Posts filed under 'Italy'

1937: Vincenzo Baccala

Add comment November 29th, 2018 Headsman

Italian Communist Vincenzo Baccala was executed on this date in 1937 … but not by the fascists.

The blackshirted turn of his country in the 1920s had driven Vincenzo into emigre exile, pursued by an in absentia prison sentence for “subversive propaganda tending to insurrection and incitement of class hatred.” He went first in Paris and then in 1931 to the USSR.

Although present in the fortress of Communism at the Party’s direction, and eventually an outright Soviet citizen, Baccala came into trouble after criticizing Stalin in 1933 and had to leave his family in Odessa as he struggled to find work. Come the height of the purges in the later 1930s, he was predictably denounced.

Baccala’s wife Pia Piccioni swallowed a bitter draught of her own; unable to see her husband or find support amid Stalin’s purges, she returned to her native country, finding little comfort either in Mussolini‘s Italy (for obvious reasons) or in postwar Italy (where red comrades shied from traducing the USSR). She wrote a book about her own and Baccala’s experiences, Compagno Silenzio: Una vedova italiana del gulag racconta.

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Entry Filed under: 20th Century,Capital Punishment,Death Penalty,Disfavored Minorities,Execution,History,Italy,Russia,Shot,Torture,USSR

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1926: Anteo Zamboni, Mussolini near-assassin, lynched

Add comment October 31st, 2018 Headsman

Halloween of 1926 was a festival of triumph for the Italian fascists … and they crowned it in a festival of blood.

The occasion marked (not exactly to the day) the fourth anniversary of Benito Mussolini‘s bloodless coup via the October 1922 March on Rome. And as a gift for himself and his populace, Benito Mussolini on that date inaugurated Bologna’s Stadio Littoriale by riding a charger into the arena and delivering a harangue.


Fascist-built and still in service, it’s now known as the Stadio Renato Dall’Ara and it’s home to Bologna F.C. 1909. (cc) image by Udb.

After another address to a medical conference later that afternoon, Mussolini was motorcading down via Rizzoli in an Alfa Romeo when a gunshot whizzed through his collar.*

It had been fired by a 15-year-old anarchist named Anteo Zamboni, vainly and sacrificially hoping to turn history’s tide with a well-placed bullet.

Instead, his act would offer Il Duce a Reichstag Fire-like pretext — there was always bound to be one, sooner or later — for a raft of repressive legislation including the creation of a nasty secret police, the dissolution of political opposition, and (of interest to this here site) reintroduction of the death penalty.**

But Anteo Zamboni would see his penalty delivered summarily after the crowd seized him.†

Zamboni was done to death with blows and blades by Mussolini’s fascist admirers right on the spot. In a turn of heart, Bologna — by tradition a leftist stronghold — now has a street named for the young would-be assassin. (Here is the source for the ghastly Mature Content images below of Zamboni’s brutalized corpse.)

The incident is the subject of the 1978 film Gli Ultimi Tre Giorni.

* Zamboni’s was only one of three assassination attempts on Mussolini in 1926 alone.

** Just days afterwards during the post-Zamboni repressive pall, the great Marxist intellectual Antonio Gramsci was tossed into prison, never to emerge. Gramsci’s Prison Notebooks issued out of his dungeon, before his health succumbed in 1937 to the intentional neglect of his captors.

† It’s reportedly cavalry officer Carlo Alberto Pasolini who first detained the youth: the father of postwar film director Pier Paolo Pasolini.

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Entry Filed under: 20th Century,Arts and Literature,Assassins,Attempted Murder,Bludgeoned,Borderline "Executions",Children,History,Italy,Lynching,Martyrs,Mature Content,No Formal Charge,Notable for their Victims,Public Executions,Put to the Sword,Revolutionaries,Summary Executions,Torture

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Feast Day of Gervasius and Protasius

Add comment October 14th, 2018 Headsman

October 14 is the original feast date* and alleged martyrdom date of early Christian saints Gervasius and Protasius.

Reputedly the twin sons of two other martyrs, their iconographic devices are the scourge, the club, and the sword, all of which implements were rudely employed by Nero’s (or possibly Domitian’s) executioners

Although put to death in Ravenna, their relics repose in macabre magnificence at Milan’s Basilica of Saint’Ambrogio; for this reason, the Roman church considers them patron saints of that city, and keeps their feast date on June 19, the anniversary of their relics’ translation. The Orthodox still mark the October 14 feast, which, being the execution date, is of considerably more interest to these grim annals.


Remains of Gervasius and Protasius at Milan’s Basilica Sant’Ambrogio, along with the remains of the cathedral’s builder and namesake, Saint Ambrose. (cc) image from BáthoryPéter.

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Entry Filed under: Ancient,Beheaded,Disfavored Minorities,God,Italy,Martyrs,Ravenna,Religious Figures,Torture,Uncertain Dates

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1499: Paolo Vitelli, duplicitous commander

Add comment October 1st, 2018 Headsman

On this date in 1499, Florence decapitated its chief general for dereliction of command.

Paolo Vitelli, a noted condottiero whose family had taken over Citta di Castello, was hired by the post-Savonarola Florentine Republic during the Italian Wars to campaign against Florence’s traditional rival, Pisa.

“If this man had taken Pisa, nobody can deny that it would have been proper for the Florentines to keep in with him,” mused Machiavelli years later in The Prince. “For if he became the soldier of their enemies they had no means of resisting, and if they held to him they must obey him.”

The prospective kingpin made fantastic progress against the Pisans, and when news reached his Florentine patrons that Vitelli had taken a key gate in Pisa’s walls, the city smugly began drawing up wishlists of humiliations to heap upon the vanquished. But at the critical moment, “just when the whole army, and especially the youthful Florentines who had joined the camp as volunteers, were carrying all before them by their indomitable ardour, they were suddenly ordered to retreat. And Paolo Vitelli, seeing the unwillingness of the soldiers to obey, rushed among them with his brother Vitellozzo* and drove them back with blows.”

As jaws hit tables all around Florence, Pisa’s defenders were hurriedly patching the breach and retrenching. The attackers had ransacked their treasury to finance the expedition; there was nothing for a do-over. Had Vitelli quailed, or was he playing some double game? Either way, Machiavelli lamented — contemporaneously this time, in his capacity as an emissary of state — “We should have preferred defeat to inaction at so decisive a moment.”

