Every Person in the Fleet, who through Cowardice, Negligence, or Disaffection, shall in Time of Action withdraw or keep, or not come into the Fight or Engagement, or shall not to do his utmost to take or destroy every Ship which it shall be his Duty to engage, and to assist and relieve all and every of his Majesty’s Ships, or those of his Allies, which it shall be his Duty to assist and relieve, every such Person so offending, and being convicted thereof the Sentence of a Court-martial, shall suffer Death.
On this date in 1757, English Admiral John Byng was shot to death by musketry on the quarterdeck of the HMS Monarque for failing to “do his utmost” to defend Minorca against the French.
The first and last man of that rank executed by the Royal Navy, Byng was one of 15 (!) children of an ennobled admiral. He’d been 40 years at sea himself, a competent, forgettable senior officer unburdened by genius.
The 1750s found him in service of a listless British Empire sliding towards war with France.
In 1756, the Brits belatedly realized the French were about to grab the Mediterranean island/naval base of Minorca (Menorca) from them, and dispatched a too-little, too-late expedition under Admiral Byng.
By the time he got there, the French already had Minorca in hand, save the last, besieged garrison. Byng attempted to land reinforcements for the garrison — without enthusiasm, since he perceived the inadequacy of his force — and was repelled in an inconclusive naval engagement.
The loss of Minorca raised the curtain on the Seven Years War: the first “world war,” in Winston Churchill’s reckoning, in which European alliances would duke it out for continent and colonies.
But it dropped the curtain on the ill-starred Admiral Byng.
Popular outrage at the military setback had the Duke of Newcastle’s government scrambling to find a scapegoat, and the commander on the scene fit the bill exactly.
A gloating French account of the engagement — “the English had the advantage of the wind, but still seemed unwilling to fight” — reached Albion’s shores ahead of the admiral’s dispatch; when the latter arrived, it was publicly leaked in unflatteringly redacted form that generally made Byng look like a big fraidy-cat.
Having been thus attainted in the court of public opinion, the admiral was hailed before a court martial and convicted of not doing enough to relieve the English garrison and generally not fighting a very good fight.
Only one penalty was prescribed for this offense: death.
“The officers who composed this tribunal” themselves had such misgivings about shooting an officer for an on-the-scene tactical miscalculation “unanimously subscribed a letter to the board of admiralty [reading] ‘for our own consciences sake, as well as in justice to the prisoner, we pray your lordships, in the most earnest manner, to recommend him to his majesty’s clemency.’”
But Hanoverian George II had no upside in getting involved. He faced complaints enough wringing the revenue out of Englanders to defend a hereditary German electorate of no consequence to British security; what sense could there be in antagonizing the irritated masses by going to bat for the official fall guy in the realm’s scandalous military reversal?
On the day fixed for his execution [relates the Newgate Calendar] the boats belonging to the squadron at Spithead being manned and armed, containing their captains and officers, with a detachment of marines, attended this solemnity in the harbour, which was also crowded with an infinite number of other boats and vessels filled with spectators. About noon, the Admiral having taken leave of a clergyman, and two friends who accompanied him, walked out of the great cabin to the quarter-deck, where two files of marines were ready to execute the sentence. He advanced with a firm deliberate step, a composed and resolute countenance, and resolved to suffer with his face uncovered, until his friends, representing that his looks would possibly intimidate the soldiers, and prevent their taking aim properly, he submitted to their request, threw his hat on the deck, kneeled on a cushion, tied one white handkerchief over his eyes, and dropped the other as a signal for his executioners, who fired a volley so decisive, that five balls passed through his body, and he dropped down dead in an instant. The time in which this tragedy was acted, from his walking out of the cabin to his being deposited in the coffin, did not exceed three minutes.
Thus fell, to the astonishment of all Europe, Admiral John Byng; who, whatever his errors and indiscretions might have been, was at least rashly condemned, meanly given up, and cruelly sacrificed to vile political intrigues.
A school of thought does exist that the empire reaped from its rash, mean, and cruel example a generation of aggressive captains and commodores — or, as Voltaire put it shortly afterwards in Candide, “it is thought good to kill an admiral from time to time to encourage the others.” (“pour encourager les autres”)
Whatever the morale effects, the British soon rallied from their early setbacks in the Seven Years’ War and emerged from the conflict undisputed masters of North America and India.
