Posting a slur on the repute of a prominent person — for the targets were most always people of rank, who would feel an injury to their status — taxed this same, essential, civic currency.
This is why we should let his shameful picture hang here with his coat of arms, until he has given me compensation recognized by respectable people for those unwarranted things that he and his people did … and ask all those who seek charity, who see him painted hanging, that they let him hang. (Source)
By consequence the execution imagery was strictly optional, one iconographic choice among many. From the too-few examples that survive to us it is plain that creditors delighted in their symbolic chastisement, issuing all the obloquies a grievance could devise, untethered from the confines of possible or the … sanitary.
The Schandbild frequently evinced a scatological fixation.
* Quotes form Lentz’s “Defamatory Pictures and Letters in Late Medieval Germany: The Visualisation of Disorder and Infamy” in The Medieval History Journal, vol. 3, no. 1 (2000). Lentz also has several German-language journal titles on the same topic.
** Not necessarily true of their Italian cousins, pitture infamanti. These were a similar sort of thing, but were issued not privately but by the city-states themselves against absconded offenders — a sort of quasi-execution by effigy. Many of these were painted for public spaces and removed with the passage of time so we have lost exemplars, including the products of masters — the Medici, for example, commissioned Botticelli to grace Florence with pitture infamanti of the Pazzi conspirators, which were whitewashed in 1494.
A characteristic pose for these pictures, also used in Germany, had the “victim” hanging upside-down by one foot, conjoining “metaphors of inversion” (as Robert Mills puts it) to the disgrace of the gallows. This posture is commonly thought to have inspired the “Hanged Man” tarot card.
Left: a pittura infamante study by Florentine Renaissance artist Andrea del Sarto; right: the “hanged man” card from a tarot pack.
*† Maria Boes, “Public Appearance and Criminal Judicial Practices in Early Modern Germany,” Social Science History, Vol. 20, No. 2 (Summer, 1996)
On this date in 1437, the Earl of Atholl finally reached the end of a three-day carnival of public tortures and lost bowels, heart, and head for assassinating the King of Scotland.
When Stewart’s grandson Robert exploited the family’s familiar proximity to the king to admit a team of assassins on the night of Feb. 20-21 1437, it ended a strange run for James I.* James had been melodramatically kidnapped by pirates at age 12 and sold to the English — who held the Scottish king** for ransom for 18 years.
By the time James returned to native soil in 1424, he had had quite enough of being some other lord’s shuttlecock and irritated Scotch magnates — who had formerly enjoyed the run of the place and therefore dragged their feet when it came to repatriating their hostage king — by his overweening grabs at land, money, and power. One prime example that would come back to haunt him in the events of this post was the 1425 destruction of the Albany Stewarts, which netted the crown the forfeiture of three earldoms. Clients of the Albany Stewarts, like Sir Robert Graham, delivered a fair fraction of the 28 stab wounds that shuffled King James off this mortal coil.
But even James’s allies had to look sharp when it came to any demesnes not nailed down.
Our principal for today’s post, Walter Stewart, was one of these. James’s uncle and supporter, and the son of King Robert II, Stewart/Atholl had pushed for the magnates to ransom James.
Putatively seen as the king’s ally, Atholl’s complicity in regicide made him a byword for treachery to outraged Scottish chroniclers; the apparent grab for the throne led his captors to put a “corone of papir … upon his hed, the which was all abowte depaynetid with jubettes, and for the more dispite and shame to hym was writyne with thes wordes, TRAITOUR, TRAITOUR, TRAITOUR,” according to The Dethe and False Murdure of James Stewarde, Kyng of Scotys.
In a 1992 article on events&:dagger; historian Michael Brown noted that what Atholl had added to his holdings through his nephew the king was the earldom of Strathearn, and it was but tentatively held: granted for Walter Stewart’s lifetime only, it would revert to the king with the septaugenarian’s death, leaving his heirs no better off than Walter’s own efforts had made them circa 30 years before.
Brown depicts the aging lord as a savvy operator who “would increasingly have despaired of keeping the earldom of Strathearn in his family … [as] a consequence of James’s general opportunism when it came to increasing the revenues of the crown.” A couple of specific adverse interventions that trimmed Atholl’s estates might have presaged — in the earl’s mind, at least — a potential royal move against his position, a move that Atholl would be best advised to check preemptively or never at all. Who could say in February of 1437 whether the Stewarts would by March or April still be royal confidantes in any position to have “left the Kynges chamburs doore opyne; and … brussed and blundird the lokes of hem, yn such wise that no man myght shute hem”?
If we’re not sure of exactly why they did it, we do know very clearly that the plot failed as a coup attempt. Both the queen and the six-year-old heir James II survived that evil night, and James’s violent deposition met not support, but horror. Within weeks the conspirators were hunted to ground. Atholl, for his part, protested his innocence of the regicide all the way to the end, a protest that neither contemporaries nor historians have much credited.
