In Constance’s entourage came the enchanting Ines, the daughter, albeit illegitimate, of a Galician nobleman.
Peter was entirely smitten by entirely the wrong woman. Vainly did the Portuguese sovereign Afonso IV strive to conform his indiscreet son to the demands of conjugal propriety. At last, the put-upon Constance died after bearing Peter his heir in 1345 and left the field to her rival.
Afonso steadfastly refused to let his lovestruck son marry Ines, and even tried banishing her to Castile, but the two carried on their forbidden passion secretly like they were in poetry, which would soon be the case.
One of 20-plus operas and ballets about Ines de Castro. She also turns up in the Portuguese national epic The Lusíadas, the French play La Reine Morte, and Ezra Pound’s Cantos (“Ignez da Castro murdered, and a wall / Here stripped, here made to stand”) … among many other literary appearances.
But beyond any qualms of prudery, Peter’s made dad sweat the politics. Peter refused to marry anyone else, and got tight with Ines’s brothers. These guys were Castilian exiles with their own axes to grind. Was the whole fortune of his house and his realm to fall under the sway of this unpredictable faction just because Peter couldn’t keep it in his codpiece? The affair had already made a dog’s breakfast of the alliance Peter was supposed to contract with his scorned wife’s family; now that Peter was having kids** with his mistress, there was the potential for a contested succession, and the brothers were goading Peter to pretend to the throne of their native Castile.
Afonso figured that this was about where his son’s right to romantic love ended. Peter had proven many times that only the most drastic of steps could separate him from Ines.
On the 7th of January 1355, Afonso and his own advisors met in secret and declared Ines’s death. Then three of the king’s emissaries, Pêro Coelho, Álvaro Gonçalves and Diogo Lopes Pacheco, rode out to find the irksome mistress at Coimbra, and chopped off her head right in front of her children.†
It was only with difficulty that a sufficient reconciliation between father and son was effected to manage a stable transition once Afonso kicked off in 1357. Finally in charge, Peter set about earning that “the Cruel” sobriquet by hunting down the retainers who had slain his wife and having them all put to terrible deaths in their turn, like their hearts ripped out of their chests. Just like had happened to Peter, see.
Peter also announced that he had been secretly married to Ines, posthumously legitimizing her. Legend, probably apocryphal, has it that he even exhumed her body and set her up on the throne in regal finery like the cadaver synod, so that his courtiers could pay their respects to the putrefying flesh of “the queen who was crowned after death”. But she wasn’t coming back for real: in the still-extant Portuguese idiom, “Agora é tarde; Inês é morta” — “It’s too late, Ines is dead.”
Couronnement d’Inés de Castro en 1361 (c. 1849), by Pierre-Charles Comte.
In death at this hour, Ines de Castro reigns in a gorgeous carved tomb in the Alcobaca Monastery … right next to her lover, King Peter I.
* The Peter-Constance marriage was itself an alliance of marital castaways. Constance had been the child bride of Castilian King Alfonso XI, but was put aside by Alfonso so that he could realign his bedroom politics by instead marrying Peter’s own elder sister. But Alfonso neglected her, too — causing a love triangle that would in time end with an execution.
When Peter’s humiliated sister fled the Castilian court, the Portuguese royal family allied with Constance’s family against Alfonso, by marrying the spurned Constance to the spurned-in-law Peter.
** High noble titles were bestowed on the three children of Peter and Ines who survived into adulthood. Two of them, John and Denis, unsuccessfully attempted to claim the throne during the chaotic interregnum of Portugal’s 1383-1385 Crisis.
† Ines’s execution/murder is associated with Quinta das Lagrimas, the Estate of Tears, even though that’s not where it actually occurred. A fountain there is said to have sprung from the tears she said as she was slain, and its red stones stained by her blood.
On this date in 1757, 17 people went to the scaffold over wine prices in Portugal.
The seeds of these hangings had been sown back in 1703 when the Methuen Treaty gave Portuguese wines favorable tariff treatment in exchange for reciprocal advantages exporting English wool to Portugal.* “The Portugal Wines,” Daniel Defoe noted, “became our general Draught all over England” with this arrangement, since the deal enabled those libations to undercut French claret.
