On this date in 1944, the restored French Republic shot the editor of the collaborationist newspaper Aujourd’hui (Today).
Suarez’s (linked page in French) writings (French again) had endorsed the German occupation and called for steps even beyond what the Germans were prepared to take: the wholesale taking of Anglo hostages as proof against Allied bombing raids, for instance.
His trial and execution were the first of many suffered by pro-Vichy writers and journalists condemned by the vengeful free French courts for their part in the Nazi occupation, especially in the first months after liberation. The public intellectuals of the wartime government were, as a matter of fact, in the dock faster than the government itself.
Alice Kaplan, writing of the more infamous collaborationist writer Robert Brasillach who would follow Suarez’ footsteps in a few weeks, observes:
Writers were easy to try. Their files, crumbling now, are rather thin: clippings of their articles from the collaborationist press, underlined in red and blue ink with an occasional commentary; a report by the prefecture of police outlining their political affiliations and behavior during the Occupation; a list of witnesses called by the defense and the prosecution; interviews of the accused, before the trial, going over the charges against him; letters from friends — and enemies — sent to the judge before the trial. It was easier to organize a case against a journalist than a case against a common-law criminal or a financial collaborator. The bulk of the evidence was in newspaper clippings, quickly compiled.
“Treason is a matter of dates,” Suarez’ lawyer averred, channeling Talleyrand. But at this early date of freedom, not six months after Omaha Beach had been wrenched from German hands, there was much less sympathy for the philosophic vagaries of history than some subsequent writers would enjoy — and there was a good deal of indictable behavior:
Whether they faced the charge of treason or of national indignity, the writers were accused of having espoused numerous elements of Nazi ideology: anti-communism; anti-Semitism; support for the releve (the system designed to send French workers to Germany in exchange for French POWs); support for the Milice (Vichy’s police force); support for the German and French troops fighting the Soviets on the Eastern front; attacks against de Gaulle and the Resistance; participation in collaborationist organizations; trips to Germany during the Occupation, in particular to the International Writers’ Congress at Weimar in 1941.
In addition to its noteworthy history in the postwar purge of journalists, Kaplan reports that Suarez’s trial may also have been the first in French history for which women were eligible to serve as jurors — although none of the women in the jury pool were ultimately seated, and the milestone seems not to have been widely noticed even at the time.
The execution itself was badly botched: Suarez is said to have survived both the initial fusillade and a second barrage from the firing squad before a third round finished him off.
Victor’s justice was never better served than this date in 1946, when the brass of Third Reich hung for crimes against humanity during the late World War II.
Apart from trailblazing international law, the trial was notable for the gut-punching film of German atrocities; this relatively novel piece of evidence is available for perusal thanks to the magic of the Internet. Caution: Strong stuff. An hour’s worth of Nazi atrocities.
The climactic hangings in the predawn hours this day in Nuremberg were conducted by an American hangman who used the American standard drop rather than the British table calibrated for efficacious neck-snapping. As a result, at least some hangings were botched strangulation jobs, a circumstance which has occasionally attracted charges of intentional barbarism.
At that instant the trap opened with a loud bang. He went down kicking. When the rope snapped taut with the body swinging wildly, groans could be heard from within the concealed interior of the scaffold. Finally, the hangman, who had descended from the gallows platform, lifted the black canvas curtain and went inside. Something happened that put a stop to the groans and brought the rope to a standstill. After it was over I was not in the mood to ask what he did, but I assume that he grabbed the swinging body of and pulled down on it. We were all of the opinion that Streicher had strangled.
There were in all 12 condemned to death at Nuremberg; all hanged this day except Martin Bormann (condemned in absentia; it was only years later that his death during the Nazi regime’s 1945 Gotterdammerung was established) and Hermann Goering (who cheated the executioner with a cyanide capsule two hours before hanging). The ten to die this day were:
Foreign Minister Joachim von Ribbentrop, whose name adorns Nazi Germany’s shortlived truce with Stalin.
Arthur Seyss-Inquart, Reichskommissar of the occupied Netherlands.
Field Marshal Wilhelm Keitel, a career military man whose “only following orders” defense was rejected by the tribunal.
Waffen-SS General Ernst Kaltenbrunner.
Nazi intellectual Alfred Rosenberg.