And his death declar’d that there is nothing more popular than justice, for they who were wont to detract from him whilst he was alive, now he as dead had most flagrant desires after him, insomuch that the Nobles, as soon as they heard he was murder’d, came in of their own accord from their respective countries and before a tryal was appointed they voluntarily sent out into all parts to apprehend the murderers and bring them to justice.
Very many of them were taken. The principal of them was put to new and exquisite kinds of death. The rest were hang’d. The chief heads in perpetrating the wickedness were reckon’d to be Walter Earl of Athole, Robert his nephew by his son, and their kinsman Robert Graham.
The punishment of Walter (because he was the chief author and instigator of the whole plot) was divided into three days suffering. In the 1st he was put on a cart wherein a stork-like swipe [crane] or engine was erected, and by ropes let through pullies was hoisted up on high and then, the ropes being suddainly loos’d, he was let down again almost to the ground with grievous pains by reason of the luxation [stretching] of the joints of his body. Then he was set on a pillory that all might see him, and a red-hot iron crown set on his head with this inscription, that he should be called King of all Traitors. They say the cause of this punishment was that Walter had been sometimes told by some female witches (as Athole was always noted to have such) that he should be crown’d king in a mighty concourse of people. For by this means that prophecy was either fulfill’d or eluded, as indeed such kind of predictions do commonly meet with no other events. The day after, he was bound upon a hurdle and drawn at an horse-tail thro’ the greatest street in Edinburgh. The 3rd day he was laid along upon a plank in a conspicuous place and his bowels were cut out whilst he was alive, cast into the fire, and burnt before his face. Afterwards his heart was pulled out and cast into the same fire. Then his head was cut off and expos’d to the view of all, being set upon a poll in the highest place of the city. His body was divided into four quarters and sent to be hang’d up in the most noted places of the best cities of the kingdom.
After him, his nephew was brought forth to suffer, but because of his age they would not put him to so much pain; and besides, he was not the author, but only an accomplice in another man’s wicked design, as having obey’d his grandfather therein, so that he was only hang’d and quarter’d.
But Robert Graham, who did the deed with his own hand, was carried in a cart thro’ the city, and his right hand was nail’d to a gallows which was set up in the cart, and then came executioners which did continually run red-hot iron spikes into his thighs, shoulders, and those parts of his body which were most remote from the vitals, and then he was quarter’d, as the former. After this manner was the death of James vindicated.
‘Tis true, ’twas a cruel one, but ’twas reveng’d by punishments so cruel that they seem’d to exceed the very bounds of humanity. For such extreme kinds of punishment do not so much restrain the minds of the vulgar by the severity as they do make them wild to do or suffer any thing; neither do they so much deter wicked men from committing offences by their acerbity as they lessen their terror by often beholding them, especially if the spirits of the criminals be so hardened that they flinch not at their punishment. For among the unskilful vulgar a stubborn confidence is sometimes prais’d for a firm and stable constancy.
* James’s successors handed down the throne, father James to son James, right down into the Stuart dynasty that came to rule England as well. This makes our James I an ancestor of such scaffold worthies as Mary Queen of Scots and Charles I.
** James was kidnapped in March 1406. His father Robert III died in April of the same year.
† “‘That Old Serpent and Ancient of Evil Days': Walter, Earl of Atholl and the Death of James I,” The Scottish Historical Review, Vol. 71, No. 191/192, Parts 1 & 2 (Apr. – Oct., 1992).
Edinburgh Castle, toune and towre,
God grant thou sink for sin!
And that e’en for the black dinner
Earl Douglas gat therein.
-Sir Walter Scott
On this date in 1440, 10-year-old King James II of Scotland celebrated the Black Dinner and saw two Clan Douglas rivals sent straight to the block.
Scotland in the early 15th century was a fractious kingdom that was often governed by rivalrous regency councils ruling in the stead of absent or enfeebled kings. That was the case after the 1437 assassination of King James I passed the crown to his young son.
On these councils, the clan Douglas always swung a very large claymore. Elevated to the first rank of lowland families by their early support of Robert the Bruce a century before, the Earls of Douglas had become perhaps the realm’s preeminent noblemen — the sort of overweening powers-behind-the-throne that everyone starts thinking about how to topple. No surprise, James II’s regent was this very Earl of Douglas, Archibald Douglas — until the latter died in 1439 and passed the title to a young heir of his own.
Only about 16 years old, the new Earl, William Douglas, wasn’t exactly a child by the standards of the time. (He already had a wife.) But he was no match for the grizzled schemers he was pitted against among James II’s other guardians, Crichton and Livingston. These two perversely connived with William’s own uncle James to be rid of the whelp before he could grow into another overmighty Earl of Douglas.
This day’s infamous meal accomplished the plot.
Caledonia’s answer to the Red Wedding — and an actual inspiration for that literary slaughter in the Game of Thrones universe* — the Black Dinner of folklore is supposed to have featured both William and his little brother David naively accepting an invitation to Edinburgh Castle for noshes with the king.** Having left their own strongholds, they were vulnerable here.