With mingled urgency and circumspection, Florence’s leaders arranged to invite Vitteli to a war council at which he was arrested. Interrogated on September 30th, he was beheaded the very next day.

* Three years later, Paolo’s brother Vitellozzo would also achieve the pages of Executed Today … and once again did so under the sharp eyes of Machiavelli.

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Entry Filed under: 15th Century,Beheaded,Capital Punishment,Death Penalty,Execution,Florence,History,Italy,Military Crimes,Soldiers,Treason,Wartime Executions

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1799: Ettore Carafa

1 comment September 4th, 2018 Headsman

On this date in 1799, a nobleman turned republican was turned into a martyr.

Fruit of the distinguished Carafa family, Ettore Carafa (English Wikipedia entry | Italian) was the Count of Ruvo but preferred the ennoblement of all mankind.

After a youthful trip to Paris on the verge of the French Revolution, Carafa returned to make himself the scandal of the Neapolitan aristocracy by such behaviors as translating the Declaration of the Rights of Man and of the Citizen and wearing the republican tricolor to the opera. Carafa was eventually obliged to break out of prison and take sanctuary in the Cisalpine Republic but he returned in glory (and no little satisfaction) with the 1799 Parthenopean Republic, when Naples briefly went republican, too. Commissioned an officer in revolutionary Naples’s army, he besieged his hometown of Andria.

Alas, this democratic interlude did not even live out the year, and many of its leading lights paid the forfeit to a violent reaction. Naples’s briefly-exiled queen was Marie Antoinette‘s sister and nowise forgiving when it came to Jacobin types and certainly not “such a man as Carafa, fit match as he was to Caracciolo, and held in almost equal terror by the Court.”

Carafa was one of its last holdouts, defending Pescara from siege well after Naples itself had fallen.

On September 4, 1799, Carafa mounted the guillotine with aplomb, his last words a command to the executioner Tommaso Paradiso, “You will tell your queen how a Carafa can die!” Then he slid himself under the knife on his back, boldly looking up at the instrument of death as it crashed through him.

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Entry Filed under: 18th Century,Beheaded,Capital Punishment,Death Penalty,Execution,Guillotine,History,Italy,Martyrs,Naples,Nobility,Power,Public Executions,Revolutionaries,Soldiers,Treason

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476: Orestes, father of the last Roman Emperor

1 comment August 28th, 2018 Headsman

On this date in 476, the father of the very last Roman emperor was put to death by a Germanic chief … a week before that last emperor was forced to abdicate his throne and the whole Roman experiment with it.

The final generation of Roman Emperors comprise a parade of nondescript interregnums, but the very last regnum fell to 16-year-old Romulus Augustulus whose destiny it was to seal the long fall of the (western) Roman Empire.

This youth with the apt nomen had been plopped in the purple by his dad, a Pannonian-born general named Orestes. Orestes had made his bones in the court of Attila the Hun before signing on as a free agent with Rome when the Hunnic polity collapsed after Attila’s death; he accordingly enjoyed the regard of the heavily-Germanic enlistees of Rome’s armies — a simpatico that constituted a great asset for Rome and a great danger for her sovereign. Our opportunistic general was able to turn this force against the previous emperor,* but as Gibbon notes, “having now attained the summit of his ambitious hopes,” Orestes encountered the danger of his disloyal soldiery from the opposite end of the spear.

[H]e soon discovered, before the end of the first year, that the lessons of perjury and ingratitude, which a rebel must inculcate, will be resorted to against himself; and that the precarious sovereign of Italy was only permitted to choose, whether he would be the slave, or the victim, of his Barbarian mercenaries. The dangerous alliance of these strangers had oppressed and insulted the last remains of Roman freedom and dignity. At each revolution, their pay and privileges were augmented; but their insolence increased in a still more extravagant degree; they envied the fortune of their brethren in Gaul, Spain, and Africa, whose victorious arms had acquired an independent and perpetual inheritance; and they insisted on their peremptory demand, that a third part of the lands of Italy should be immediately divided among them. Orestes, with a spirit, which, in another situation, might be entitled to our esteem, chose rather to encounter the rage of an armed multitude, than to subscribe the ruin of an innocent people. He rejected the audacious demand; and his refusal was favorable to the ambition of Odoacer; a bold Barbarian, who assured his fellow-soldiers, that, if they dared to associate under his command, they might soon extort the justice which had been denied to their dutiful petitions. From all the camps and garrisons of Italy, the confederates, actuated by the same resentment and the same hopes, impatiently flocked to the standard of this popular leader; and the unfortunate patrician, overwhelmed by the torrent, hastily retreated to the strong city of Pavia, the episcopal seat of the holy Epiphanites. Pavia was immediately besieged, the fortifications were stormed, the town was pillaged; and although the bishop might labor, with much zeal and some success, to save the property of the church, and the chastity of female captives, the tumult could only be appeased by the execution of Orestes.

As for the young puppet-emperor Romulus Augustulus himself, the conqueror who now proclaimed himself King of Italy wasn’t a vindictive man. “The life of this inoffensive youth was spared by the generous clemency of Odoacer; who dismissed him, with his whole family, from the Imperial palace, fixed his annual allowance at six thousand pieces of gold, and assigned the castle of Lucullus, in Campania, for the place of his exile or retirement.” This gesture of charity did not save Odoacer from suffering a violent death in his own turn.

* Julius Nepos has a claim on being the last Western Roman Emperor, insofar as Orestes’s revolt did not kill him but chased him to an exile where he pathetically maintained an ineffectual claim to the purple until his assassination in 480. It was only with Nepos’s death that the Western Roman Empire was formally abolished.

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Entry Filed under: Ancient,Execution,Heads of State,History,Italy,No Formal Charge,Notably Survived By,Occupation and Colonialism,Power,Roman Empire,Soldiers,Summary Executions,Wartime Executions

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Feast Day of St. Alexander of Bergamo

Add comment August 26th, 2018 Headsman

Saint Alexander, patron of the Lombardy city of Bergamo, has his feast date on August 26 which is also the anniversary of his execution.

A character for the muscular Christianity required by the rising religion’s imminent conquest of imperial leadership, the purported Alexander was a soldier — indeed, he was said to have been a part of the legendary all-Christian Theban Legion, which was violently discharged during the Diocletian Persecution.

Despite a supposed post-military career preaching the outlaw faith on the run from the authorities, Alexander invariably appears in iconography in his martial aspect, dressed in the armor that signified his station and the ambitions of his cult’s later promoters.