February 12 is the anniversary of Lady Jane Grey’s beheading at the Tower of London. The Protestant teenager was the designated successor of sickly boy-king Edward VI, but popular and aristocratic support went for Mary Tudor in a landslide.
The Nine Days’ Queen landed in the Tower and copped to a treason charge on a tenuous deal for mercy (not applicable to her sponsors and allies, many of whom went to the block). But a January 1554 Protestant rebellion that had Lady Jane’s restoration as part of its programme made it a dangerous indulgence for Mary to keep her cousin’s neck attached to its shoulders.
On this auspicious anniversary, Executed Today is pleased to welcome Jane Grey expert J. Stephan Edwards, Ph.D. Dr. Edwards runs the Some Grey Matter site, and is working on a forthcoming book about our day’s famous beheadee.
ET: The conventional wisdom on Jane Grey is that she was basically destroyed by the machinations of the men around her. Is that a misapprehension? Was she more involved in events than she’s given credit for? Can one take seriously the notion that she didn’t want to be queen?
JSE: Having spent almost ten years researching the life of Lady Jane Grey Dudley and her very brief reign as Queen of England in July 1553, I am confident that she was not directly involved in the plans to make her Edward VI’s successor to the throne. At the same time, however, I am completely convinced that she was well aware of those plans at least six weeks before she actually became queen. And it is beyond question that she knew of the plan at least a week before her accession. Thus the standard mythology that portrays Jane as utterly unaware and totally innocent until the last possible second is just that … a myth.
I am similarly convinced that Jane accepted the crown after offering little more than perfunctory resistance. The crown offered a degree of personal independence that would otherwise have been unavailable to her. It also offered power. Despite Victorian-era storytelling to the contrary, Jane Grey Dudley was very much a product of her own age, and that was an age of widespread personal ambition, of duty to both family and God to advance one’s self and one’s family. It would have been a deep betrayal of her family and of social norms actually to refuse such an exalted position.
In the act of accepting, she is recorded to have asked God for some sign that she should refuse, paused for a moment, and receiving no such sign, she accepted. Further, Jane was apparently an adherent to the Calvinist doctrine of predestination, the idea that all things, including our daily lives, are preordained and known to God, and as humans we are powerless to alter God’s plan. Having prayed to God for a sign that she should refuse the crown and receiving none was no doubt to her an indication that her God’s preordained plan was for her to be Queen of England. She therefore accepted without offering further resistance of any kind.
Further, there is ample evidence to show that Jane fully embraced her new status. She signed dozens, perhaps hundreds, of documents with her own hand rather than relying on a privy secretary to sign in her stead (common practice in the reigns of Henry VIII and Edward VI before her). This indicates active and positive involvement in affairs. And on more than one occasion, she countermanded the orders of her council, imposing her own will upon them, again evidence of an intent to rule.
Was she “destroyed by the machinations of the men around her”? I think perhaps there is a better way to phrase it. Jane Grey Dudley lived in an era when women were second class citizens with few legal rights and virtually barred from public affairs. Yet the circumstances of July 1553 mandated that a woman must assume the throne, however much that contradicted 400 years of established English practice. If anything, Jane Grey Dudley was a pawn in a political chess game in which the players, all male, searched desperately for a male king, yet all they had at hand were potential queens. The male players at the chess board were simply struggling with the pieces they had available and trying to make the best of an unfamiliar and even frightening situation. They failed, and Queen Jane was one of the unfortunate pieces swept from the board.
Jane is obviously a romantic figure — small r, big R — in part because she didn’t ever have the chance to start doing the un-romantic things that rulers have to do. How has her image changed over the years? What about her would most surprise people today?
Actually, Jane did “do some of the unromantic things that rulers have to do.” She sat in daily on meetings of the Privy Council. She helped to plan military maneuvers against her cousin, the future Queen Mary … maneuvers intended to bring about the latter’s death. She sent thousands of men off to die in battle. The nine short days of the reign of Queen Jane were packed with unromantic and burdensome activity unfamiliar to a woman of not quite eighteen years of age.
