Among all the strange and pathetic love-stories of the Revolution, when hearts were won within prison walls and wedded by the guillotine, is there another as fantastic and wonderful as that of Adam Luchs? (Source)
Adam Lux (as he’s better known, and a fitter name to his character could hardly be invented), German Republican turned French Revolution representative, was so lovestruck by the arresting figure of Charlotte Corday that it was downright … mortifying.
Many were men to whom the Norman maid played muse, like the poet Andre Chenier.
But Lux was something else.
Thrilled by this chaste heroine’s sacrificial blow against the Revolution’s monster, Lux was supposed to have fallen madly in love with the murderess the one time he actually saw her, on her serene way to the scaffold.
Eros thus yoked to Thanatos, the besotted fellow promptly hurled himself after the exaltation of death. Imitation, after all, is the sincerest form of flattery.
Certainly knowing it to be fatal, Adam Lux published under his own name a vindication of Ms. Public Enemy #1 and her “tyrannicide,” and generally went extravagantly mooning about in this sort of vein as he prepared to get his head cut off this date in 1793:
The guillotine is no longer a disgrace. It has become a sacred altar, from which every taint has been removed by the innocent blood shed there on the 17th of July. Forgive me, my divine Charlotte, if I find it impossible at the last moment to show the courage and the gentleness that were yours! I glory because you are superior to me, for it is right that she who is adored should be higher and more glorious than her adorer!
Adam came off a little needy, you’d have to say.
Not surprisingly, he didn’t get the girl in the end.
Red is the garb thou wearest, red is the deed thou hast done,
And red on a land of blood rises the morning sun.
Kings have ridden this road, conquerors mailed in gold,
But none in such red triumph as this that we behold.
Rose, thro’ a rose-red dawn, go to thy valourous fate,
Queen of all roses thou, splendid and passionate.
And lo ! at thy feet I fling, here, in the gallows-cart,
Passionate even as thine, the rose-flower of my heart.
Turn but a moment toward me, stoop in thy raiment red,
I answer thee look for look, I am warmed and comforted.
Twins are we of one womb, fated sister and brother,
Nursed on the bare bruised breasts of Freedom our great Mother!
Thou, whom none could master, proud and glorious head,
Come, O Rose, to my bosom, come when thou art dead!
They have shorn the beautiful hair, they have bound the strong fair hands,
Signal me with your eyes that love still understands!
Signal, and I will follow : I dwell where thou must dwell,
I shall know thy blood-red raiment either in heaven or hell!
Lo! at thy feet I fling, here, in the gallows-cart,
Passionate even as thine, the red rose of my heart!
On this date* in 1796, France enacted what was long held to be one of its most notorious miscarriages of criminal justice by cutting off the head of Joseph Lesurques.
Lesurques was taken for the one of a gang who had sensationally robbed and murdered a mail courier early in 1796, and on the basis of slight eyewitness testimony condemned to die. The only reason he was associated with the crime in the first place was because his friend had been mistakenly accused, and then released, and Lesurques accompanied him to the court to retrieve the friend’s papers where he was “recognized.”
Eyewitness testimony having juridical pull far in excess of its dependability,** this “recognition” was worth the man’s life.
The famous French Revolution executioner Sanson was still in the game at this point, and his grandson (not yet born at this time) used the family notes to pull together this quasi-firsthand account in Memoirs of the Sansons. It’s a tale familiar to any present-day wrongful conviction scenario, of bad evidence snowballing, a blinkered prosecutor intent on conviction, pettifogging appellate authorities, and grim, relentless bureaucratic momentum.
(The names the Memoirs render as “Courriol” and “Dubosc” are also given as “Couriol” and “Dubosc” in other sources.)
the instructing magistrate … instead of imitating the prudence of his Parisian colleague and trying to discover the truth, applied himself to the collection of proofs of the guilt of the prisoners …
Fifteen witnesses on behalf of the defence proved an alibi in favour of Lesurques, eighty-three others spoke highly of his well-known respectability; but their evidence went for nothing in opposition to those who, with singular pertinacity, maintained that Lesurques was one of those who had been seen lurking near the scene of the murder on the night when it was committed …
On hearing his condemnation, Lesurques, who had been firm and collected throughout the trial, lost his self-possession, and raising his hands to heaven he exclaimed:
“The crime which is imputed to me is indeed atrocious and deserves death; but if it is horrible to murder on the high road it is not less so to abuse the law and convict an innocent man. A day will come when my innocence will be recognised, and then may my blood fall upon the jurors who have so lightly convicted me, and on the judges who have influenced their decision!”
…
On the 9th of Brumaire, year 5 (October 30, 1796), my grandfather and father proceeded to the Conciergerie, and found the convicts in the hall, through which so many had passed during the Reign of Terror. David Bernard† was in a state of utter prostration; Courriol, on the contrary, was excited. As to Lesurques, he was as calm and fearless as ever. When he saw my grandfather, whose white hair sufficiently designated him as the chief executioner, he stepped up to him, and said, holding out a sealed letter:
“Citizen, I hope for the honour of human justice that your functions do not often compel you to shed the blood of a guiltless man; I hope, therefore, that you will grant the last request of a man who is about to suffer for what he has not done. Be good enough to keep this letter, which may hereafter contribute to the restoration of the honour of my wife and poor children, whereof they have been so unjustly deprived.”
