On this date in 1828, Antoine Berthet capped his gift to the arts by going under the guillotine at Grenoble‘s Place Grenette.
You probably haven’t heard of Antoine Berthet, but if you’ve read The Red and the Black (Le Rouge et le Noir) you know his story. Stendhal (a native of Grenoble) published his magnum opus not three years after Berthet lost his head, and the novel’s executed fictional protagonist Julien Sorel bears an unmistakable resemblance to the very real Berthet.
Berthet was a smart seminary student of low birth who hired out as a tutor for the Michoud family but was dismissed under a cloud for an apparent affair with Madame Michoud.
Nothing daunted, Berthet caught on as a tutor in another family — where he proceeded to seduce the lovely daughter Henriette. But a letter from Madame Michoud to the new employers terminated job and liaison alike.
The enraged Berthet stalked his former mistress to Mass and melodramatically shot her right there in the church. He failed to kill his target, and likewise failed his attempted suicide.
Unlike his literary doppleganger — the Julien Sorel character defiantly spurns his former lovers’ attempts to pull strings on his behalf and insists on his responsibility in court — Antoine Berthet mounted an unsuccessful insanity defense. It was the “irresistible derangements of love” drove him to outrage feminine virtue, consecrated grounds, and (maybe most scandalously) the upper classes.
His prosecutor disagreed, attributing all to Berthet’s frustrated “ambitious dreams”: “understanding too late that he could not reach the goal that his pride proposed, Berthet, stripped of his hopes, would perish; but his rage would drag a victim along with him to the tomb that he dug for himself!”
On this date in 1690, the Russian stolnik (an administrative office in the Russian court) Andrei Ilyich Bezobrazov was put to death with the magicians he allegedly contracted to bewitch Tsar Peter the Great.
Whatever its other sins, Russia enjoys a reputation for having largely steered clear of the frightful witch-hunts that broke out elsewhere in Europe. Certainly tsars issued many decrees against witchcraft and even prescribed the death penalty in law. But unlike courts in western Europe, Russia does not seem ever to have folded the entire swath of extra-Christian folk beliefs and everyday peasant “magic” together into a juridical theory of omnipresent diabolical terrorism stretching from the neighborhood midwife to the Prince of Darkness himself. Perhaps for that reason, its historical record of witch persecutions presents fewer and more scattered data points.
Elites, write Valerie Kivelson and Jonathan Shaheen,* “demonstrated no interest in formulating a systematized or theorized framework for explaining the uncanny power of magic [and] they also made no effort in their courtrooms to unearth evidence of such a framework … Instead of pursuing connections to the devil, Muscovite judges exerted themselves to track the lineages and results of magic: Who taught you? Whom have you taught? Whom have you bewitched? The judges’ concerns were concrete and this-worldly: who were the victims and who were the victimizers?”
Unfortunately for Bezobrazov, his victim was the tsar himself.
Bezobrazov allegedly obtained the service of “sorcerers and witches” who worked magic “on bones, on money and on water” to enspell the new 17-year-old sovereign during the uncertain period after Peter threw off the regency of his older sister Sophia. Despite Peter’s ultimate reputation as Russia’s great westernizer, the immediate effect of this transition was an oppressive interregnum wherein conservative religious interests took advantage of the new sovereign’s distraction from internal Russian politics to reassert themselves violently.
For Bezobrazov, political turnover augured personal uncertainty. The innocent explanation for his “witchcraft” was invoking a little ritual in hopes of catching a favorable assignment in Peter the Great’s new Russia. It didn’t work.
Bezobrazov was beheaded on Red Square on this date at the same time two folk healers went to the stake with their magic talismans and healing herbs at a swamp across the Moskva from the Kremlin. An essay in this Festschrift describes what it’s like to be a peasant folk healer suddenly under investigation for regicide.
Dorofei Prokofiev … had treated animals belonging to the Bezobrazov household. But when arrested and interrogated, Dorofei did not identify himself as a “sorcerer,” but rather as a posadskii chelovek (artisan), specifically a horse-trainer (konoval) and a blood-letter (rudomet’). He admitted to practicing bean divination and palm reading in addition to treating the illnesses of children and adults with herbs and incantations. His bag contained beans, incense (for protecting brides and grooms from sorcerers, Dorofei said), and a variety of herbs. The herb bogoroditskaia (= royal fern) he gathered himself on St. John’s Day, while reciting the charm “whatever you, herb, are good for, be good for that.” But he denied ever casting a spell to harm the sovereign, and he claimed not to be acquainted with Andrei Bezobrazov — a lie that was quickly uncovered when Dorofei was subjected to torture. At that point Dorofei changed his story: Bezobrazov had asked him to cast a spell on the tsar, but only to make him feel favorably towards Bezobrazov, not to damage the sovereign’s health. Dorofei gave his interrogators examples of the incantations that he used in fortune-telling, all intertwined invocations of Christian figures with sympathetic magic. In short, Dorofei tried to rescue himself by claiming that his healing and fortune-telling activities were all well-intentioned. But the investigators, and Peter himself, were convinced of Bezobrazov’s guilt, which meant Dorofei was guilty as well. Bezobrazov was beheaded, and Dorofei was burned at the stake as a witch.