After their feast on this date, it is said — though this excessive detail was undoubtedly concocted by generations of folklore — that a severed black bull’s head was plopped onto the table, to symbolize the imminent decapitation of the Douglas alpha males.† Then the Douglas lads were subjected to a mock trial as traitors and instantly dragged outside for beheading. That devious uncle James happily inherited as the seventh Earl of Douglas.‡
** Along with Sir Malcolm Fleming of Cumbernauld, who was seized along with the Douglas boys but seemingly only killed a few days later.
† Still, not as terrifying as a Thanksgiving Cthurkey.
‡ While the child king was more prop than participant in the events of the Black Dinner, he would have the privilege little more than a decade later of personally stabbing to death the eighth Earl of Douglas, James’s son William.
On this date in 1441, the astrologer and mathematician Robert Bolingbroke was put to death as a wizard.
Bolingbroke had the ill luck to attach to the household of the Duchess of Gloucester at a juncture where it was politically convenient to destroy her; we have previously examined this affair through the person of Margery Jourdemayne, the Witch of Eye who with Roger Bolingbroke and a third man, Thomas Southwell, produced a horoscope for the Duchess prophesying King Henry VI‘s imminent demise — which was a bit on the nose for the king when he found out about it since at that moment the Duke of Gloucester would have stood to succeed him as king.
This exercise was nothing but an occult diversion, the medieval aristocracy’s equivalent of the Ouija board, but in the hands of enemies it became a treasonable plot for regicide. It forced the Duchess’s fall, divorce, and perpetual imprisonment — but what it forced for the commoners who scried the stars on her behalf was considerably worse. In the words of the Chronicle of London, Roger Bolingbroke
was taken for werchynge of sorcery ayens the king, and he was put into the Tour; and after, he was brought into Poules, and there he std up on high on a scaffold ageyn Poulys crosse on a Sonday, and there he was arraied like as he schulde never the in his garnementys, and there was honged rounde aboughte hym alle his intrumentis whiche were taken with hym, and so shewyd among all the peple; and after he was broughte to-fore the lordys, and there he was examyned; and after broughte to the Yeldehalle, and there he was regned aforen the lordes of the kynges counseill and to-fore alle the juges of this land; and anon after, the lady of Gloucestre afornseid was mad to apere thre sondry dayes afore the kyng and alle his lordes spirituell and temperell; and there she was examyned of diverses poyntes of wicchecraft, of the whiche she knowleched that she hadde used thorugh the counseil of the wicche of Eye, the whiche was brent on the even of Symond and Jude in Smythefeld.
In this yere my lady of Gloucestre hadde confessyd here wichecraft, as it is afornseid, she was yoyned be alle the spiritualte assent to penaunce, to comen to London fro Westminster on the Monday next suynge and londe at the Temple brigge out of here barge, and there openly barehede with a keverchef on hir hede, beryng a taper of wax of ii lb. in here hond, and went so thorugh Fletstrete on here foot and hoodless unto Poules, and there she offred up here taper at the high auter; and on the Wednesday nest suenge she com fro Westminster be barge, unto the Swan in Tempse strete, and there she londyd, and wente forthe on here feet thorugh Brigge strete, Graschirche strete, to the Ledenhalle, and so on Crichirche in the wyse aforensyd; and n Fryday she londed at Quen hithe, and so forth she wente into Chepe, and so to Seynt Mighell in Cornhull, in the forme aforenseid; and at iche of the tymes the mair with the schirreves and the craftes of London were redy at the places there she sholde londe:* and after, Roger the clerk aforenseyd, on the Satirday, that is to sey the xviii day of Novembre, was brought to the Yeldehalle, with sire John Hom prest, and William Wodham squyer, the whiche sir John and William hadden there chartres at that tyme; and the clerk was dampned, and the same day was drawe fro the Tour of London to Tiborn, and there hanged, hedyd, and quartered, and the heed sett upn Londn bregge; and his oo quarter at Hereford, another at Oxenford, another at York, and the fourthe at Cambregge; and the lady put in prison, and after sent to Chestre, there to byde whill she lyvyth.
* For present-day readers, this humiliating public penitential procession reminds of Cersei’s walk of atonement on Game of Thrones; however, the actual inspiration for this scene was the affair of a later 15th century Englishwoman, Jane Shore.
On this date in 1492, 27 Mecklenburg Jews were burned together outside the gates of the city of Sternberg.
Illustration of the burning of the Sternberg Jews, from Hartmann Schedel‘s Weltchronik (1493)
These unfortunate victims of the Sternberger Hostienschänderprozess we have already met via their Catholic intercessor, Father Peter Dane. Although Father Dane got away for the moment — his punishment would arrive five months hence — the scandal consisted of Dane’s alleged provision of his parish’s consecrated Host to Mecklenburg’s impious Hebrews for their profanation in occult Semitic liturgies.