One such depiction, ready to stride into battle with the pennant of his faith, surmounts the Bergamo Cathedral which is dedicated to Saint Alexander.

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Entry Filed under: Ancient,Beheaded,Disfavored Minorities,God,Italy,Martyrs,Roman Empire,Soldiers

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984: Pope John XIV

Add comment August 20th, 2018 Headsman

On this date in 984, the deposed Pope John XIV* was killed in prison.

Pietro Canepanova was his name by birth, and Bishop of Pavia was his rank when elected.

The papacy’s political axis in these prostrated times was the influence of the Holy Roman Empire. The Saxon emperor Otto II had given years of exertion to projecting imperial power over Rome and the Holy See, which although much weaker than the empire lay spatially at the fringes of effective imperial influence. The upshot was a fractious curial snakepit directed at any given moment by Otto’s degree of proximity and attention.**

John’s death, whose circumstances aren’t known with certainty,† was a sort of tragic middle act for the empire’s Roman project.

A decade before, the imperial-backed pontiff Benedict VI had been overthrown and murdered by a rival, known to history as Antipope Boniface VII. Boniface was backed by a Roman patrician family known as the Crescentii — rivals to Otto in our story.

The Boniface/Crescentii usurpation required Otto’s Italian hand to seize the city, and Boniface legged it for Constantinople with as much of the Vatican treasury as he could stuff into his chasuble. Behind, in his cloud of dust, the Germans installed a new guy, Benedict VII.

When Benedict died in 983, Otto was personally knocking about Italy,‡ so he popped into Rome to guarantee John XIV’s succession. But the pestilential atmosphere was not merely figurative in these parts, and a malaria outbreak killed Otto within days. His unexpected death left the succession to a three-year-old son, Otto III … which meant a period of ebbing imperial muscle as felt by remote marches like Italy. John XIV had lost his protection.

Still hanging around all this while, Antipope Boniface VII jumped at the opportunity to mount St. Peter’s throne once more and invaded Rome with the support of Byzantium and of the Crescentii, sending Pope John to the dungeons of Sant’Angelo where he was quietly offed.

Boniface’s own reign is largely obscure to posterity but it can’t be considered successful given that at his death in July 985, “the body of Boniface was exposed to the insults of the populace, dragged through the streets of the city, and finally, naked and covered with wounds, flung under the statue of Marcus Aurelius.”

Still, the Crescentii held the whip hand for years … until little Otto III grew up and returned to Rome in the 990s with a vengeance.

* Fun papal trivia: owing to some confusion in Middle Ages scriptoria, it was for a time erroneously believed that our Pope John XIV in fact compassed two different and very short-lived Popes John — “Iohannes XIV and Iohannes XIV bis” (the second). As a result, the regnal numbering for this particular name went all wonky and eventually skipped an increment: a pope took the name John XXI in 1276 mistakenly thinking himself to be the 21st of that name, even though the previous John (more than 200 years before — the span during which the numbering goof entered the parchments) was John XIX. There has never been a Pope John XX.

** Although the players are different, the situation reminds of the circumstances around the Cadaver Synod a century prior — when the imperial instigator in question was Charlemagne’s waning Carolingian dynasty.

† He might have been starved to death, or strangled, or poisoned, or indeed slain via almost any means convenient to the new pope’s goons. The probability that the death was ordered by the new pope qualifies this borderline case for consideration as an “execution.”

‡ He was campaigning against the Byzantines and the Saracens to extend imperial power to southern Italy and Sicily.

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Entry Filed under: Borderline "Executions",Early Middle Ages,Execution,History,Holy Roman Empire,Italy,No Formal Charge,Occupation and Colonialism,Papal States,Politicians,Power,Religious Figures

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1293: Capocchio, Inferno-bound

Add comment August 15th, 2018 Headsman

On this date in 1293, the heretic and alchemist Capocchio was burned at the stake in Siena.

Little is known about about this man’s life, but thanks to his contemporary Dante we know a great deal about his afterlife. Capocchio appears among the “Falsifiers” or “Imposters” haunting the eighth circle of hell in Cantos XXIX and XXX of the Inferno.

We meet Capocchio butting into a conversation Dante is having with a different (also executed) shade — Capocchio crying out to support their mutual disdain for the “flighty” Sienese.

“But should you want to know who seconds you
Against the Sienese, direct your eyes to me
So that my face can give you a clear answer:
 
“See, I am the shade of Capocchio
Who falsified base metals through alchemy
And, if I read you rightly, you recall
 
“How fine an ape of nature I have been.”

This remark implies that Dante might have known Capocchio in life. Dante had a vivid destiny in mind for his maybe-acquaintance a few passages later, when

two shadows I saw, stripped and pallid,
Biting and running in the selfsame way
A hog behaves when let out of the sty.
 
One came straight at Capocchio and sank
His tusks into his scruff and, dragging him,
Scraped his stomach against the stony floor.
 
And the one left behind, the Aretine,
Shivering said, “That ghoul is Gianni Schicchi,
And he goes rabid, like that, mauling others.”

The attacker was another notorious imposter, with an artistic legacy of his own in the form of Puccini’s opera Gianni Schicchi … or both together on canvas via William-Adolphe Bouguereau.


Dante e Virgilio by William-Adolphe Bouguereau (1850) has the two named characters contemplating from the background as Gianni Schicchi takes a bite out of Capocchio.

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Entry Filed under: 13th Century,Arts and Literature,Burned,Capital Punishment,Common Criminals,Counterfeiting,Death Penalty,Execution,Heresy,Italy,Pelf,Public Executions

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1550: Jacopo Bonfadio, indiscreet

Add comment July 19th, 2018 George Bruce Malleson

(Thanks to George Bruce Malleson for the guest post on Italian humanist Jacopo Bonfadio (English Wikipedia entry | Italian). Although time’s ravages against the original legal paper trail has fogged the matter, it appears to be July 19 of 1550* that the Republic of Genoa took Bonfadio’s head for sodomy. In our more queer-friendly time, many scholars now believe (contra our Victorian guest author) that the scandalous charge might well have been accurate, although also one that most observers believe was invoked due to Bonfadio’s creditable disdain for protecting the secrets of the powerful. Malleson’s biographical vignette was originally published Studies from Genoese History. -ed.)