For everyday folks like Dorofei Prokovie, the author notes, “well-positioned patrons could be either a source of protection or of danger.”
According to Crime and Punishment in Early Modern Russia, which is also the source of the January 8 date, Bezobrazov’s wife was punitively tonsured for not reporting the “plot” and several other of Bezobrazov’s peasants were knouted and sent to Siberia.
* “Prosaic Witchcraft and Semiotic Totalitarianism: Muscovite Magic Reconsidered” in Slavic Review, vol. 70, no. 1 (Spring 2011)
On this date in 1699, Madame Angelique-Nicole Tiquet lost her beautiful head … eventually.
The talk of every Parisian in the spring of 1699 for attempting the life of her husband, Angelique-Nicole Carlier had been well-known in Paris circles since the 1670s; coincidentally or not, that was a period when a perceived boom in “husband-killing” burgeoned the phenomenon into an outright moralpanic.
In those bygone days, Mademoiselle Carlier did her manslaying metaphorically, wielding only her limitless charms (not excluding a wealthy inheritance left by her industrious albeit untitled late father). This reputed “masterpiece of nature,” alas, exchanged her magnum opus for deniers on the livre when she succumbed to the suit of Claude Tiquet, a respected councilor of the Parlement of Paris so bedazzled by the young woman that he did not pause to consider her liberalities. Although quite past her in age, Tiquet won her hand with the promise of wealth so capacious that he wooed his intended with a bouquet of flowers studded with 15,000 l. worth of diamonds — and plied her aunt with still more largesse to advance his case.
But actually, Monsieur Tiquet was not wealthy. He stretched his fortune to acquire these amorous bribes as, let us say, investments in a happy future.
“Thus they united their fortunes for life, equally blinded as to each other,” George Henry Borrow wrote. “Such are the steps that lead to the most unhappy destinies.”
The wife’s prodigality — and her belated discovery as she blew through the putative family fortune that it was he who had married the money, and not she — soon brought domestic relations to a frosty pass.
Madame kindled a more edifying romance with a young captain of the guards; Monsieur strove in vain to check her moves with locked doors and snooping skulks. They separated to distinct wings of the family house, seeing one another only rarely — and in deathly silence — while each schemed his or her embittered schemes. Years they wasted at this intolerable impasse.
Despairing at last of being rid of either her horrible husband or his horrible debts, Madame Tiquet took her plotting far enough to compass her spouse’s death. “It is impossible,” she cried in one unguarded moment to a friend, “for me to have any enjoyment of myself while my husband lives, who is in too good health for me to look for such a quick revolution of fortune.”
So she engaged the services of her porter and of a freelance villain, and on the evening of April 8, 1699, these two assassins ambushed Claude Tiquet as he returned from a friend’s house and shot him three times. One ball only barely missed the heart. Tiquet survived, and he demanded those who came to his aid take him not to his own house but back to his friend’s. Of enemies, he said, “I have none but my own wife.”
This scenario speedily became the talk of Paris, and it did not take long for sentiment to coalesce against the wife. The hired assassins implicated Madame Tiquet in a years-long conspiracy to murder her husband whose previous installments — a missed ambush; a failed poisoning — had come to naught. Both Madame Tiquet and the porter, Jacques Moura, received a sentence of death, each appropriate to their respective stations: she to lose her neck, and he to swing from his.
There nevertheless remained some ambiguity about her real guilt, for the evidence was mostly circumstance and inference and colored by the purely titillating qualities of the public scandal. And then there was the fact that she was an attractive woman.
Angelique’s brother, a guardsman like the condemned woman’s lover, organized a petition for pardon. Surprisingly, even Monsieur Tiquet threw himself at Louis XIV‘s feet to plead for the life of his would-be murderess and the mother of his children. But it is said that when the Sun King wavered in his firmness, the Archbishop of Paris himself insisted upon the sentence. That prelate’s warning that save Madame Tiquet’s head should drop, no man could feel safe in his house must have fallen very ominously from the lips of the executive manager of Parisian confessionals.
Madame Tiquet heard the final failure of her appeals this day from an official who in the springtime of life had himself numbered among Mademoiselle Carlier’s suitors. And because the condemned would still not consent to confess the plot, that admirer was further obliged to order her to the cruel water torture to extract her statement.
In this procedure, the poor sinner is stretched out as on the rack, and eight pots of water painfully forced down the gullet. Madame Tiquet endured only a single pot before she calculated her inability to withstand the procedure and admitted all. Even so she continued to insist on the innocence of her lover: “I took care not to let him into the secret, else I had lost his esteem forever!”
These justice-satisfying preliminaries dispensed with, the condemned were conducted to the Place de Greve to suffer the penalty of the law. Thousands crowded the streets and windows, as was becoming the style for the execution spectacle of the era. Genuinely contrite or else wanting to play the part, she conversed humbly with her confessor and her condemned porter, exchanging absolutions and exhortations to die with Christian firmness.
