On this date in 1770, inveterate burglar William Linsey was hanged in Worcester, Mass.
Linsey never killed anyone but just couldn’t lay off the thieving — as he owned himself in a gallows broadsheet: “Having so often escaped with impunity, for my wretched crimes, I was under no awe or restraint, neither learning God nor regarding man, resolutely bent upon working wickedness.” That didn’t mean he didn’t get caught: he frequently did, and once was pilloried, flogged, and branded all in the same day as punishment for fraud.
The quote is courtesy of a Linsey profile by friend of the blog and occasionalguest poster Anthony Vaver, on his site Early American Crime — which notes that Linsey ultimately fell foul of a sort of colonial three-strikes law escalating penalties for mere property crimes all the way to the gallows in the case of repeat offenders.
On this date in 1492, 27 Mecklenburg Jews were burned together outside the gates of the city of Sternberg.
Illustration of the burning of the Sternberg Jews, from Hartmann Schedel‘s Weltchronik (1493)
These unfortunate victims of the Sternberger Hostienschänderprozess we have already met via their Catholic intercessor, Father Peter Dane. Although Father Dane got away for the moment — his punishment would arrive five months hence — the scandal consisted of Dane’s alleged provision of his parish’s consecrated Host to Mecklenburg’s impious Hebrews for their profanation in occult Semitic liturgies.
Mecklenburg’s elimination of her Jewry — for those spared the stake were banished — had a tortured legacy thereafter, as one might expect. In the immediate aftermath, Sternberg became such a discomfitingly profitable pilgrims’ destination that Martin Luther denounced by name its services to Mammon. (See our previous post on Fr. Dane for the details.)
Centuries afterwards, Weimar hyperinflation put Sternberg’s pyres and the coin of the realm together again when Sternberg issued its own notes, one of them blazoned with its famous burning Jews. Picture pulling one of these out of your wallet at the corner kiosk:
Sternberg’s Church of St. Mary and St. Nicholas, which prospered in the pilgrimage days, has a still-extant chapel of the holy blood built in honor of (and thanks to the donatives earned by) the outraged Eucharist. Today the historic chapel holds a contemporary sculpture titled “Stigma” — a reminder of the dark day in 1492 the chapel once celebrated.
After boozing it up at a performance of Tom and Jerry, or, Life in London* at Frank’s Hotel, 21-year-old Charles French fell into a drunken row with Edward Knowlan or Nowlan and shot him dead, in a case that occasioned a local moral panic about the dangerous carousing nurtured by the nightlife in the small frontier town.
Frank’s Hotel, York’s very first theatrical venue, was “neither under order nor restraint,” French’s respectable parents pleaded in their unsuccessful clemency missive. It was “the haunt of the gay and dissolute, the idle and the profligate, the ruffian and woman of bad fame, those who show in the light of the moon were there — and from its temptations few parents or masters could restrain the youth.” (Source) Theater troupes were banned from York stages for five years after the French affair.
French’s defense had likewise attempted to raise doubts about his mental competency, and although this worked as well as it usually did in a 19th century courtroom there was no small sentiment for French’s reprieve: (K)nowlan was a notorious goon, and the circumstances of the fray seemed muddled enough to bring the shooter’s degree of calculation into question. Two alleged accomplices, acquitted in separate trials, swore that Knowlan
The close clemency call carried a sharp political undertone. French was an understudy of the reform publisher William Lyon Mackenzie and his victim a Tory brawler who dealt out bruises in the service of Upper Canada’s “Family Compact” ruling clique. That his petition for mercy was rejected by Lt. Gov. Peregrine Maitland eventually became one of the (lesser) briefs against the Family Compact advanced a decade later during the Upper Canada Rebellion.