To possess genius — to have cultivated your talents to a degree which places you above the level of a prejudiced and half-educated community — to be incorruptible in a corrupt society — to have acquired, in virtue of your office, secrets which make you dreaded by the guilty — these are crimes which society, in a low state of morality, never has forgiven, never will forgive. They are, in fact, crimes which in every age have driven the perpetrator of them to exile, to proscription, and to death!

The truth of this statement has been illustrated by many noble examples, but of these there is not one more striking than that of Jacopo Bonfadio.

One of the most brilliant writers of the sixteenth century, a philosopher, a poet, and a historian, occupying one of the most important posts in the republic of Genoa, it was the fate of Bonfadio to be sentenced to be burnt alive for an offence which he had not committed, simply because, in his Annals of the Genoese, he had given certain indication of the possession of knowledge, which some influential families considered compromised themselves.

This was the sole crime of Jacopo. He was a self-made man; he had raised himself by his own abilities to the position he occupied; he was the intellectual life of Genoa; he possessed the confidence and affection of the learned; yet from this great position he was hurried to death by the machinations of the half-educated, corrupt, and demoralised amongst the influential families of the ‘proud city.’ [“la Superba”, the city’s nickname -ed.]

What he was, intellectually, may be gathered from the recorded opinions of his contemporaries, and of the great writers of subsequent ages. Thus, the French writer, Antoine Teissier, who flourished in the second half of the seventeenth century, pronounces him ‘l’un des plus beaux esprits d’ltalie;’ Menagio places him in the front rank amongst the poets of Italy; Bayle, in his dictionary, speaks of him as one of the best writers of the sixteenth century. ‘His private letters in particular,’ writes Mazzuchelli, ‘are held in the greatest esteem, so that not only are they considered equal to those of our best masters, such as Caro, Tasso, and Tolomei, but they are preferred by the soundest critics to the choicest productions of all the others. I do not propose to prove this by the sole authority of Octavio Rossi, who calls the style of his familiar letters “unique and inimitable,” for I can cite as strong supporters both Gianmatteo Toscano, who affirms without hesitation that Bonfadio might be regarded “in epistolis familiaribus Etrusca lingua tenui stylo, ac presso compositis, omnium Princeps;” and Scipione Ammirato, a judge not less competent, who frankly asserts that “he knows not what there is of polish in the art and manner of writing letters which is not to be found in the letters of Bonfadio.” Many other authorities are cited; but I need only name one, that of Ludovico Dolce, who, writing to Count Fortunate Martineiigo, thus expresses himself: ‘I have a liking for many men, but an especial liking for Bonfadio. I often see his letters, and I adore them.’

To his most famous work, The Annals of Genoa from 1528 to 1550, intended as the continuation of the history of Uberto Foglietta, it would be difficult to ascribe too much praise. The style is admittedly clear, elegant, and precise. But there belongs to it a greater praise — a praise the greatest of all — but which, by a strange contradiction of right, was earned by a quality which caused the death of the author. This quality, so rare, has thus been described in the concluding lines of a sonnet addressed to him by Alessandro Piccolomini, and which thus terminates:

Dunque direm de vostri scritti poi,
Quel che forse di rado in altro e detto;
Cosl series’ei, cosi fu fatto a punto.

And which may thus be imperfectly rendered:

In your writings we feel most acutely
A virtue so rarely conferred;
The events you describe so minutely
Are just the events which occurred.

It was because these annals were so true — I may say, so uncompromising in their truth — that they drew upon the author an anger, born of a lax perception of moral duties, which could only be satiated by his death. Written by Bonfadio in Latin, and translated into Italian by Paschetti, in 1586, they constitute to the present day the most valuable history of the events of the administration of the country after the recovery of its liberty by Andrea Doria, including the account of the conspiracy of Gianluigi Fiesco.

I will but briefly refer to the other writings of Bonfadio. They may, including those specially mentioned, be comprised under the following headings: I. His ‘Carmina,’ or Latin elegies; II. His rhymes. III. His letters. IV. His translation into Italian of the oration of Cicero in defence of Milo. V. The Annals of Genoa. VI. Poems translated from the Greek.

Regarding these I will extract only one criticism, and that will be on his elegies. Of these Antonio Abate Sambuca writes: ‘To all who examine them they appear a chef-d’oeuvre, whether for the perfection and regularity of the language, for the strength and novelty of the sentences, for the expression of the affections and manners, for the nobleness of the figures, for the clearness and sweetness of the style, and for the happiness and vividness of the rhyme.’ Of his poetry I shall give specimens at the end of the story, which I propose now to narrate, of his career.

The precise date of the birth of Jacopo Bonfadio has not been traced, but it is certain that he came into the world about the year 1500. He was born in Gazano, a small property in the Riviera di Said, in the province of Brescia. This property was situated between Salo and the river Clisi. He always believed that his family was of German origin, of noble race, and that his ancestors, settling on the banks of the river Clisi, had pursued there the vocation of blacksmiths. Such was the family tradition; but there seems reason to believe that he may have been mistaken, and that his ancestors were mountaineers of Brescia. This, however, is of little consequence.

Jacopo early displayed a happy disposition, and his natural genius was fostered by a careful education. At an early age he was sent to Verona and placed under the care of Signor Niccolo Pellegrini. Thence he migrated to Padua, to finish his studies at the university of that famous city. Here he so distinguished himself as to be accounted one of the most promising scholars of the university, from which he in after years received the degree of doctor of law.

His education completed, he set out for Rome — then the arena for the debut of a young man of ambition and of education. His first step seemed to promise success, for he was almost immediately appointed secretary to Cardinal di Bari. In this office he remained till the death of the cardinal, three years later. His life at this period he thus describes, in a letter written subsequently to his friend, Francesco della Torre: ‘For three years at Rome I served Cardinal di Bari in a very honourable position — that of secretary to himself — and I received from that Signor all the kindnesses which can be desired, without my asking for even one. And, besides presents, which he gave me every year, he promised to obtain for me a good position, in the most obliging manner, for he said I should not hope for it as emanating from his courtesy, but from my deserts. But when the time came he died, and all my hopes vanished.’

The loss thus sustained by Bonfadio was a great one. Again was he on the world. The new cardinal, Girolamo Ghinucci, did indeed appoint him as secretary, but he found himself on a footing very different to that he had occupied under his predecessor. ‘I served then,’ wrote he in the same letter to della Torre, ‘in the same office, Cardinal Ghinucci; and although one of his ministers, a man born in the country and brought up in the mountains, who had come smoke-dried and starved to Rome, with the old fierceness of soul and thenew avidity for office — although, I say, this man, who could do much, persecuted me with bitter hatred, in order to give my place to one of his friends, yet I might have hoped to obtain from the cardinal the post which Messer Giacomo Gallo, who succeeded to me, had afterwards, but, for my misfortune, a serious and long illness deprived me of my secretaryship.’