Proceedings were delayed by a thunderstorm, although Madame Tiquet showed nothing but equanimity to wait at the foot of the scaffold while the weather passed. Jacques Moura hanged first: the undercard attraction.
Then the talk of all the town mounted those beams to give her own final performance, one remarked upon by all observers for its poise and stagecraft. The later memoirs of the Sanson family, written after that name inscribed itself on the guillotine during the French Revolution, dramatized the scene. It includes the regrettable inability of their own ancestor Charles Sanson de Longval* to equal the doomed woman’s grace under pressure.
When Angelique’s turn was come, she advanced, gracefully bowing to my ancestor, and holding out her hand, that he might help her to ascend the steps. He took with respect the fingers which were soon to be stiffened by death. Mdme. Tiquet then mounted on the scaffold with the imposing and majestic step which had always been admired in her. She knelt on the platform, said a short prayer, and, turning to her confessor,
“I thank you for your consolations and kind words; I shall bear them to the Lord.”
She arranged her head-dress and long hair; and, after kissing the block, she looked at my ancestor, and said:
“Sir, will you be good enough to show me the position. I am to take?”
Sanson de Longval, impressed by her look, had but just the strength to answer that she had only to put her head on the block.
Angelique obeyed, and said again:
“Am I well thus?”
A cloud passed before my ancestor’s eyes; he raised with both hands the heavy two-edged sword which was used for the purpose of decapitation, described with it a kind of semicircle, and let the blade fall with its full weight on the neck of the handsome victim.
The blood spurted out, but the head did not fall. A cry of horror rose from the crowd.
Sanson de Longval struck again; again the hissing of the sword was heard, but the head was not separated from the body. The cries of the crowd were becoming threatening.
Blinded by the blood which spurted at every stroke, Sanson brandished his weapon a third time with a kind of frenzy. At last the head rolled at his feet. His assistants picked it up and placed it on the block, where it remained for some time; and several witnesses asserted that even in death it retained its former calmness and beauty.
For an interesting consideration of the Tiquet affair, including her posthumous use in polemical melodrama either critiquing or celebrating her repentance of a life of iniquity, there’s a freely downloadable academic paper here. It’s by the author of this wild true-crime mystery unfolding elsewhere in France at just about the same time.
* Charles Sanson de Longval was the first Sanson executioner, the founder of the dynasty of headsmen. He had fallen into the dishonorable profession from a much more respectable social station and had been transplanted to Paris from Rouen only a few years before.
On this date in 1565, three men who schemed to assassinate Pope Pius IV were put to public death at the Capitol.
Detail (click for the full painting) of Parnassus by Raphael, the Vatican’s “Raphael Rooms”. According to Jonathan Unglaub,* this figure is the then-acclaimed, today-obscure poetBernardo Accolti, our failed assassin’s great-uncle.
Pius was a pope of the counter-reformation; it was he who brought the Council of Trent to its conclusion.
And though generally noted for his moderation (and his enthusiasm for building), he was not above striking heads from shoulders. Upon his ascension a few years prior he had dealt harshly with the nephews of his predecessor.
Young Benedetto, clearly, could scheme a little himself, since he roped several buddies (Italian link) into a plot to murder the pontiff. In December 1564, they presented themselves at a papal audience, but apparently got cold feet. One of their number, a Cavalier Pelliccione, ratted the lot of them out before they could muster their nerve a second time: the good cavalier might have been motivated by having possession of treasonably pre-written letters to be sent to various dignitaries upon the pope’s violent deposition.
Pelliccione accordingly skated with a pardon, but two co-conspirators were sent to the galleys for life.
Benedetto Accolti, Antonio Canossa, and Taddeo Manfredi were dragged to the Capitol on January 27 and put to the gruesome public butchery — “like cows” — of the mazzolatura.
There are several resources that claim the plot was among Catholic ultras who found Pius a little on the heretical side. This Italian encyclopedia entry attributes to the astrologically-inclined Accolti a more nutty-prophetic ambition of a “papa angelico” who would unify Christendom.
Maybe he should have just exercised a little patience. Pius IV died in December 1565.
* Jonathan Unglaub, “Bernardo Accolti, Raphael’s ‘Parnassus’ and a New Portrait by Andrea del Sarto,” The Burlington Magazine, Vol. 149, No. 1246, Art in Italy (Jan., 2007).
If you didn’t get August 5 off, your jurisdiction is ignoring the Scottish parliament’s 1600 decree: “in all times and ages to come the fifth of August should be solemnly kept with prayers, preachings, and thanksgiving for the benefit, discharging all work, labour, and other occupations upon the said day.”*
They didn’t mean to keep it out of excess reverence for St. Emygdius: rather, August 5 was the date of the Gowrie conspiracy, a sketchy supposed assassination attempt on King James VI of Scotland (soon also to become King James I of England). John Ruthven, Earl of Gowrie and his brother Alexander Ruthven were both slain on the spot during that event … but not until 15 weeks later did Parliament rule that “the said bodies of the said Traitors shall be carried, upon Monday next [i.e., November 17], to the publick cross of Edinburgh: and there to be hangd, quarter’d, and drawn, in presence of the hail People: and thereafter, the heads, quarters, and carcasses, to be affix’d upon the most patent parts and places of the Burroughs of Edinburgh, Perth, Dundee and Stirling.”