While one of his assistants was cutting the unfortunate man’s hair, my grandfather read the paper Lesurques had just given him. It was a letter addressed to Dubosc, the man in whose place he was condemned. It ran as follows:
“To Citizen Dubosc.
“Citizen Dubosc, — I do not even know you, and I am going to suffer the death which was reserved for you. Be satisfied with the sacrifice of my life. Should you ever be brought to account, remember my three children and their mother, who are disgraced for ever, and do not prolong their agony. Confess that you are the man.”
…
All preparations were now concluded. Lesurques, of his own choice, was dressed in spotless white, symbol of his innocence. He was the first to take his place in the cart; Courriol followed him, and Bernard, who had fainted, was deposited on the straw. Then began the most dismal and extraordinary journey that ever was made from the Conciergerie to the Place de Greve. Lesurques and Courriol stood in front. At every turn of the wheel, Courriol exclaimed in a piercing voice:
“I am guilty! Lesurques is innocent!”
And for twenty minutes, that is during the whole way to the guillotine, he perseveringly repeated his awful protest against justice. The crowd was horrified, and there were few who did not believe the murderer who confessed his crime, but who proclaimed his companion’s innocence. Courriol again repeated his words at the foot of the scaffold with extraordinary energy and vehemence, and the thump of the knife but just covered his supreme shriek:
“Lesurques is innocent!”
…
The judicial authorities have perseveringly refused to recognise this flagrant miscarriage of justice. And yet the innocence of Lesurques was amply demonstrated a short time after his execution: all the real murderers of the courier of Lyons designated by Courriol were captured; Dubosc himself, whose fatal resemblance to Lesurques was the cause of the latter’s death, was taken and tried … he was executed just four years after Lesurques …
The Lesurques heirs were left paupers by the state’s punitive confiscation of the “bandit’s” effects; after a quarter-century (during which the widow died in a madhouse), they were at least able to recoup their material loss, but although repeatedly challenged, the conviction itself was never reversed.
Judicial and literary skirmishing over the Lesurques matter continued for decades, gradually forming into a general consensus (whatever the courts might admit) that the man was wrongly accused.
As a result, Lesurques remained a potent symbol of capricious criminal justice overreach throughout the 19th century and into the 20th: this 1874 reader, Famous Cases of Circumstantial Evidence, has a full chapter on the case; a popular Victorian play titled The Lyons Mail was translated into a now-lost 1915 silent film and a 1931 talkie … albeit with a happy ending.
To a certain, inevitably well-represented, authoritarian demographic, any credence given to the self-evident proposition that wrongful convictions happen smacks of effrontery towards betters, and the Lesurques case was no exception … especially when paired with the coincident low ebb of public esteem for Power during the Dreyfus affair, which hit while The Lyons Mail was in vogue.
An advert insert in an unrelated 1903 book plumps a “Lesurques was guilty” position, riffing on the then-current Dreyfus controversy (”recent efforts in France to bring about the revision of a celebrated case”). This book is listed, but unavailable, on Amazon.com.
L’ affaire Lesurques never (so far as I can determine) reached a resolution; it simply faded away, 140 years or so after its namesake lost his head.
A late (1930) review of its particulars in the Journal of the American Institute of Criminal Law and Criminology (”The Moving Story of the Lyons Stage,” by Max Radin of UC-Berkeley, May 1930) proceeds with ingenuousness embarrassingly unbecoming a professor of the law.
Judicial errors do not occur in the United States. [!!!] Under these circumstances, we can look with some satisfaction on times and places in which this happy condition did not prevail. If in the cycle of existences our perfection should ever become visibly tainted, it may happen that we shall hang men or electrocute them and subsequently regret the fact. Perhaps some one will then recall the moving story of the Lyons stage.
Sounds like it’s ready for a revival.
* A few sources say March 10, 1797, but the most and best clearly lean to October 30, 1796.
** “Juries have an unfortunate faith in the accuracy of eyewitnesses,” William Davis Gross observes. “The propensity for blunder is so great that it is nearly equal to all other forms of error combined.” (”The Unfortunate Faith: A Solution to the Unwarranted Reliance Upon Eyewitness Testimony,” Texas Wesleyan Law Review, spring 1999)
† Bernard is a footnote in the story, but he seems to have received a raw deal himself: he was the liveryman who procured the horses for the highwaymen, but did not participate in the crime. Sanson passingly refers to Bernard as “but slightly guilty.”
On this date in 1789, two working stiffs literally became stiffs for a noteworthy bread riot during the French Revolution’s early days.
Ah, 1789.
It was the best of times, it was the worst of times … it was the season of Light, it was the season of Darkness; it was the spring of hope, it was the winter of despair. And we know how all that ends.
Just three months after the Bastille was stormed, France was merely pregnant with its coming Terrors. The Revolution was in its “moderate stage”.
Some moderation.
“Events of the 22nd of October, 1789: The hanging of a man named Francois, a baker”. Despite the title, sources (like this French-language study in the Annales historiques de la Revolution francaise, overwhelmingly date the baker’s murder to the 21st.