A nearly thirtyfold boom in wine shipments in the first half of the 18th century brought conflict over the proceeds. Struggling to keep up with demand, some growers adulterated the product, causing friction between the English export “Factors”** and the Portuguese producers.
With this profitable but acrimonious relationship at its most tense point, the authoritarian Marquis de Pombal introduced a royal agency charged with quality control — an act that also made Portugal’s Douro wine region the world’s first demarcated regional appellation. Pombal’s quality control regime, in turn, caused prices for the now-unadulaterated wine to spike.
While this triggered more complaints from the unappeasable British Factors, price changes also hit much closer to home: everyday Portuguese also found the price of regular table wine suddenly rising to their considerable consternation. Take away the wine from your populace at your peril.
On the morning of February 23, 1757, taverngoers and -keepers in Porto marched the streets of Porto in opposition to the royal monopoly, and the protests turned violent: a judge was roughed up, and some property vandalized.
Pombal suppressed ruthlessly this “Tipplers’ Riot” or “Tipplers’ Revolt” (the term “revolt” seems like an overstatement).
On October 14 of that same year, 13 men and four women involved in the mob were put to death in a Porto clapped under martial law. Dozens of others were sent to the galleys, exiled to Portugal’s colonies, or stripped of their property. Pombal, as was his wont, got his way … and the lucrative Methuen Treaty impressively persisted until 1840.
* Part of a larger strategic arrangement joining England, Holland and Austria against Spain and France.
** British exporters of the general Draught were collectively known as the “Factors”; their 1790 trade association and gentleman’s club building, the Factory House, is still to be seen in the city of Porto. “Adulterations” included the addition of grape brandy to stabilize the wine shipment, a practice that subsequently became accepted — and indeed, characteristic of port wine.
This date in 1646, the city of Evora, Portugal, celebrated an auto-da-fe — one of those festivals of Catholic orthodoxy in which penitents were paraded and the most wicked amongst them burnt to death.
They were also fine times for the Inquisitors who prosecuted them, and a burden on the public treasury only made sustainable by the contemporary looting of the New World. We turn for this account of profligacy to The Marrano Factory, a book whose thesis is that the alleged “Judaizers” these displays were meant to showcase were mostly just regular Catholics caught up by the chance factors of torture-adduced accusations or the presence of some remote Jewish ancestor on the family tree.
It’s not hard to see from what follows why the guys running them might have been convinced they were doing God’s work. It’s difficult, after all, to get a man to understand something when his sweetmeats and rabbit feast depend on his not understanding it.
With time and experience, the auto-da-fe publico and its minutely regulated ceremonial grew into a grand and pompous pageant. It was attended by the top brass, often by the king and the royal family and, much as a carnival, it galvanized the whole city into communal bustle …
All defendants appearing at autos-da-fe, public or private, had to wear a sanbenito. At the Evora public auto-da-fe of November 18, 1646, 165 covados (one covado = 0.66 meters) of red and yellow cloth were used, i.e., about 87 meters of cloth for 115 penitents and persons to be executed, costing a total of 62,700 reals at 380 per covado. On the two sides were painted the insignia corresponding to the offenses. In the case of those on death row, painters called in by the Inquisition had — seeing but unseen — to sketch their features and then paint on one side of the sanbenito their portrait, head engulfed by flames.
The day on which a forthcoming auto-da-fe publico was announced in the palace of the Holy Office was a festive one, as we can ascertain from the quantity of compotes and various pastries, procured from neighboring convents and delivered on that day to the secret chambers of the Inquisition. According to the List of Expenses for the Evora auto of November 18, 1646, 64,820 reals were spent on these dainties, hence more than on the 87 meters of cloth for the sanbenitos … and more than triple the cost of feeding a prisoner during an entire year (20,000 reals). It is worth noting that prison fare included meat, in order to test whether the prisoners were observing Jewish dietary laws. This fabulous quantity and variety of foodstuffs was destined exclusively for higher echelons of lawyers and clergy, i.e., three Inquisitors, four deputies, four notaries and a prosecutor, besides the six Jesuit fathers who confessed the six persons sentenced to death …
The feasting did not stop there. Since Friday was a “fast” day on which Catholics abstain from meat, six varieties of fish (sole, mullet, eel, pollock, snapper and sardines) as well as flour and olive oil to cook them in and seasonings for fish-cakes, to the tune of 27,546 reals, were delivered at the Palace of the Inquisition, to be eaten on that day and the left overs [sic] on the Saturday preceding the auto. This fish was distributed to everyone, including the guards who received also rations of bread, meat, wine and fruit, for a total value of 760 reals. The day of the ceremony proper saw the “auto-da-fe supper,” which we are coming to, by and by.