Mecklenburg’s elimination of her Jewry — for those spared the stake were banished — had a tortured legacy thereafter, as one might expect. In the immediate aftermath, Sternberg became such a discomfitingly profitable pilgrims’ destination that Martin Luther denounced by name its services to Mammon. (See our previous post on Fr. Dane for the details.)
Centuries afterwards, Weimar hyperinflation put Sternberg’s pyres and the coin of the realm together again when Sternberg issued its own notes, one of them blazoned with its famous burning Jews. Picture pulling one of these out of your wallet at the corner kiosk:
Sternberg’s Church of St. Mary and St. Nicholas, which prospered in the pilgrimage days, has a still-extant chapel of the holy blood built in honor of (and thanks to the donatives earned by) the outraged Eucharist. Today the historic chapel holds a contemporary sculpture titled “Stigma” — a reminder of the dark day in 1492 the chapel once celebrated.
Henry V at this moment was just two years on the throne, the son of a usurper who had deposed and murdered Richard II. That he was now off to venture his life in the field, leaving no wife or child, could have placed his line with but a small mischance in the way of extinction.
Their idea was to topple King Henry in favor of Edmund Mortimer, the Earl of March — who had been Richard II’s heir presumptive at the time Richard was deposed, and whose claim to the throne should have preceded that of Henry’s own family were such matters decided by lawyers alone.
Henry’s coup d’etat and the aspirations thereafter descending respectively from Henry IV and from Richard II were the dynastic font of the Wars of the Roses. Those wars occurred well after the events of today’s post but the opposing factions were already now beginning to wend their ways towards Bosworth Field.
Mortimer was a seven-year-old when Richard was dethroned. He grew up in confinement, albeit honorably treated. Despite his family’s understandably rocky relationship with the new regime, Mortimer himself didn’t cross Henry V, and Henry guardedly admitted him first to his liberty and then to the privileges his rank entailed.
Although Mortimer was rapped over the knuckles for a disapproved marriage, he had never yet ventured any apparent act of treason. By appearances, the Southamptom Plot might have been the moment he went all the way to the brink and then chickened out, for it was Mortimer himself who (without admitting any involvement) personally finked out the plan to King Henry on August 1, 1415. All three of its principal authors spent that very night in the dungeons: Henry, Baron Scrope, a longtime friend and confidante of the king; Richard, Earl of Cambridge, a somewhat impoverished peer of the realm; and our man, the knight Sir Thomas Grey.
Henry gratefully agreed to the pretense that this plot had been a terrible surprise to Mortimer and pre-emptively pardoned him of any taint arising from it.
Gray, the only commoner in the bunch, went on trial the very next day, which was a Friday — and his sentence was executed before suppertime.
The two lords were able to insist on a trial by their peers, which bought them only the weekend: an ample quorum of lords was conveniently on hand preparing to embark for France with the king. They too were condemned that Monday, and like Grey they proceeded straight from court to the block.*
Duly satisfied, Henry sailed for France on the 11th.
And that was that … for the time being.
In gratitude for keeping his own head, Edmund Mortimer kept that head down for the few years remaining him before he died, childless. Cambridge’s young son Richard would eventually inherit not only his father’s claims but also those of his uncle, the Duke of York (slain at Agincourt) and those of Mortimer too, Voltroning his various heritages into a mighty estate. This Richard, Duke of York would bear Mortimer’s rival regal claim into posterity and eventually captain the Yorkist (of course) side at the outset of the Wars of the Roses. His sons were the Yorkist kings Edward IV and Richard III.**
In Shakespeare’s Henry V, a rather brief interlude in Act 2, Scene 2 introduces and disposes of the Southampton conspirators before Hal weighs anchor for Normandy where he will come of age by executing his buddy and then butchering the French on St. Crispin’s Day. (Shakespeare unfairly positions the Southampton plotters as traitors bought by French gold and entirely omits the role of Mortimer, who is not a character in the play at all.)
Trumpets sound. Enter KING HENRY V, SCROOP, CAMBRIDGE, GREY, and Attendants
KING HENRY V
Now sits the wind fair, and we will aboard.
My Lord of Cambridge, and my kind Lord of Masham,
And you, my gentle knight, give me your thoughts:
Think you not that the powers we bear with us
Will cut their passage through the force of France,
Doing the execution and the act
For which we have in head assembled them?
No doubt, my liege, if each man do his best.
KING HENRY V
I doubt not that; since we are well persuaded
We carry not a heart with us from hence
That grows not in a fair consent with ours,
Nor leave not one behind that doth not wish
Success and conquest to attend on us.
Never was monarch better fear’d and loved
Than is your majesty: there’s not, I think, a subject
That sits in heart-grief and uneasiness
Under the sweet shade of your government.
True: those that were your father’s enemies
Have steep’d their galls in honey and do serve you
With hearts create of duty and of zeal.