The tumbrils may not have been running (actually, the Revolution’s iconic execution device had not yet even been created), but the “October Days” had enough to scare you, especially if you were a sensible constitutionalist type like the Marquis de Lafayette.*
Like a mob dragging the King back to Paris from Versailles, with the heads of his royal guards on pikestaffs.
A drought had created a calamitous bread shortage, which in turn helped stir the Revolutionary pot. The mob that invaded Louis XVI’s palace a couple of weeks before had celebrated his return to Paris singing “We Have the Baker, the Baker’s Wife, and the Baker’s Son. We Shall Have Bread.” When the king’s presence failed to ease the shortage, fresh disturbances followed.
On October 21, 1789,** the baker Denis Francois became the unfortunate focus of one such, when a famished woman spuriously denounced him a monopolist. A frenzied crowd lynched the hapless boulanger before he could get a word in edgewise.
This event occasioned the Constituent Assembly to pass a martial law decree, permitting a municipality to signal martial law by raising a red flag, whereupon anyone failing to disperse made him- or herself liable to summary military execution.
During the disturbance stirred up against the baker Francois, another one broke out in the Faubourg Saint-Antoine, the object of which was to unite with the Faubourg Saint-Marcel for purposes of reducing the price of bread, and for getting into the convents under the pretext of taking the muskets stored there. The National Guard, in breaking up these seditions, arrested the assassin of the baker [a dock porter named Blin] and the principal instigator of the faubourg [i.e., the Faubourg Saint-Antoine, namely a laborer named Michel Adrien†]. Both were judged and hanged the next day.
* We meet Lafayette here as captain of the National Guard; in a few years, the progress of the Revolution that he struggled to contain and direct will make him persona non grata in his country.
** Six Thousand Years of Bread: Its Holy and Unholy History gives the date as Oct. 20, though it’s not clear upon what authority. Archibald Alison placed it on the 19th. Whenever the murder of Francois occurred, the martial law decree’s passage on the 21st appears to be firmly dependable, which would mean the supposed malefactors’ deaths on this date should be as well.
† Revolutionary propagandist Camille Desmoulins later seized on the very skimpily justified Adrien execution — he “was judged and hanged in twenty-four hours for circulating a seditious flyer, although he didn’t know how to read” — to contrast with the outsized tenderheartedness shown for aristocrats who have “different weights on the scales of justice.” (Revolutionary Justice in Paris: 1789-1790)
(Thanks to Jonathan Shipley of A Writer’s Desk for the guest post. -ed.)
“Into the hands of the Almighty God I commit my soul, relying on his mercy … and die an unworthy member of the Presbyterian Church, in the 29th year of my age.”
These were the last words of Rachel Wall, on this date in 1789. It was she, whom the Presbyterians must have frowned upon mightily, who was the last woman hanged in Massachusetts and, further, the first noted American-born female pirate.
No walking the plank for her. She was hanged, proven guilty of robbery, by Sheriff Joe Robinson on a beautiful fall day. Her downfall after a brief career with her husband of piracy, thievery and murder? A pretty bonnet.
Rachel, around the age of 16, loved the water. The boats and dockyards always spoke to her. Born on a farm outside of Carlisle, Pennsylvania, it bored her; so, while in Harrisburg, she went to the docks. She was harassed, harangued and attacked by a group of girls. Enter George Wall –- a fisherman and former privateer who served in the Revolutionary War. He saved Rachel from the girls and Rachel, against her devout Presbyterian parents, eloped with him.
They went to Boston where she stayed on as a servant girl while George plundered. He convinced her to join him and his cohorts in piracy. It proved successful, for a time.
Their plan was this: anchor near an island during a storm. When it passed, make their boat appear damaged. When another boat came, Rachel would shout for help. Help would come. They’d then murder the would-be rescuers, steal their valuables, and sink their ship. Those awaiting the unfortunate sailors would think simply that the storm had taken them away, not Mr. and Mrs. Wall. Between 1781 and 1782 they captured 12 boats, murdered 24 sailors and kept around $6,000 in booty for themselves.
Another Brick in the Wall
This plan worked quite well, until September of 1782 when one storm proved too powerful. George Wall and his motley crew drowned. The only survivor was Rachel. She returned to Boston and in the remaining years of her life she became a maid, a petty thief, and possibly a prostitute, stealing from johns as they slept.
Then, the bonnet incident.
One day Margaret Bender, a 17-year-old Bostonian, was minding her own business, walking down the street, a pretty bonnet affixed to her head. Wall, seeing said bonnet, pushed Bender down, stole the bonnet and then tried to rip out the girl’s tongue. Wall ran from the police when they were summoned. She was caught, put in jail and tried on September 10, 1789 for robbery (she copped to her piratical career, but claimed she had never killed anyone). Less than a month later, she hung from the gallows.
William Brodie, respectable burgher by day, Deacon of the Guild of Wrights, wasn’t the type for the gallows. Actually, the upright citizen is said to have proposed an improvement in the old Tolbooth gallows, replacing the old-school ladders with a forward-thinking drop mechanism.