Gauleiter of Poland Hans Frank, notable for his postwar conversion to Catholicism and profession that “a thousand years will pass and still Germany’s guilt will not have been erased.”
Minister of the Interior Wilhelm Frick.
Slave labor organizer Fritz Sauckel.
General Alfred Jodl, who signed the German capitulation in May 1945 and was posthumously acquitted of his war crimes charges by a German court.
Streicher, whose anti-Semitic frothing on the scaffold was the only overtly Nazi display of the night.
* Its resultant Nuremberg Principles comprise a lofty articulation of principles whose actual application, as Noam Chomsky has observed, would have meant that “every post-war American president would have been hanged.”
“Lord, open the King of England’s eyes!” cried William Tyndale at the stake this date in 1536 … just before he was strangled and burned.
“Translated the Bible into English,” reads Tyndale’s epigraph; in the Protestant blossoming, this Herculean academic labor was also of itself a dangerous religious and political manifesto.
As with Martin Luther’s translation of the Bible into German, Tyndale’s English version threatened, and was intended to threaten, papal ecclesiastical authority. In undertaking the work, Tyndale defied the 1408 “Constitutions of Oxford”, an English clerical pact further to the suppression of the Lollards and kindred post-John Wycliffe heresies which expressly prohibited rendering scripture in the vernacular.
In Protestant hagiographer John Foxe’s Book of Martyrs, a young Tyndale exasperated with a Romish divine memorably declared,
“I defy the pope, and all his laws;” and added, “If God spared him life, ere many years he would cause a boy that driveth the plough to know more of the Scripture than he did.”
Tyndale would give his life to, and for, that ploughboy.
On the lam in Protestant Germany, Tyndale produced an English New Testament, and then an Old Testament, of startling poetry.
The scholar also kept a reformist voice in the day’s robust theological pamphleteering — trading fire, for instance, with Sir Thomas More.
Even when the once-staunch Catholic Henry VIII broke with Rome over Anne Boleyn, the English manhunt for Tyndale continued: Henry’s reformation did not share radical Protestant objectives like scriptural authority, and the king was not shy about enforcing his version of orthodoxy.
Tyndale was equally stubborn in defense of his life’s mission to put a Bible in the hands of the English ploughboy. Offered the king’s mercy to return and submit, Tyndale countered by offering his silence and martyrdom if Henry would but publish the Good Book in English.
I assure you, if it would stand with the King’s most gracious pleasure to grant only a bare text of the Scripture to be put forth among his people, like as is put forth among the subjects of the emperor in these parts, and of other Christian princes, be it of the translation of what person soever shall please his Majesty, I shall immediately make faithful promise never to write more, not abide two days in these parts after the same: but immediately to repair unto his realm, and there most humbly submit myself at the feet of his royal majesty, offering my body to suffer what pain or torture, yea, what death his grace will, so this [translation] be obtained. Until that time, I will abide the asperity of all chances, whatsoever shall come, and endure my life in as many pains as it is able to bear and suffer.
Luckily for posterity, the English crown wasn’t biting, leaving Tyndale’s mellifluous rendering of Holy Writ to enter the English tongue.
And leaving Tyndale, eventually, to enter the martyrs’ ranks.
In 1536, an English bounty hunter befriended the fugitive translator and betrayed him to the authorities in Vilvoorde, near Brussels. It was the Catholic Church and the Holy Roman Empire that did the dirty work of their rivals in the Isles.
And — the Lord works in the mysterious ways, they say — Tyndale’s dying prayer was indeed answered.
By the end of the decade, a Bible in English drawn from Tyndale’s version (revised by former Tyndale assistant Myles Coverdale under Thomas Cromwell’s direction; prefaced by Thomas Cranmer) was by regal authority placed in every parish of the Church of England.
“Reform has never come about in any country without the flow of blood. No one in China in modern times has sacrificed himself for the cause of reform, and because of this China is still a poor and backward country. Therefore, I request that the sacrifices begin with myself.” -Tan Sitong
The Wuxu Constitutional Reform still stands as the great attempt made by Chinese progressives who tried to follow the example of the modern powers in order to save China from extinction. Represented by Kang Youwei and Liang Qichao, the bourgeois reformists were imbued with the spirit of national salvation; they carefully set about designing a blueprint for a constitutional monarchy based on the example of Western countries. They advocated the establishment of parliament and a national conference, and wanted to see honest and fair-minded people with the courage to criticize authority installed in a position of power. National policies should be discussed by the monarch and the people. They also wanted a constitution to stipulate the rights and obligations of the monarch, officials, and the people. The constitution was to be the highest code for all people in the country. They also wanted to establish a system featuring a tripartite balance of forces: parliament was to legislate, the magistracy to deal with issues of justice, the government with administration. All of these would be under the monarch.