Did they deserve it?
Scottish writer John Prebble considered the Gowrie conspiracy one of his realm’s best mysteries. It’s a maddeningly perplexing sequence of ambiguous (or altogether dubious) events related by interested, partisan sources.
I am murtherit!
The summary official version — and we’re skipping over such writerly red herrings as a mystery man in the turret, a still-stabled horse, and a wild fable about a pot of foreign gold — is that while staying at the Ruthven estates, James’s courtiers saw him shouting out the window, “I am murtherit! Treassoun! My Lord of Mar, help! help!”
While Lord Mar and others spent half an hour (!) trying to batter down a locked entrance to the regicidal turret, a page named John Ramsay found another staircase in, where he came upon the king and Alexander Ruthven grappling. Ramsay stabbed Ruthven about the head and neck, and Ruthven fled down Ramsay’s same staircase: there he careened headlong into more arriving royal retainers who killed him flat. Ruthven died exclaiming “Allace! I had na wyte [blame] of it!”
Meanwhile, the Lord Gowrie — quite possibly knowing nothing but that there was a commotion involving the king in his home — had rallied outside the courtyard with his own household and marched in swords drawn, passing the fresh-slain body of his little brother on the way. He must have been in an evil temper when he burst into the chamber, there to discover Ramsay and friends, and only them: the king had been locked in another room for his protection. Ramsay demanded Gowrie’s submission and the two crossed swords, with Ramsay running the elder Ruthven through, too.
(Small wonder Ramsay went on to become a royal favorite.**)
“… if it be true”
“A very wonderful story, your Majesty, if it be true,” one lord is supposed to have replied to James upon hearing this amazing tale.
Suspicion was immediately rife that this “treason” stuff was a cover for the king to take out a rival noble. The Ruthvens had often been at odds with King Jamie’s own family; John and Alexander’s own father was beheaded in 1584 for trying to kidnap the then-teenaged king, and their grandfather had helped a gang of nobles destabilize James’s mother Mary by murdering her favorite courtier David Rizzio right before her eyes. And of course, the crown would be able to seize all the “traitors'” estates, nicely flipping around a significant cash debt owed to the Ruthven clan.
Edinburgh Presbyterian ministers openly disputed the Ruthvens’ guilt, refusing to thank God for James’s “deliverance”.† James found it necessary to forcibly quash this talk, and he would insist upon the Ruthvens’ guilt all his days. But those outside the reach of Scottish royal power had looser tongues.
French nobles who had met Gowrie on the latter’s recent return from his continental studies, and Queen Elizabeth, who had received Gowrie warmly at court, openly doubted the official account: it was thought wildly at odds with the young man’s character. The nature of the interaction between the king and Alexander Ruthven prior to the intervention of John Ramsay depends upon the account of the king himself — that account, and no other. The other witnesses were dead. And the object of the plot seems unclear: sure, maybe Alexander Ruthven could have killed the king mano a mano, but then what? There was no indication at all of confederates (even Alexander’s brother reacted in confusion), nor coherent design for some next step like massacring James’s courtiers or toppling the government or even escaping. These were scheming aristocrats, not deranged lone assassins. And both James and Gowrie had behaved for all the world before this incident as if the unpleasantness with the father was water under the bridge.
“The assassination of the Gowries was the most indefensible act that has ever appeared on the pages of Scottish history,” avers mildy a 1912 volume of the Ruthven family papers. It was “a cunning conspiracy that has disgraced the historical record for more than three hundred years.”
The jury’s still out
Still, the hypothetical account of a royal anti-Gowrie conspiracy seems if anything even less satisfying than the official story. Most of the happenings besides what passed between Alexander and James were witnessed by others, so … the king falsely yelled “treason” counting on the handful of his guys staying in the Ruthvens’ own place to kill the Ruthvens instead of the other way around? Events played out so chaotically that this convenient outcome seems mere [mis]chance. What was the plan if John Ramsay hadn’t found the unlocked second entrance?
And yet some 350 witnesses were examined without turning up any concrete design, and three Ruthven retainers hanged on August 23 insisting upon their innocence of any treasonable intent.
One can go a lot of ways from here, and it’s hard to spin any one story that satisfyingly accounts for all the evidence. A scheme to kidnap (and extract policy change from) the king, rather than murder him? Alexander an unwilling pawn, forced into it by his brother? Or, as one English envoy supposed, a destructive spiral of events proceeding from a silly misunderstanding wherein a chance reference to the Ruthvens’ executed father led Alexander to defend the family a little too hotly and the king to start shouting in panic when he realized he was unarmed in the company of an excited, and much larger, man?‡
We’ll never really know. Light a candle for epistemological uncertainty next August 5.