“Brodie,” says Traditions of Edinburgh, “was the first who proved the excellence of [the] improvement … He inspected the thing with a professional air, and seemed to view the result of his ingenuity with a smile of satisfaction.”*
Insouciance in the face of mortality … but Brodie had plenty of practice in compartmentalization.
With a gambling habit, a couple of mistresses, and five kids, Brodie the oleaginous society man had a double life, or treble, or more. By and by, the well-known tendency of such profligate pastimes to lead a man to venture his neck in order to keep up appearances worked its will upon Brodie, who began using his contracts with Edinburgh’s upper crust to case their houses and copy their keys … returning at night to burgle his employers.
It was taking on partners that did in the budding master thief; inevitably, someone flipped to dodge the gallows himself. Brodie’s cover was blown, and he hanged with his confederate George Smith, keeping up appearances to the very end.
That earlier composition hasn’t been entrusted to celluloid, to my knowledge (though there is a Deacon Brodie film of recent vintage). But Jekyll and Hyde has been.
Brodie himself is supposed to have made his own bid to live on by surviving the hanging. William Roughead in Classic Crimes describes these machinations whose generally attested failure is now and again disputed anew.
Of the plans, various and futile, formed for the resuscitation of the Deacon there are two contemporary and competing versions. One is that the hangman was bribed to tamper with the rope, so as to give a short fall and avoid dislocation of the vertebrae. But by an excess of caution that officer first made it too short and then too long. The body, when cut down, was placed in a cart and driven furiously round the back of the Castle to the Deacon’s woodyard at the foot of Brodie’s Close, so that animation might be restored as in the historic case of “half-hangit Maggie Dickson,” a lady whose departed spirit was recalled by similar Jehu methods. In his own workshop his veins were opened by a French surgeon, whose services had been retained to that end; but all the resources of science could not bring the Deacon back to life. According to another account, he had, before leaving his cell for the last time, been supplied with a small silver tube for insertion in his throat at the final ceremony in order to prevent suffocation, and wires were carried down both his sides from head to foot to counteract the jerk of the fall. In spite of these precautions and of subsequent bleeding by a surgeon, his friends had reluctantly to admit that “Brodie was fairly gone.”
* This “tradition” of Edinburgh is kin to a folkloric subgenre and should not at all be presumed dependable. Roughead:
Of the many picturesque legends of old Edinburgh which, in defiance of truth, cling like ivy about her vanished past, one of the most persistent is that Deacon Brodie was the first to suffer upon the new drop which he himself designed. This myth, upon research, I found myself reluctantly compelled to disprove. He may have planned the “moveable platform for the execution of criminals,” which the Town Council caused to be erected in 1786 at the west end of the Tolbooth; but it was certainly not of his construction, nor was he the first to benefit by its ingenuity. The place of execution was the roof of a low building which projected from the west gable of the prison — roughly where the Buccleuch statue now stands. A beam was drawn out from an aperture in the wall above the platform and from this depended the fatal rope.
On this date* in 1762, one of history’s greatest female monarchs cemented her still-uncertain hold on power by beheading a rebellious lieutenant.
Ivan VI: Born under a bad star.
Succession in the Russian Empire had been disputatious ever since Peter the Great killed off his last male son, eventually putting far-flung branches of the family into a contest for power.
To skip over much regal jockeying, Peter’s niece Anna, who reigned in the 1730’s, had installed her infant nephew Ivan VI as successor just before her own death.
The little Tsar of All the Russias was displaced before his second birthday by Peter the Great’s daughter Elizabeth, who clapped the former emperor in a dungeon in Schlusselburg fortress to grow up ignorant and alone, isolated from the parties who might scheme to bid for power in his name. Two Caesars are too many.
Into this dangerous scene stepped Sophia Augusta Frederica, better known to posterity by the name she took upon her politically savvy conversion to Orthodoxy: Catherine.
This Catherine immigrated to wed Elizabeth’s simpleminded heir, then overthrew him a few months into his reign.
Catherine had ultimate power, but she wasn’t yet “Catherine the Great”: as a foreigner with the late Romanov’s blood on her hands (if only indirectly), it was nowhere written that she would rule Russia for 34 brilliant years. And with the throne came its rival claimants … like Ivan, now an adult and potentially more “legitimate” than this imported German princess.
Ivan was held in secrecy, known only as “Nameless Prisoner Number One”, and his warders had strict orders to murder him on the spot if any attempt were made to liberate him.
Those guards got cash rewards and promotions for their diligence. Mirovich got death. (Other soldiers whom he had rallied to his cause were condemned to run the gauntlet; I have been unable to ascertain if any were killed by this punishment.)
Mirovich was executed in St. Petersburg. When his head was held up to the crowd, it had a terrifying impact, the death penalty not actually having been exercised in Russia for 22 years.** Mirovich himself faced his execution calmly, convincing some of the bystanders that he was expecting to be pardoned at the last minute. His remains were left on public display until the evening, when they were burnt along with the gallows.
And so the first two years of the reign of Catherine II, who set so much store by reason and enlightened principles, had included two assassinations and an execution.
Her admirers would have to be content with making her excuses. Fortunately, admirers always are.