It was probably a little after this time, when at Venice, on his way to his native place, that Bonfadio incurred the temporary displeasure of two famous men of letters, his friends Paolo Manuzio and the Padre Ottavio Pantagato. It would appear that some four years previously the padre had made certain corrections in translations made by Bonfadio from the orations of Cicero. The translations as originally made Bonfadio had given to Manuzio, but he had refused to send him the emendations. Nevertheless, he did give or sell these to a printer named Giunta. The story is chiefly interesting from the insight afforded into his character by the letters of excuse he wrote on the subject to Manuzio: ‘Tramentino,’ he wrote, ‘gave me your letter. You can conceive how agreeable it was to me, and I thank you from my heart. I shall reply confusedly, for my mind is now agitated by pleasure and displeasure. I shall begin with that which weighs most upon it.

‘It is true that on the departure from Venice of the friend to whom I owed my life, it being necessary for him, in a matter concerning his honour, to go to Rome — he having no money even for his journey I was assailed by him with the most earnest and ardent prayers I ever heard, and, having no other means of succouring him, I did give to Giunta those corrections made four years ago by Padre Ottavio in certain orations of Cicero which you had from me in the Casa Colonna. … And although the cause which induced me to do this was one of humanity and duty, as you see, I am nevertheless liable to be blamed by the other side because I have disobliged you.’ He proceeds then to enter more fully, and with great feeling and eloquence into the case. The letter is a masterpiece of pleading, and of successful pleading, for it removed all anger from the mind of Manuzio.

Shortly after this correspondence Bonfadio received an offer to proceed to Spain in the suite of the Signor Guido Bagno, envoy of the Duke of Mantua. He accepted the appointment, in every respect very desirable, but he arrived at Rome to take it up only to find that Guido Bagno had just died. Full of sad thoughts Bonfadio at once quitted Rome for the kingdom of Naples. In this he passed many months travelling. He visited the places most famous for their beauty, their antiquity, and their historical recollections,. reaping much enjoyment, though, he adds very feelingly in a letter, no profit. In fact, his means at this period appear to have been extremely restricted. Having explored Naples, and found it intellectually barren, Bonfadio had resolved to proceed by sea to Venice, thence by land to Padua — the city of his education. But at this juncture he received a letter from his friend Marcantonio Flaminio, strongly urging him to return by way of Rome, as he would find in that city a patron in the person of Cardinal Ridolfo Pio di Carpi. He followed the advice, was well received by the cardinal, and assigned a stipend. Still retaining this he set out for Padua, where he had determined to fix his abode. He proceeded thither by way of Florence and Ferrara, renewing his acquaintance with valued friends at both those places. Arrived at Padua, fortified by his five years’ experience of the shallowness and instability of a courtier’s life, Bonfadio applied himself steadily to the study of the fine arts and of philosophy. He lodged in the house of Cardinal Bembo, who had for him so great an esteem that he appointed him one of the tutors to his son Torquato. He devoted likewise a considerable portion of his time to the education of the youth of the city, earning thereby their gratitude — for his name had become already established.

During his stay of from four to five years in Padua it was the custom of Bonfadio to make autumnal visits to various parts of the country. Thus, in the month of September, 1541, we find him at Verona; in October at Colognola, enjoying the society of his distinguished friend, Marcantonio Flaminio. More than once, too, he visited his native Gazano. The good effect on him of the re-opening of ties which exist between a man and the place in which he is born he thus recounts in one of his letters: ‘You know well,’ he writes, ‘that in Padua I was often tormented by a cloud of black thoughts, and that I came here to recover my serenity. That which I could not do myself by myself; that which you could not do by faithful reminders, by sweet reprovals, nor by efficacious prayers — for you are indeed a true friend to me; that which time could not do, although it is generally accustomed to do it — to be the only author of joy — that did in a moment the sight of this Riviera; for at the very first glance a deep sigh issued from my heart, and seemed to take away from me a mountain of humours, which till then had weighed me down.’

In a letter to another friend he thus expresses himself: ‘I am longing for the time to come when I may be there. Oh, happy time! I shall be in Gazano with the mountains and the rivers near me. Every eight days I shall descend to the lake, free from those thoughts which have kept my mind withered and burnt up. Carrying in my heart a lake of perfect joy, I shall go diverting myself, living a pure life, an Arcadian life with shepherds, shepherdesses, and the muses.’

It is not difficult to divine the cause of the sad thoughts to which Bonfadio alludes in these letters. He had, since his arrival in Padua, been mainly dependent for his livelihood upon the stipend granted him by cardinal Ridolfo Pio di Carpi. This stipend the cardinal suddenly, and without given reason, stopped. It became then difficult for Bonfadio to live in Padua in a style suited to his position and increasing fame. On this subject he thus wrote to his friend Francesco della Torre: ‘You know the conditions on which I now live in Padua; and it is because the maintenance I enjoy is not very secure, — not, indeed, because the Signor who keeps me here, Cardinal Bembo, is not very liberal, — I am always fearful lest it should diminish, — and the doubt which I feel regarding the future is the reason why I do not enjoy the present.’

Many thoughts of how to better his position appear to have crossed his mind at this period. At one time he endeavours to obtain the position of tutor in a well-to-do family; at another he strives to establish an academy for instruction in moral philosophy and ethics; at another he asks for an ecclesiastical benefice. But, if all these efforts were unsuccessful, a very long time did not elapse before he reaped the fruit of his studies. Just after he had learned that his application for the benefice was not likely to prove successful, there came to him from Genoa the offer of the Chair of Philosophy in that city. He promptly accepted it, and repaired without delay to his post some time in the year 1545.

Bonfadio went to his new labours with a light and cheerful heart. Nothing could have whispered to him that he was about to take up his abode amongst a people by whom his erudition, his honesty, his want of sympathy with every kind of corruption, would be imputed to him as the most heinous of all crimes. There was no cloud on- his brow now. In the other parts of Italy in which he had lived, he had been esteemed, honoured, and loved. The voice of envy and jealousy had never been raised against him. Enjoying at Rome, at Naples, and at Padua, the society of the most cultivated and intellectual men of the day, he might well have hoped to find some members of that class in the city still virtually governed by Andrea Doria. At all events there could be no suspicion in his mind that the very virtues which had caused him to be selected for the post to which he had been called, would prove, in the eyes of an influential portion of the Genoese society, defects so great as to necessitate his death.

