Come close and see her and hearken. This is she.
Stop the ways fast against the stench that nips
Your nostril as it nears her. Lo, the lips
That between prayer and prayer find time to be
Poisonous, the hands holding a cup and key,
Key of deep hell, cup whence blood reeks and drips;
The loose lewd limbs, the reeling hingeless hips,
The scurf that is not skin but leprosy.
This haggard harlot grey of face and green
With the old hand’s cunning mixes her new priest
The cup she mixed her Nero, stirred and spiced.
She lisps of Mary and Jesus Nazarene
With a tongue tuned, and head that bends to the east,
Praying. There are who say she is bride of Christ.
According to Suetonius and Tacitus, Locusta was fished out of the dungeons in the year 55 for use by the young Nero, the stepson of the emperor Claudius, to murder Claudius’s natural brother Britannicus and assure Nero uncontested power. (There’s some speculation that she might have offed Claudius, too.)
[Nero] meditated a secret device and directed poison to be prepared through the agency of Julius Pollio, tribune of one of the praetorian cohorts, who had in his custody a woman under sentence for poisoning, Locusta by name, with a vast reputation for crime. That every one about the person of Britannicus should care nothing for right or honour, had long ago been provided for. He actually received his first dose of poison from his tutors and passed it off his bowels, as it was rather weak or so qualified as not at once to prove deadly. But Nero, impatient at such slow progress in crime, threatened the tribune and ordered the poisoner to execution for prolonging his anxiety while they were thinking of the popular talk and planning their own defence. Then they promised that death should be as sudden as if it were the hurried work of the dagger, and a rapid poison of previously tested ingredients was prepared close to the emperor’s chamber.
Locusta and Nero test their new and improved poison on a slave before administering it to Britannicus, by Joseph Noël Sylvestre c. 1875
It was customary for the imperial princes to sit during their meals with other nobles of the same age, in the sight of their kinsfolk, at a table of their own, furnished somewhat frugally. There Britannicus was dining, and as what he ate and drank was always tested by the taste of a select attendant, the following device was contrived, that the usage might not be dropped or the crime betrayed by the death of both prince and attendant. A cup as yet harmless, but extremely hot and already tasted, was handed to Britannicus; then, on his refusing it because of its warmth, poison was poured in with some cold water, and this so penetrated his entire frame that he lost alike voice and breath. There was a stir among the company; some, taken by surprise, ran hither and thither, while those whose discernment was keener, remained motionless, with their eyes fixed on Nero, who, as he still reclined in seeming unconsciousness, said that this was a common occurrence, from a periodical epilepsy, with which Britannicus had been afflicted from his earliest infancy, and that his sight and senses would gradually return. As for Agrippina [Nero’s mother, later murdered by the monster -ed.], her terror and confusion, though her countenance struggled to hide it, so visibly appeared, that she was clearly just as ignorant as was Octavia, Britannicus’s own sister [and Nero’s wife … also later murdered by Nero -ed.]. She saw, in fact, that she was robbed of her only remaining refuge, and that here was a precedent for parricide. Even Octavia, notwithstanding her youthful inexperience, had learnt to hide her grief, her affection, and indeed every emotion.
And so after a brief pause the company resumed its mirth. One and the same night witnessed Britannicus’s death and funeral, preparations having been already made for his obsequies, which were on a humble scale. He was however buried in the Campus Martius, amid storms so violent, that in the popular belief they portended the wrath of heaven …
The family horror of the Julio-Claudians was the career breakthrough for Locusta, whom Nero rewarded “for her eminent services with a full pardon and large estates in the country, and actually sent her pupils.” (Suetonius)
One presumes (although the ancient historians are not so kind as to share her accounts with posterity) that her baneful academy proceeded to do a roaring business for the balance of Nero’s 14-year reign, for she resurfaces in the narrative at the very end of it — as the desperate Nero’s supplier for a suicide draught when he was fleeing the Senate’s proscription.
Nero ended up doing the deed with a blade, not the poison. His dour and forgettable successor, Galba, enjoyed only the briefest ascendancy before he too was done to death on January 15 of the year 69 — but he made sure to use that interval to destroy Nero’s most hated henchmen, Locusta included. (Sans giraffe.)
In the case, however, of Helius, Narcissus, Patrobius, Lucusta, the sorceress, and others of the scum that had come to the surface in Nero’s day, he ordered them to be led in chains throughout the whole city and then to be executed. (Cassius Dio)
In the month of November, there was a terrible execution in the Ukrain[e]. The son of a peasant in that country had given himself out for the Czarewitz, son of Peter I deceased, in the year 1718.
He had come into a village on the frontiers, where he had declared himself as such to three soldiers, who were on guard near the pyramidal beacons fixed along the limits. These had done homage to him, as also the inhabitants of the village. The priest had caused the bells to be rung, and said a mass in his favor.
At length the people of the village assembled, and perhaps the matter would have gone farther, if it had not been for a Sotnick, or Cossack captain, who, hearing of it, acquainted general Romanzow, then in the neighbourhood.
This pretended Prince and his adherents, who were not very numerous, were easily seized, and conveyed to Petersburgh, where they had their trial in the secret chancery; after which they were sent back to the Ukrain[e]. There the major-general Schipow had an order to see them executed.
The self-made Prince was impaled; the priest and the three soldiers were put to different kinds of deaths.