“These are family matters with which I do not meddle,” wrote Voltaire. “Besides, it is not a bad thing to have a fault to repair; this engages her to make great efforts in order to force the public to esteem and admiration”
* September 26 (pdf) was the date on the Gregorian calendar then prevalent in Europe; it was September 15 by the older Julian calendar still used in Russia at the time.
** Not carrying out the death penalty had been a signature policy of Ivan’s usurper Elizabeth. The elimination of capital punishment in “backwards” Russia for an entire generation during the Age of Absolutism surely urges caution against any assumption that death penalty repeal is a one-way street.
Camardella offed prelate Donato Morgigni for stiffing him in a business arrangement, and repelled all sanctimonious summons to contrition. When a priest mounted the scaffold with him to make one last go of it, verse has it, Camardella insisted on dying impenitent, crying “vendetta!” even as he dropped.
Dannato fu alle forche un delinquente
Per preticidio, detto Camardella.
Un santo fratacchion ch’era assistente
Dichiarollo per anima rubella,
Perche egli morir volle impenitente.
Invano a pentimento ei lo rappella,
Vendetta grida il reo, ne altrui da retta;
Penzolon cade e grida ancor vendetta.
This devil-may-care display of ferocity evidently made an impression on the denizens of a city still ruled by the papacy: they were still talking about it a century later, when Roman sonneteer Giuseppe Gioachino Belli anachronistically situated him on the scaffold with Belli’s own contemporary, renowned executioner Mastro Titta.
This pairing (written in the Roman dialect) of iconic criminal with iconic headsman, observed by our youthful narrator and his father, makes for a vivid scene of coming-of-age in an Eternal City where the Catholic Church extends ritual control over both life and death.
Il giorno che impiccarono Camardella
Io mi ero appena cresimato.
Mi sembra adesso, che il padrino al mercato
mi comprò un pupazzo e una ciambella.
Mio padre prese poi il carrozzino
Ma prima volle godersi l’impiccato:
E mi teneva in alto sollevato
Dicendo: “Guarda la forca quant’è bella!”
Nello stesso istante al condannato mastro Titta
Applicò un calcio nelle terga, e papà a me
Uno schiaffone alla guancia destra.
“Prendi”, mi disse, “e ricordati bene
Che questa stessa fine è destinata
A mille altri che sono migliori di te.”
The day they hanged Camardella
I had just been confirmed.
It seems to me now that my godfather took me to the market
I bought myself a top and a sweet roll.
My father then took the buggy
But first he wanted to enjoy the hanging:
He lifted me up high
Saying, “See how beautiful the gallows!”
Suddenly Mastro Titta struck the condemned
A kick in the rear, my father struck me
A slap to the right cheek.
“Take it,” he said, “and remember well
That this same fate is destined
A thousand others who are better than you.”
Supposed witches are a staple of history’s scaffold-rolls, and we may well take relief at the passing of this superstition.
England’s last witchcraft executions were in 1682; the law that hanged them was repealed in 1736. But the human story is not confined to parliamentary parchment, and popular belief in witches was not instantly dispelled at the stroke of a pen. Indeed, the belief never has been dispelled altogether.
In our mid-18th-century scene, figures who might have once been thought “witch”-like can now achieve mass-market fame. But old traditions died hard — and on this date* in 1751, Thomas Colley died for believing them to the extent of killing a “witch” himself.
Aging beggar Ruth Osborne got herself on the bad side not of Colley but a Tring farmer prosperously named John Butterfield when she pooh-poohed his refusal to spare her some scraps, and Butterfield’s livestock thereafter got sick.
Obviously, witchcraft!
Whether Butterfield was animated by genuine supernatural paranoia or merely by dick-swinging, he organized a witch-ducking of Ruth and her husband John: organized to the extent of having criers announce it days in advance.
Now, granted, witch-ducking was now illegal. But Mr. Butterfield draws a lot of water in this community, and he turned out a mob to wreck a couple of suspected hiding-places before the two were captured, trussed-up, and paraded to Marlston Meer.**
Butterfield got local yokel Thomas Colley drunk and agitated enough to do for him the dirty work of casting two impoverished souls into a pond so shallow they could scarcely sink, and therefore were obviously guilty for floating. This public torture continued until Ruth died† — Colley prodding the victims with a pole and passing the hat for community underwriting.
“The Ducking of John Osborn”, as reprinted (pdf) by the Hertfordshire Countryside.
Colley was prevailed upon after his conviction to sign a recantation of the belief that had brought him to his inglorious end, a neat inversion of the forced confessions of previous generations’ “witches”, and no less indicative of the operations of power upon the mind as well as the body of the condemned.
GOOD PEOPLE!
I beseech you all to take warning by an unhappy man’s suffering; that you be not deluded into so absurd and wicked a conceit, as to believe that there are any such beings upon earth as witches.
It was that foolish and vain imagination, heightened and inflamed by the strength of liquor, which prompted me to be instrumental (with others as mad-brained as myself) in the horrid and barbarous murder of Ruth Osborne, the supposed witch, for which I am now so deservedly to suffer death.