We find recorded in his own letters his first impression of Genoa and its society. ‘I like Genoa,’ wrote he, after his arrival, to his friend Count Fortunate Martinengo. ‘I like Genoa, both for its position, and for all those peculiarities about it which you have seen. I have some friends, amongst them Messer Azzolino Sauli, a well-educated and refined young man. This winter I read the first of the Politica of Aristotle to an elderly audience, rather merchants than scholars. I am, then, up to a certain point happy, but am not without some annoyances. Towards the end of July I shall come to Brescia on my way to the lake.’ It is clear from this extract that he was little satisfied with the quality of his scholars. The same dissatisfaction may be traced in another of his letters. He writes: ‘The country is beautiful, the air good, the conversation agreeable; and if the intellects here were as fond of letters as they are of traffic in sea matters, I should be still better pleased.’ Still he never hesitated to declare himself quite satisfied with his lot, and ambitious of nothing beyond it.

To the duty of reading philosophy there soon became joined another. This was no less than to take up the history of the Republic at the point where it had been left by Uberto Foglietta, and to continue it. Bonfadio willingly applied himself to the task thus thrust upon him by the Republic. It was a noble undertaking. In 1528 Andrea Doria had restored to Genoa her liberty, and from that date Bonfadio started his annals. He had to write, in fact, the history of Genoa under the constitution which had been the first to secure her against the constant contests for authority amongst the great families — contests which up to that time had filled so large a part of her domestic history. The work was executed in a manner that may be pronounced perfect, whether with respect to the happy style or the accuracy of statement which characterised it. But it happened that amongst the events recorded in the twenty-two years, the story of the conspiracy of Gianluigi Fieschi occupied a very prominent place. Now all the archives of the State had been open to the inspection of Bonfadio. Either by their means, or by others to which, from his position, he was allowed to have recourse, he had become acquainted with a heap of secrets compromising many members of the aristocratic families. The reader who has accompanied me so far will probably recollect that many families belonging to the Portico Nuovo had given their adhesion to Fiesco; that even after the conspiracy had failed the Senate had actually treated with the elder surviving brother of the drowned Gianluigi; and that it was due, solely and entirely, to the personal influence of Andrea Doria, that that august body had consented to pursue ‘to the bitter end’ hostilities against the members of the family. It is very evident that the Fieschi had been supported openly by many, secretly by a considerable number, of the members of the Senate. It may even be inferred that their adherents were not to be counted in the Portico Nuovo alone.

In the Centuria No. 35, Trajano Boccalini gives the following figurative account of the appearance in Parnassus before the King of Heaven of Jacopo Bonfadio, after he had undergone the sentence pronounced against him, that of being burnt alive. ‘Hardly,’ he writes, ‘had the stoic youth been dismissed when there appeared in the hall of audience, all singed by the fire, Jacopo Bonfadio. He informed His Majesty that having been invited by the Genoese to write the history of their country, — solely because some of them had found him most resolved to write it with the dignity befitting an historian, without respect of persons, obeying only the voice of truth, — he had been terribly persecuted and accused of vice; that he thus had lost at the same time his reputation and his life. Apollo,’ pursues Boccalini, ‘contrary to the opinion of the rest, not only showed no compassion for the learned man, but informed Bonfadio in severe language that although the charge on which he had been tried might be entirely false, he did not the less deserve to be so treated by the Genoese by reason of his shameful imprudence. Because the writing of matters prejudicial to the honour of influential people during their lifetime and that of their sons, however true the matters might be, displayed rather imprudence or rashness than an uncorrupted mind and a love of truth; that a man must be a fool who should think he could preserve his life from the anger of an influential man whose reputation and perhaps even, whose honour he had attacked and soiled with his pen.’

There may possibly be some who would agree with Apollo.

-One of Malleson’s footnotes

Now, in writing the annals of that conspiracy, two courses were open to Bonfadio, — the honest and the dishonest course. He might tell the truth or he might disguise it. There was no middle way. The object of the compilation of the annals was to ensure for posterity an authentic record of the events of each year, without favour or affection for any man or any body of men. It was probably to ensure this result that the task had been entrusted to a distinguished foreigner, — though an Italian, — rather than to a born Genoese. Truth and impartiality were even more essential than a good style. Bonfadio possessed this peculiar qualification for the task, in that, whilst a distinguished writer, he had apparently no interest to conceal the truth. Obliged to speak, his inner conscience forced him to speak all he knew.

For such a man there could be but one course. Yet in Genoa — the city in which the educated people were money-making rather than intellectual — it was a course fraught with danger. The stern old man whose vigilance and caution had received so terrible a blow from Gianluigi Fiesco, and whose fiat was still supreme in Genoa, had not yet satiated his vengeance. The publication of all the secrets Bonfadio had acquired would, besides, induce the inference that he possessed others which he had not as yet divulged. The secrets of half the nobility of the city would thus be dependent on his forbearance. Yet Bonfadio did not hesitate. His Annals were found to contain such an account of the baffled conspiracy as could be acquired only by one who had acquainted himself with its most secret springs.

Then occurred one of those resolutions which most surely mark a low temperature of morality in a society. Bonfadio, it was evident, possessed certain secrets which many members of both Portici knew to be compromising to themselves. It was not as if each of those members had made a confidant of his fellow. Bonfadio, by the knowledge he had displayed in his annals, showed that he knew the secrets of each. Not one was sure that he might not at any moment be denounced. Without confiding in each other, all the secret conspirators knew instinctively that Jacopo Bonfadio was the common enemy of all.

Instinctively, too, each man simultaneously felt that Bonfadio must be got rid of. Not simply banished, for then he might tell his tale in other lands, but so dealt with that his tongue might be for ever silenced. Bonfadio, in fact, must die.

But how to accomplish his death. His life had been blameless. He was unmarried. They could not strike him through a wife. But he must be got rid of. The lie which could alone effect this must be a good one; it must have something in it of probability; something which was associated with the previous habits of the man. To unscrupulous Spirits of the baser sort the fabrication of such a lie was easy. It was produced. An infamous crime was manufactured, and Jacopo Bonfadio was Condemned to be burnt alive.