The Empress forgave the peasants, but the village was razed to the ground, and the inhabitants were removed to other places.
On this date in the year 96, the Roman Emperor Domitian was assassinated … his very last act in the purple having been to condemn to death an astrologer who predicted Domitian’s murder.
Son and second successor of the Flavian dynasty’s founder, Vespasian, Domitian left his mark on Italian postcard stands by decorating the Roman Forum with the Arch of Titus to salute his older brother and immediate predecessor.
In his day he was known as a tyrant, especially compared to the dynasty which followed him; indeed, Domitian’s murder was the exact birth date for imperial Rome’s golden age in the judgment of Gibbon, who opined that “if a man were called to fix the period in the history of the world during which the condition of the human race was most happy and prosperous, he would, without hesitation, name that which elapsed from the death of Domitian to the accession of Commodus.”
Domitian, shall we say, set a low bar for the Antonines to step over by keeping the capital in a state of perpetual terror with wanton purges, not even excepting the sacred Vestal Virgins.
As is usually the case with ancient scrolls, our lurid accounts rarely furnish convenient dates to later death-bloggers. Our excuse for this occasion will be the condemnation Domitian issued to a nameless astrologer immediately preceding his own fate; alternatively, we could cite the subsequent execution of Domitian’s assassins which was successfully demanded by the soldiery, who admired him.
If this seems a cheat for an almanac site, consider that given a better documentary environment, the man’s entire reign would supply the execution-blogger a near limitless stock.
“It would be impossible to discover the total number of those who were executed by Domitian,” wrote Cassius Dio, conveniently excusing a gap in his research.* “Indeed, he condemned himself so severely for this course that, in order to prevent any remembrance of those who were put to death from surviving, he prohibited the entering of their names in the records.”
Pretexts for these executions under Domitian were as varied and capricious as the killings were numerous.
Many men and women alike among the wealthy were punished for adultery; some of these women had been debauched by Domitian himself. Many persons were also fined or put to death on other charges. Thus, a woman was tried and put to death because she had undressed in front of an image of Domitian, and a man for having associated with astrologers. Among the many who perished at this time was Mettius Pompusianus, whom Vespasian had failed to harm after learning from some report that he would one day be sovereign, but on the contrary had shown him honour, declaring: “He will surely remember me and will surely honour me in return.” But Domitian first exiled him to Corsica and now put him to death, one of the complaints against him being that he had a map of the world painted on the walls of his bed-chamber, and another complaint being that he had excerpted and was wont to read the speeches of kings and other leaders that are recorded in Livy. Also Maternus, a sophist, was put out of the way because in a practice speech he had something against tyrants. The emperor himself used to visit those who were expecting to accuse or to give evidence of guilt and he would help to frame and compose all that required to be said. Often, too, he would talk to the prisoners alone, while holding their chains in his hands; for he would not entrust to others the knowledge of what was going to be said, and as for the accused, he feared them even in their bonds.
As a consequence of his cruelty the emperor was suspicious of all mankind, and from now on ceased to repose hopes of safety in either the freedmen or yet the prefects, whom he usually caused to be brought to trail during their very term of office. He had first banished and now slew Epaphroditus, Nero’s freedman, accusing him of having failed to defend Nero; for he wished by the vengeance that he took on Nero’s behalf to terrify his own freedmen long in advance, so that they should venture no similar deed.
The historian Suetonius concurred that the emperor was taking Tiberius’s old turn into a paranoid old coot.
He put to death a pupil of the pantomimic actor Paris, who was still a beardless boy and ill at the time, because in his skill and his appearance he seemed not unlike his master; also Hermogenes of Tarsus because of some allusions in his History, besides crucifying even the slaves who had written it out. A householder who said that a Thracian gladiator was a match for the murmillo, but not for the giver of the games, he caused to be dragged from his seat and thrown into the arena to dogs, with this placard: “A favourer of the Thracians who spoke impiously.”
He put to death many senators, among them several ex-consuls, including Civica Cerealis, at the very time when he was proconsul in Asia, Salvidienus Orfitus, Acilius Glabrio while he was in exile — these on the ground of plotting revolution, the rest on any charge, however trivial. He slew Aelius Lamia for joking remarks, which were reflections on him, it is true, but made long before and harmless. For when Domitian had taken away Lamia’s wife, the latter replied to someone who praised his voice: “I practise continence”; and when Titus urged him to marry again, he replied: “Are you too looking for a wife?” He put to death Salvius Cocceianus, because he had kept the birthday of the emperor Otho, his paternal uncle; Mettius Pompusianus, because it was commonly reported that he had an imperial nativity and carried about a map of the world on parchment and speeches of the kings and generals from Titus Livius, besides giving two of his slaves the names of Mago and Hannibal; Sallustius Lucullus, governor of Britain, for allowing some lances of a new pattern to be named “Lucullean,” after his own name; Junius Rusticus, because he had published eulogies of Paetus Thrasea and Helvidius Priscus and called them the most upright of men; and on the occasion of this charge he banished all the philosophers from the city and from Italy. He also executed the younger Helvidius, alleging that in a farce composed for the stage he had under the characters of Paris and Oenone censured Domitian’s divorce from his wife; Flavius Sabinus too, one of his cousins, because on the day of the consular elections the crier had inadvertently announced him to the people as emperor elect, instead of consul.