KING HENRY V
We therefore have great cause of thankfulness;
And shall forget the office of our hand,
Sooner than quittance of desert and merit
According to the weight and worthiness.
So service shall with steeled sinews toil,
And labour shall refresh itself with hope,
To do your grace incessant services.
KING HENRY V
We judge no less. Uncle of Exeter,
Enlarge the man committed yesterday,
That rail’d against our person: we consider
it was excess of wine that set him on;
And on his more advice we pardon him.
That’s mercy, but too much security:
Let him be punish’d, sovereign, lest example
Breed, by his sufferance, more of such a kind.
KING HENRY V
O, let us yet be merciful.
So may your highness, and yet punish too.
You show great mercy, if you give him life,
After the taste of much correction.
KING HENRY V
Alas, your too much love and care of me
Are heavy orisons ‘gainst this poor wretch!
If little faults, proceeding on distemper,
Shall not be wink’d at, how shall we stretch our eye
When capital crimes, chew’d, swallow’d and digested,
Appear before us? We’ll yet enlarge that man,
Though Cambridge, Scroop and Grey, in their dear care
And tender preservation of our person,
Would have him punished. And now to our French causes:
Who are the late commissioners?
I one, my lord:
Your highness bade me ask for it to-day.
So did you me, my liege.
And I, my royal sovereign.
KING HENRY V
Then, Richard Earl of Cambridge, there is yours;
There yours, Lord Scroop of Masham; and, sir knight,
Grey of Northumberland, this same is yours:
Read them; and know, I know your worthiness.
My Lord of Westmoreland, and uncle Exeter,
We will aboard to night. Why, how now, gentlemen!
What see you in those papers that you lose
So much complexion? Look ye, how they change!
Their cheeks are paper. Why, what read you there
That hath so cowarded and chased your blood
Out of appearance?
I do confess my fault;
And do submit me to your highness’ mercy.
To which we all appeal.
KING HENRY V
The mercy that was quick in us but late,
By your own counsel is suppress’d and kill’d:
You must not dare, for shame, to talk of mercy;
For your own reasons turn into your bosoms,
As dogs upon their masters, worrying you.
See you, my princes, and my noble peers,
These English monsters! My Lord of Cambridge here,
You know how apt our love was to accord
To furnish him with all appertinents
Belonging to his honour; and this man
Hath, for a few light crowns, lightly conspired,
And sworn unto the practises of France,
To kill us here in Hampton: to the which
This knight, no less for bounty bound to us
Than Cambridge is, hath likewise sworn. But, O,
What shall I say to thee, Lord Scroop? thou cruel,
Ingrateful, savage and inhuman creature!
Thou that didst bear the key of all my counsels,
That knew’st the very bottom of my soul,
That almost mightst have coin’d me into gold,
Wouldst thou have practised on me for thy use,
May it be possible, that foreign hire
Could out of thee extract one spark of evil
That might annoy my finger? ’tis so strange,
That, though the truth of it stands off as gross
As black and white, my eye will scarcely see it.
Treason and murder ever kept together,
As two yoke-devils sworn to either’s purpose,
Working so grossly in a natural cause,
That admiration did not whoop at them:
But thou, ‘gainst all proportion, didst bring in
Wonder to wait on treason and on murder:
And whatsoever cunning fiend it was
That wrought upon thee so preposterously
Hath got the voice in hell for excellence:
All other devils that suggest by treasons
Do botch and bungle up damnation
With patches, colours, and with forms being fetch’d
From glistering semblances of piety;
But he that temper’d thee bade thee stand up,
Gave thee no instance why thou shouldst do treason,
Unless to dub thee with the name of traitor.
If that same demon that hath gull’d thee thus
Should with his lion gait walk the whole world,
He might return to vasty Tartar back,
And tell the legions ‘I can never win
A soul so easy as that Englishman’s.’
O, how hast thou with jealousy infected
The sweetness of affiance! Show men dutiful?
Why, so didst thou: seem they grave and learned?
Why, so didst thou: come they of noble family?
Why, so didst thou: seem they religious?
Why, so didst thou: or are they spare in diet,
Free from gross passion or of mirth or anger,
Constant in spirit, not swerving with the blood,
Garnish’d and deck’d in modest complement,
Not working with the eye without the ear,
And but in purged judgment trusting neither?
Such and so finely bolted didst thou seem:
And thus thy fall hath left a kind of blot,
To mark the full-fraught man and best indued
With some suspicion. I will weep for thee;
For this revolt of thine, methinks, is like
Another fall of man. Their faults are open:
Arrest them to the answer of the law;
And God acquit them of their practises!
I arrest thee of high treason, by the name of
Richard Earl of Cambridge.
I arrest thee of high treason, by the name of
Henry Lord Scroop of Masham.
I arrest thee of high treason, by the name of
Thomas Grey, knight, of Northumberland.