I am fully convinced of my former error, and with the sincerity of a dying man, declare that I do not believe there is such a thing in being as a witch; and pray God that none of you, through a contrary persuasion, may hereafter be induced to think that you have a right in any shape to persecute, much less endanger the life of a fellow creature.
I beg of you all to pray to God to forgive me, and to wash clean my polluted soul in the blood of Jesus Christ, my saviour and redeemer.
So exhorteth you all, the dying
Thomas Colley
Whatever the state of Thomas Colley’s mind by the time it was strangled by the halter at Gubblecote Cross, Colley’s come-to-the-Enlightenment moment didn’t exactly impress his former audience.
[T]he infatuation of the greatest part of the country people was so great that they would not be spectators of his death (perhaps from a consciousness of being present at the murder as well as he); yet many thousands stood at a distance to see him go, grumbling and muttering that it was a hard case to hang a man for destroying an old wicked woman that had done so much damage by her witchcraft.‡
As if to prove the point, it is said that Colley’s spirit has haunted the area ever since — in the form of a big black dog. (Colley - collie, is that it?)
* Some sources (incorrectly) give August 22nd as the date of the hanging, which might be a confusion with April 22nd, the date of the crime. Similarly, the Newgate calendar dates Thomas Colley’s hanging to April 24th, which is certainly wrong.
** “It only became possible to restrain collective violence towards witches in England … when from 1856 onwards a paid and uniformed police force came into existence. Up to that point the elected, non-professional constable or his deputy had kept well out of incidents of this sort or had even supported his fellow villagers in their infamous activities.” (Source)
† John Osborne is often reported to have died hours after he was pulled alive from the pond, but at least some (pdf) contemporaneous sources seem to indicate that he lived on and even stayed in the area — where nobody would hire him because of his wizardry stigma.
‡ Cited in W.B. Carnochan, “Witch-Hunting and Belief in 1751: The Case of Thomas Colley and Ruth Osborne” Journal of Social History, Vol. 4, No. 4 (Summer, 1971).
(Thanks to Jeff Matthews of the Around Naples Encyclopedia for allowing us to run this abridged version of a much more detailed entry in that encyclopedia that’s well worth the read. -ed.)
Failed revolutionaries usually wind up as footnotes in history books. Certainly, the period between 1789 (the beginning of the French Revolution) and 1805 (the year in which Napoleon crowned himself emperor) is one of such turmoil in Europe that it is easy not to see any but those who are larger than life.
Eleonora Fonseca Pimentel vaulted onto the Naples literary scene as a teenage pop princess with a hit poem for the nuptials of King Ferdinand and Maria Carolina (the latter was Marie Antoinette’s sister).
Pimentel parlayed her puissant pen into a permanent position on the salon circuit, doing late-18th-century literary things like quoting classics and maintaining voluminous correspondences.
By the revolutionary 1790’s, she’d risen to become the aforementioned Queen Maria Carolina’s librarian, but was among those inspired by the liberta, egalita, fraternita of the French Revolution. When Napoleon tore through northern Italy and conquered as far as Rome, the monarchy rode out to reconquer the Eternal Cityget itself decimated, and Naples’ dreamers had their chance.
Pimentel turned her literary talents to the Republic’s service, including some outstandingly vituperative verse savaging the exiled Maria Caroline as a lesbian and threatening her with the guillotine.
-ed.
Eleonora Fonseca Pimentel is one such overlooked person. She was a major figure, but on a small stage, connected with the little known and failed Neapolitan revolution and subsequent short-lived Neapolitan republic of 1799. It was a sister of the French republic and one of many set up in the 1790s in Europe, all of which—the Neapolitan version included—have been relegated to the status of “also-rans” in history.
Eleonora was an unlikely revolutionary. She was born in Rome in 1751 of Portuguese nobility and would be hanged in Piazza Mercato in Naples in 1799 in a grotesque caricature of an execution. Her executioner, Maria Caroline of Hapsburg, Queen of Naples during the Neapolitan Revolution was also born in 1751. That was also the decade of the great Lisbon earthquake, about which an anonymous poet wrote lines as if describing the dramatic events that would soon shake Europe the way the earth had shaken Portugal:
With her last earthquake this round world shall rise,
The sun shall lose his fires in endless night,
And the moon turned to blood, glare horrid light,
When comets dire shall sweep athwart the sky,
And stars like leaves before the tempest fly.
Certainly, the last days of one of Portugal’s daughters, Eleonora Fonseca Pimentel, seem contained in that verse.
Stendahl, in Rome, Florence and Naples (1826) , reports at length a conversation about the Neapolitan Revolution and its grisly conclusion with a young man he identifies only as T***, an eye-witness to the events, themselves. Stendahl concludes: “I have been careful to suppress, during the course of this narrative, all the more gruesome details. Robespierre, whatever his faults, has this at least to be said in his favor: he did not count a majority of personal friends among the total number of his victims. Those whom he sacrificed, he sacrificed to a system, however ill-founded; not to his petty, personal spite.”