His savage cruelty was not only excessive, but also cunning and sudden. He invited one of his stewards to his bed-chamber the day before crucifying him, made him sit beside him on his couch, and dismissed him in a secure and gay frame of mind, even deigning to send him a share of his dinner. When he was on the point of condemning the ex-consul Arrecinius Clemens, one of his intimates and tools, he treated him with as great favour as before, if not greater, and finally, as he was taking a drive with him, catching sight of his accuser he said: “Pray, shall we hear this base slave to?morrow?”
Domitian also seems to have been extremely superstitious, even by Roman standards. Suetonius gets a little carried away here, enough so that it is impossible at 2,000 years’ distance to guess precisely where the embroidery was sewn to the facts; after all, Domitian’s subjects and observers were all superstitious too. It certainly makes a jolly good story.
It is said that when Domitian was but a boy astrologers had forecast the very moment of his eventual violent death: the fifth hour of September the 18th in this very year. Domitian became extremely jumpy as Atropos’s shears drew nearer and dark omens began to accumulate around him:
For eight successive months so many strokes of lightning occurred and were reported, that at last he cried: “Well, let him now strike whom he will.” The temple of Jupiter of the Capitol was struck and that of the Flavian family, as well as the Palace and the emperor’s own bedroom. The inscription too on the base of a triumphal statue of his was torn off in a violent tempest and fell upon a neighbouring tomb. The tree which had been overthrown when Vespasian was still a private citizen but had sprung up anew, then on a sudden fell down again. Fortune of Praeneste had throughout his whole reign, when he commended the new year to her protection, given him a favourable omen and always in the same words. Now at last she returned a most direful one, not without the mention of bloodshed. (Suetonius again)
He tried to defeat the gods by having put to death an astrologer named Ascletarion, having first demanded Ascletarion’s prediction of his own manner of death: “that he would shortly be rent by dogs,” the oracle replied. To prove him wrong, Domitian had him killed some other way and immolated — but his satisfaction drained away when “it chanced that the pyre was overset by a sudden storm and that the dogs mangled the corpse.” Death closed around the prince, to his growing fear, and now he watched for the very hour.
At about midnight he was so terrified that he leaped from his bed. The next morning he conducted the trial of a soothsayer sent from Germany, who when consulted about the lightning strokes had foretold a change of rulers, and condemned him to death. While he was vigorously scratching a festered wart on his forehead, and had drawn blood, he said: “May this be all.” Then he asked the time, and by pre-arrangement [of those conspiring against Domitian] the sixth hour was announced to him, instead of the fifth, which he feared. Filled with joy at this, and believing all danger now past, he was hastening to the bath, when his chamberlain Parthenius changed his purpose by announcing that someone had called about a matter of great moment and would not be put off.
Retiring his bedroom to prepare for an exultant bath, Domitian was there attacked and stabbed to death by a steward named Stephanus, joined by several others — “Clodianus, a subaltern, Maximus, a freedman of Parthenius, Satur, decurion of the chamberlains, and a gladiator from the imperial school.”
Domitian’s memory was immediately damned by the overjoyed Senate, which proclaimed as his successor an elderly placeholder named Nerva (who immediately canceled treason trials against this same Senate). Nerva’s line of adoptive succession (Nerva himself adopted the redoubtable Trajan) would rule that “happy and prosperous” Rome of Gibbon’s celebration for the best part of a century.
* Cassius Dio wrote more than a century after Domitian. Suetonius and Tacitus are truer primary sources as both wrote their histories in the early second century, and both had themselves experienced life in Domitian’s Rome. Unfortunately the books of the latter’s Histories that cover the reign of Domitian have not survived to posterity — so from Tacitus we have only fleeting glimpses of the young Domitian aiding his father’s rise to power.
Zum Kampf! Zum Kampf! from Max Bruch‘s 1877 oratorio about Teutoburg Forest victor Arminius. Also be sure to check out the Handel opera.
September 11 in the year 9 AD marked the bloody conclusion of the Battle of Teutoburg Forest — the engagement that permanently scared the Romans off Germany.
One of history’s true turning-point battles, Teutoberg Forest abruptly stanched decades of expansion that had seen Roman arms ascendant from Britain to the Levant. Indeed, the Roman commander who had the dishonor of falling on his sword at this legendary defeat, Publius Quinctilius Varus, was an experienced imperial patrician as well-traveled as the Roman standards who has been seen in these very pages collaborating with the Judean King Herod to execute Herod’s former heir.
But it was in the shadows and bogs of Germany’s primeval forests that Varus made his legacy to the world, which was to have his name famously bemoaned by facepalming Emperor Augustus once news of the disaster made its way back to the Eternal City.
Prior to this cataclysm, the empire had been working a years-long plan to annex fringe chunks of the vast Magna Germania beyond the Rhine and Danube rivers with its customary view towards eventually bossing the whole place. “Upper Germania” and “Lower Germania” to the west of Magna Germania already answered to Rome, testament to recent campaigns launched from neighboring Gaul;* the vast frontier beyond peopled by fractious warring barbarian tribes, with whom Rome cut strategic divide-and-conquer alliances, appeared to promise a future march of Roman glories all the way to the Baltic Sea.