Much help drawn from a two-parter review of the contradictory evidence in The Scottish Historical Review, nos. 121 and 122 (April and October 1957) by W.F. Arbuckle.
* August 5 was indeed “solemnly kept” during the reign of James, according to F.C. Eeles in “The English Thanksgiving Service for King James’ Delivery from the Gowrie Conspiracy” from the July 1911 Scottish Historical Review. As the title of that piece suggests, there was even a service promulgated (though never incorporated into the Book of Common Prayer), beseeching God that James “may bee kept as the apple of thine eye, and thy kindnesse and mercy may follow him all the dayes of his life, with abundance of all thy blessings both heavenly and earthly upon his Majesty, our gracious Queene, the Prince …”
** Ramsay would be supplanted in the royal sun come the 1620s, by George Villiers.
† Religion affords another potential motivation here, although perhaps only retrospectively. James was working a long-term project to reintroduce episcopacy — crown-appointed bishops — to control the loose canons of Scotch Presbyterianism. “No bishop, no king,” in the aphorism attributed him.
With the Gowrie plot as backdrop, James was able to force radical ministers and their tin-foil hats out of Edinburgh and obtain the consent of the rest to James’s own hand-picked bishops — the camel’s nose under the tent, if you like. (See Maurice Lee, Jr., “James VI and the Revival of Episcopacy in Scotland: 1596-1600,” Church History, 43 (1974).) The Ruthven family papers volume also sets great stock by the idea that a Catholic party was out to get Lord Gowrie.
‡ “by occasion of a picture (as is sayde) or otherwise, speech happening of Earle Gourie his father executed, the k. angrelie sayde he was a traitour. Whereat the youth showing a greived and expostulatorie countenance and happilie Scot-like woords, the k. seeing hymself alone and wythout weapon cryed, ‘Treason, Treason’. The Mr [i.e., Alexander Ruthven], abashed much to see the k. to apprehend yt so … putt his hand with earnest deprecations to staie the k. showing his countenance to them with out in that moode, immediatlie falling on his knees to entreat the k.” Ramsay did say that when he entered the room he saw Alexander’s head under James’s arm, which might be consistent with this supplicatory pose … especially given that accounts of the men’s respective physiques suggest Alexander should have had the clear advantage in an actual scrap.
On this date in 1866 (September 3 O.S.; September 15 N.S.), Russian revolutionary Dmitry Karakozov was hanged in Peter and Paul Fortress for attempting to assassinate Tsar Alexander II.
Karakozov was a son of noble stock — the self-hating variety, obviously, and suicidally disturbed into the bargain. He supposedly hailed from a terrorism cell branding itself “Hell”, although this was bandied about by the police afterwards and conveniently supported a hunt for radicals.
Karakozov, at least, considered the state of tsarist Russia positively infernal, and on April 4, 1866, he went to scourge it — firing a shot at the monarch at St. Petersburg’s Summer Garden. He missed.
The tsar’s guards tackled him as he fled, and the unharmed Alexander walked up to the gunman and asked him, “What do you want?” He may have been genuinely bewildered: Alexander was the guy trying to liberalize Russia. Just a few years before, he had freed the serfs.
“Nothing,” Karakazov replied. “Nothing.”
A statement of implacability: no progress would be bargained with even the most progressive despot. The despotism itself must go. A manifesto addressed to “Friends-Workers” was found in his pocket underscoring the point; it read in part (translated from p. 21 of this Russian pdf):
I have decided to destroy the wicked Tsar, and to die for my beloved people…
If I accomplish this deed, I will die with the thought that in death I did something good for my dear friend, the Russian peasant.
If I do not accomplish it, then others will follow my path. Where I fail, they will succeed, and my death will be their example and inspiration.
Karakozov himself, the first Russian revolutionary to attempt regicide, didn’t seem to have revolutionary satisfaction on his mind at the end. He converted to Orthodox Christianity in prison, sought “as a Christian, of a Christian” his prospective victim’s clemency … and multiple newspaper accounts report him kneeling to kiss a cross presented to him on the scaffold by the priest. (All via Odd Man Karakozov, which argues that all this need not imply such a reversal of conscience as it might appear.)
What certainly did happen — more immediately than those copycat assassinations — was a reactionary wave of national chauvinism, whose more wretched manifestations will not be unfamiliar to the present day. The patriotic Glinka opera Ivan Susanin was staged a few days later at the Bolshoi in Moscow. According to an eyewitness account of Tchaikovsky quoted in Romanov Riches: Russian Writers and Artists Under the Tsars, this salute to a Russian peasant’s sacrifice for the Romanov dynasty went a little bit off-script.
I think the Moscow audience went beyond the bounds of sense in their outburst of enthusiasm. The opera was not really performed, for as soon as the Poles appeared onstage, the whole theater shouted, “Down with the Poles!” and so on. In the last scene of Act 4, when the Poles are supposed to kill Susanin …
… the actor playing him started fighting the chorus members who played Poles, and being very strong, knocked down several of them, while the rest of the extras, seeing that the audience approved this mockery of art, truth, and decency, fell down, and the triumphant Susanin left unharmed, brandishing his arms, to the deafening applause of the Muscovites.
