German troops reached Senlis by the first of September, and overwhelmed the city in a minor battle.
On guard from the experience of being picked off by franc-tireur snipers during the Franco-Prussian War many years before, the Germans entered this urban skirmish with far more concern for the safety of their troops than for that of noncombatants. A number of civilians were seized for use as human shields by the Germans as they moved through the streets, and some others reportedly executed summarily. Numerous buildings were torched.
In doing all this, the occupying army considered itself entitled not to suffer the resistance of its new (if ever so temporary) subjects — indeed it insisted upon the point with lead. On September 2, the German firing squads shot several French civilians accused of firing at German soldiers. The French Wikipedia page on the affair gives these names:
Hours later, the town’s mayor Eugène Odent heroically shared their fate. He had been accused by the Germans of orchestrating “terrorist” civilian resistance — shuttering buildings for the convenience of snipers, failing to demand orderly submission from his neighbors, and generally inconveniencing the new boss. (Most of Senlis’s 7,000 residents had fled town ahead of the approaching attack, presumably shuttering up in the process.)
The stunning German attack seemed on the brink of capturing Paris at this point, but just days later the disordered French “miraculously” — it’s literally known as the Miracle of the Marne — threw the invaders back at the Battle of the Marne.
This battle crushed Berlin’s dream of a knockout victory and allowed the combatants to settle in for four bloody years of miserable trench warfare. It also enabled the French to recapture Senlis, whose horrors — Eugene Odent and all — were collected for early entry into the war’s annals of barbaric-Hun propaganda.
Less an “execution” than a human sacrifice — the village old feller’s folksy “Lottery in June, corn be heavy soon,” evokes a primal flash of blood trickling off a maize-god’s altar — the titular event is an annual tradition for a tiny American town. Though unnamed, the town and some of its denizens were patterned on North Bennington, Vermont, where Jackson was living as the wife of a professor at Bennington College.
The setting was entirely contemporary to the story’s publication, right down to the day: it hit print in the June 26, 1948 edition of The New Yorker magazine. And what took Jackson two hours to write has continued to disturb and perplex generations of readers.
In “The Lottery” (available online here (pdf)), friendly townsfolk gather “in the square, between the post office and the bank” to enact a curious civic ritual dating to a time and purpose they no longer even remember.
We see each household’s father draw a slip of paper from a battered old box and although we do not understand the reason we soon feel there is something ominous about it.
After the last slip is drawn,
there was a long pause, a breathless pause, until Mr. Summers. holding his slip of paper in the air, said, “All right, fellows.” For a minute, no one moved, and then all the slips of paper were opened. Suddenly, all the women began to speak at once, saving. “Who is it?,” “Who’s got it?,” “Is it the Dunbars?,” “Is it the Watsons?” Then the voices began to say, “It’s Hutchinson. It’s Bill,” “Bill Hutchinson’s got it.”
“Go tell your father,” Mrs. Dunbar said to her older son.
People began to look around to see the Hutchinsons. Bill Hutchinson was standing quiet, staring down at the paper in his hand. Suddenly. Tessie Hutchinson shouted to Mr. Summers. “You didn’t give him time enough to take any paper he wanted. I saw you. It wasn’t fair!”
“Be a good sport, Tessie.” Mrs. Delacroix called, and Mrs. Graves said, “All of us took the same chance.”
“Shut up, Tessie,” Bill Hutchinson said.
Tessie has good cause to fear. A second drawing now ensues among the five members of the Hutchinson family — Tessie and Bill, plus their three children.
And as soon as Tessie reveals the slip of paper with the black spot, her friends and even her family (“someone gave little Davy Hutchinson a few pebbles”) immediately turn on her and stone her to death.
“I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story’s readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives,” Jackson explained.
On this day in 1940, in the tiny village of Celiny in Nazi-occupied Poland, German soldiers and gendarmes stood 32 Polish citizens against the wall of a house and shot them all to death.
The victims of the shooting had, by the Germans’ own admission, done nothing to deserve their fate. They were killed in reprisal for crimes committed by others: namely, the murder of a German gendarme the previous day.
Two Poles had apparently become involved in a dispute with the gendarme, provoked by a disagreement over the legality of ordering a certain dish in a local hostelry: that particular cut of meat was not supposed to be available to Poles under the rationing system introduced by the German administration. The Poles initially succeeded in escaping from the fracas by bicycle, but were caught up by the gendarme, on a motorbike, in Celiny; here, a further scuffle had ensued, in the course of which the gendarme was fatally wounded.
In a slightly different version of the story, the German gendarme had not even been killed by the Poles but had died as a result of crashing when, somewhat inebriated as well as angry, he took a corner too fast in pursuit of the two Poles. Whatever the truth of the matter, the latter knew they were in for trouble and rapidly escaped; they were nowhere to be tracked down.