This imperial hubris was shattered at a blow by the Cheruscan chief Arminius, who thereby made his name immortal to Germany.**
He had the element of surprise on his side, because his family had been such loyal Roman allies that Arminius had been trained up in the Roman army as a youth, and even held Roman citizenship. Whatever it was he experienced seems to have nurtured an implacable desire him to keep it away form his homeland. When the time came his familiarity with Roman military orders would be a high card in his hand, too.
Back in Germania, Arminius maintained his overt affiliation with Rome but started sending out feelers to assemble a confederation against the legions. He played this double game so adroitly that Varus still trusted his “ally” implicitly when Arminius reported a Germanic uprising that wanted Roman chastisement. Blind to his danger, Varus duly (and with casual discipline that would read very culpably in retrospect) marched his 17th, 18th, and 19th legions out through the unfamiliar glooms of the Teutoburg Forest.
It was a right massacre.
Their column broken up by rough terrain and pounding autumn rains, the Romans were ripe pickings for German sorties beginning on September 9. Harried by the Germans over two days’ panicked marching, the Romans were pressed into a dead end where palisades trapped the desperate legions at the edge of a slough and put them to slaughter. A bare handful escaped to tell the tale, and no future legion would bear the numerals of those annihilated on this day.
Varusschlacht, by Otto Albert Koch (1909).
The scale of the defeat, by rude tribesmen the empire always counted on being able to bully, beggared the Roman imagination.
“An army unexcelled in bravery, the first of Roman armies in discipline, in energy, and in experience in the field, through the negligence of its general, the perfidy of the enemy, and the unkindness of fortune was surrounded,” Paterculus lamented. “Hemmed in by forests and marshes and ambuscades, it was exterminated almost to a man by the very enemy whom it had always slaughtered like cattle, whose life or death had depended solely upon the wrath or the pity of the Romans.”
To judge by Roman reports — and what gives this event a purchase on the annals of Executed Today — the battlefield rout transitioned directly to the ceremonial butchery of captives. (As well as the posthumous beheading of the suicide Varus.) While some suffered torture and execution, others were offered as ritual sacrifices to the Germanic gods who had so magnificently delivered the day.
Several years later, a Roman force out to re-capture the lost standards of the Teutoburg legions reached the site of the empire’s humiliation. Tacitus describes the scene as a horror.
In the center of the field were the whitening bones of men, as they had fled, or stood their ground, strewn everywhere or piled in heaps. Near lay fragments of weapons and limbs of horses, and also human heads, prominently nailed to trunks of trees. In the adjacent groves were the barbarous altars, on which they had immolated tribunes and first-rank centurions.
Some survivors of the disaster who had escaped from the battle or from captivity, described how this was the spot where the officers fell, how yonder the eagles were captured, where Varus was pierced by his first wound, where too by the stroke of his own ill-starred hand he found for himself death. They pointed out too the raised ground from which Arminius had harangued his army, the number of gibbets for the captives, the pits for the living, and how in his exultation he insulted the standards and eagles.
And so the Roman army now on the spot, six years after the disaster, in grief and anger, began to bury the bones of the three legions, not a soldier knowing whether he was interring the relics of a relative or a stranger, but looking on all as kinsfolk and of their own blood, while their wrath rose higher than ever against the foe.
Despite the devastation, Teutoburg Forest was no extinction-level event for the Roman Empire. The Rhine and Danube frontiers remained an ongoing source of action for the many centuries to come, but despite raids and incursions here or there Rome never more seriously aspired to Magna Germania.
A few books about the Battle of Teutoburg Forest
* The future emperor Tiberius campaigned heavily in Germania, the last of which was post-Varus operations from 10 to 12 AD sufficient to permit the Romans to declare an honorably victorious conclusion to the project. (Tiberius celebrated a Triumph afterwards.)
** Arminius — whose name has been held equivalent with “Hermann” — has been the subject of many literary celebratins in a nationalist vein, great business especially in the 19th century.
The Roman martyrology distinguishes August 9 as the feast date of several minor ancient saints of questionable veracity purportedly martyred by the persecutions of Rome.
Firmus and Rusticus
The Virgin of the Rosary with Saints Firmus and Rusticus (1603) by Pietro Marone
Saints Firmus and Rusticus are two gentlemen of Bergamo who are supposed to have wound up martyred in Verona under Diocletian‘s persecutions. There’s an Acts of Firmus and Rusticus that the contemporary church does not consider authentic; it’s possible that if they really existed they might have been North African Christians whose remains were translated to Verona.
Firmus and Rusticus are not the patron saints of Romeo and Juliet‘s hometown; that honor instead goes to Zeno.
August 9 is the vigil of St. Lawrence‘s martyrdom in Rome. St. Romanus is a legendary spinoff on Lawrence: a Roman guard who is supposed to have been so moved by Lawrence that he solicited baptism from the saint, and was immediately martyred for his trouble. Although his dubious historicity — one can’t but suspect outright fiction — has ushered him into the martyrology’s footnotes, he was formerly consequential enough to be sculpted for the colonnade of St. Peter’s.
Noccolo Mauruzi da Tolentino unseats Bernardino della Ciarda at the Battle of San Romano, by Paolo Uccello (c. 1435-1455).
Secundian, Marcellian and Verian
At last we have St. Secundian, another Decian martyr who was supposedly a Senator or similar VIP. August 9 marks his martyrdom perhaps near Civitavecchia, along with two bookish minions — students or scholars of some sort.