Our purposes God justly hath discover’d;
And I repent my fault more than my death;
Which I beseech your highness to forgive,
Although my body pay the price of it.
For me, the gold of France did not seduce;
Although I did admit it as a motive
The sooner to effect what I intended:
But God be thanked for prevention;
Which I in sufferance heartily will rejoice,
Beseeching God and you to pardon me.
Never did faithful subject more rejoice
At the discovery of most dangerous treason
Than I do at this hour joy o’er myself.
Prevented from a damned enterprise:
My fault, but not my body, pardon, sovereign.
KING HENRY V
God quit you in his mercy! Hear your sentence.
You have conspired against our royal person,
Join’d with an enemy proclaim’d and from his coffers
Received the golden earnest of our death;
Wherein you would have sold your king to slaughter,
His princes and his peers to servitude,
His subjects to oppression and contempt
And his whole kingdom into desolation.
Touching our person seek we no revenge;
But we our kingdom’s safety must so tender,
Whose ruin you have sought, that to her laws
We do deliver you. Get you therefore hence,
Poor miserable wretches, to your death:
The taste whereof, God of his mercy give
You patience to endure, and true repentance
Of all your dear offences! Bear them hence.
Exeunt CAMBRIDGE, SCROOP and GREY, guarded
Now, lords, for France; the enterprise whereof
Shall be to you, as us, like glorious.
We doubt not of a fair and lucky war,
Since God so graciously hath brought to light
This dangerous treason lurking in our way
To hinder our beginnings. We doubt not now
But every rub is smoothed on our way.
Then forth, dear countrymen: let us deliver
Our puissance into the hand of God,
Putting it straight in expedition.
Cheerly to sea; the signs of war advance:
No king of England, if not king of France.
* The History of England podcast deals with this in episode 144 (skip to 26:48).
About 32 at his death, the “Bon Chevalier” was a member of the prestigious (and still-extant) Order of the Golden Fleece on the strength of a remarkable 1440s ramble around European where he would theatrically stage combats with local knights and never fail to win them. Celebrity and emoluments followed in their turn.
“Above all else, he knew the business of arms,” sighs a chronicle detailing his feats, and on its evidence it would be difficult to disagree.
He achieved his fame besting great champions in Aragon, Castile, Scotland, and Flanders, then set up a pas d’armes — the Monty Python-esque open challenge/invitation to battle all comers who dared him at a set location. In Jacques’s case the challenge lasted a full year at a statue of a weeping woman from which our pugilist derived the brand the Passage of the Fountain of Tears.
These were not intended to be fatal bouts but they featured expert fighters with real weapons so life and limb certainly stood in peril; occasionally our protagonist even deliberately courted danger by suiting up in only partial armor. Some challengers managed to emerge with a satisfying draw, but none could defeat him. At his last tournament in 1452, he even jousted the young future Duke of Burgundy, Charles the Bold. (There’s an enjoyable detailed recap of Jacques’s career here.)
As this warrior par excellence was simultaneously noted for the perfection of his outside-of-armor knightly conduct — fidelity, generosity, piety, swooning ladies — Jacques de Lalaing had a fair claim on his contemporaries’ admiration as the very apex of the age of chivalry.
And his own fate poignantly embodied that of his era.
“This hero-worship of the declining Middle Ages finds its literary expression in the biography of the perfect knight,” Huizinga wrote — like our Jacques de Lalaing, “that anachronistic knight-errant” of “fantastic and useless projects.”
The realities of court life or a military career offered too little opportunity for the fine make-belief of heroism and love, which filled the soul. So they had to be acted. The staging of the tournament, therefore, had to be that of romance; that is to say, the imaginary world of Arthur,† where the fancy of a fairy-tale was enhanced by the sentimentality of courtly love.
A Passage of Arms of the fifteenth century is based on a fictitious case of chivalrous adventure, connected with an artificial scene called by a romantic name, as, for instance, the Fountain of Tears or the Tree of Charlemagne. [the latter was another famous pas d’armes defended in 1443 by another Burgundian knight, Pierre de Bauffremont -ed.] … There is an unmistakable connection between these primitive forms of warlike and erotic sport and the children’s play of forfeits. One of the rules of the “Chapters” of the Fountain of Tears runs thus: he who, in a combat, is unhorsed, will during a year wear a gold bracelet, until he finds the lady who holds the key to it and who can free him, on condition that he shall serve her.
Jacques de Lalaing and his ritual delights came to a savage end at the siege of Poucques when he had the apt misfortune to be struck by a ball from a defending veuglaire. The romantic master of the lists thereby became one of the first European elites slain by a cannon: for a junction to modernity one could do a lot worse than this moment.‡
The untimely end of Jacques happens to have hit the news in recent months when the Getty Museum acquired a precious Renaissance manuscript illustration of the event by Simon Bening, never previously exhibited.