It is curious that of the process of this illustrious man no records are now to be found in the archives of Genoa. To an enquiry made on the subject by the author of the history of his life, Count Giainmaria Mazzuchelli, the following answer was returned: ‘The process of Bonfadio is not in the archives, nor are there any of his writings but the annals. I will search, in other places, but I cannot flatter myself that I shall be able to throw any light on the subject.’ Subsequently: ‘After having diligently searched in three different archives, in which it was possible something might be found, I have discovered nothing regarding Bonfadio, by which I conclude the process has either been taken away or burnt.’

Through the intercession and interest of his friends the sentence of burning was commuted into one of beheading, and this was duly carried into execution in the course of the year 1550. Bonfadio betrayed to the last all the consciousness of innocence. The following letter, the last of his on record, was written to his friend, Signor Giambattista Grimaldi, some short time before the sad event: ‘I am sorry to die, because it does not seem to me that I deserve so great a punishment; but I submit myself to the will of God. I am sorry, too, because I die ungrateful, not being able to thank so many honoured gentlemen who have toiled and laboured for me, and especially yourself. I give you, from the bottom of my heart, infinite thanks, and I consign to you and to Signor Domenico Grillo, and to Signor Cipriano Pallavicino, my nephew Bonfadino. My body will be buried in San Lorenzo; and if, from the world beyond, it shall be possible for me to convey to any friend a sign without terrifying him, I will give it. May all of you remain happy!’

Such was the end of Jacopo Bonfadio, a man who received death as the reward for exposing, in the course of duty, the crimes of the society of which he was a noble member. I have adopted the view that he was innocent of the crime attributed to him — that that crime was invented to screen delinquents from his censure — because that view is supported by the best authorities. Thus, Ghilini, in his ‘Teatro d’Uomini litterati,’ attributes the death of Bonfadio to ‘his having too freely, and perhaps more freely than became a historian, written severely of some families of Genoa.’ So, likewise, Carlo Caporali affirms that ‘Bonfadio, invited by the Genoese to write the history of their country, for speaking too freely, was, under other pretexts, condemned to the flames ;’ and in the’ Biblioteca Natiana’ it is stated that ‘Bonfadio was badly paid for his Annals, since, having spoken ill of some member of a noble family, he was accused, although innocent, of a shameful crime, and condemned to be burnt.’

The same sentiment was expressed by the celebrated poet Gianillateo Toscano, in the following lines:

Non mimis intumuit nuper Benaeus alumni.
Bonfadii, ac Musis, docte Catulle, tuis,
Bis tamen infelix: rapuit nam Roma Catullum
Bonfadium Letho das scolerate Ligur.
Historia teternum eujus, fera Genua, vivis
Immeritum sseva lege neoare potcs?
Mitius est, quod te spumanti vortice marmor
Pundit; et es scopulis durior ipsa tuis.

Trajano Boccalini, again, takes occasion to warn all writers of history, by the example of Bonfadio, against writing anything prejudicial to the honour of powerful members of a community; whilst Garuffi, in ‘Italia Academica,’ expressly asserts that ‘the capital crime of Bonfadio was his having described, with the freedom which is the duty of an historian, the conspiracy of the Fieschi.’ Finally Ottavio Rossi declares that’Bonfadio was really doomed to death for secret reasons of State, and not for the crime imputed to him.’ It is true that the historian, Mazzuchelli, summing up the various opinions which he cites, thinks it not impossible that he may have appeared guilty of having incurred the hatred of certain families, and also of the crime; but whilst he rests the evidence of his guilt of the crime solely upon some Latin verses written at the time by Bonfadio’s friend, Manuzio, who, in his turn, accepted the sentence as proof of guilt, Mazzuchelli proceeds to indicate that he may have made enemies not only by the freedom of his Annals, but by the honest freedom of his tongue, one example of which he cites. The opinion, then, of Mazzuchelli is certainly not borne out by the concurrent testimony I have cited, nor would it appear to be endorsed by later writers. Of these I will cite only one, Giunio Carbone whose work, the ‘Compendium of the History of Liguria,’ appeared in 1837.
Carbone thus sums up the case:

To write history, a mind resolute and impervious to fear is necessary. To expose nakedly the facts of a case is but a small thing; but to reveal the causes, to point to the consequences, and to assign to each actor his proper part, is the proper office of an historian. When this is done with respect to men of a past era, no danger is incurred; but, when men still living are referred to, it becomes necessary to offend either truth or the wrong-doers. For the first fault posterity will punish us; for the second, the offended wrong-doers will fabricate vengeance. It is never difficult for human malignity to paint its charges with the colour of reason. Jacopo Bonfadio had lived the greater part of his life wandering and unhappy. Nature had endowed him with a mind never satisfied with itself. After many wanderings he settled in Genoa, the life in which pleased him. To him was then allotted the duty of writing the annals of the Republic, and all the grandees of Liguria emulated with each other to do him honour. He wrote his work with great spirit and elegance, though not altogether with prudence, especially in his account of the conspiracy of the Fieschi. As an eyewitness of the event, and possibly aware of the part taken in it by certain grandees, he could neither suppress nor soften certain light allusions and certain pointed indications, which, in our days, may, indeed, have lost their significance, but at that time were as knives and spears piercing the hearts of many powerful nobles.

‘Now, those who were pricked in their own consciences, and who knew that Bonfadio was acquainted with their many secrets, terrified lest he should make still more important and damaging disclosures, tortured their ingenuity how they might rid themselves of him. Examining, then, very minutely his habits and mode of life, and finding therein no fault, not even a pretext, whereby they might convict him of a State crime, they thought they might compass his destruction by accusing him of some grave outrage against religion or morality … A process having been instituted against him, and he having been declared guilty, he was condemned to be decapitated and then burnt. The sentence was executed. But I do not believe, nor is it possible for me to believe, that he suffered so severe a penalty for a crime of that nature; nor can I conceive how the Ligurian Senate would have been so severe and ferocious in an age when Pierluigi Farnese boasted of greater atrocities, the indecent accounts of which were circulated in every country. No! the death of Bonfadio is attributable to far more potent causes — to the terror of that hypocrisy which veils the deadliest vengeance with professions of religion and of virtue, to the necessity of applying discipline to one who speaks about the most important affairs of the age in which he lives.