On an uncertain date perhaps around late July of 321,* the Roman emperor Constantine the Great had his son and also his wife mysteriously put to death.
It’s mysterious because besides execution, Constantine had a damnatio memoriae passed over his former family to bury any record of their sins in Time’s obscurity. These edicts didn’t always work … but in this case, if there were any who dared to record what happened, that illicit account did not survive its journey from antiquity.
But it was surely a shocking scandal in its time.
Crispus was Constantine’s first-born son and very much in the father’s favor. He was the child of a wife or concubine named Minervina. In 307, Constantine put this woman aside to make a more politically expedient marriage to Fausta, the daughter of Diocletian‘s retired-now-unretired co-emperor Maximian who with his son Maxentius held sway in Italy at that moment of the Roman Tetrarchy‘s ongoing collapse.**
Although Crispus didn’t offer his dad much in this situation by way of family alliances, Constantine kept him in his favor — by all appearances grooming him as an heir. Call it paying it forward: as a young man, Constantine himself had been in a similar position when his father Constantius dumped Constantine’s peasant mother in favor of an imperial marriage. That moment might have strangled a world-historic career before it even began, but Constantius instead chose to keep Constantine on the paternal cursus honorum.
So it went with Crispus — for a while.
In 317, Constantine, now emperor in the western part of the empire,† made Crispus into his Caesar; the boy ruled in Gaul and Germania for several years, thrashing barbarian tribes as he ought. Dad, meanwhile, was maneuvering towards victory over his eastern opposite number Licinius, with Crispus contributing an important naval victory in 324.
The young man (in his twenties at this time; his precise year of birth is uncertain) seemed on his way to a scintillating future.
Bronze coin from the mint of Rome depicting Crispus.
Things went pear-shaped suddenly in 326 when his father had him executed without any kind of warning that survives in the scant records available to us — and not only Crispus, but also Constantine’s own wife, that Fausta whose marriage might have threatened the boy’s status.
We don’t know why but the rumor as trafficked by the much later Byzantine historian Zosimus suggests a possible Parisina and Ugo scenario: “He put to death his son Crispus, styled Caesar, on suspicion of debauching his mother-in-law Fausta, without any regard to the ties of nature … [and] causing a bath to be heated to an extraordinary degree, he shut up Fausta in it, and a short time after took her out dead.”
It is down to conjecture what one ought to make of this nth-hand scandal-mongering; for impugning someone’s character one can hardly do better than an incest accusation. The story does appear to fit the few available facts, however, and Fausta was much closer in age to Crispus than to Constantine. It might also be noteworthy that three of Fausta’s sons went on to become Emperor and one daughter Empress but none of them ever rehabilitated mom.
Damned memory be damned, Crispus was rediscovered during the Renaissance and favored with several dramatic renditions embellishing the young man as a tragic hero, often with speculation that he was wrongly condemned to Constantine’s everlasting shame.‡ The events surrounding Crispus’s death being almost entirely obscured, writers could really go nuts with it; for example, Sir Walter Scott‘s Count Robert of Paris (set in Constantinople during the Crusades) features the story of an entirely fictitious penance built into subsequent Byzantine execution rituals by a remorseful Constantine:
But the death-blow had no sooner struck the innocent youth, than his father obtained proof of the rashness with which he had acted. He had at this period been engaged in constructing the subterranean parts of the Blacquernal palace, which his remorse appointed to contain a record of his paternal grief and contrition. At the upper part of the staircase, called the Pit of Acheron, he caused to be constructed a large chamber, still called the Hall of Judgment, for the purpose of execution. A passage through an archway in the upper wall leads from the hall to the place of misery, where the axe, or other engine, is disposed for the execution of state prisoners of consequence. Over this archway was placed a species of marble altar, surmounted by an image of the unfortunate Crispus — the materials were gold, and it bore the memorable inscription, TO MY SON, WHOM I RASHLY CONDEMNED, AND TOO HASTILY EXECUTED. When constructing this passage, Constantine made a vow, that he himself and his posterity, being reigning Emperors, would stand beside the statue of Crispus, at the time when any individual of their family should be led to execution, and before they suffered him to pass from the Hall of Judgment to the Chamber of Death, that they should themselves be personally convinced of the truth of the charge under which he suffered.
* Approximate times around the spring and summer of 326 have been proposed by various authors based on the very vague allusions of ancient sources. This author argues that numismatic evidence permits a more precise triangulation. Constantine in 326 journeyed from his new capital in the east to Rome: an imperial mint traveled with him, striking coins as it went — and some of those coins show Crispus. His presence on coins from various stops of this journey indicates that Crispus must have been alive as the procession reached Rome on July 21, 326, but the Caesar vanishes from them, and from history, immediately thereafter.
** The History of Rome Podcast narrates this period, with Constantine’s rise into political relevance in episode 130.
† The Tetrarchy was still tetrarching along pending Constantine’s victory over all: the system featured separate senior emperors East and West each dignified Augustus, and each Augustus had a junior fellow-emperor and heir titled Caesar. Constantine was Augustus of the West, and Crispus was a Caesar.
‡ Fausta tends to get somewhat shorter shrift than her putative lover. Crispus’s presence in the literary culture would appear to make him the namesake of the Boston American Revolution martyr Crispus Attucks. African-descended men in North America often carried Roman names, though “Crispus” was by no means a common one.