In this extraordinarily bright and detailed miniature, our courteous doomed glances upward at the citadel, forming a sharp compositional diagonal with the fatal cannonball speeding towards him … and the fiery plume belched by the chivalry-smashing device that has hurled it.
Detail view (click for the full image) of the Bening miniature.
* The precise date on which this minor siege concluded is elusive and perhaps ambiguous; I’m basing Executed Today‘s dating on the July 13, 1453 correspondence in this archive reporting that “Poucques est tombée en son pouvoir le 5 courant; qu’il a fait démanteler ce deux places fortes et livrer au dernier supplice leurs défenseurs.”
Masuccio’s tale is itself an Italian Renaissance gloss on an old Ovid story; its outline will be instantly recognizable to devotees of the Capulets and Montagues. But instead of dueling suicides, Masuccio ends one of the star-crossed lovers with an executioner’s blade.
In Mariotto and Ganozza, which can be enjoyed for free in the original Italian here or here, the young lovers secretly wed only to find “that wicked and hostile fortune reversed all their present and future desires.”
These violent delights have violent ends
And in their triumph die, like fire and powder …
“Fortune’s” inscrutable hand turns out to be that of Mariotto himself, who gets into a fight with some other nobleman and, slaying him, must flee into exile. Posterity must excuse Mariotto/Romeo his hotheadedness, for were he not the type to wreck his own life by murdering a guy in a street fight he also wouldn’t be the type to pursue forbidden tragic romance. That’s art.
Fortune’s fool …
“How great was the supreme grief of the two most wretched lovers, so lately wed, and how bitter their tears at the thought of what they believed to be their endless separation, he alone who has been pricked by such wounds can truly tell.” (Translation source.)
“So deep and bitter it was, that at their last parting, they seemed for a long while to have died in each other’s arms.”
It next comes to pass that Gianozza’s father, ignorant of her secret marriage to the town fugitive, arranges a match for her. This development leads our Juliet figure to seek out the aid of the friar who has secretly wed them in a scheme that is precisely Shakespearean.
The friar “made up a certain water with certain concoctions of various powders that, when the draught was ready and she had drunk it, it would not only make her sleep for three days, but seem to be really dead.” With this potion they stage Gianozza’s death; then, the friar secretly steals her hibernating “corpse” from its tomb, revives her, and packs her off to find her beloved.
He, of course, has separately received word of Gianozza’s death — and (also of course) the courier that had been dispatched pre-death elixir to clue him into the plan has been waylaid by pirates and left his essential plot spoilers at the bottom of the sea.
Disconsolate, Mariotto returns to Siena with the unproductive object of mooning over Gianozza’s grave and “weep[ing] as if their lives were ended.” Don’t worry, he has a backup plan! “If by misfortune he was recognized, he thought he would gladly be condemned as a murderer, knowing that she was already dead whom he loved more than himself and who loved him with equal love.”
This works as well as you expect, albeit with less panache than Shakespeare’s crypt climax: Mariotto gets caught in a transport of the macabre trying to break into Gianozza’s sepulcher, and is recognized as a condemned outlaw.
Before dawn, all Siena was full of the news, which reached the ears of the Court, who ordered the mayor to go and arrest him and quickly do that which the laws and the State commanded.
So, a prisoner in fetters, Mariotto was led to the palace of the mayor. When he was flogged, without needing long tortures, he faithfully confessed the cause of his desperate return. Though all alike had the greatest pity for him, and amongst the women he was bitterly wept for and thought the only perfect lover in the world, and each of them would have willingly redeemed him with her own life, yet he was at once condemned by the law to be beheaded. When the time arrived, without his friends or parents being able to aid him, the sentence was carried out.
Three days later, Gianozza — having reached Mariotto’s former refuge of exile and there learned of his misapprehension — turns up in Siena again only to discover that she is too late. Rather than stabbing herself to death right then and there as the Bard’s heroine would do, she shuts herself up in a convent “with intense grief and tears of blood and little food and no sleep, continually calling for her dear Mariotto, [and] in a very short time ended her wretched days.”
“Why, then All-Souls’ day is my body’s doomsday.
This is the day that, in King Edward’s time,
I wish’t might fall on me, when I was found
False to his children or his wife’s allies
Come, sirs, convey me to the block of shame;
Wrong hath but wrong, and blame the due of blame.”
Buckingham — Henry Stafford by name — resided firmly in the 1% of the 1% for 15th century England: a dangerous neighborhood since the War of the Roses was afoot, felling noblemen hither and yon. (Henry Stafford became the Duke of Buckingham as a toddler when his father was mortally wounded at the Battle of St. Albans.)
But every family has its black sheep. Buckingham wasn’t keen on the Woodvilles despite his presence on their Christmas card list, and when King Edward died relatively young in 1483, Buckingham backed the succession in power not of the Woodvilles, but of Edward’s brother Richard, Duke of Gloucester — the man who indeed became king as Richard III.