If true, that is little short of fantastic.
The apparatus of state went so far as to build up a new Susanin for the occasion at hand, hyping a questionable story that a young peasant named Osip Komissarov — who was from Susanin’s own province of Kostroma — had jostled Karakozov just as he took the shot, causing it to go awry. The good-natured bumpkin was rewarded with summary ennoblement as “Komissarov-Kostromskoy” and eye-rollingly terrible poetic tributes from the likes of Vyazemsky and Nekrasov. However, Komissarov’s embarrassing stupidity and want of manners would eventually necessitate Komissarov-Kostromskoy’s being packed out of polite society to country estates on a generous pension to bankroll his ample appetite for liquor.
So Dmitry Karakozov did do something for the Russian peasant after all.
On this date in 1481, two Lithuanian princes were beheaded in Vilnius for plotting the assassination of the Polish-Lithuanian king.
This late 15th century was a heady time for Poland under the Jagiellon dynasty, and one of this dynasty’s going projects was keeping the adjacent realms of Poland and Lithuania linked together. In time, they would become formally joined, but at this point they were independent entities “united” only by the personal union of the Jagiellon monarch himself.
That monarch in the late 15th century was the redoubtable Casimir IV (Kazimierz IV): Grand Duke of Lithuania since 1440, King of Poland since 1447. Casimir’s family hailed from Lithuania; indeed, as that place had been last European place to Christianize, Casimir’s own father had been born a pagan.
Casimir IV’s eponymous son is St. Casimir, patron saint of both Lithuania and Poland; both actively honor his feast date of March 4.
Lithuania had a strong independent streak (pdf), and its boyars did not necessarily see eye to eye with the Grand Duke. Casimir was keen on centralizing Lithuania’s administration and checking the potential rivalry of the most powerful Lithuanian families, the classic seeds of crown-vs-nobility conflict the world over.
And both watched with a wary eye the growth of Muscovy under the energetic leadership of Ivan III, aka Ivan the Great.
That expanding state in the 1470s gobbled up the buffer city-state of Novgorod; Ivan III’s newly-minted honorific Tsar of all the Rus(sians) openly announced his designs on Lithuania’s own historically Slavic Ruthenian territory. “The gatherer of the Russian lands,” Ivan is known as … and Lithuania (much larger then than it is now) stood to be the gatheree.
The Great Stand on the River Ugra
Come 1480, Casimir was allied against Moscow with the Mongol Horde, the famous “Tatar yoke” that had been collecting Russian tribute for two-plus centuries. In Russian historiography this is the crucial moment when that yoke is thrown off, and the Muscovites accomplished that in part by crossing up the Lithuanians.
The Horde, having marched through Lithuanian territory, assembled on the banks of the Ugra River, opposite a waiting Muscovite army. Neither army attacked. Instead, they waited … and waited … and waited some more.
The Horde, for its part, was waiting for reinforcements from its Lithuanian ally. But those reinforcements never arrived, thanks in part to Russia’s alliance with Crimean khan Mengli Giray, who seems to have absorbed Casimir’s attention in the fall of 1480 with a vexing combination of raids into southern Lithuania and dilatory ceasefire diplomacy. Distracted by the homeland threat, Lithuania never got around to supporting the Horde … and the Horde, after freezing itself on the banks of the Ugra for a couple of months, simply marched away in frustration.
Moscow never again paid it tribute … and its Crimean ally destroyed the Great Horde utterly in 1502.
This was the context, back in Lithuania, for the attempt on Casimir’s life that would cost two princes their heads. Notwithstanding his unhelpful alliance with the Great Horde, it seems apparent that Casimir himself espoused a fundamentally western policy: the Jagiellon dynasty had branches in Hungary, Bohemia, Germany, and Casimir had more taste for meddling in these realms than dealing with Russia. One could imagine how a Lithuanian magnate out his lucrative Novgorod trade would feel like the head man didn’t really have his eye on the ball; in 1478, a Lithuanian delegation even requested that Casimir appoint a Lithuanian governor to look after the interests of the Grand Duchy. (Casimir refused.)
And these nobles were getting it at both ends, since Casimir’s state-centralization project meant that they were being cut down to size in terms of their internal political power, too.
Apparently with the support of Moscow itself (whose expansionary interest is self-evident) Iwan Holszanski and Fedor Bielski hatched a plan to murder the Grand Duke and his sons on Palm Sunday, 1481 — which was also the occasion of Fedor Bielski’s wedding. The idea was to replace him with Michal Olelkowicz (Mikhail Olelkevich), who had been Novgorod’s elected prince-ruler in the late 1460s; it’s not clear to me if Olelkowicz himself was actually in on the scheme.