I cannot conclude this sketch of the life of this famous man, ‘whose writings,’ wrote Mazzuchelli, with great truth, ‘will live for ever immortal in the memory of the learned,’ without giving a few quotations from his letters and poems. It cannot but be interesting to know the opinion which such a man had formed of himself, the account which he has left of his habits and mode of life. These details, fortunately, still exist recorded in his letters to his most intimate friends. Thus, in a letter written in Genoa to his friend and patron, Signor Giovanibatista Grimaldi, he says: ‘Your Lordship having inquired about me from Messer Stefano Penello, it appears to me that I am bound to give you some information about myself. As to literature, it is true that I know less of it than I should like to know, and of the little I do know I don’t care to vaunt, for I detest arrogance, and am by nature inclined to its opposite. As to my life and habits, I would rather be accounted sincere and modest than a man of learning and letters. Above all, I love truth and honesty, nor can I change in this respect. … I am a man of few words, neither very cheerful nor melancholy, but very thoughtful, even more so than is good for me. In Rome I exhausted what I had of ambition, and I have learned to bear every inconvenience. I do not care for it when it comes, nor does it seem to me very strange when it does come, and I accommodate myself without ceremony to whatever may happen. I avoid the proud, but to .whoever shows me the smallest sign of courtesy I am the humble servant; nor do I ever insult anyone.’ Again, in a letter to a friend, dated Genoa, December 26, 1547, Bonfadio thus writes: ‘You deceive yourself if you think that I am other than I am. I am poor, alike with respect to nature, to fortune, and to virtue. Regarding the first I have not been able to increase my store, but I have lived very closely on that with which she endowed me at my birth. To the second, I have never been able to find out the road, although I have sought it in many places at the cost of great inconvenience. To the third, I do not deny that I have equally endeavoured to discover the way; but having seen that it was long, and rough, and steep, I have often been discouraged. Besides that, many times hard shocks of adverse fortune have struck me. And the syrens, still, have often sung in my ears, too open to their voices, so that I have remained at the foot of the mountain, whence only I have been able to see the summit of virtue. Yet I have had this happy fortune, that modesty having once descended from the peak I embraced her, and have since kept her with me.’

I shall conclude these extracts with one to his friend, Paolo Manuzio, written from Padua. ‘Your life,’ he writes, ‘is too much occupied and too much given to labour. Nor do I know for what end you are labouring; to enrich yourself? I do not believe it, for you do not measure riches with the crooked rule of the vulgar; and you have sufficient of the goods of fortune for your desires. Perhaps to have ecclesiastical honours? I do not believe that, because I know that you always held in higher esteem the being worthy of the honour than the honour itself; and already every honour is due to you. I see the stimulus that spurs you on, and that the desire for glory keeps you awake day and night. … Yet, although you may decrease, your labours, for which you are always striving to obtain new materials, you must not fear that the esteem of the world will decrease in the least, for your fame is already so high that it will always be recognised; Be content with that, and do not allow a love of glory to do that which may injure your health.’

I now proceed to give a few specimens of his imagination, as indicated in his lighter pieces of poetry. The first is a short extract from one of his longer odes. It may thus be rendered1: —

What men call Life, is like a meadow fair
Wherein some serpent makes his trench.rous lair:
And thus uneasy fears perturb each breast,
No heart finds happiness, no bosom rest.
‘Would as a child my life had passed away
‘Ere carking care began his cruel sway.’
Thus some. Whilst others nought but sorrow feel,
And sighs and wailings form their only meal:
And e’en if pain or death to vex forbear,
Still on their bosom lies the sleepless care,
Their pleasures finish ere they well commence,
Most brief those hours in which they.re most intense.

The next piece is addressed to his first love. The first four verses may be translated as follows: —

When the buds burst forth and blossom
In the month which heralds May,
And the scent of a thousand flowers
Is wafted from each spray,
I rise from my couch at daybreak,
And I seek my lattice and gaze,
And I list to the trills the nightingales
Pour forth as their song of praise,
And I see the glad sea peacefully
Smile its greeting to the morn,
And I feel my heart a glad captive led,
Yet I do not feel forlorn;
For I mind those days in my childhood,
When the crystal wave so dear
I stemmed, and sought from bank to rock
Delights in the water clear.
And I wrap myself in the memories
Of the past, and descend to the sea,
And I feel the soft air and all Nature
Seem, Laura, to murmur but thee!
Might it please the Fates that my heart.s desire
Should at last be granted to me,
Sweet Laura, then, I would supplicate
No sweeter boon than thee.
Then all Nature would seem more lovely
And the Graces and Loves, as a prey
Having yielded their charms, should follow
And grace thy triumphal day;
And I, who in thy absence
Feel all things dark and drear,
Should revel and bask in the light which shines
From those eyes so soft and clear.
And I, — What am I, dearest? None other than you see,
Whilst thou, in the wealth of thy beauty,
Art more than a goddess to me.
In the wealth of the youth of thy sweet spring-life
I could lie beside thee and gaze
On thy perfect form, and my lips should tell
Their tale of love and of praise.
I would tell thee what man men think me to be
Since the childhood of the past,
When I gave my heart to thy keeping, —
Oh! Love! shall I win thee at last?

I conclude with a short extract in the original from one of his Latin Carmina, on the subject of Villa Coloniola, the favourite resort for his autumn holidays: —

Nunc vivo: et vita est multo mihi carior, in me
Quum memini de quo venerit ilia loco.
Salve, o terra beata, mihi gratissima terra
Diis superis: salve dia Coloniola.
Nomen fama tuum immortalibus in monimentis
Protendat; nec te deruat ilia dies.
Haec lingua ante meis haerebit faucibus, ante
Haec dextra attractis concidet articulis,
Quam memori exanimo, et nostro de pectore migret
Saepe vocanda mihi cara Coloniola.

I should be glad to give a specimen of the clear and vigorous style of the Annals, but I refrain. It is possible I may some day be tempted to translate them into our language. I have met no Italian writings which would so well adapt themselves to the robustness and vigour of the English tongue.

For the present, I leave, and leave with regret, the name of Jacopo Bonfadio. He was not the first, and probably has not been the last, victim to the malignity of inferior natures, alarmed by the dread of the discovery of their own evil deeds. But to a noble nature his fate, sad as it was, possesses an element which reassures. It is true his enemies killed him. But, after a lapse of three hundred and thirty years, his name still lives, clothed with honour, veneration, and respect. But for those who killed him! A too kind Providence has preserved them, by the annihilation of their very names, from the execration of posterity!

* Even the year is a matter of dispute among various sources.

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