Technically, Richard started out as Lord Protector on behalf of the boy-king Edward V and his little brother Richard, before he had the twerps declared illegitimate and disappeared them in 1483 into the Tower of London. Buckingham himself is one of the lead suspects for the man who urged or even carried out the murder of these Princes in the Tower.
The prospect that Buckingham’s alliance with Richard III extended all the way to regicide makes quite curious the former’s turn later that same year to rebellion — for as Thomas More would write, “hereupon sone after [the murder of the princes] began the conspiracy or rather good confederacion, between ye Duke of Buckingham and many other gentlemen against [Richard III]. Thoccasion wheruppon the king and the Duke fell out, is of divers folks diverse wyse pretended.”
Buckingham’s right to the marquee of the autumn 1483 “Buckingham’s Rebellion” has been doubted, for leadership of the various uprisings in southern England and Wales appears to belong to those “other gentlemen” of the gentry.
Buckingham himself was captured, condemned as a traitor, and publicly beheaded at Salisbury on November 2, 1483. He was one of numerous principals in the rising to go to the scaffold, but Henry’s cause continued to accumulate adherents — until not two years later, Henry defeated Richard at the Battle of Bosworth Field.
In Shakespeare’s treatment, the ghost of the executed Buckingham aptly appears to Richard III on the eve of this climactic moment of English history to prophesy his former ally’s defeat:
The last was I that helped thee to the crown;
The last was I that felt thy tyranny:
O, in the battle think on Buckingham,
And die in terror of thy guiltiness!
Dream on, dream on, of bloody deeds and death:
Fainting, despair; despairing, yield thy breath!
Buckingham left a five-year-old heir, Edward Stafford, who was spirited into hiding, away from the vengeful King Richard. This third Duke of Buckingham would in the fullness of time grow to to be executed by Henry Tudor’s son, Henry VIII.
The History of England podcast covers this gentleman in detail in episode 189.
The Roman outlaw-slash-rebel Tiburzio di Maso was executed on this date in 1460, with seven other members of his band.
Tiburzio’s father had been put to death seven years before for joining in the anti-papal intrigues of his kinsman (by marriage) Stefano Porcaro. Theirs was the old populist dream of Cola di Rienzi, to throw off the depraved overlordship of Rome’s patricians and resume the tribune of the people.
Their enemy in this endeavor, to speak a bit more specifically, must be the pope himself — for as Gibbon observed, “the policy of the Caesars has been repeated by the popes; and the bishop of Rome affected to maintain the form of a republic, while he reigned with the absolute powers of a temporal, as well as a spiritual, monarch.” It was this throne that had destroyed Tiburzio’s father, and upon which he proposed to revenge himself.
White breast, sweet tongue, kind eyes and ready wit! You marble limbs, full of vigour, when shall I see you again? When again shall I bite those coral lips, or feel again that tremulous tongue murmuring in my mouth, or ever handle those breasts.
Why, Achates, you have scarcely seen this woman. Where she is most feminine, there she is most lovely. I wish you could be me! Not the beautiful wife of Candaules, King of Lydia, was more beautiful than she. I cannot wonder that he wished to show his wife naked to his friend, to give him the greater pleasure. I would do the same myself. If it were possible, I’d show you Lucretia naked, for otherwise I cannot describe to you how beautiful she is, nor can you imagine how full and substantial was my pleasure. But rejoice with me, because my delight was greater than words can tell.
By the time the son Tiburzio came to avenge his father,* the pope in question was Pius II, once so much the gentleman-humanist that he is the only pontiff to byline an epistolary erotic novel. Come election to the seat of St. Peter, however, he had predictably discovered a newly illiberal affinity for the overweening prerogatives customarily asserted by his office
Among the lesser of these prerogatives was the option to make his residence in the less miasmatic confines of his native Siena, and his extended absence from Rome surely gave some air by which the brash youth could kindle a rebellion. Tiburzio attracted a gang who alternately caroused together and sallied together as highwaymen on the famously dangerous roads. “If in Porcaro the democratic movement had already generated to the level of Catiline, in Tiburzio and Valeriano, the heroes of 1460, it had sunk to that of mere brigandage,” wrote the German historian Ferdinand Gregorovius. (Via)
“Mere” brigandae posed a real danger to papacy’s safety, however, enough so that the governor’s running skirmishes with this most dangerous gang eventually required the returned of Pope Pius to steady the situation: a captured informant gave information that Tiburzio’s band was in league with Ghibelline nobles and had even arranged with the condottieroJacopo Piccinino to throw open the city gates for his army.
But our man, well into the history-repeating-as-farce cycle, squandered his opportunity and his life by recklessly sallying into the city from refuge in nearby Palombara once one of his party was arrested. The Roman masses turned deaf ears on his calls to arms, and papal gendarmes captured Tiburzio and several misadventuring comrades. Without the inducements of torture, he too admitted the conspiracy with Piccinino — and the whole bunch hanged together on Capitoline Hill.