In Piazza Mercato, the fortunate among those sentenced to death* were beheaded swiftly. The less fortunate, among whom was Eleonora, were hanged. In her case, it was a ghoulish affair. Her body was left dangling from the gallows for a day, exposed to further jibes and humiliation, such as the popular verse making the rounds at the execution (cited in Albanese 1998):
A signora donna Lionora,
che cantava ncopp’ o triato,
mo abballa mmiezo ‘ o mercato,
viva viva ‘u papa santo,
c’ha mannato i cannuncini,
pe scaccià li giacubini!
Viva a’ forca ‘e Masto Donato
Sant’Antonio sta priato.
Roughly:
To lady Eleonora
who used to sing upon the stage
and now dances in market square,
long live the Holy Pope,
who sent us the guns
to chase away the Jacobins!
Long live the gallows and Master Donato [a traditional name for the hangman]
Praise be to Sant’Antonio.
Eleonora was calm at the gallows. She asked for some coffee, and—true to her intellect to the last—her last words were in Latin: “Forsan et haec olim meninisse juvabit,” a citation from Virgil—“Perhaps one day this will be worth remembering.”
One of the most interesting memories of the Revolution is the Palazzo Serra di Cassano, on via Monte di Dio. It was the home of Giovanni Serra, Duke of Cassano, one of Eleonora’s closest friends. Looking down at the crowd as he was about to die, he said, “I have always wanted good for them and now they cheer at my death” [cited in Albanese 1998]. The next day, his father closed the portal of the building that opens onto the Royal Palace and said it would remain closed until the ideals his son had died for were realized. The door is still closed.
The greatest memorial in recent memory, however, was when Vanessa Redgrave, the English actress, stepped out on the stage of the San Carlo Theater on Friday, January 8, 1999, and recited, in magnificent Italian, the title role in Eleonora, a 3-hour oratorio, an absolute hymn of praise to Eleonora Fonseca Pimentel. It was composed by Roberto de Simone, prominent Neapolitan composer and musicologist. The production had had a two-week run-up in the Neapolitan daily, il Mattino, replete with histories of the Neapolitan revolution, fragments of Eleonora’s poetry, long citations from historical heavyweights such as Benedetto Croce, and even the news that a descendant of Eleonora’s (through her brother’s line), another Fonseca Pimentel, would be at the premiere. The production, itself, was generally well received. The next day, the critic from il Mattino called it “an allegory of all the martyrs in history” (Gargano 1999). “Art is liberty,” he wrote, “and must free itself from the bonds of time like an ever-evolving presepio,” thus comparing the production to the traditional Neapolitan manger scene that celebrates the birth of the Savior. Heady praise, indeed.
Visit the Around Naples Encyclopedia for an expanded version of this post with much more about Eleonora Fonseca Pimentel’s biography, the unfolding of the Revolution, and its legacy.
Bibliography
Acton, Harold. The Bourbons of Naples. London: Prion Books, 1957.
Albanese, Camillo. Cronache di una Rivoluzione, Napoli 1799. Milan: Franco Angeli, 1998.
Bradford, Ernle. Nelson, The Essential Hero. London: MacMillan, 1977.
Croce, Benedetto. “Eleonora de Fonseca Pimentel.” Monograph. Rome: Tipografia nazionale, 1887.
Croce, Benedetto , et al. La Rivoluzione Napoletana. 1999 reprint by Tullio Pironti, ed. Naples: Morano, 1899.
Croce, Benedetto. “Eleonora de Fonseca Pimentel e il Monitore Napoletano” in La Rivoluzione Napoletana di 1799. Bari: Laterza, 1926.
Cuoco, Vincenzo. Saggio Storico sulla Rivoluzione Napoletana nel 1799. Milano: 1806.
Diana, Rosario. Forward to Vincenzo Cuoco, Pl atone in Italia. Naples: Pagano, 2000.
Gargano, Pietro. “Quei martiri nostri fratelli.” Il Mattino, January 9, 1999.
Gurgo, Bice. Eleonora Fonseca Pimentel. Napoli: Cooperativa Libreria, 1935.
Irace, Clorinda. E.F.P. Le tracce, i luoghi. Naples: Lions Club, 1977.
Macciocchi, Maria Antonietta. Cara Eleonora. Milan: Biblioteca Universale Rizzoli, 1993.
Stendahl. Rome, Florence and Naples. 1826.(Richard N. Coe, trans.) London: John Calder, 1959.
Urgnani, Elena. La Vicenda Letteraria e Politica di Eleonora de Fonseca Pimentel. Il Pensiero e la storia. Ed. Istituto Italiano per gli Studi Filosofici. Vol. 54. Naples: La Città del Sole, 1998.
Mary Standford was convicted of privately stealing a shagreen pocket book, a silk handkerchief, and 4 guineas from William Smith on July 11, 1726. After her conviction, she strongly rejected transportation to the American colonies as an alternative to execution.
Early Years
Standford was raised just outside of London by good parents who sent her to school and educated her in the principles of Christian values. Standford, however, showed more interest in the “Company of Young Men,” so she was sent to London to become a servant, where she lost several positions due to her behavior. In her last position she was seduced by a footman, which subsequently forced her into prostitution.