When they were done killing, it was time for the “auto-da-fe supper,” served at the estaus. In the Evora account of November 18, 1646 it comprised about 14 kilos of lamb, 20 young chickens and pullets, 12 roasting chickens, 4 ducks, 4 rabbits, 3 turkeys (each one cost more than what was paid to the painter for one portrait of a prisoner condemned to death); one sow “which was divided by the Gentlemen Inquisitors and the notaries” and one large fruit basket, containing Bosc pears, bergamots, chapel apples and rennets. Like the sweatmeats and compotes which had arrived at the palace of the Holy Office a fortnight before the auto, this repast was meant for the higher officials … it is a curious thing that there were as many turkeys as Inquisitors, as many duck and rabbits as deputies and notaries. This evokes both the idea of an alimentary hierarchy and a kind of remuneration in commodities. However that may be, the total expense of these men in food on the occasion of the auto came to about 110,000 reals (not to mention the porcelain and cutlery), or more than half of the total expense of the auto-da-fe.
The count of 12 executed people comes from a footnote in the text attributing a 3,600-real bill to the painter Miguel Fernandes for sanbenitos of hellfire made for the condemned. However, “executed” people “could refer to live people (‘executed in the flesh’) and to dead or otherwise unavailable people (‘executed in effigy’ or ‘executed in statue’) and in the latter case their effigies (‘statues’) were to be decked out and then ‘executed’.” So, call it a total of 12 flesh-and-bones people and effigies, in some combination; if there’s a firm accounting of who was executed (and whether they were alive, dead, or absent at the time) at this particular auto, I have not yet been able to locate it.
Young Cristovao would be ground up in this conflict whose mixture of geopolitics and sectarianism overtly smacked of those old-time Crusades.
After a jaunt to India in the train of his older brother, appointed the Portuguese governor of India, Cristavao was sidetracked on a return voyage for an intervention on the Christian side in a raging local war. For Europeans who for generations had trafficked in the vague and fantastical rumors of mythical Abyssinian ruler “Prester John”, putting a thumb on the scale for Ethiopian Christians against the rampant Arabs must have been nigh irresistible.
Joao III and his government, faced with mounting debts as the costs of military operations in the East steadily grew, were now forced to re-evaluate their global commitments … the new viceroy, Estevao da Gama, was ordered to destroy the Turkish fleet in Suez …
Estevao da Gama’s raid into the Red Sea became one of the best remembered episodes in the history of the Portuguese Estado da India. The fleet assembled at Massawa on the African shore and then proceeded to Suakin which was burnt and plundered. Part of the fleet then returned to Massawa while the rest sailed on to Suez where the Turkish ships proved to be securely based and inaccessible. On the shore of Sinai, as close to Jerusalem as the Portuguese were ever to come, Estevao da Gama enacted some of the rituals of crusading chivalary and made a number of knights before returning to Massawa. Meanwhile, Dom Joao de Castro, who accompanied the expedition, used the time to produce his famous guide to the Red Sea, the Roteiro do Mar Roxo, complete with the meticulous drawings of the ports and anchorages, a masterpiece of Portuguese Renaissance geography and science.