The constitutional reform was to take place with radical intellectuals submitting their memoranda to Emperor Guang Xu, who alone had the power to promulgate them. The feudal diehards being in a position of strength and the national bourgeoisie being weak, however, the new politics survived no more than 100 days or so. When the forces of reaction inevitably clamped down on the movement, the six reformists who had inspired the movement for constitutional reform met their deaths like heroes.
Although sincere in its aspirations, the reform movement was bound to fail, as it depended on a reform “from top to bottom”, which ultimately had to be enacted by the emperor. The Hundred Days’ Constitutional Reform, however, remains a landmark event in the modern history of China, its failure notwithstanding. The Chinese bourgeoisie in fact succeeded in spreading democratic and constitutionalist ideas widely, and this had a significant effect on future generations. The political and legal theory of the Western bourgeoisie could now take root in the soil of China.*
The emperor’s Machiavellian conservative aunt, the Empress Dowager Cixi, who had been the power behind the Chinese throne since 1861, made the sure reform didn’t see two hundred days with a “coup” that didn’t formally overthrow the Emperor — just made him irrelevant.
Troublemakers further down the food chain didn’t get off so easily.
Kang Youwei, the reform movement’s chief exponent, escaped to Japan. Six others suffered the wrath of the Dowager Empress: Kang Guangren (Kang Youwei’s brother), Lin Xu, Yang Shenxiu, Yang Rui and Liu Guangdi … along with the young reformer Tan Sitong, who notably refused imprecations to flee arrest.
The sword’s blade across my neck,
I look toward heaven — laughing.
-Etched on a prison wall, allegedly by Tan Sitong
* “The Chinese Legal Tradition and the European View of the Rule of Law” by Wu Shu-Chen in The Rule of Law History, Theory and Criticism, Part VI.
On this date in 1941, as Nazi armies surged into the USSR, the Soviet NKVD summarily executed a reported 157 prisoners held in the soon-to-be-Nazi-occupied city of Oryol (Orel).
Kameneva (top), Rakovsky (middle) and Spiridonova.
Most prominent among them were:
Olga Kameneva, a pol in the 1920’s, she was the sister of recently-murdered Communist heretic/Stalin gadfly Leon Trotsky, and she was the widow of executed Old Bolshevik Lev Kamenev.
Christian Rakovsky, internationalist Bulgarian revolutionary turned Soviet diplomat. Rakovsky, Dmitry Pletnyov and Sergei Bessonov had been the only three to avoid execution at the Trial of the 21, one of Stalin’s red-letter purges. But all three were shot together this day.
Prominent Left SR Maria Spiridonova, a revolutionary who had taken four decades of beatings from tsarist and Bolshevik alike, and who Emma Goldman saluted as “one of the most sincere, well-poised, and convincing” opponents of the Soviet regime.
Many other political transgressors less memorable than these went along with them, leftover targets of opportunity from a generation’s internecine purges and counterpurges.
Why bother to spend the resources evacuating an enemy of the people? By this time, Operation Barbarossa was nearly three months old, and mass prisoner executions ahead of the advancing Germans were a practiced art. One difference this day: this hecatomb was not in the western Soviet Republics, but in Russia proper.
In the autumn of 1941, the Left SRs Spiridonov, Izmailovich, and Mayorov, the Maximalist Nestroyev, and the SR Timofeyev were among the 157 prisoners shot in the Medvedevsky woods. (A Century of Violence in Soviet Russia
As many of them might have been denounced as “fascist” in their time for not hewing the correct revolutionary line, one doubts they would have enjoyed any more comfortable treatment at the hands of the Wehrmacht, which overran Oryol on Oct. 3.
On this date in 1852, the Persian poet Fatimih Baraghani was strangled with her veil in a Tehran garden for her women’s rights advocacy.
She’s best known as* Tahirih, the title meaning “pure one” given her by the Bab.