If anything, the years have served to erase much of that non-romantic material and replaced it with the image of an obedient girl-child secluded in study or prayer, uninvolved in the affairs of the world. Indeed, one biographer writing in the 19th century referred to her existence as one of “splendid isolation.”
Yet she was anything but isolated. The historical evidence makes it clear that she was socially active, participating in many of the public celebrations held by her kingly cousin’s court. She traveled a great deal, visiting with relatives and friends of the family scattered across the entire realm. And she had a love of music that was intense enough to give her tutor concern that she was becoming too distracted from her intellectual studies. The picture that has emerged from my own research is of a girl who was quite “normal” for those of her social and economic status in that era, with the possible exception of a gift for languages.
Had Jane, in fact, ruled, how different might events in England been? (and elsewhere, since this was also a key period of imperial competition?)
I am not myself a huge fan of “counterfactual history,” of speculating about “what might have been.” But since a lot of people do ask this question, I will say this: Had Jane remained queen, and had Mary remained on the political periphery (or been executed), it seems to me that the British Isles would be a very different place today. Just in basic political terms, Elizabeth also would likely not have become queen, so the great Elizabethan “Golden Age” would never have happened. Also, Jane would likely have had children, so there would not have been any need to reach outside the realm in 1603 to find an heir. James VI of Scotland would never have become James I of England, and Scotland may have remained forever a separate kingdom and nation. Without a King James of England, there would not have been a Charles I of England, and thus perhaps no religious civil wars in the mid 17th century. Carried still further, James II would never have become king, and no Act of Settlement would have been necessary. The Hanoverians would never have succeeded to the English throne … no George III and perhaps no American revolution. Certainly no Queen Victoria. And the current queen would instead be a German housewife.
All of this would likely have left England as a relatively small nation. It probably would never have become “Great Britain,” either geo-politically or symbolically. It might well have remained a minor actor on the international political stage. The great “British Empire” and the modern Commonwealth might never have existed.
Religiously, England might also have been very different. The more radical strain of evangelical reformism (later called “Puritanism”) espoused by Edward VI and Jane may well have prevailed. The moderate Elizabethan religious settlement of the 1560s likely would not have happened. Thus the Church of England might have looked today more like a Presbyterian or Lutheran church, both doctrinally and physically. Anglicanism today would have been based on simple preaching, with most ritual and liturgy pared down to a bare minimum. No vestments, no decorated churches, and perhaps no bishops and archbishops. All of that would, in turn, have had a huge impact on English culture, art, literature, etc.
In short, had Jane reigned long, the world would be a very different place today, in ways that we probably cannot even begin to imagine.
How did Jane herself change over the course of her experiences in proximity to power, and then as the queen, and then in the Tower?
This is a very difficult question to answer, if not an impossible one, because we have so very little evidence about Jane herself, her character, and her personality. We know next to nothing of her innermost thoughts and attitudes during this period, especially the period during her imprisonment in the Tower. The one thing that we can perhaps say is that religion became Jane’s chief comfort during the last six months of her life, and she clung to her faith with tenacity. The evidence suggests that she was accepting of her death in the belief that she was serving her God and her faith. In fact, she seems to have carried out the activities of her last days with great care and deliberateness so as to leave a carefully constructed final impression on others. She wrote a judiciously worded letter to her sister and penned a brief note to her father, almost certainly conscious that both would be published after her death. She engaged in a semi-public theological debate with Queen Mary’s own Roman Catholic chaplain and hand signed a transcript of that debate in order to authenticate her words. And lastly, she delivered an ambiguously worded speech from the execution scaffold that declared herself simultaneously innocent and guilty. Jane was a relatively unknown private figure when she became queen, and a very public one by the time she died, well aware that she would soon be known across Europe. That transformation from private to public figure must surely have changed her profoundly, in ways we can only guess.
As a researcher, how do you deal with the sketchy documentary trail on Lady Jane?