The Germans had previously registered prominent local citizens to serve as hostages for just this sort of situation. But everyone on the registration list was forewarned by their friends and family and went into hiding to avoid arrest.
The next morning, unable to find any of their hostages, the local German authorities got together and argued for a full three hours over what to do. In the end they settled on a plan: They went to the prison in the nearby city of Sosnowiec and grabbed 32 inmates who had been “incarcerated for all the manner of reasons, including minor infringements of the most trivial of the new rules imposed by the German occupation, political resistance, and sheer bad luck.”
The men’s bad luck got even worse: the 32 men (29 Catholics and three Jews) were trucked fifteen miles back to Celiny, taken to the scene of the fight from the night before, stood in a row against the wall and shot dead at point-blank range.
Nearly three-quarters of a century later, Fulbrook visited the site of the massacre:
The wall against which the thirty-two people were shot remains pockmarked by the bullet holes, daubed now with dashes of red paint to intimate their bloody origins; there is a memorial stone, for which money had arduously to be raised among the local community; and fresh flowers were often laid there, to keep the memory of former compatriots and relatives alive.
The memorial stone lists the names of the 29 Catholic victims, but not the names of the Jews, apparently because the townspeople didn’t know who they were.
Fulbrook notes that this incident seems insignificant when put into context of the “enormity of other crimes that were soon to engulf the area.” Indeed, she says, “This incident would scarcely bear mention in comparison with the crimes committed on an infinitely larger scale at Auschwitz.”
But to the tiny village it was devastating and not easily forgotten — a small emblem of the countless nameless Poles casually put to execution in those years.
England held its last-ever public execution on this date in 1868, and made it big game indeed: Fenian Michael Barrett, whose Clerkenwell Prison bombing long remained one of the most infamous atrocities of the Irish nationalist cause.
The bill certifying the end of that distinctive institution, the public hanging, would be finalized three days hence, so the occasion’s milestone was anticipated in advance. Elites increasingly disdained the boorish carnivals that unfolded under the gallows, like Dickens who complained that “no sorrow, no salutary terror, no abhorrence, no seriousness; nothing but ribaldry, debauchery, levity, drunkenness, and flaunting vice in fifty other shapes” redeemed the 1840 hanging of Courvoisier.
“The crowd was most unusually orderly,” ran the Times‘ report of Barrett’s death — a sort of dual eulogy — “but it was not a crowd in which one would like to trust.”
It is said that one sees on the road to the Derby such animals as are never seen elsewhere; so on an execution morning one see faces that are never seen save round the gallows or near a great fire. Some laughed, some fought, some preached, some gave tracts, and some sang hymns; but what may be called the general good-humoured disorder of the crowd remained the same, and there was laughter at the preacher or silence when an open robbery was going on. None could look on the scene, with all its exceptional quietness, without a thankful feeling that this was to be the last public execution in England. Towards 7 o’clock the mass of people was immense. A very wide open space was kept round the gallows by the police, but beyond this the concourse was dense, stretching up beyond St. Sepulchre’s Church, and far back almost, into Smithfield — a great surging mass of people which, in spite of the barriers, kept swaying to and from like waving corn. Now and then there was a great laughter as a girl fainted, and was passed out hand over hand above the heads of the mob, and then there came a scuffle and a fight, and then a hymn, and then a sermon, and then a comic song, and so on from hour to hour, the crowd thickening as the day brightened, and the sun shone out with such a glare as to extinguish the very feeble light which showed itself faintly through the glass roof above where the culprit lay. It was a wild, rough crowd, not so numerous nor nearly so violent as that which thronged to see Muller or the pirates die. In one way they showed their feeling by loudly hooting a magnificently-attired woman, who, accompanied by two gentlemen, swept down the avenue kept open by the police, and occupied a window afterwards right in front of the gallows. This temporary exhibition of feeling was, however, soon allayed by coppers being thrown from the window for the roughs to scramble for. It is not right, perhaps, that a murderer’s death should be surrounded by all the pious and tender accessories which accompany the departure of a good man to a better world, but most assuredly the sight of public executions to those who have to witness them is as disgusting as it must be demoralizing even to all the hordes of thieves and prostitutes it draws together. Yesterday the assembly was of its kind an orderly one, yet it was such as we feel grateful to think will under the new law never be drawn together again in England.
Michael Barrett’s ticket to this last assembly was punched by a different execution six months previous — the hanging of the Manchester Martyrs. This trio of Irish patriots were part of a mob who liberated some comrades from a police van, shooting a policeman in the process — though it was far from certain that any of these three actually fired shots.
Of importance for our purposes today was the crackdown on other Fenians occasioned by the Manchester affair. In November of 1867, a Fenian agent named Richard O’Sullivan Burke was arrested with his companion Joseph Casey in London purchasing weapons for the movement. They were clapped in Clerkenwell Prison pending trial.