One of Joao de Castro’s drawings. (Source, a Portuguese pdf)
Meanwhile the Portuguese at Massawa had suffered extreme privations and a hundred of them had deserted, having been persuaded by [untrustworthy Potuguese-descended Ethiopian ambassador Joao] Bermudes of the richness and wealth of the interior. Their fate was to be captured and massacred by Ahmed Gran. Estevao da Gama now dispatched a force of four hundred soldiers under the command of his brother, Cristovao da Gama, into the interior to assist the Ethiopian king. Cristovao da Gama advanced from the coast with a force much the same size as that which Cortez had led into Mexico in 1519. He had with him horses, arquebuses and eight small cannon. His first objective was to link up with the fugitive Ethiopian king and his followers, but da Gama got separated from his supplies and was forced to fight a superior Somali force supported by Turkish mercenaries. The result was catastrophe. The small Portuguese army was badly mauled and da Gama himself fled wounded from the battlefield and was taken prisoner.
The capture of the viceroy’s brother, son of the great admiral, carried with it huge importance for the Turks. After being ritually humiliated (his beard being set on fire and his face buffeted with the shoes of his negro servant) Cristovao da Gama was beheaded.* For the Portuguese this was a disaster, the symbolic significance of which far transcended the military consequences of the defeat. However, the Christian church had long experience of turning catastrophe into triumph and, soon after the news of Cristovao da Gama’s death reached the outside world, rumours of miracles began to circulate.** Da Gama became one of the first martyrs of the new church overseas which in a hundred years of expansion had had all too few heroic deeds to celebrate.
After the death of their commander fewer than two hundred of the original army survived, but they were able to meet up with the Christian Ethiopian forces and, when the next campaigning season started in 1542, the combined army inflicted a heavy defeat on the Muslims, a defeat which took on a decisive complexion when it was realised that the leader of the jihad, Ahmed Gran, had been killed in the battle.
Da Gama’s expedition had been mounted from the resources of the official empire and had been commanded by one of the leading fidalgos of the Estado da India. However, few of da Gama’s soldiers returned to India Instead they settled in Ethiopia and married Ethiopian women, establishing a ‘Portuguese’ community that mirrored the ‘Portuguese’ communities in Aythia, Bengal, Kongo and elsewhere where soldiers had offered their military expertise to local rulers an had been content to settle and make their fortures far removed from the jurisdiction of the Portuguese Crown.
Although da Gama’s own end was unfortunate, his surviving force’s exploits on a side badly pressed could arguably be considered the decisive factor enabling Christianity to survive in Ethiopia’s highlands interior. Prester John would have been proud.
* “I write what I heard, it may well be that it was thus, for all that is barbarous and cruel about the Moorish king can be believed. The body, after death, was dismembered and sent to various places … because once when Granha was speaking with Dom Christovao, he asked him: ‘If you had me in your power, as I have you, what would you do to me?’ Dom Christovao, with great resolution and freedom replied, ‘If I had you in my power, I would have you killed, the head I would send to one place and the quarters I would distribute to other places’ (naming them, but I do not recall them). And Granha, they say that it was because he heard this, scattered the body to various places.”
** “Directly they cut off his head, God worked a great and manifest miracle through it, which was, that in the place where they slew him a fountain of running water gushed out, which had never been seen before: its water, through the goodness and power of God, gives sight to the blind, and cures those ill of other diseases. It appears that this miracle is like the one that God did in Rome for His Apostle St. Paul. The remains of the body of D. Christovao smell sweetly, giving forth so delightful an odour, that it seems rather of heaven than of earth.”
But after rounding up a volunteer militia and helping repel Dutch incursions in 1630 and 1632, Calabar switched sides and joined Holland.
Why he switched sides remains permanently obscure. Popular explanations include: the seductions of Netherlander lucre (Calabar’s detractors like this one); a politically mature calculation that the Dutch would make more progressive colonizers than the Portuguese (this was Calabar’s own defense: “I spilled my blood for … the slavery of my homeland … With its actions, the Dutch have proven better than the Portuguese and Spanish”);* or … somewhere in between
He was rewarded for his devotion [to the Portuguese] by the contempt of his countrymen, who were envious of his prowess. Wounded by this conduct, he left the Portuguese and joined the Dutch.
Whatever the reason(s) for it, Calabar’s switch was efficacious: he knew the lay of the land, and he was vigorous in helping the Dutch foothold of “New Holland” expand. The Dutch commissioned him a Major, and he gained a reputation for his ambushes.
I never met a man so well-adapted to our purposes … the greatest damage he could cause to his countrymen, was his greatest joy.