Casimir, at any rate, caught wind of the plot. Legend has it that a servant decorating a room ran across the conspirators’ weapons niches and reported it; it’s alternately alleged that the assassins meant to jump Casimir while out on his favorite pastime, hunting.
However it was supposed to go down, it didn’t work. Bielski was able to flee to Moscow (ditching his newlywed bride), but left Holszanski and the coup’s prospective beneficiary Olelkowicz to suffer beheading this date upon evidence “brighter than the sun” of their treason.
On this date in 1768, a year of tremendous labor agitation in London, seven coal-heavers were hanged near the Shadwell dock.
With food prices surging,* the city’s hard-pressed urban proletariat was at peak militancy — which also lent violent energy the cause of hunted radical politician John Wilkes, who had returned from exile this year to stand for Parliament. Two principal loci of labor insurgency in 1768 were the Spitalfields weavers, whose struggle we have already observed, and the “coal heavers” — the men who did the grueling labor of offloading coal from Thames barges.
Coal-heaving was ill-paid and dangerous, and it was notoriously sensitive to fraud: workers (largely Irish: they’d been imported to hold down wages) being paid by the “sack” or the “vat” fought supervisors at riverside over just how fully loaded with coal such a sack or vat should be. Workers had their own recourse to “indirect Practises,” pilfering a few coals on the side to supplement pay up to within hailing distance of subsistence. The boss would call “theft” this grey-area practice harkening to labor traditions ancient and still-current. The rope would help him define it so.
Peter Linebaugh’s magisterial social history The London Hanged dramatically treats the fraught and violent months of the spring of 1768, when Irish workingmen were “bringing river traffic to a stand-still … [and] stopped the imperialist artery.”
Dockside taverns doubled as fraternal entities and regiments in the unfolding dock war. One John Green, keeper of a pub on New-Gravel Lane (not as scenic as the nearby Cutthroat Lane)
organized scab labour from [his] Roundabout Tavern. It was attacked in April with gunfire. A shoemaker bled to death on the pavement, a coal-heaver took a bullet in the head, ‘dropped down backwards, and never stirred’. The taverns were besieged, their furnishings destroyed. Gunfire was frequent. Green was acquitted of murder. Those testifying for him were mobbed and one witness had her jaw broken. The coal-heavers were as violent in word as in deed. ‘They would have Green’s Heart and Liver and Do for him'; ‘they would have him joint from joint'; ‘they would have his heart and liver, and cut him in pieces and hang him on his sign'; ‘they would hang him over his sign Post & cut him into Beef Stakes’.
Our seven — by name John Grainger, Daniel Clark, Richard Cornwall, Patrick Lynch, Thomas Murray, Peter Flaharty, and Nicholas McCabe — were indicted on grounds that they “with force and arms, with certain guns loaded with gunpowder and leaden bullets, feloniously, wilfully, and maliciously did shoot off at John Green.” Not quite cut into Beef Stakes, but it’ll get the job done.
Though the trials of Green, and then of Green’s assailants, were weeks apart, they concerned the very same disturbance on the night of April 20-21, when Green’s residence had been besieged by angry coal-heavers and Green with others had shot out the windows and killed at least two … but managed to hold his foes at bay during what must have been a harrowing night. Green wasn’t hurt, and gave evidence at the “shooting off” trial.
The London Irish had by 1768 an unparalleled knowledge of arms and armed struggle. They contributed to an insurrectionary impulse within the London working class. At the same time, as a consequence, the Irish had close knowledge of violent death. The intimacy of that knowledge was expressed in vivid euphemisms designed to reduce the terror of hanging. Seven coal-heavers received the ‘cramp jaw’ at the Old Bailey only after a new interpretation was placed upon the Waltham Black Act. The seven danced ‘a new jig without music’ on 26 July 1768. This particular ‘crack neck assembly’ was located in Sun Tavern fields, Shadwell … The move from Tyburn was designed to terrify the poor and working people of the river parishes. The ‘breath stopper’ was witnessed by 50,000 spectators, perhaps the largest crowd at such a scene since the hanging of the Earl of Ferrers eight years earlier. The Government anticipated disorders, if not rescue attempts, when these seven were to dance ‘tuxt de ert and de skies’. From 6 a.m. more than 600 soldiers patrolled the streets of Wapping and Shadwell. The Sheriff ordered all the constables of the Tower and Holborn divisions to assemble at the hanging site and to come armed with their staves. Thomas Turlis, the hangman, had stolen coal from a neighbour’s cellar five years earlier. But, that his work might not be interrupted, the Sheriff quickly obtained a pardon for him. He did his duty upon the coal-heavers, sent ‘a-spinning like a whirligig’. Once they had ‘peacably’ exited the world, many of the spectators may have gone for a drink as was customary:
Wid a facer we coddled our blood
For de wind id blows cold from de gibbett.
… The hanging at Sun Tavern Fields … taught a hard lesson about collective bargaining: attempts to counteract the rise in the price of provisions by improving wage rates would not be allowed. … the insurrectionary vanguard of the river proletariat was broken.