* The period’s several Tom and Jerry plays — no overt relationship is known between them and the 20th century Tom and Jerry cartoons — derived from Pierce Egan‘s smash hit Life in London, or, the day and night scenes of Jerry Hawthorn, esq., and his elegant friend Corinthian Tom in their rambles and sprees through the metropolis. The title characters capture vignettes around the city, naturally not excluding the condemned hold at Newgate, which they tour with their friend Bob Logic on the pretext of consoling one of Logic’s old friends.
An opportunity presented itself to our TRIO to visit the Condemned Yard in Newgate. “It was a mournful sight,” Logic observed to the Corinthian; “but as it was the intention of Jerry not to neglect visiting any place that might afford him information during his stay in London, he had been induced to make the proposition to Hawthorn; yet, he was free to confess, it was more especially on his own account, as he was compelled to attend, and companions would, therefore, prove very agreeable to his feelings upon such a melancholy occasion.” “We will accompany you, Bob,” replied Tom and Jerry.
The Plate represents the Morning of Execution, and the malefactors having their irons knocked off previous to their ascending the fatal platform that launches them into eternity. The Yeoman of the Halter [i.e., the hangman — at the time of Egan’s writing this would have been John Foxton] is in waiting to put the ropes about them. The Clergyman is also seen administering consolation to these unfortunate persons in such an awful moment; and the Sheriffs are likewise in attendance to conduct the culprits to the place of execution, to perform the most painful part of their duty, in witnessing the offended laws of their country put in force. It is a truly afflicting scene; and neither the pen nor the PENCIL, however directed by talent, can do it adequate justice, or convey a description of the “harrowed feelings” of the few spectators that are admitted into the Condemned Yard upon such an occasion. The tolling of the bell, too, which breaks in upon the very soul of the already agonized malefactor, announcing to him that he has but a few minutes to live, adds a terrific solemnity to the proceedings: —
The Condemned Yard is long, but narrow, and contains a great number of cells, one above another, forming three stories in height. Each cell measures nine feet in length, and six in width. [Compare with Dickens’s description -ed.] Every indulgence is allowed to those prisoners immediately the “death-warrant” arrives at Newgate, ordering them to prepare for execution. They are then allowed to remain in the Large Room (which the Plate represents), in order that the Clergyman may attend upon them as often as they desire it, and who, generally, previous to the morning on which they are to suffer, sits up praying with them the whole of the night. It is really astonishing, upon most of these occasions, to witness the resignation and fortitude with which these unhappy men conduct themselves: many of the most hardened and desperate offenders, from the kindness, attention, and soothing conduct of the Rev. Mr. Cotton, who is indefatigable in administering consolation to their troubled minds, have become the most sincere penitents; nay more, several prisoners, who have received a free pardon after having been ordered for execution, have since publicly declared that they should never again be in such a fit state to meet eternity. The criminal on the left side of the Plate, lifting up his hands in the attitude of prayer with the Clergyman, was once a character of considerable note at the West End of the Town, and from his vivacity, then designated “Lively Jem!” He soon ran through a fine fortune; and, to keep up his extravagances, he plunged into those destructive habits which ultimately brought him into this ignominious situation. Lively Jem, like most others, saw his error too late to repair it. He had not strength of mind sufficient to bear with the reverses of fortune; to fall from splendour to poverty was too much for his feelings; and, to avoid the jests and sneers of his once dashing acquaintance, under the appellation of “poor fellow!” and being excluded from their company, he thus violently terminated his thoughtless career. Jem had been at college with the Oxonian, and as his last request, lie had sent a message to Logic to attend upon him on this mournful occasion, in order to be the bearer of some important circumstances respecting himself to a female, to whom he had been very much attached, and who had also never been absent from him except this fatal morning. Logic was too much of a man to neglect another in the hour of misfortune; and it was to fulfil the request of a dying unfortunate acquaintance, that he came, accompanied by Corinthian Tom and Jerry, to the condemned Yard of Newgate.
On this date in 1829, the Slovak outlaw Matej Tatarka was hanged.