About 32 at his death, the “Bon Chevalier” was a member of the prestigious (and still-extant) Order of the Golden Fleece on the strength of a remarkable 1440s ramble around European where he would theatrically stage combats with local knights and never fail to win them. Celebrity and emoluments followed in their turn.
“Above all else, he knew the business of arms,” sighs a chronicle detailing his feats, and on its evidence it would be difficult to disagree.
He achieved his fame besting great champions in Aragon, Castile, Scotland, and Flanders, then set up a pas d’armes — the Monty Python-esque open challenge/invitation to battle all comers who dared him at a set location. In Jacques’s case the challenge lasted a full year at a statue of a weeping woman from which our pugilist derived the brand the Passage of the Fountain of Tears.
These were not intended to be fatal bouts but they featured expert fighters with real weapons so life and limb certainly stood in peril; occasionally our protagonist even deliberately courted danger by suiting up in only partial armor. Some challengers managed to emerge with a satisfying draw, but none could defeat him. At his last tournament in 1452, he even jousted the young future Duke of Burgundy, Charles the Bold. (There’s an enjoyable detailed recap of Jacques’s career here.)
As this warrior par excellence was simultaneously noted for the perfection of his outside-of-armor knightly conduct — fidelity, generosity, piety, swooning ladies — Jacques de Lalaing had a fair claim on his contemporaries’ admiration as the very apex of the age of chivalry.
And his own fate poignantly embodied that of his era.
“This hero-worship of the declining Middle Ages finds its literary expression in the biography of the perfect knight,” Huizinga wrote — like our Jacques de Lalaing, “that anachronistic knight-errant” of “fantastic and useless projects.”
The realities of court life or a military career offered too little opportunity for the fine make-belief of heroism and love, which filled the soul. So they had to be acted. The staging of the tournament, therefore, had to be that of romance; that is to say, the imaginary world of Arthur,† where the fancy of a fairy-tale was enhanced by the sentimentality of courtly love.
A Passage of Arms of the fifteenth century is based on a fictitious case of chivalrous adventure, connected with an artificial scene called by a romantic name, as, for instance, the Fountain of Tears or the Tree of Charlemagne. [the latter was another famous pas d’armes defended in 1443 by another Burgundian knight, Pierre de Bauffremont -ed.] … There is an unmistakable connection between these primitive forms of warlike and erotic sport and the children’s play of forfeits. One of the rules of the “Chapters” of the Fountain of Tears runs thus: he who, in a combat, is unhorsed, will during a year wear a gold bracelet, until he finds the lady who holds the key to it and who can free him, on condition that he shall serve her.
Jacques de Lalaing and his ritual delights came to a savage end at the siege of Poucques when he had the apt misfortune to be struck by a ball from a defending veuglaire. The romantic master of the lists thereby became one of the first European elites slain by a cannon: for a junction to modernity one could do a lot worse than this moment.‡
The untimely end of Jacques happens to have hit the news in recent months when the Getty Museum acquired a precious Renaissance manuscript illustration of the event by Simon Bening, never previously exhibited.
In this extraordinarily bright and detailed miniature, our courteous doomed glances upward at the citadel, forming a sharp compositional diagonal with the fatal cannonball speeding towards him … and the fiery plume belched by the chivalry-smashing device that has hurled it.
Detail view (click for the full image) of the Bening miniature.
* The precise date on which this minor siege concluded is elusive and perhaps ambiguous; I’m basing Executed Today‘s dating on the July 13, 1453 correspondence in this archive reporting that “Poucques est tombée en son pouvoir le 5 courant; qu’il a fait démanteler ce deux places fortes et livrer au dernier supplice leurs défenseurs.”
I have one body
And to you I offer and return it.
Here is my flesh;
Here is my blood;
Let me be slain, reduced to nothing;
Let my bones be split apart
For those for whom I am praying, if such is your will.
This date in 1375 is the best data point we have for the beheading of Niccolo di Toldo.
The Sienese archives offer scant documentation of this political execution; a decree of June 4, 1375 orders his examination for “the discord sowed by him in the city of Siena, pernicious and deadly to the state of the present government” — and a couple of letters on Niccolo’s behalf from the governor of neighboring Perugia. Francis Thomas Luongo in The Saintly Politics of Catherine of Siena — we will come to Catherine presently — next points in lieu of any remaining record of Niccolo’s execution to “the necrology of the Sienese Dominican friary [which] includes an entry for one ‘Nicholaus, familiarius of the Lord Senator,’ who died and was entombed in the cloister of San Domenico on 20 June, the vigil of the feast of Corpus Christi.” It’s not certain that this is the same man but the description fits him, and the date is one week after the last known letter on his behalf from Perugia — which was an appeal for mercy.
We are as ignorant of Niccolo di Toldo’s offense as we are of the date of his death. But his position (in the household of a senator) and his Perugian affiliation suggest him an agent of papal subversion.
Siena’s centuries-long decline from the ranks of Italy’s city-state powers dates ultimately to the Black Death outbreak of 1348. The Plague devastated Siena.
The ensuing generations saw authority in the great Tuscan city furiously contested; the government turned over repeatedly in the 1360s — the Dodici (the Twelve), the Tredici, the Quindici, each an executive committee of interested parties in the coalition of the day.