Or, as a more sanguine observer put it, after the hangings “the tumults immediately ceased, and peace and industry was happily restored.” And they all lived happily ever after.
* Bread prices doubled in 1768, leading to work stoppages, hoarding, and food riots throughout the city. Representative slogan shouted by desperate rioters: “We might as well be hanged as starve.” (George Rude, “The London ‘Mob’ of the Eighteenth Century,” The Historical Journal, Vol. II, no. 1 (1959))
“Everything passed simply, decorously, and without affectation on his part,” is the entirety of Stendhal’s death scene for his man.
Julien Sorel, the flawed (or anti-) hero of The Red and the Black (Le Rouge et le Noir), is the intelligent son of a provincial carpenter who puts his wits to use trying to climb Restoration France’s treacherous social ladder.
Ambition, says Stendhal, is “the very essence of his existence,” much as it is for his milieu, and through Julien’s exertions — brilliant and resourceful at times; infuriatingly handicapped by social prejudice against the protagonist’s low birth at others — the author sets down one of the most psychologically forceful works in the canon.
Julien Sorel’s ambition also powers his youthful passion, and his fall: to conquer the mother of the children he tutors, and to likewise conquer the daughter of a nobleman.** This latter conquest has him a made man, married into the aristocracy and set with a plum military assignment that has Julien dreaming of Napoleon … so when the spurned former conquest denounces Julien to the father of that latter conquest as an upstart seducer cynically shagging his way into decent society, the incensed Julien hauls off and shoots that previous conquest. (As she kneels at Mass, no less.)
Is it a mere jealous fit? Even though his victim survives the attack, and forgives her lover, Julien obstinately pleads guilty, and insists on his own maximum culpability. It’s not only an individual criminal culpability, but a culpability of class aspiration.
‘I ask you for no mercy,’ Julien went on, his voice growing stronger. ‘I am under no illusion; death is in store for me; it will be a just punishment. I have been guilty of attempting the life of the woman most worthy of all respect, of all devotion. Madame de Renal had been like a mother to me. My crime is atrocious, and it was premeditated. I have, therefore, deserved death, Gentlemen of the Jury. But, even were I less guilty, I see before me men who, without pausing to consider what pity may be due to my youth, will seek to punish in me and to discourage forever that class of young men who, born in an inferior station and in a sense burdened with poverty, have the good fortune to secure a sound education, and the audacity to mingle with what the pride of rich people calls society.
‘That is my crime, Gentlemen, and it will be punished with all the more severity inasmuch as actually I am not being tried by my peers. I do not see, anywhere among the jury, a peasant who has grown rich, but only indignant bourgeois …’
The Red and the Black is available in its French original here; in English translation here; and as a free French audio book here. And here’s some literary analysis
* The date is not explicit in the text. The Red and the Black was subtitled Chronique de 1830, but several past-tense allusions to the event show that the main action takes place after the July Revolution of 1830 that toppled Charles X and raised Louis-Philippe to the throne. There is, however, a late and seemingly anachronistic allusion to Julien’s lover/victim intending to “throw herself at the feet of Charles X” to appeal for his life. Oh well: ambiguity is the novel’s stock in trade.
Further to that body’s sanguinary campaign against papal political domination, they authored an attempted kidnapping and/or assassination of the Vatican’s Romagna enforcer, Cardinal Rivarola. Rivarola had recently issued mass condemnations against carbonari.
Which is very nice. But they didn’t get the Cardinal.
Ubiquitous 19th century papal executioner Mastro Titta conducted the executions — the 266th through 269th of his career (he’d also done Gaetano Montanari’s better-known brother Leonida three years before) — and devoted a chapter of his memoirs to the occasion. You can call the carbonari terrorists if you wish, but the Ravenna populace’s fearsomely cinematic display of solidarity with the doomed makes eloquent historical testimony on their behalf.
The execution took place on May 13 on a large square in Ravenna, occupied by the military so that nobody could not approach the gallows other than the executioners, the soldiers, and the prisoners. The windows and doors of the city and the shops were all closed and many were hung with black. Not a person was seen on the streets. Ravenna seemed transformed into a necropolis. All attempts to convert them were vigorously rejected by the prisoners, who did not want confession nor religious comforters, and protested against the accompaniment of two friars ordered by the Cardinal.** The wagon crossed streets deserted and silent, all surrounded by soldiers on foot and horseback riding at a brisk trot. Arrived at the foot of the gallows, the condemned went down with a firm step, and one by one they boldly climbed the stairs of the gallows, and before the gallows clutching their necks shouted in a voice strong and fearless:
– Viva Italia! Down with the papacy!
The execution was conducted rapidly. I departed with my aide that night under guard, because it was rumored that the conspirators wanted to skin us.
* It appears to me — although it’s not completely clear from what I’ve seen — that a fifth man, a Jewish poisoner named Abramo Isacco Forti (aka “Machino”), was also executed in this group, for collaborating with the carbonari on a different murder. He’s listed on Titta’s roster of victims without date or explanation, but specifically named in, e.g., this Italian book’s roster of death sentences handed out by that same court.