Historians and researchers deal every day with people and groups of people for whom few written records or other evidence exists. To compensate, many modern historians take pieces of evidence from here and bits of data from there and compile them, then use that compilation to construct snapshots of groups rather than of individuals. For example, we can reconstruct from written records the amount of charity that was dispensed in certain specific regions (e.g., a single parish in London). From that amount, we can gain some idea of how extensive poverty may have been in that region. And from the list of names and ages of those to whom charity was dispensed, we can deduce what percentage of the poor were male or female, young or old … even if we know nothing more than their names and ages.
With Jane, I have reversed the process. Historians have done a great deal of work to describe aristocratic young women in England in the sixteenth century … their education, their religious beliefs and practices, their domestic lives, etc. If that group composite picture is valid, we should also be able to say that if a certain person is a member of that group of young female aristocrats, she is likely to have had similar characteristics. Thus I have proposed that in the absence of any written evidence to the contrary, Jane was probably very much like her social and economic peers in many ways. She was different only in those ways for which we have clear evidence, such as her proficiency in as many as five to seven languages.
How was her execution carried out? Was it typical for its time, place, and circumstances?
Dying was an active process in the Tudor era. It was something a person did, not something that happened to a person. Those facing death were expected to carry out certain predetermined actions and to behave in certain specific ways as demonstrations that they were destined to go to heaven. Dying was to be done with dignity, with a measure of planning (if the death was anticipated far enough in advance), and with particular tasks to be performed by the dying before they took their leave of the earthly world and moved on to the spiritual world. A large body of literature and advice books on how to die, or “the art of dying” (ars moriendi in Latin), emerged during the period. Jane Grey Dudley played her part so well that she was held up as an example to all in later years of “how to die well.”
The condemned were always afforded the opportunity to prepare themselves spiritually, with the method of preparation dependent upon the form of religion then in place. Jane was executed after Roman Catholicism had been re-instituted in England, so she was given the opportunity to confess to a Catholic priest, to be absolved, and to take final communion. Holding firm to her Protestant beliefs that confession was a private matter between penitent and God alone and not necessitating a priest’s hearing, that absolution was given only by God and not mediated by priests, and that the Roman Catholic Mass was erroneous, she instead engaged in a public theological debate with John de Feckenham. During this debate, Jane professed her faith to a sizable audience, outlining its central tenets, an action that itself served as a kind of “Protestant confession” without directly involving a priest in the process.
She then wrote letters to her sister and father bidding them farewell and offering spiritual counsel to them as well. She probably wrote letters to others, especially her mother, but they have not survived. Taking leave of the world and offering consolation to those to be left behind was part of the ars moriendi. Jane’s letter to her sister, in particular, was reproduced repeatedly over the next century as a near-perfect example of how to bid farewell to loved ones. [Available here, the last of several Jane Grey letters reproduced in this public-domain book.]
On the morning of the execution, she would have dressed appropriately in a simple gown of somber color, usually gray or black (certainly not the angelically virginal white depicted in Paul Delaroche’s famous histrionic painting of her execution). Many carried some type of religious text with them to the place of execution, often a Missal or Book of Hours (for Catholics) or a New Testament or copies of the Four Gospels (for Protestants). Jane carried a book of prayers copied from the works of St Jerome, St Ambrose, and St Austin, each a father of the early Christian church of the fourth century (Tudor-era Protestants recognized the value of the writings of these men though they denied their status as saints and intercessors in heaven). That morning, she carefully inscribed the book to her jailer in preparation for presenting it to him in her last moments. Small gifts to jailers, and even to executioners, were considered signs of humility and Christian forgiveness.
Jane was to be executed within the relatively private walls of the Tower of London rather than in the full glare of the crowds outside the walls on Tower Hill. Executions were large public spectacles that often drew huge audiences, so a private execution was considered a great favor to the condemned.
There was no permanent execution scaffold within the Tower. Scaffolds were built specifically for each execution, then immediately dismantled. The eye-witness accounts indicate that the scaffold for Jane’s execution was built against the wall of the central White Tower, at its northwest corner … the corner closest to the Chapel of St Peter-ad-Vincula. Since Jane was housed in the upper storey of the Gentleman Gaoler’s (Jailer’s) quarters, which still stands today, she would have seen the scaffold being built just a few yards across Tower Green. She would also have had a very short walk from her quarters to the scaffold, though she would have been in full view of the many permanent residents, workers, and official visitors within the Tower that busy Monday morning. She is said by eyewitnesses to have made the walk with great dignity and without any outward signs of distress.