Tatarka — and most information about this character is in Slovak, as the links in the post will attest — was a brigand whose gang haunted the rugged wilds of the Tatras mountains straddling present-day northern Slovakia and southern Poland.
That was in the 1820s, a period when economic and political development in Europe were driving outlaws off the lands and into the wistful literature of a Romantic age. To consider an analogue: it was Ainsworth‘s 1834 novel Rookwood that elevated into myth the criminal career of Dick Turpin — a bandit who had hanged back in 1739.
Tatarka might have been the impetus for Slovakia’s simultaneous-to-Ainsworth recovery of its own hundred years’ dead knight of the road, Juraj Janosik.
Tatarka flashed into the emerging Slovak national consciousness in early 1829, when he escaped prison. Recaptured months later, the Habsburg empire’s sentence and execution of such a quaint figure could not fail to attract the interest of Slovak romanticists like Belopotcky, who helped circulate the fellow among artists by including Tatarka in his almanacs of Slovakian events.
* Kral’s Vignettes of Janosik in turn influenced his contemporary Jan Botto, whose Song of Janosik is 19th century literature’s definitive elegy for the bygone social bandit — concluding (with thanks to Sonechka for the translation)
When they hang me, the rain will mourn me
The moon and stars will shine for me
The winds will murmur over me, and the Tatras will resound with,
“Flown are thy golden days!”
Once they’d fixed on Tatarka’s predecessor, these Slovak writers couldn’t get enough; here’s Botto’s Death of Janosik in a dramatic reading:
Hugh Cahun had been in Scotland since probably 1565, in the service of a unit commanded by his older brother William. It was one of three Scottish cavalry commands in Sweden at this time; French and German troops too joined the polyglot coalition.*
In the summer of 1573, Cahun caught wind of recruitment among these foreign auxiliaries for a plot to depose the Swedish King John III in favor of his imprisoned predecessor Erik XIV. Cahun reported the plot, but he didn’t know enough about it to make it stick to someone else — so perversely, he himself became the one suspected of seditious design.
King John appears by his vacillation not to have been all that convinced of the turn justice had taken in this case, twice reprieving Cahun and ultimately sparing him the horrors of the breaking-wheel for a simple beheading — sort of the early modern equivalent of the calculating modern governor who, faced with compelling evidence of innocence, consents to send a condemned man to a dungeon for the rest of his life instead of letting the law take its course. (There’s an account of the back-and-forth run-up to Cahun’s execution in this public domain book, provided you’re packing your Swedish proficiency.)
He would have cause to regret his severity soon enough: in the months to come, it would emerge that the plot was actually being spearheaded by a French loyalist of Erik named Charles de Mornay, who would himself be executed the following September.
On this date in 1933, Dallas Egan hanged at California’s San Quentin Prison — and pretty much nobody was happier about it than Dallas Egan.
A cynic might attribute the puckish jig he reputedly danced en route to the gallows to the liberal allotment of whiskey, straight he had swallowed at the sufferance of Gov. “Sunny Jim” Rolph* — “all the whiskey he can safely stand up under.” It was just the governor’s way of saying thanks to the murderer for going so easy on the justice system.
Barely a year before, Egan and three accomplices robbed a Los Angeles jewelry store when, mid-robbery, an old fella with a hearing deficiency paused at the store window to check his pocketwatch against the wares n display — one of those little accidental moments that make up a life, or in this case, a death. Two deaths, actually. Egan shot the misfortunate William Kirkpatrick dead when the man didn’t respond to an order the robber shouted. “I gave the man full warning,” Egan explained.
But Egan didn’t mean to minimize his guilt; he was fully committed from the time of his capture to get himself the noose.
“I don’t know whether or not I’m insane,” he mused to the court when an attorney tried to secure a sanity hearing for him (per thisLos Angeles Times profile). “We’re all a little crazy; even you, Judge. But I don’t want nine years’ punishment, or 20 years. I want to pay in full!” In later months he would write the governor and the Supreme Court insisting on his just deserts and washing his hands of any appeal or clemency effort on his behalf.