-English mercenary in the Dutch service
The Portuguese official Matias de Albuquerque eventually turned the tables and captured Calabar in a Portuguese ambush. He not only had the disloyal subject strangled, but quartered the body for public display.
This gruesome warning against collaboration did not prevent New Holland from growing to around half the Brazilian territory … but since Brazilians don’t speak Dutch today, you might have an idea how this is going to end.
As the (eventual) winners of this imperial affray, the Portuguese wrote a distinctly unflattering history of Domingos Fernandes Calabar, the disreputable traitor. He’s a sort of Benedict Arnold character synonymous with disloyalty for any Brazilian schoolchild.
But other interpretations are available.
During Brazil’s Cold War military dictatorship, when traitorousness might seem downright reputable after all, the “official version” was slyly subverted in several different stage productions, the best-known of which is a musical called Calabar: In Praise of Treason.**
Most of the information about Calabar online is in Portuguese; for instance, biographies here and here.
* Let it not be implied that the Dutch were out for anything other than the plunder of empire themselves: Calabar’s own home region of Pernambuco was desirable precisely because of its sugar cane cultivation.
Incidentally, the vicissitudes of war enabled many African slaves to escape to Maroon communities like Palmares — just a few miles away from Porto Calvo.
** See Severino Jaão Albuquerque, “In Praise of Treason: Three Contemporary Versions of Calabar,” Hispania, Sept. 1991. “Less interested in settling the issue of Calabar’s martyrdom than in provoking serious debate about the meaning of loyalty and national identity in times of political repression and in the context of a dependent culture, these plays … bring to the fore the manifold ambiguities the colonized face reacting to the hegemonic rule of the colonizer.”
He had, in his time, been a prominent exponent of the Jesuits missions’ policy in the Amazon, which amounted to asserting their own jurisdiction against the secular government’s attempt to order its overseas territories. (There’s more on that conflict here.)
And this only exacerbated his principal sin of being a Jesuit — an order whose diminution was eagerly sought by the rising statesman of Enlightenment Portugal, the Marquis of Pombal.
The shock of the 1755 Lisbon earthquake would deal Pombal the trump hand he needed to start reshaping both city and society to his liking.
Malagrida, meanwhile, carped that the earthquake’s causes
“are not comets, are not stars, are not vapors or exhalations,** are not phenomena, they are not natural contingencies or causes; but they are solely our intolerable sins … I do not know how a Catholic subject dares to attribute the present calamity of this tragic earthquake to causes and natural contingencies. Do not these Catholics understand this world is not a house without an owner?”
This published pamphlet merely echoed what many of the order were saying in the pulpits, and Pombal was not about to let the backwards, superstitious crowd** own the catastrophe.
Malagrida was banished from Lisbon: and, when the Tavora family was implicated in an attempt to assassinate the Portuguese king, Malagrida, their confessor, found himself clapped in prison.
Though the now-septuagenarian priest did not share the Tavoras’ grisly public butchery, he was left to molder. A couple years in a dungeon saw him go a bit strange, and supposedly he published treatises with such eccentric features as God’s personal instructions to Malagrida, and Malagrida’s fascination with St. Anne’s uterus. Catholic sources, which consider Malagrida a martyr, doubt that he ever published any such thing; if he did, it seems apparent that it was dementia rather than heresy that afflicted the old man.
But Pombal had installed his own brother as judge of the tribunal, so the matter was prearranged. The execution itself was
staged in a dramatic way, even to the point of Malagrida’s appearing on the scaffold in Jesuit habit, to impress upon the Portuguese and the world at large that an old order had come to an end and a new one was to be established … one might say that … symbolism at the cost of one human life was a relatively humane procedure in comparison with the symbolic elimination of whole classes of society in the twentieth century.
Detail view (click for the full image) of Malagrida executed at a Lisbon auto de fe. CC image from Ricardo Mealha, original provenance unknown.
Pitying the superstitious Jesuit at the stake, Enlightenment secularist Voltaire inveighed against Enlightenment secularist Pombal for conducting the execution … just part of Voltaire’s queer ideas about not killing people over their religious beliefs.