Jane was accompanied to the scaffold by at least two of her ladies-in-waiting and by John de Feckenham, her debate opponent of the previous days. Feckenham served two purposes. Firstly, he was available should Jane wish to convert to Roman Catholicism in her final moments, and to offer whatever spiritual comfort he could should she chose not to convert. No Protestant preacher or pastor was allowed. Secondly, Feckenham served as the personal representative of Queen Mary, ready to witness the proceedings and to recount them to his mistress.
Upon reaching the scaffold, Jane, like all those condemned to die, was allowed to make a final speech. Such speeches were customarily written and memorized in advance with great care, as it was common practice for the witnesses present to write down the dying person’s last words. Scaffold speeches were often published within days of the execution and circulated widely, sometimes as political propaganda, sometimes as educational tools or warnings to others, and sometimes simply as “news of the day.” Jane would have been well aware of this practice, and her final speech, as it was published barely more than a month later, reflects a careful choice of words. She stated that she was guilty of having broken the law by accepting the crown, but that she was innocent of having sought it. She acknowledged the justice of her execution, as all condemned were expected to do. Protestations of innocence at the moment of execution were paradoxically considered signs of guilt, of lack of humility, and transgressions of God’s will.
Jane also asked those in the small audience to pray for her soul “while yet I live.” Her choice of words reflected her disagreement with the Catholic practice of saying masses for the dead. She then kneeled and asked the audience to recite along with her as she spoke the words of Psalm 51, the Miserere, which begins, “Have mercy upon me, O God.”
Those of noble or royal status who were convicted of treason were often beheaded, whereas men of lower birth were hung, drawn and quartered and women of lower birth were often burned at the stake (considered more “humane” for the “weaker sex” than hanging, drawing and quartering). The monarch’s consent was required for beheading, but it was seldom withheld. Thus Mary consented to Jane being executed by beheading with an axe. Therefore, following her recitation of Psalm 51, Jane stood again to make final preparations to meet the axe. She handed her gloves and handkerchief to one of her ladies, and gave her small prayer-book to Thomas Bridges, the brother of the Lieutenant of the Tower. The prayerbook has survived and is sometimes displayed as part of the permanent “Treasures of the Library” exhibition at the British Library in London.
After her attendants assisted her to loosen the neck of her gown, the executioner knelt in the customary request for forgiveness from the condemned. The executioner then asked her to stand upon the straw spread around the block to soak up the blood. As she began to kneel, she asked the executioner whether he would take her by surprise and strike before she was ready. Assured that he would not, she tied a cloth around her head to block her eyesight. Then, in one of the most poignant of scenes, she felt blindly for the block, and not finding it because of the cloth over her eyes, she asked, “What shall I do? Where is it?” It was against custom to assist the condemned to find the block, lest the person offering aid be accused of having an unjust part in a death. However, someone -– usually reported as Feckenham –- apparently did reach down and guide her hands to the block. (This instant is the scene depicted in Delaroche’s near-life-sized painting, though most of the details of that painting are quite inaccurate.)
Detail view of Hippolyte (Paul) Delaroche’s The Execution of Lady Jane Grey. (Click for full-size image.)
According to the gallery’s advance publicity, “For the first time, Painting History examines this iconic masterpiece in the context of Delaroche’s great historical paintings, particularly the poignant scenes from English history which made his reputation. The exhibition features seven major international loans of paintings by Delaroche including The Princes in the Tower, 1830 and Young Christian Martyr, 1854–5 (both Louvre) and Strafford on his way to Execution, 1835 (private collection). Displayed alongside are Delaroche’s expressive preparatory drawings for Lady Jane and a selection of comparative paintings and prints by his contemporaries, including Eugène Lami, Claude Jacquand and François-Marius Granet.”
The guy sure had a thing for executions. If this blog had a patron artist, it would be Paul Delaroche.
Finally finding the block, she laid her neck upon it and repeated Jesus’s words on the cross, “Lord, into thy hands I commend my spirit.” At those words, the executioner swung his axe and she was dead.