Egan’s last morning, Oct. 20, 1933, began with a good breakfast, some final sips of whiskey and a cigar “tilted at a ridiculous angle,” according to one witness. The previous night he’d played a record of “Ida, Sweet as Apple Cider” over and over in his cell, telling guards: “I’ll dance out to that tune.” (Some newspapers misquoted this statement with the more formal “I want to dance out to the gallows.”)
When the hour came, he really did dance an Irish jig as he entered the death chamber handcuffed between guards. He then walked up the 13 steps, energetically and alone. Offering no final words, he plunged through the trapdoor.
Rolph’s generosity toward Egan resulted in a two-day controversy. Some Bay Area preachers chided him for it, but Rolph had the last word: “We would be pretty small when we sent a man into eternity if we could not grant his last request.”
(Thanks to Robert Elder of Last Words of the Executed — the blog, and the book — for the guest post. This post originally appeared on the Last Words blog. Fans of this here site are highly likely to enjoy following Elder’s own pithy, almanac-style collection of last words on the scaffold. -ed.)
“I am going to tell the truth before God. I am innocent of the charge…My kin people brought me to this, and I want them to pray to meet me in heaven. I have heard they said hanging was too good for me, that I ought to be burned…I hope this poor man will be released, as he is innocent before God.”
(Turning to her sister on the scaffold:)
“I want to be buried by the side of my mother, but they will not allow it. They don’t care what becomes of my body. Good-bye! Sister, good-bye!”
— Margaret Harris, convicted of murder, hanging, Georgia.
Executed October 19, 1883
Servant Harris, age eighteen, was accused of poisoning the family she worked for in order to leave and live with David Dukes, her alleged accomplice, whom she referred to as “this poor man.” Prosecutors said she first added the poison to coffee, which only sickened her mistress, widow Nancy Barnwell, and Barnwell’s two grandchildren. She then added poison, procured from Duke, to rice, killing one of the grandchildren. A commutation was requested from the governor, but it was refused “as there has lately been a perfect avalanche of poisoning cases and an example needed to be made of it,” according to the Chicago Daily Tribune. At the hanging, “In the Sweet By-and-By” was sung by the four clergymen attending. The condemned and spectators joined in the song.
Their individual tragic passions are little enough notable from centuries’ distance among the forests noosed at the dread Triple Tree, but they give us an excuse to drop in on our slightly gallows-obsessed friend, the barrister and scribbler James Boswell.
Best known, of course, for chumming around with Samuel Johnson and recording the latter’s every bon mot for posterity, Boswell attended this hanging (a regular pastime of his) and used it as the hook to elicit some Johnsonian musings on the terrors of death and the great indifference of the living to same.
I mentioned to him that I had seen the execution of several convicts at Tyburn, two days before, and that none of them seemed to be under any concern. Johnson. “Most of them, Sir, have never thought at all.” Boswell. “But is not the fear of death natural to man?” Johnson. “So much so, Sir, that the whole of life is but keeping away the thoughts of it.” He then, in a low and earnest tone, talked of his meditating upon the awful hour of his own dissolution, and in what manner he should conduct himself upon that occasion: “I know not (said he,) whether I should wish to have a friend by me, or have it all between God and myself.”
Talking of our feeling for the distresses of others; — Johnson, “Why, Sir, there is much noise made about it, but it is greatly exaggerated. No, Sir, we have a certain degree of feeling to prompt us to do good; more than that, Providence does not intend. It would be misery to no purpose.” Boswell. “But suppose now, Sir, that one of your intimate friends were apprehended for an offence for which he might be hanged.” Johnson. “I should do what I could to bail him, and give him any other assistance; but if he were once fairly hanged, I should not suffer.” Boswell. “Would you eat your dinner that day, Sir?” Johnson. “Yes, Sir; and eat it as if he were eating it with me. Why, there’s Baretti, who is to be tried for his life to-morrow, friends have risen up, for him on every side; yet if he should be hanged, none of them will eat a slice of plum-pudding the less. Sir, that sympathetick feeling goes a very little way in depressing the mind.”