The moniker denoted the latter’s support of her in the Babi community that would eventually develop into the Baha’i faith. Tahirih was notable even within that outlawed sect for her staunch advocacy of female emancipation; in 1848, she dramatically unveiled in public at a conference to underscore her rejection of Islamic gender law.
Known for her intelligence as well as her militancy, she came under increasing police pressure. She was killed along with about 30 of her faith in the Persian crackdown on Babism after an assassination attempt on the Shah.
Her reported last words were modern-sounding indeed:
You can kill me as soon as you like, but you cannot stop the emancipation of women.
Most readily available material about this inspirational character tends to the devotional, as with this video series; Executed Today does not necessarily endorse the position that at her apparent death she actually only escaped to trans-dimensional hiding.
* Fatimih Baraghani is also known as Qurratu’l-’Ayn, or Qurrat al-’Ayn — “consolation of the eyes.”
(Thanks to Jeff Matthews of the Around Naples Encyclopedia for allowing us to run this abridged version of a much more detailed entry in that encyclopedia that’s well worth the read. -ed.)
Failed revolutionaries usually wind up as footnotes in history books. Certainly, the period between 1789 (the beginning of the French Revolution) and 1805 (the year in which Napoleon crowned himself emperor) is one of such turmoil in Europe that it is easy not to see any but those who are larger than life.
Eleonora Fonseca Pimentel vaulted onto the Naples literary scene as a teenage pop princess with a hit poem for the nuptials of King Ferdinand and Maria Carolina (the latter was Marie Antoinette’s sister).
Pimentel parlayed her puissant pen into a permanent position on the salon circuit, doing late-18th-century literary things like quoting classics and maintaining voluminous correspondences.
By the revolutionary 1790’s, she’d risen to become the aforementioned Queen Maria Carolina’s librarian, but was among those inspired by the liberta, egalita, fraternita of the French Revolution. When Napoleon tore through northern Italy and conquered as far as Rome, the monarchy rode out to reconquer the Eternal Cityget itself decimated, and Naples’ dreamers had their chance.
Pimentel turned her literary talents to the Republic’s service, including some outstandingly vituperative verse savaging the exiled Maria Caroline as a lesbian and threatening her with the guillotine.
-ed.
Eleonora Fonseca Pimentel is one such overlooked person. She was a major figure, but on a small stage, connected with the little known and failed Neapolitan revolution and subsequent short-lived Neapolitan republic of 1799. It was a sister of the French republic and one of many set up in the 1790s in Europe, all of which—the Neapolitan version included—have been relegated to the status of “also-rans” in history.
Eleonora was an unlikely revolutionary. She was born in Rome in 1751 of Portuguese nobility and would be hanged in Piazza Mercato in Naples in 1799 in a grotesque caricature of an execution. Her executioner, Maria Caroline of Hapsburg, Queen of Naples during the Neapolitan Revolution was also born in 1751. That was also the decade of the great Lisbon earthquake, about which an anonymous poet wrote lines as if describing the dramatic events that would soon shake Europe the way the earth had shaken Portugal:
With her last earthquake this round world shall rise,
The sun shall lose his fires in endless night,
And the moon turned to blood, glare horrid light,
When comets dire shall sweep athwart the sky,
And stars like leaves before the tempest fly.
Certainly, the last days of one of Portugal’s daughters, Eleonora Fonseca Pimentel, seem contained in that verse.
Stendahl, in Rome, Florence and Naples (1826) , reports at length a conversation about the Neapolitan Revolution and its grisly conclusion with a young man he identifies only as T***, an eye-witness to the events, themselves. Stendahl concludes: “I have been careful to suppress, during the course of this narrative, all the more gruesome details. Robespierre, whatever his faults, has this at least to be said in his favor: he did not count a majority of personal friends among the total number of his victims. Those whom he sacrificed, he sacrificed to a system, however ill-founded; not to his petty, personal spite.”
In Piazza Mercato, the fortunate among those sentenced to death* were beheaded swiftly. The less fortunate, among whom was Eleonora, were hanged. In her case, it was a ghoulish affair. Her body was left dangling from the gallows for a day, exposed to further jibes and humiliation, such as the popular verse making the rounds at the execution (cited in Albanese 1998):
A signora donna Lionora,
che cantava ncopp’ o triato,
mo abballa mmiezo ‘ o mercato,
viva viva ‘u papa santo,
c’ha mannato i cannuncini,
pe scaccià li giacubini!