There is a previously unchallenged tradition that Lady Jane Grey Dudley was buried in the Chapel of St Peter-ad-Vincula (St Peter-in-Chains) within the Tower, supposedly beneath the floor just in front of the left-hand side of the altar. A plaque to that effect was placed there in the 1870s, and the modern tour guides of the Tower usually regale tourists with heavily embellished stories of the events.
My own research, however, suggests that Jane may have been buried outside the Tower. Several circumstances of the day support my conclusion. First, the chapel had been restored to service in the Roman Catholic faith by mid-February 1554. The Roman Catholic Church explicitly prohibits the burial of heretics in consecrated ground, and Jane was considered a heretic by that Church. Additionally, there is a contemporary account that tells of the bodies of Jane and her husband Guildford, who was executed the same day on Tower Hill, lying in a cart outside the chapel for several hours. The reason for the delay is given as a need to seek special permission to bury them within. None of the eyewitness accounts of the day go on to speak of the burial itself. Whether this is because none of those eyewitnesses saw the burial take place or because it was considered by them to be not worth the mentioning is unclear. However, Jane’s father Henry Grey was executed on Tower Hill two weeks later for his part in a rebellion in late January 1554, and he is reported to have been buried in the Church of Holy Trinity Minories just yards from Tower Hill. That church was a former abbey of the Order of St Clare that had been closed by Henry VIII during the Dissolution of the 1530s. Henry Grey had purchased the former abbey, together with its church, from the crown in the 1540s. During renovation work in 1851, a workman discovered a carefully preserved severed head that was later identified as the head of Henry Grey. It therefore seems probable that Henry Grey was indeed buried inside Holy Trinity Minories, one of his own properties conveniently nearest the place of his execution. It is equally possible that his daughter Jane Grey Dudley and his son-in-law Guildford Dudley were buried at Holy Trinity just days before Henry.
Holy Trinity was closed as a place of worship in 1899 and merged with the nearby Church of St Botolph’s-without-Aldgate. Henry Grey’s preserved head is now kept in a secret location somewhere on the grounds of St Botolph’s, but the remains of the Church of Holy Trinity Minories were destroyed during the London Blitz of 1940. All that remains is a small public garden in Tower Hill Terrace over the road from the north outer curtain wall of the Tower, a mere 150 yards from the site of Jane’s execution.
At 8 a.m. in Melbourne this date in 1967, as a moment of silence was observed across Australia, Ronald Ryan was hanged in Pentridge Prison for killing a guard during a prison break. He would be the last man put to death Down Under.
Ryan, a small-time thief, broke out of that selfsame Pentridge Prison’s lower-security districts with fellow-prisoner Peter John Walker late in 1965, prompting a high-profile holiday season manhunt.
Still, with capital punishment fading in Australia — and especially in Victoria, where nobody had hanged since 1951 — even the jury that doomed Ryan thought its sentence was strictly pro forma. Eleven of them later joined nationwide petitions for clemency when Liberal Premier Henry Bolte made plain his intention to let the hanging go forward.
Though Bolte did in fact gain seats at the next polls, the anti-hanging campaign had a breadth hard to comprehend forty-plus years later.
A media witness recalled that he “came away from Pentridge Prison in 1967 firmly opposed to capital punishment,” and some form of that sentiment seemed to take throughout Australia. Its state and federal governments abolished their various death penalties over the ensuing generation.
Ryan’s hanging “ensured that no government anywhere in the country would politically risk imposing the death penalty again,” the criminal’s biographer said.
It also gave the man a lasting foothold in Aussie popular culture. Clips from a couple of subsequent films made about him can be seen online here and here.
On this date in 1683, the commander who just months before had brought the Turkish army to the gates of Vienna was executed in Belgrade for losing one of the pivotal battles in European history.
The Battle of Vienna saw the Ottoman Empire’s high tide and its last great bid to capture control of the strategic Danube city.
Despite an army of well over 100,000 that had besieged a frightened garrison of less than 20,000 soldiers and civilians, Kara Mustafa Pasha had been unable to reduce the city, and then decisively beaten after the timely arrival of a 70,000-strong relief force under the command of the Polish monarch Jan Sobieski. Here’s a great Italian map of the battle, with Mustafa himself hanging out in the lower corner; apparently, you can buy the original.