“It is all pity and horror,” Voltaire wrote in a private correspondence. “The Inquisition has found the secret to inspire compassion for the Jesuits.”
Voltaire’s appraisal in Candide (already published by this time) of a country in the grip of religious superstition unjustly stands as one of the lasting literary monuments to an event that actually rolled back clerical influence: “the sages of [Portugal] could think of no means more effectual to prevent utter ruin than to give the people a beautiful auto-da-fé; for … the burning of a few people alive by a slow fire, and with great ceremony, is an infallible secret to hinder the earth from quaking.” That the philosophe who penned those words waxed so immoderately outraged at the demonstrative chastisement of a man who preached precisely all that hocus-pocus — that Voltaire ascribed his execution to “the Inquisition” — plants the cherry on the irony sundae.‡
But Pombal’s expedient use of the Inquisition’s medieval machinery to make an example of Father Malagrida would not be the start of a pattern; the Pombaline reforms of the years to come brought the Inquisition sharply to heel, and it was Malagrida himself who was its last victim (pdf) in Portugal in its classical ecclesiastic form.
** The “God is pissed” hypothesis was posited against theories of earth’s vapors promulgated by the Pombal-sponsored scientist Ribeiro Sanches.
† Anti-Jesuit sentiment was widely abroad in Europe at this time; increasingly resented as political manipulators, the Society would be suppressed by papal order in 1773, only to revive during the post-Napoleonic reaction.
‡ Malagrida was well-known to contemporaries in Europe, but that does not mean sympathy for him was universal. The British pol Lord Shelburne was satirized as “Malagrida” for his putative duplicity.
On this date in 1582, Philippe Strozzi, the Florentine-born commander of a French naval expedition against the Spanish was summarily executed as a pirate.
The Strozzi were long one of Florence’s wealthy and powerful families, as evidenced by, say, the Strozzi Palace, or the Strozzi coat of arms on Michelangelo’s Doni Tondo.
That made the Strozzi sometime-allies, sometime-rivals* of Florence’s more famous powerbrokers, the Medici. It is in both capacities that we meet Philippe (English Wikipedia entry | Italian | French).
To cut a centuries-long story short, the Strozzi had basically come out on the wrong side of the power struggle in the 16th century.
Philippe’s father, Piero Strozzi, was the child of a Strozzi-Medici union, and Piero too married a Medici. He also fought the Medici for power and ended up in exile whereupon he gravitated to the French court of … Catherine de’ Medici. (Catherine had been educated at the home of Philippe’s grandfather, Filippo Strozzi.) Catherine then turned around and used Piero as a French Marshal, including sending him to back Tuscan city-state Siena in opposition to its (and France’s) rival, Florence.**
Your basic tangled geopolitical-genealogical web.
Bottom line, Piero’s son Philippe was born in Florence but grew up Gallic, and fought in the French army all over the continent from the time he was a teenager.
When France got involved in the War of Portuguese Succession, they put this warlike fellow aboard a boat and sent him to dispute Spanish King Philip II‘s attempt to claim the Portuguese throne and unify the Iberian peninsula.
Strozzi’s armada got its clock cleaned at the naval Battle of Ponta Delgada near the Azores, with devastating loss of life.
The Spanish galleon San Mateo, which did yeoman service at this battle.
Since Spain and France were putatively at peace, Spain treated its captives not as prisoners of war but as pirates, and proceeded to execute several hundred in Vila Franca do Campo. Strozzi didn’t even get that much ceremony, however; the day after the battle, he was mortally stabbed, then tossed into the waves.
Happily, the name and the fame of the Strozzi outlived Spanish justice. In the next century, a distant relative by the handle of Barbara Strozzi became one of the most renowned composers of Baroque vocal music. (As befits wealthy Italians of the Renaissance, the Strozzi were big on the arts; Philippe was supposed to be a fine musician himself.)
* The Strozzi-Medici conflict frames the action in the play Lorenzaccio, in which the titular Brutus-like character mulls assassinating the Medici dictator in order to restore the Republic, only to find no such restoration in the offing once he actually does the deed; the father and grandfather of our day’s protagonists are both principal characters.