On this date in 1968, Indonesian Lance Corporal Harun Thohir and Sgt. Usman Janatin were hanged in Singapore for bombing the Hong Kong and Shanghai Bank three years earlier.
Aptly, such confrontational behavior took place during the era of Konfrontasi, a running fight between Indonesia — feeling its oats as a regional power — and the British straits possessions that had just recently been amalgamated (to Indonesia’s irritation) into the new country Malaysia.
This wasn’t a “war” full of set-piece battles: think commando raids and jungle skirmishing instead. Initially confined to the island of Borneo of which Indonesia occupied three-quarters and coveted the remainder, the fight provocatively spilled to the “homeland” Malay Peninsula itself, including a number of saboteur bombings concentrated in Singapore — which was still a part of Malaysia in the early 1960s.
The most notorious and destructive of these was conducted on March 10, 1965, by our men Harun Thohir and Usman Janatir along with a third commando named Gani bin Arup. Tasked with bombing an electric station, they instead packed 12 kg of nitroglycerin into a bank — an iconic landmark that was at the time the tallest in its vicinity. The MacDonald House bombing killed three civilians and injured 133 more.
Gani bin Arup escaped successfully, but Janatin and Thohir suffered a motorboat breakdown and were apprehended. By the time their execution date arrived, a few things had changed: Singapore itself had been expelled from Malaysia to become an independent city-state; and, the Konfrontasi era had been dialed back with the deposition of Indonesian president Sukarno.
But the hanging still stayed on, and feelings ran understandably high for both the former antagonists.
The jurisdictional issue of most moment for the bombers was not the identity of the offended state, but their contention that they were regular armed forces members just following their orders and entitled to prisoner of war status. Jakarta was indignant at Singaporean courts’ dismissal of this angle; Singapore, well, it didn’t want to take a soft line on terrorists blowing up banks.
Headline in the Oct. 18, 1968 London Times, reporting “a crowd of 10,000 people who joined the procession to the war heroes’ cemetery here [Jakarta] carried banners proclaiming: ‘Declare total war on Singapore’, ‘Annihilate Singapore’, and ‘Hang Lee Kuan Yew‘.”
As is so often the case, one man’s terrorists are often another’s freedom fighters: the hanged marines remain tday official national heroes in Indonesia, and in 2014 the navy created a diplomatic incident with Singapore by christening a Bung Tomo-class corvette the KRI Usman-Harun.
The Anglican Church memorializes the feast of the Oxford Martyrs on October 16 — which also happens to be the date in 1555 that the first and second of those Reformation prelates went to the stake in that city.
The Oxford Martyrs are three in all, a proper trilogy;* the last in chronology if not in precedence was the Anglican Archbishop Thomas Cranmer, who sanctified King Henry’s putting aside his first wife, and was burned at the pleasure of that scorned Catholic’s daughter in 1556. By that time he outlived by seven months the men whose execution we mark here, Hugh Latimer and Nicholas Ridley.
Detail view (click for the full image) of a woodcut illustration of Latimer’s and Ridley’s martyrdom in John Foxe’s 1563 Book of Martyrs.
Given a different set of breaks and perhaps a Y chromosome in the royal offspring, Latimer might easily have been martyred a generation prior under a King Henry who stuck to his papist “defender of the faith” credentials. Latimer was a rising reformer in the late 1520s whose subversive preaching had already got him slapped down by Cardinal Wolsey.