Viva a’ forca ‘e Masto Donato
Sant’Antonio sta priato.
Roughly:
To lady Eleonora
who used to sing upon the stage
and now dances in market square,
long live the Holy Pope,
who sent us the guns
to chase away the Jacobins!
Long live the gallows and Master Donato [a traditional name for the hangman]
Praise be to Sant’Antonio.
Eleonora was calm at the gallows. She asked for some coffee, and—true to her intellect to the last—her last words were in Latin: “Forsan et haec olim meninisse juvabit,” a citation from Virgil—“Perhaps one day this will be worth remembering.”
One of the most interesting memories of the Revolution is the Palazzo Serra di Cassano, on via Monte di Dio. It was the home of Giovanni Serra, Duke of Cassano, one of Eleonora’s closest friends. Looking down at the crowd as he was about to die, he said, “I have always wanted good for them and now they cheer at my death” [cited in Albanese 1998]. The next day, his father closed the portal of the building that opens onto the Royal Palace and said it would remain closed until the ideals his son had died for were realized. The door is still closed.
The greatest memorial in recent memory, however, was when Vanessa Redgrave, the English actress, stepped out on the stage of the San Carlo Theater on Friday, January 8, 1999, and recited, in magnificent Italian, the title role in Eleonora, a 3-hour oratorio, an absolute hymn of praise to Eleonora Fonseca Pimentel. It was composed by Roberto de Simone, prominent Neapolitan composer and musicologist. The production had had a two-week run-up in the Neapolitan daily, il Mattino, replete with histories of the Neapolitan revolution, fragments of Eleonora’s poetry, long citations from historical heavyweights such as Benedetto Croce, and even the news that a descendant of Eleonora’s (through her brother’s line), another Fonseca Pimentel, would be at the premiere. The production, itself, was generally well received. The next day, the critic from il Mattino called it “an allegory of all the martyrs in history” (Gargano 1999). “Art is liberty,” he wrote, “and must free itself from the bonds of time like an ever-evolving presepio,” thus comparing the production to the traditional Neapolitan manger scene that celebrates the birth of the Savior. Heady praise, indeed.
Visit the Around Naples Encyclopedia for an expanded version of this post with much more about Eleonora Fonseca Pimentel’s biography, the unfolding of the Revolution, and its legacy.
Bibliography
Acton, Harold. The Bourbons of Naples. London: Prion Books, 1957.
Albanese, Camillo. Cronache di una Rivoluzione, Napoli 1799. Milan: Franco Angeli, 1998.
Bradford, Ernle. Nelson, The Essential Hero. London: MacMillan, 1977.
Croce, Benedetto. “Eleonora de Fonseca Pimentel.” Monograph. Rome: Tipografia nazionale, 1887.
Croce, Benedetto , et al. La Rivoluzione Napoletana. 1999 reprint by Tullio Pironti, ed. Naples: Morano, 1899.
Croce, Benedetto. “Eleonora de Fonseca Pimentel e il Monitore Napoletano” in La Rivoluzione Napoletana di 1799. Bari: Laterza, 1926.
Cuoco, Vincenzo. Saggio Storico sulla Rivoluzione Napoletana nel 1799. Milano: 1806.
Diana, Rosario. Forward to Vincenzo Cuoco, Pl atone in Italia. Naples: Pagano, 2000.
Gargano, Pietro. “Quei martiri nostri fratelli.” Il Mattino, January 9, 1999.
Gurgo, Bice. Eleonora Fonseca Pimentel. Napoli: Cooperativa Libreria, 1935.
Irace, Clorinda. E.F.P. Le tracce, i luoghi. Naples: Lions Club, 1977.
Macciocchi, Maria Antonietta. Cara Eleonora. Milan: Biblioteca Universale Rizzoli, 1993.
Stendahl. Rome, Florence and Naples. 1826.(Richard N. Coe, trans.) London: John Calder, 1959.
Urgnani, Elena. La Vicenda Letteraria e Politica di Eleonora de Fonseca Pimentel. Il Pensiero e la storia. Ed. Istituto Italiano per gli Studi Filosofici. Vol. 54. Naples: La Città del Sole, 1998.