The bombing that brought Michael Barrett to the gallows was a bid to liberate these men … and it did not pause for subtlety. The conspirators simply wheeled a barrel of gunpowder up to the wall of the facility when they expected the inmates to be at exercise in the adjacent yard. The explosion blasted a 60-foot gap in the wall; the inward-collapsing rubble might easily have been the death rather than the salvation of the prospective beneficiaries, except that they weren’t actually in the yard at all — nobody was there, and nobody escaped Clerkenwell.
But numerous working-class families lived in little tenements opposite the prison and were there, and in fact Clerkenwell had a reputation for political radicalism and Fenian sympathy. This monstrous new “infernal machine” tore through Clerkenwell homes, leaving 12 people dead and numerous buildings near to collapse, while windows and chimneys shivered to pieces all up and down the block.
Improvised struts shore up damaged buildings opposite the wall of Clerkenwell Prison reduced to rubble by the December 13, 1867 Fenian bombing.
Karl Marx, a strong supporter of the Irish cause, despaired this counterproductive turn towards terrorism: “The London masses, who have shown great sympathy towards Ireland, will be made wild and driven into the arms of a reactionary government. One cannot expect the London proletarians to allow themselves to be blown up in honour of Fenian emissaries.”
English reformer Charles Bradlaugh agreed. “The worst enemy of the Irish people could not have devised a scheme better calculated to destroy all sympathy,” he wrote.
Punch magazine depicts the Clerkenwell bomber(s) as the “Fenian Guy Fawkes“.
Considering the magnitude of the crime, someone would have to pay for it. That Barrett was that someone did not sit well for many.
Five men and a woman stood trial at the Old Bailey in April for the Clerkenwell outrage, but Barrett was the only one of them convicted, a terribly inadequate investigation/prosecution outcome given the infamy of the crime.
That conviction stood on the basis of disputed eyewitness identifications: Barrett produced witnesses who said he was in Glasgow when the bomb went off, while the crown found others who would swear he was actually in London. (The length of Barrett’s whiskers on specific dates in late November and early December forms a running subplot of the dueling testimonies.)
The reliability and even the good faith of all such winesses might well be impugned. A highly questionable stool pigeon named Patrick Mullany who ducked prosecution by turning crown’s evidence, charged that Barrett personally set off the ordnance.
To give me credit for such an undertaking is utterly absurd; being, as I am, a total stranger to acts of daring, and without any experience which would in any way fit me for engaging in such an enterprise. Is it not ridiculous to suppose that in the City of London, where … there are ten thousand armed Fenians, they would have sent to Glasgow for a party to do this work, and then select a person of no higher standing and no greater abilities than the humble individual who now stands convicted before you? To suppose such a thing is a stretch of imagination that the disordered minds of the frightened officials of this country could alone be capable of entertaining.
If it is murder to love Ireland more dearly than life, then indeed I am a murderer. If I could in any way remove the miseries or redress the grievances of that land by the sacrifice of my own life I would willingly, nay, gladly, do so. if it should please the God of Justice to turn to some account, for the benefit of my suffering country, the sacrifice of my poor, worthless life, I could, by the grace of God, ascend the scaffold with firmness, strengthened by the consoling reflection that the stain of murder did not rest upon me, and mingling my prayers for the salvation of my immortal soul with those for the regeneration of my native land.
Benjamin Disraeli’s government could not in the end realistically entertain the agitation from liberal and radical circles for sparing Barrett, because that would mean that nobody would hang for Clerkenwell. But as the next day’s edition of Reynold’s News noted, “Millions will continue to doubt that a guilty man has been hanged at all; and the future historian of the Fenian panic may declare that Michael Barrett was sacrificed to the exigencies of the police, and the vindication of the good Tory principle, that there is nothing like blood.”
Three months after Barrett made that expiation, England officially began its era of fully private hangings behind prison walls.
* James Joyce hung out with a (much-older) Joseph Casey in Paris in the early 20th century. Yes, that’s in Ulysses too: “He prowled with Colonel Richard Burk, tanist of his sept, under the walls of Clerkenwell and crouching saw a flame of vengeance hurl them upward in the fog. Shattered glass and toppling masonry. In gay Paree he hides, Egan of Paris, unsought by any save by me.”
Jirí Chmelnicek shot this footage in just-liberated Prague on May 10, 1945 of Czechs celebrating the end of World War II by doling out mistreatment — including a chilling mass-execution — to Sudeten Germans. It was the presence of that population, the reader will recall, that Berlin invoked to justify its occupation of Czechoslovakia.
Chmelnicek’s video only surfaced publicly in 2010: its images were far too sensitive to air closer to the Great War, especially while Czechoslovakia was under communist control. As Der Spiegel reported.