Writing on what turned out to be the eve of Portugal’s landmark 1867 renunciation of the death penalty for criminal offenses, the 1866 report of Britain’s capital punishment commission observed:
The last execution which took place was at Lagos, on the 22nd of April 1846. And it is right to state also, that ever since the definitive re-establishment of a liberal government in this country, capital punishments have never been very numerous. Thus during the 13 years which elapsed between 1833 and 1846, inclusive, out of 99 culprits condemned to death there were only 32 executed, and the sentences of the remaining 67 were commuted.
[Portugal] is, then, the only [country] in Europe in which the punishment of death has been for the last 18 years de facto suppressed. Public opinion has gone before the law: and the law, in effacing this punishment from its provisions, far from being in anticipation of society, will not do more than give its sanction to a fact which has long been accepted by general feeling, and which at the present day it would be difficult to contravene. Even if the punishment of death were to remain inserted in the text of our penal legislation, I think I may with safety affirm it would be impossible to meet with a Minister of Justice who would venture to recommend the King to withhold the exercise of the Royal prerogative of pardon, and who would have the heart to order the timbers of a new scaffold to be again erected on the soil of Portugal.
Despite an abortive feint at backsliding during World War I, the popular sense of the issue does not seem to have changed much in the interim.
The tragedy of man, ‘a postponed dead body’ as Fernando Pessoa said, does not need an untimely exit from the stage. It is tense enough without an end that is artificial and planned by butchers, megalomaniacs, potentates, racisms, and orthodoxies. Therefore, being human, we demand unequivocally that all peoples should have a code of humanity. A code that for all citizens guarantees the right to die their own death.
Two and a half centuries ago today, Portugal’s noble Tavora family was extirpated in Belem.
[A] scaffold eighteen feet in height was erected in the market-place of Lisbon, during the night of the 13th, round which was drawn up a cordon of military. Precisely at 7 o’clock in the morning, the old Marchioness of Tavora, as the most guilty, was brought upon the scene, her hands bound, and a rope round her neck. She was placed on a chair, and her eyes being bound, the executioner struck her head off without the previous utterance by her of any complaint. After her came the twenty-one-year-old son, Joseph Maria de Tavora. They bound him on a cross raised aloft, broke his arms and legs with iron clubs, and then strangled him with a rope. The same fate befell [Tavora son-in-law] Jeronimo de Ataide, Count of Atouguia, the young Marquis Luiz Bernard de Tavora, colonel of cavalry, his servant Blasius Joseph Romeiro, Corporal Emanuel Alvarez Fereira, valet of the Duke of Aveira, and the body-page, John Michael. Their corpses were all flattened upon wheels, which were placed on poles, and this proceeding took up so much time that fully half an hour elapsed before another execution could be proceeded with. After the page Miguel or Michael, the executioner took the old Francis d’Assis de Tavora, bound him on a St. Andrew’s cross, gave him three blows on the chest with an iron rod that resounded to a distance, shattered his arms and legs, and then gave him his coup de grace through the heart. The executioner’s men then, amidst wild shrieks, shattered the arms, legs, and thighs of the ninth victim, the old Duke of Aveiro, while still alive, then killed him by a blow on the chest, and threw him into the blazing fire. Finally, the tenth delinquent, the valet Anton Alvarez Fereira, brother of the above-mentioned Emanuel, was conducted before the corpses of the nine who had been previously executed, each one being shown to him; he was then bound to a stake, round which was placed a heap of wood, and this being set fire to, was raked together until he was completely consumed* … When the execution was over, the scaffold, together with all the dead bodies, was set on fire and burnt to ashes, which were thrown into the Tagus.
Other outstandingly gory images of this day’s business are here.
Oh, and one last thing:
[T]he palaces of the high nobility who had been executed were pulled to pieces and levelled to the ground, and salt strewed on the places where they had stood, as a sign that they should never be built up again.
This stone marker was placed on the site of the razed palace of Jose Mascarenhas, the Duke of Aveiro. “On this infamous land,” it announces, “nothing may be built for all time.” Copyrighted image courtesy of Ludgero Paninho.
Seems someone got the idea that the Tavoras tried to kill (and more problematically, failed to kill) Portuguese king Joseph I.