From the late 1360s and through the 1370s, the Quindici held sway: reformist guild leaders* who were opposed by the the deposed (and by now proscribed) ex-Dodici, Siena’s great magnates in alliance with the papacy. (Luongo delves into Sienese politics in considerable detail in his book.) By year’s end Siena would join a city-state coalition led by Florence that fought a three-year war against the papal states with the excellent name “the War of Eight Saints”.
That coalition and that thrust of policy is likely what a “political subversive” in 1375 Siena would be subverting. And the governor of Perugia appealing to the Sienese for Toldo’s life? He was a French cardinal, kin to Pope Gregory XI.**
Little as we know of Niccolo di Toldo prior to his death, that execution is one of the most famous in all of medieval Europe.
Catherine found Niccolo angry at his impending fate, initially refusing to see any spiritual counselor: no state of mind for a soul to meet its maker. Any of the confraternities tasked at this time with succoring those about to face execution would have been charged with bringing such a person to a condition of resignation and penitence.
Catherine achieved her mission to join the doomed man to God but much, much more than that: her account of their relationship, up to the moment when she ecstatically catches his falling bloody head, is a celebration of erotic mysticism. It’s also one of the most famous episodes of the saint’s life.
Niccolo’s virgin helpmate was herself noted for her mystical “marriage to Christ”: in it, Catherine presented her heart to the phantom Savior, and he his ritually circumcised foreskin to her.
Converging religious fervor and carnality mark her interaction with Niccolo, too; at one point she implies that she has sublimated the condemned traitor’s attraction to her into piety, and (as Catherine wrote a follower),
God’s measureless and burning goodness tricked him, creating in him such an affection and love in the desire of me in God, that he did not know how to abide without God, and he said: ‘Stay with me and do not leave me. Like this I cannot but be alright, and I will die content!’ and he had his head resting on my breast. I sensed an intense joy, a fragrance of his blood, and it was not without the fragrance of my own, which I wait to shed for the sweet husband Jesus.
Catherine saw Niccolo di Toldo only twice in the days leading up to his execution. When he went to the block, she was there to meet him: in fact, she was there early and made bold to occupy the condemned’s place on the scaffold, and to stretch her own neck out over the headsman’s block that her kindred spirit would soon soak in gore. It was as if preparing his bridal bed, where she would embrace Niccolo even as the executioner struck — the two as passionately near to one in soul and body as the logistics of a heavy blade’s arc can permit.
[H]e arrived, as a meek lamb, and seeing me, he began to laugh, and he wanted me to make the sign of the cross. When he received the sign, I said, “Come on! to the nuptials, my sweet brother! for soon you will be in life without end.” He got down with great meekness, and I stretched out his neck, and leaning down, I reminded him of the blood of the Lamb. His mouth said nothing but “Jesus” and “Catherine.” And, as he was saying thus, I received his head in my hands, closing his eyes on divine goodness and saying, “I want this!” (“lo voglio”)†
She clutched to herself the lifeless head that had dropped into her lap and beheld “with the greatest envy” Niccolo’s soul ascending in the martyrdom Catherine aspired to. Afterwards, she was reluctant to wash out the clothes spattered with blood from the sacred climax of death.
The Dominican friar Caffarini, an ally of Catherine who was later to become of the principal exponents of her canonization, wrote of the tableau that Niccolo
accepted death while still at a young age, in the presence of the Virgin and with her receiving his head into her hands, with such marvelous devotion that it was like the transitus of some devout martyr and not the death of one who was condemned for a human crime. And everyone watching among whom I was only one was so moved internally and from the heart that I do not remember any previous burial accompanied with as much devotion as that one.
* Apart from the enmity of the papal party, the powerful guild leaders of the Quindici faced working-class opposition that resulted in a 1378 revolt.
** Gregory XI was the guy who moved the papacy back from Avignon to Rome.
† Translated excerpts culled from snippets and excerpts in various locations. Original Italian versions of Catherine’s poetic letters are available in public-domain Google books here; there’s also a recent English translation by Susan Noffke.
On an unknown date thought to be approximately June of 1971, American photojournalists Sean Flynn and Dana Stone were executed by Communist captors in Southeast Asia.
Flynn is the big name of the pair,* literally: a former actor, he wasn’t in like his superstar father Errol Flynn. After trading on his prestigious name for a few silver screen credits, Sean grew bored of Hollywood and pivoted into a career in wanderlust — trying his hand as a safari guide and a singer before washing up in Vietnam where the action was in January 1966.
He made his name there as a man who would find a way to snatch an indelible image out of war’s hurricane, even at the risk of his own life.
One of Flynn’s photos: A captured Viet Cong being tortured. (1966)
On April 6, 1970, Flynn and fellow risk-seeking photojournalist Dana Stone hopped on rented motorbikes bound for the front lines in Cambodia. It was a last mission born of their characteristic bravado — all but bursting out of the frame astride their crotch rockets in the last photo that would become their epitaph. They were never seen again; having apparently been detained at a Viet Cong checkpoint, it’s thought that they ended up in the hands of Cambodian Khmer Rouge guerrillas and were held for over a year before they were slain by their jailers.
Flynn (left) and Stone mount the bikes for their lethal assignment. This is the last picture ever taken of them.
Sean’s mother, actress Lili Damita, spent years seeking definitive information about his fate, without success. Dana’s brother, John Thomas Stone, joined the army in 1971 reportedly with a similar end in mind; he was killed by friendly fire in Afghanistan in 2006. The prevailing conclusion about their fate arrives via the investigation of their colleague and friend, Australian journalist Tim Page — a man for whom memorializing the journalists who lost their lives during the Vietnam War has been a lifelong mission.