Standford quickly fell in company with Mary Rawlins, “a Woman of notorious ill fame,” and the two of them walked the streets between Temple Bar and Ludgate-Hill looking to empty the pockets, one way or another, of gullible men. Later, they had considerable success targeting sailors who, after returning from their voyages, had money to spend for their favors. Standford eventually married a man with the last name of Herbert, but after a year and a half she left him or, by her account, he abandoned her. Soon afterward, she had a child out of wedlock from another man, who was a servant.
Standford’s Arrest
With two mouths to feed, Standford set out to practice prostitution on her own, and it was then that she was arrested for theft. William Smith, who brought her to trial and was surprisingly frank in his testimony, related that he was walking along Shoe Lane after one o’clock in the morning when he was approached by Standford, who offered him to “take a Lodging with her.” He spent 2 or 3 three hours with her, all the while ordering drinks to be brought up from downstairs. He soon realized that he was missing money, and when he confronted Standford about it, she bolted from the room.
A constable caught Standford running away from Smith in the street. He picked up one of Smith’s guineas after Standford had dropped it, and he found another in her hand and two in her mouth. He also discovered Smith’s handkerchief and pocket book on her. In his testimony, the constable called Smith a “Country Man” and described him as very drunk at the time.
Standford’s version of the event was quite different. She claimed that Smith was drunk when she met him, and that he forced himself up to her room. There, he placed the four guineas one by one in her bosom and then threw her onto the bed. In the struggle, she speculated that his pocket book must have fallen out of his pocket, and when she discovered it after he left, she ran after him to return it. Not believing her story, the jury found her guilty, and she was sentenced to death.
A Rejection and a Defense of Transportation
After receiving her sentence, Standford’s friends pleaded with her to ask for a pardon in exchange for transportation. Standford refused, “declaring that she had rather die, not only the most Ignominious, but the most cruel Death that could be invented at home, rather than be sent Abroad to slave for her Living.”
The author of the Lives of the Most Remarkable Criminals was baffled by Standford’s position and presents a lengthy defense of the institution of convict transportation:
such strange Apprehensions enter into the Heads of these unhappy Creatures, and hinder them from taking the Advantage of the only possibility they have left of tasting Happiness on this side the Grave, and as this Aversion to the Plantations has so bad Effects, especially in making the Convicts desirous of escaping from the Vessel, or of flying out of the Country whither they were sent, almost before they have seen it. I am surpriz’d that no Care has been taken to print a particular and authentick Account, of the Manner in which they are treated in those Places; I know it may be suggested that the Terrour of such Usage as they are represented to meet with there, has often a good Effect in diverting them from such Facts as they know must bring them to Transportation, yet . . . if instead of magnifying the Miseries of their pretended Slavery, or rather of inventing Stories that make a very easy service, pass on these unhappy Creatures for the severest Bondage. The Convicts were to be told the true state of the Case, and were put in Mind that instead of suffering Death, the Lenity of our Constitution, permitted them to be removed into another Climate, no way inferiour to that in which they were born, where they were to perform no harder tasks, than those who work honestly for their Bread in England do, and this not under Persons of another Nation, who might treat them with less Humanity upon that Account, but to their Countrymen, who are no less English for their living in the New, than if they dwelt in Old England, People famous for their Humanity, Justice and Piety, and amongst whom they are sure of meeting with no variation of Manners, Customs, &c. unless in respect of the Progress of their Vices which are at present, and may they long remain so, far less numerous there than in their Mother-Land. I say if Pains were taken to instill into these unhappy Persons such Notions . . ., they might probably conceive justly of that Clemency which is extended towards them, and instead of shunning Transportation, flying from the Countries where they are landed, as soon as they have set their Foot in them, or neglecting Opportunities they might have on their first coming there, be brought to serve their Masters faithfully, to endure the Time of their Service chearfully, and settle afterwards in the best Manner they are able, so as to pass the Close of their Life in an honest, easy, and reputable Manner; whereas now it too often happens, that their last End is worse than their first, because those who return from Transportation being sure of Death if apprehended, are led thereby to behave themselves worse and more cruelly than any Malefactors whatsoever (Vol. III, pp. 287-289).
The author’s cheery account of life as an indentured servant in the American colonies certainly makes transportation sound like a compelling alternative to execution. The reality of life overseas under such conditions, though, does not match this picture, and some criminals valued their liberty over enforced servitude, even if it meant their own death.
Execution
In his account of her execution, James Guthrie, the minister at Newgate Prison, described Standford as “grosly Ignorant of any thing that is good.” He went on to say that “she was neither ingenious nor full in her Confessions, but appeared obstinate and self-conceited.” Standford continued to maintain her innocence in the affair with Smith, and she appeared indifferent about the fate of her child, expressing to Guthrie the hope that the parish would take care of it. Guthrie claimed, however, that “she acknowledg’d herself among the chief of Sinners.”
Mary Standford was executed on Wednesday, August 3, 1726 at Tyburn. She was 36 years old. Executed alongside her were 3 other criminals. Thomas Smith and Edward Reynolds were both sentenced to die for highway robbery. John Claxton, alias Johnson, was put death for returning twice from transportation before his 7-year sentence had run out.
Resources for this article:
Lives of the Most Remarkable Criminals. 3 vols. London: John Osborn, 1735.
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