For both contemporaries and posterity, the “miraculous” defeat of an overwhelming Turkish threat by a coalition of Christian forces — a sort of earthbound equivalent to the previous century’s Battle of Lepanto — has appeared as a signal clash-of-civilizations event. In the right audience, a knowing 1683 reference is a sort of dominionist gang handshake.
So, anyway: big win.
If the blame for the defeat — Sobieski’s intervention apart — lay at Kara Mustafa’s door, it was due less to his decision to march straight for Vienna than to a number of technical miscalculations on his part, such as failing to bring heavy artillery to the siege but relying instead on light guns … inadequate to breach Vienna’s strongly fortified walls …
Merzifonlu Kara Mustafa Pasha had long been a close adviser of the Sultan, but any doubts Mehmed IV might have harboured about him were given substance during his absence on campaign as plotters fabricated reports of disorder in the empire. On hearing of the defeat at Vienna, one of the plotters … announced, in the words of Silahdar Findiklih Mehmed Agha, that ‘our enemy is finished with; the time is ripe for revenge’ …
Mehmed succumbed to the pressure from Kara Mustafa’s detractors, and the Grand Vezir was executed in Belgrade on Christmas Day 1683 while engaged in planning a new advance for the following spring … a skull in Vienna’s city museum is commonly believed to be his.
The Austrian victory at Vienna cost the Turks more than Mustafa’s service, which was quite a lot in itself. (Twelve different viziers held the post in the two decades after Kara Mustafa Pasha was strangled.)
The empire’s longstanding (and to Christendom, terrifying) expansionist posture towards Europe was at an end; in the future, the Musulman would have to ward off the Christian.
Ensuing Holy Leaguevictories wrested central Europe away from Constantinople, inaugurating a long Ottoman stagnation that would culminate in the empire’s destruction after World War I.
The Hapsburgs — though likewise marked for calamity in the War to End All Wars — for their part won hegemony in central Europe … and, it is said, the literal coffee beans captured as war booty with which to brew the famous Viennese cafe scene.
On December 1, 1945, German General Anton Dostler was shot by the American military at Aversa, Italy, for war crimes.
Gen. Dostler readied for execution, from the U.S. National Archives. Click for larger image, or click here for the post-execution photo.
Specifically, General Dostler was condemned for having ordered the summary execution of American saboteurs who had been taken behind enemy lines.* Dostler was the first German general tried by an American military commission, and the first put to death for war crimes.
There had been a group of German saboteurs captured in the United States during the war who had themselves been executed (after becoming the subject of Supreme Court landmark Ex parte Quirin). Here, a mirroring act on the German side brought a death sentence for its (supposed) author.
Dostler’s scenario therefore raised interesting questions of war crimes law, jurisdiction … and politics.
The essential legal difference between the German saboteurs and the OSS men shot at La Spezia was that the latter were found to have been taken in uniform. If uniformed, they were entitled to prisoner of war status; if not, then a summary execution might have been (however repugnant) permissible.
It seems to be generally agreed, and even conceded by Dostler’s defense, that the saboteurs were indeed in uniform, though the notes of the trial are rather vague on the point; there’s an intriguing indication that the defense disputed the notion that the captive saboteurs’ uniform had the necessary “fixed distinctive sign recognizable at a distance.” (Time said that “they wore no insignia, had turned their field jackets inside out.”)
In a do-over, Dostler’s defense might have dug very deep into what met the Geneva Convention’s definition of a uniform.**
For the Germans, however, the saboteurs’ fate was decided by Hitler’s notorious Commando Order, inflicting immediate death on any enemy personnel (uniformed or not) captured behind German lines.†
Understandably, then, Dostler’s counsel seems to have been much more interested in pursuing the “superior orders” defense, and did so with gusto: in this early landmark trial, it was an as-yet untested strategem even though the Allied Powers had decided as a matter of policy not to protect potential war criminals on that basis. Not only was the Führerbefehl at work in general, but Dostler had kicked this specific decision upstairs to the office of Gen. Albert Kesselring, which had insisted upon the executions (to the point of directly phoning the fortress which held the Americans to ask why they weren’t dead yet).