Though Flynn’s and Stone’s guts are undeniable, not everyone appreciated their methods. “Dana Stone and Sean Flynn [son of the Hollywood actor, Errol Flynn] were straight out of Easy Rider, riding around on motorcycles carrying pearl-handled pistols. Cowboys, really,” said fellow photog Don McCullin. “I think they did more harm than good to our profession.”
* He’s not to be confused with present-day actor Sean Flynn — that’s our Sean Flynn’s nephew. (Sean the nephew was named for Sean the uncle.)
On or around this date in 535,* the Ostrogothic queen Amalasuntha was put to death in the Italian lake island of Martana (You can also find her name rendered Amalasountha and Amalaswintha.)
The Roman-educated princess had inherited rulership of the Ostrogothic Kingdom, a successor state to the lately fallen Roman Empire, from its redoutable founder Theodoric. Technically the crown had passed to Amalasuntha’s 10-year-old kid; ruling as regent in a perilous situation, mom cultivated an alliance with the Byzantine emperor Justinian.
Her son took to boozing and carousing and died as a teenager, so Amalasuntha sought a new male imprimatur for her reign by the expedient of marrying a wealthy cousin, Theodahad. Though the nuptial deal had been for Theo to butt out of actual governance, he immediately strove to convert his power from titular to actual and became his wife’s deadliest rival — and then clapped her in prison. From the History of the Wars of Byzantine scribbler Procopius:
Theodahad, upon receiving the supreme power, began to act in all things contrary to the hopes she had entertained and to the promises he had made. And after winning the adherence of the relatives of the Goths who had been slain by her — and they were both numerous and men of very high standing among the Goths — he suddenly put to death some of the connections of Amalasuntha and imprisoned her, the envoys not having as yet reached Byzantium. Now there is a certain lake in Tuscany called Vulsina, within which rises an island, exceedingly small but having a strong fortress upon it. There Theodatus confined Amalasuntha and kept her under guard.
A Roman diplomat named Peter had already been dispatched by this time from the court of Constantinople to do some routine statecraft with the Goths, and he learned of the surprise reshuffling of power when he met Theodohad’s envoys on the road.
Procopius says — or does he? — that Byzantium tried to twist the Goths’ shaggy arms in support of their matronly ally, but could not prevail against the vengeance of the deposed queen’s foes.
When the Emperor Justinian heard these things, he formed the purpose of throwing the Goths and Theodahad into confusion; accordingly he wrote a letter to Amalasuntha, stating that he was eager to give her every possible support, and at the same time he directed Peter by no means to conceal this message, but to make it known to Theodatus himself and to all the Goths. … Now when Peter arrived in Italy, it so happened that Amalasuntha had been removed from among men. For the relatives of the Goths who had been slain by her came before Theodahad declaring that neither his life nor theirs was secure unless Amalasuntha should be put out of their way as quickly as possible. And as soon as he gave in to them, they went to the island and killed Amalasuntha, — an act which grieved exceedingly all the Italians and the Goths as well. For the woman had the strictest regard for every kind of virtue … Theodahad, such was his stupid folly, while still holding the slayers of Amalasuntha in honour and favour kept trying to persuade Peter and the emperor that this unholy deed had been committed by the Goths by no means with his approval, but decidedly against his will.
The “stupid folly” helped to trigger Justinian’s war against the Goths, which resulted in Byzantium’s conquest of Italy and (temporary) reunification of the empire. It also led Amalasuntha’s son-in-law Vitiges to depose and murder Theodahad in his own turn: just another turn of the wheel among backstabbing aristocrats.
Speaking of which: despite the pious good faith Procopius presents for Byzantium in his history above, his gossipy Secret History rewrites the story to attribute Amalsuntha’s fall not to the Ostrogoths’ internal political rivalries but to a catty assassination by Byzantine empress Theodora, whose low-born origin shows through here in murderous insecurity:
At the time when Amalasuntha, desiring to leave the company of the Goths, decided to transform her life and to take the road to Byzantium, as has been stated in the previous narrative, Theodora, considering that the woman was of noble birth and a queen, and very comely to look upon and exceedingly quick at contriving ways and means for whatever she wanted, but feeling suspicious of her magnificent bearing and exceptionally virile manner, and at the same time fearing the fickleness of her husband Justinian, expressed her jealousy in no trivial way, but she schemed to lie in wait for the woman even unto her death. Straightway, then, she persuaded her husband to send Peter, unaccompanied by others, to be his ambassador to Italy. And as he was setting out, the Emperor gave him such instructions as have been set forth in the appropriate passage, where, however, it was impossible for me, through fear of the Empress, to reveal the truth of what took place. She herself, however, gave him one command only, namely, to put the woman out of the world as quickly as possible, causing the man to be carried away by the hope of great rewards if he should execute her commands. So as soon as he arrived in Italy — and indeed man’s nature knows not how to proceed in a hesitant, shrinking way to a foul murder when some office, perhaps, or a large sum of money is to be hoped for — he persuaded Theodahad, by what kind of exhortation I do not know, to destroy Amalasuntha. And as a reward for this he attained the rank of Magister, and acquired great power and a hatred surpassed by none.