As night fell this evening in Moscow, 13 prominent Soviet Jews were shot in Lubyanka Prison on trumped-up charges of treason and espionage.
“The Night of the Murdered Poets”, as it’s come to be remembered, wasn’t so much about the poetry; “only” five of the victims fit that description.
But as Joshua Rubenstein put it, “only the martyred Yiddish writers are mentioned at August 12 commemorations; the other defendants who lost their lives, as well as the sole survivor Lina Shtern, are rarely if ever remembered, perhaps because their careers as loyal Soviet citizens do not fit comfortably into an easy category for Westerners to honor … Stalin repaid their loyalty by destroying them.”
Falling victim to Stalin was such a particularly tragic fate because they were, in the main, good Communists:* good enough to have been part of the Jewish Anti-Fascist Committee, a World War II organ dedicated to rallying support for the Soviet Union against Nazi Germany.
Such national particularism — any port in a storm! — was all well and good when Moscow had the Wehrmacht at its gates and a short supply of friends, but it increasingly ran dangerously afoul Soviet officialdom as the 1940’s progressed. It was a bastion of sectarian identity rather than socialist universalism; its celebration of the Jewish soldier and of Jewish wartime travails cut against the narrative of Soviet sacrifice and heroism; its overseas links to the United States (where it toured in wartime) and the new state of Israel made it suspect, or at least vulnerable.
Thin excuse for mass execution, to be sure, but in a structure of generalized antisemitism run by a trigger-happy dictator …
In 1948-49, fifteen JAC members were arrested. One would die in prison; the aforementioned Lina Stern, a scientist, would receive a term of exile and return to Moscow when this purge’s victims were rehabilitated after Stalin’s death.
The thirteen others were tortured and condemned by a rigged (but secret, since many of the accused wouldn’t cop to public self-denunciations) trial
Years before his arrest, Markish would write words to make a eulogy for many a disillusioned Soviet citizen … and literally so in his case, since the verse was cited at his trial as evidence of his “pessimism”:
Now, when my vision turns in on itself,
My shocked eyes open, all their members see
My heart has fallen like a mirror on
A stone and shatters, ringing, into splinters.
…
Piece by piece I’ll try to gather them
To make them whole with stabbed and bleeding fingers.
And yet, however skillfully they’re glued,
My crippled, broken image will be seen.
On this date in 1540, two days after disposing of his former Vicegerent of Spirituals Thomas Cromwell, the just-wedded Henry VIII wrote a terrifying message of religious conformity in blood and smoke at Smithfield.
The thirtie daie of July, were drawen on herdelles out of the Tower to Smithfield, Robert Barnes Doctor in Diuinitee, Thomas Garard, and Wyllyam Jerome Bachelers in Diuinitee, Powell, Fetherston and Abell. The firste three were drawen to a stake, there before set up, and were hanged, hedded, and quartered. Here ye must note, that the first three, wer menne that professed the Gospell of Jesu Christ, and were Preachers thereof … [the first three] were detestable and abhominable Heretickes, and … had taught many heresies, the nomber whereof was to greate in the atteindor to be recited, so that there is not one alleged … in deede at their deathe, they asked the Sherifes, wherefore they were condempned, who answered, thei could not tell: but if I maie saie the truthe, moste menne said it was for Preachyng, against the Doctryne of Stephen Gardiner Bishoppe of Wynchester, who chiefly procured this their death … but greate pitie it was, that suche learned menne should bee cast awaie, without examinaction, neither knowyng what was laied to their charge, nor never called to answere.
The laste three … were put to death for Treason, and in their attaindor, is speciall mencion made of their offences, whiche was for the deniyng of the kynge ssupremacie, and affirmyng that his Mariage with the Lady Katheryne was good: These with other were the treasons, that thei wer attainted of, and suffered death for.
Terrifying and confusing: here were burnt three Protestants (Barnes, Gerrard and Jerome) for heresy under the Six Articles, essentially for excess radicalism; beside them were hanged, drawn and quartered three Catholics (Powell, Fetherston and Abel) for treasonably refusing the Oath of Succession, that is, for refusing to admit the King of England as the head of the Church of England. It was that old dispute about Anne Boleyn, who was three queens ago by now. (All three Catholic theologians were advisors to Anne’s predecessor and rival Catherine of Aragon, back in the day.)