Chmelnicek’s film shows how the Germans were rounded up in a nearby movie theater, also called the Borislavka. The camera then pans to the side of the street, where 40 men and at least one woman stand with their backs to the lens. A meadow can be seen in the background. Shots ring out and, one after another, each person in the line slumps and falls forward over a low embankment. The injured lying on the ground beg for mercy. Then a Red Army truck rolls up, its tires crushing dead and wounded alike. Later other Germans can be seen, forced to dig a mass grave in the meadow.
We do not know who these people are. Considering the indiscriminate revenge visited on Sudeten Germans after the war, it is not likely that these several dozen souls were selected for their fate with care.
There is next to no archival information surviving that would give us insight into this remarkably lateHexenprozess. However, it seems that Schnidenwind got Willinghamed: when a fire destroyed the village of Wyhl, local grandees immediately assumed that the cause of such a devastating event ware eine Zauberin (“would have been a sorceress,” as an abbot wrote in his diary).
Having begun from the conclusion it was simply a matter of finding the witchiest character in the vicinity to fit as the Zauberin. Schnidenwind, a 63-year-old peasant, probably had some pre-existing reputation as a possible witch — a reputation that a visit to the rack obligingly confirmed.
Igo Sym tickles the ivories in Zona i nie zona (Wife and No Wife) … his last role.
On this date in 1941, the Germans occupying Poland took revenge for the loss of an artist.
Handsome Austrian-born silver screen luminary Igo Sym, whose silent film credits included roles opposite Marlene Dietrich and Lillian Harvey, had become a prominent fixture of the Warsaw stage when the Germans overran Poland in 1939.
This attracted the hostility of the Polish underground, which secretly condemned him to death — and executed that sentence on the morning of March 7, 1941, with a knock at Sym’s apartment door and a sudden 9 mm pistol.
In punishment for this gesture of national defiance, all of Warsaw was clapped under a harsh curfew and dozens of hostages seized as surety for the public’s promptly rendering the actor’s murderers for punishment. But the assassins were not so delivered: in revenge, the Germans executed 21 hostages at the nearby village of Palmiry.* Two University of Warsaw professors were among those hostages, biologist Stefan Kopec and historian Kazimierz Zakrzewski.
* Palmiry had the sorrow to host numerous similar mass-executions during the German occupation of Warsaw. Over 2,000 bodies have been recovered from the site.
Polish hostages (not necessarily those of March 11, 1941) being readied for execution at Palmiry. This photo (and others) via the Polish Wikipedia page on war crimes in Palmiry.
On this date in 1989, China executed Teng Xingshan with a bullet to the head for the murder of Shi Xiaorong — an act which became quite embrrassing when Shi surfaced in 2005, alive and well.
Teng became the focus of Hunan provincial officials’ tunnel vision when the dismembered body of a young woman turned up in the Mayang River. The reason was that the dismembering struck police as “very professional” and Teng was a butcher by trade.
The corpse was soon associated with Shi Xiaorong, who had recently gone missing, and an elaborate just-so story crafted to fit the available data: that Teng and Shi were lovers who quarreled over money with lethal results. According to the sentence, “Teng confessed his crime on his initiative and his confession conforms with scientific inspection and identification.”
In reality, the two were not acquainted at all — and Shi was not dead at all. She had disappeared because she’d been sold into a marriage; she eventually slipped back to her home in Guizhou Province. Teng’s relatives had heard through the grapevine that she was still alive, but it took them years to track her down.
Teng Xinshang was posthumously exonerated in 2006. We’ve found no indication that the dismembered body that wasn’t Shi Xiaorong’s was ever re-identified or the (by now very cold) case re-opened.
We owe this discomfiting executioner’s-eye view from the ranks of German soldiers as they gun down Poles in the town of Bochnia on December 18, 1939 to a partisan attack two days prior by a Polish underground organization called White Eagle. Fifty-six civilians were executed in retaliation.
In an effort to quell the activities of Confederate guerrillas-slash-outlaws, Burbridge issued a still-notorious directive called Order 59: Citing the “rapid increase in this district of lawless bands of armed men,” the order threatened to expel Southern sympathizers and seize their property. Moreover, it warned: “Whenever an unarmed Union citizen is murdered, four guerrillas will be selected from the prison and publicly shot to death at the most convenient place near the scene of the outrages.”
The outrages in question for this occasion were raids on Midway horse farms* (allegedly led by “Sue Mundy”) that, on November 1, resulted in a shootout fatal to one Adam Harper Jr.
Agreeably to Order 59, Burbridge had four of his prisoners — men with no specific connection to Harper’s death — shot on the town’s commons, forcing the local populace to attend the scene.
Shot by order of
Nov. 5 1864
Our Confederate Dead
Burbridge would be dismissed, and his Order 59 revoked, early the next year. “Thank God and President Lincoln,” was the reaction of the Louisville Journal.