Circumstantial, torture-adduced evidence put the scheming Marchioness Eleonora de Tavora and clan behind an apparent assassination attempt, wherein a couple of assailants had shot at the king’s unmarked carriage as it returned on a little-used road from a rendezvous with his mistress. (One of the circumstances was that the mistress was a Tavora, which put the accused in a position to know the king’s secret travel plans. Others argue the gunmen might have just been common highwaymen who had no idea they were setting upon the royal person.)
Whatever the facts of the matter, obscure behind a quarter-millennium, its attribution to the Tavoras and the spectacular revenge thereupon visited was effected by the king’s competent and ruthless minister, Sebastião José de Carvalho e Melo, the future Marquis de Pombal.
A monumental plinth surmounted by Pombal dominates the present-day Lisbon plaza named for him.
And he would not miss the opportunity an attack on the king’s person gave him to sweep away his opponents.
The peers of the realm were summoned to witness their fellow blue-bloods so nauseatingly dispatched, and the Jesuits — “reported to have inflamed the Tavora family to their [the Jesuits'] desired pitch … in revenge for what had justly been done to them in South America”** — were forthwith suppressed.
(Functionally a progressive secular dictator — or an enlightened despot, to use a more 18th-century description — Pombal would eventually push political conflict with Rome so near the brink of outright schism that the Catholic Encyclopedia’s entry on Melo characterizes it as “a sort of disguised Anglicanism,” adding that “many of the evils from which the Church now suffers are a legacy from him.” His ascendancy is the “Pombaline Terror” in Catholic annals.)
Melo/Pombal exercised the power of the state for the rest of Joseph’s life, but the king’s daughter and successor Maria I dismissed him — though she did not take punitive action against Pombal for his persecutions, as his enemies demanded.
* Also doomed to burning alive was one Joseph Policarpo, who was able to escape the mass arrest a few weeks before and fled the kingdom. He was executed by effigy.
** This comment is from the letters of Christopher Hervey, an Englishman abroad in Portugal at the time of the execution whose 100+ pages’ worth of correspondence include live-at-the-scene reporting and English translations of the public pronouncements against the supposed culprits. As to the South American roots of Pombal’s conflict with the Jesuits, the order had resisted Pombal’s early schemes to reorganize and rationalize Portugal’s New World holdings in order to make the country a more competitive colonial power. Jesuit resistance to giving up the order’s control of education, and its humanitarian efforts to protect Indians, had been seen as contributing to an Indian rebellion that broke out in Jesuit-controlled territory — even to the point that Jesuits themselves were suspected of arming Indians in an effort to carve out church-controlled states. Hervey’s version has the Jesuits behind the plot in order to eliminate Pombal’s threat to their power. Others share this opinion … and Pombal, obviously, was keen to have his rivals inculpated for lese majeste in the public mind.
On this date in 1792, Joaquim José da Silva Xavier — better known to Brazilian history as Tiradentes — was hanged in Rio de Janeiro and his body quartered for public exposition.
Pedro Americo’s 1893 Tiradentes Esquartejado delivers what it promises.
Tiradentes — “tooth-puller,” a scornful nickname its owner has made glorious, alluding to the span of his itinerant career spent in dentistry — had participated in a conspiracy to detach the province of Minas Gerais from the Portuguese empire.
The Inconfidência Mineira featured the unpromising combination of a large number (the conspiracy was betrayed from within) of middle-class intellectuals (Tiradentes was of an unusually low social strata) without a common programme or a practical notion of what to do once they had seized power. That the Portuguese monarch felt at liberty to commute every other death sentence seems a measure of the plotters’ — if one may put it this way — toothlessness.
Tiradentes was obstinate in maintaining responsibility for the plot, although he wasn’t the leader in particular; for his resulting pains on the scaffold, he traded dentistry for immortality. Now officially recognized as a hero of Brazil, his name adorns the square where he was dismembered and (like Zumbi dos Palmares) his execution date is a public holiday.
When the tides of national fervor made such a rehabilitation politic, the would-be free state of Minas Gerais likewise adopted the conspirators’ banner as its own flag: the motto reads “Liberty, although overdue”.