The one thing that couldn’t possibly be confused in the day’s proceedings was that matters of the faith were matters of state, and in them Henry would brook heterodoxy of neither the liberal nor conservative variety.
“Good Lord! How do these people live?” exclaimed a foreign observer (cited here). “Here are the papists hanged, there are the anti-papists burnt!”
On this date* in 1826, five leaders of the Decembrist revolt were hanged at St. Petersburg’s Peter and Paul fortress for their abortive eponymous uprising eight months before.
In Russia’s complex interaction with the West — its ideas, its political institutions, its ways of life — these were the westernizers, who saw constitutionalism as the way of the future.
Upon the mysteriously sudden death of Tsar Alexander I, an irregular succession to the second-oldest surviving brother, Nicholas I, gave our day’s doomed and gallant youth cause to occupy St. Petersburg’s Senatskaya Square to uphold the rights of the first brother — and more to the point, to uphold the constitution to the extent of constraining the monarchy.
Decembrists at Senate Square, as depicted by Karl Kolman.
Uh … Now What?
This badly organized affair failed in its aim to attract the mass of soldiery and, constitutionalists as its organizers were, did not even aim at mobilizing the general populace.
After the initial heady rush of marching into the square in the name of liberty, the Decembrists were left in a standoff against a much larger force of loyalists. When the latter started shooting, that was that.
“Mere” hanging was deemed sufficient for the purpose. That would be about the maximum embrace of liberalism by the Russian autocracy, whose lesson from the uprising was to crack down against any hint of forward-thinking politics — ultimately an unsuccessfulstrategy for the Romanov dynasty.
St. Petersburg’s Senate Square — renamed Decembrist Square by the Soviet government — where the action happened. The iconic equestrian statue of Peter the Great, commissioned by Catherine the Great and unveiled in 1782, witnessed it all; the statue acquired its enduring moniker, “The Bronze Horseman”, from a poem of the same title penned in 1833 by Alexander Pushkin, a friend of several Decembrists.
One of the greatest works of Russian literature, Pushkin’s “Bronze Horseman” weaves an ambiguous Decembrist-tinged critique of cruel imperial power and overreach into a complex narrative of St. Petersburg whose upshot is still up for lively literary debate. “The Bronze Horseman’s crag rose up before the poet on an empty square,” wrote one historian, “washed with the blood of those who rebelled on December 14, 1825″
Appalling there
He sat, begirt with mist and air.
What thoughts engrave His brow! what hidden
Power and authority He claims!
What fire in yonder charger flames!
Proud charger, whither art thou ridden,
Where leapest thou? and where, on whom,
Wilt plant thy hoof?
“They don’t even know how to hang you …”
When the hangings were carried out, Kakhovsky, Muravyov-Apostol and Ryleyev all had their ropes break; while some in the crowd anticipated the old prerogative of mercy for any prisoner who survives an execution, they just got re-hung instead. “Unhappy country,” quipped Ryleyev as the fresh nooses were fixed up, “where they don’t even know how to hang you.”**
Other Decembrists not condemned to the unreliable craftmanship of the Russian gallows were shipped to Siberia, where they invigorated the cultural life of the Lake Baikal city of Irkutsk — many of them famously followed by their “Decembrists’ wives,” an iconic type that continues to denote heroically sacrificial loyalty since the women had to renounce their own right to return to European Russia.
These, at least, had a place to call their own, however distant. But the class of Russian elites to which they belonged would be thrust into a trackless wilderness by their failure (in the Decembrist rising and otherwise) to carve out some distinct place for themselves. Russia’s long reckoning with modernity still had many years to run.
A worn postcard of a 19th century Russian painting depicting (perhaps) a political prisoner in the Peter and Paul Fortress.
A poet himself and a romantic to the point of fanaticism, Ryleyev wrote odes extolling executed national heroes like Artemy Volynsky and Severyn Nalyvaiko, seemingly alluding (as in this excerpt from the latter work) to his anticipation of joining them.
I know full well the dire fate
Which must upon the patriot wait
Who first dare rise against the foe
And at the tyrant aim the blow.
This is my destined fate
Suarez’s (linked page in French) writings (French again) had endorsed the German occupation and called for steps even beyond what the Germans were prepared to take: the wholesale taking of Anglo hostages as proof against Allied bombing raids, for instance.
“Translated the 
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