Wolsey’s fall and Henry’s departure from the Roman communion arrived just in time to ramp Latimer from prospective heresiarch to the master pulpit rhetorician of a new order. (He’s particularly remembered for some metaphorical sermons about playing cards.) In 1535, Latimer became Bishop of Worcester in which capacity he did not disdain the office of exhorting Catholic martyrs themselves on the foot of the pyre. Even in Henry’s last years, when militant Protestants could be put to death as readily as recusant Catholics, Latimer courted principled danger by refusing to sign on to Henry’s “six articles” asserting Catholic doctrines like transubstantiation and clerical celibacy. Latimer resigned his bishopric and went to the Tower of London rather than endorse them.
Nicholas Ridley at this period was a reformist priest in Cranmer’s more cautious orbit, who advanced him rank by rank — and with no dungeon interim — to the Bishop of London and Westminster.** Ridley had the honor of being a primary antagonist to the radical John Hooper in the “vestments controversy”, Ridley defending the status quo of clergy bedizened with suspiciously Romish priestly attire despite the poverty of Christ.
Ridley basically won this dispute in the short term, but had scant leisure to celebrate before the sickly young king’s death set the realm up for a contested succession. Under his gilded robes Bishop Ridley spent the brief ascendancy of Lady Jane Grey thundering against the bastard rival who intended to — and very soon did — supplant her.
Tried together in your basic case of victor’s justice, Ridley and Latimer were burned with Cranmer brought out as a witness in an attempt to intimidate him. Cranmer’s vacillating recantations before his own execution do him little credit, but considering how the Ridley died it would require a hard heart not to empathize. Protestant martyrologist John Foxe made purple prose or a very black scene:
Then they brought a faggot, kindled with fire, and laid the same down at Dr. Ridley’s feet. To whom Master Latimer spake in this manner “Be of good comfort, Master Ridley, and play the man. We shall this day light such a candle, by God’s grace, in England, as I trust shall never be put out.”
And so the fire being given unto them, when Dr. Ridley saw the fire flaming up towards him. he cried with a wonderful loud voice, In manus teas, Domine, commendo spiritum meum: Domine recipe spiritum meum. And after, repeated this latter part often in English, “Lord, Lord, receive my spirit;” Master Latimer crying as vehemently on the other side, “O Father of heaven, receive my soul!” who received the flame as it were embracing of it. After that he had stroked his face with his hands, and as it were bathed them a little in the fire, he soon died (as it appeareth) with very little pain or none. And thus much concerning the end of this old and blessed servant of God, Master Latimer, for whose laborious travails, fruitful life, and constant death, the whole realm hath cause to give great thanks to Almighty God.
But Master Ridley, by reason of the evil making of the fire unto him, because the wooden faggots were laid about the gorse, and over-high built, the fire burned first beneath, being kept down by the wood; which when he felt, he desired them for Christ’s sake to let the fire come unto him. Which when his brother-in-law heard, but not well understood, intending to rid him out of his pain, (for the which cause he gave attendance,) as one in such sorrow not well advised what he did, heaped faggots upon him, so that he clean covered him, which made the fire more vehement beneath, that it burned clean all his nether parts, before it once touched the upper; and that made him leap up and down under the faggots, and often desire them to let the fire come unto him, saying, “I cannot burn.” Which indeed appeared well; for, after his legs were consumed by reason of his struggling through the pain, (whereof he had no release, but only his contentation in God,) he showed that side toward us clean, shirt and all untouched with flame. Yet in all this torment he forgot not to call unto God still, having in his mouth, “Lord, have mercy upon me,” intermingling his cry, “Let the fire come unto me, I cannot burn.” In which pangs he laboured till one of the standers-by with his bill pulled off the faggots above, and where he saw the fire flame up, he wrested himself unto that side. And when the flame touched the gunpowder, he was seen to stir no more, but burned on the other side, falling down at Master Latimer’s feet; which, some said, happened by reason that the chain loosed; others said, that he fell over the chain by reason of the poise of his body, and the weakness of the nether limbs.