Dostler defense attorney Col. Claudius Wolfe appeared to strike a chord with the tribunal’s career military officers in his closing summation, impressing upon them the danger to military order or to their own persons of establishing a precedent that subordinates can be held accountable for illegal orders from above.‡
We won the war this time, but no one knows who will win the next time. We might lose and then you gentlemen might find yourselves sitting where this man is now sitting…
If we find this man guilty because of political pressure or because he lost the war and is in our power, we might as well not have won the war. (New York Times, Oct. 12, 1945)
But a more immediate precedent was at stake: the many imminent war crimes trials including the Nuremberg proceedings. Many of those would never get off the ground if a “superior orders” plea could work for someone as high-ranking as a general — or if the first war crimes trial out of the gate resulted in an acquittal.
A son of one of Dostler’s defense team makes a hotly-stated case for the general here; some factual errors (e.g., the “Roosevelt administration”) detract from the piece, but his recollection of the backstage machinations as related by his father are fascinating if true.
Video of Dostler’s execution is available, in its original silent cut.
* A description of the attempted operation, with helpful maps, is here (pdf). Coincidental — but perhaps informative for the Third Reich’s decision-making apparatus — was the fact that the La Spezia saboteurs were captured on March 24, 1944, the very same date as a reprisal mass execution in Rome for a partisan attack the day before that had claimed 33 Germans.
** Here (pdf) is a review of the current legal terrain around the “uniform” issue, significantly shaped by World War II. Executive summary: commanders should give awfully wide latitude to hostiles wearing less-than-standard uniform unless said hostiles are clearly using their wardrobe as a ploy to get the drop on your guys.
† Actually, the text of the Commando order directed that enemy “commandos” should without quarter “be exterminated to the last man, either in combat or in pursuit” (a “no quarter” order being illegal itself, but not relevant here); but, that those who somehow managed to be captured should be handed over to the SS. German officers seem to have understood, probably accurately, that the high command simply wanted them dead and wasn’t fussy about distinguishing the circumstances. Dostler’s guys (per the Oct. 13, 1945 London Times) contended that Hitler’s citation in the Führerbefehl of Allied atrocities made the German policy in reality a Geneva Convention-legal reprisal order.
‡ A German officer down the chain of command, Alexander zu Dohna-Schlobitten, actually refused to sign the execution order for the Americans because — yes — the order violated the Geneva Conventions. The Wehrmacht sacked him, but did not prosecute him, for his scruples.
A modern masterpiece that remains standard reading in China, The True Story of Ah Q was also one of the first literary pieces in the vernacular. Published in 1921 and set in the events of the Xinhai Revolution ten years prior, the novella/short story acidly satirizes China through the biography of the absurdly hapless Ah Q.
Lu Xun (or Lu Hsun) presents the reader a peasant whose real name is literally unknown — an everyman, and no man at all — and proceeds to characterize this discomfiting allegory: a weakling, a bully, a chauvinist, a fool, whose pluck is all folly born of a bottomless capacity for convincing himself that each new failure and humiliation of his abject life is a victory.
The second and third chapters detail many such “victories.” Through them, the Chinese tongue gained the phrase “the spirit of Ah Q” to indicate determined self-deception.
Though specific calendar dates are scarcely at all alluded to in the narrative itself, the timing of the “climactic” execution — it is an empty death tragic only in its dearth of tragedy, for a revolution that from the author’sstandpoint of hindsight was still struggling with the country’s colonial legacy of weakness and backwardness — can be deduced from the text.
Its action takes place in the confused days immediately following the town’s going over to the revolution, which swept through the Chinese provinces in late October and early November of 1911.*
The robbery that precipitates Ah Q’s execution takes place on a night with “no moon”; according to the year’s lunar chart, there was a new moon on the night of Nov. 20. (The December new moon is much too late to make sense.) In the story, it is “four days later” that Ah Q is arrested at night, then drug out for interrogation the next morning (the 25th); returned to his cell and recalled the morning after (the 26th) to sign a confession;** and after one more night in custody,&dagger hauled to an execution he does not even realize is taking place until the last moment.
Suddenly it occurred to him — “Can I be going to have my head cut off?” Panic seized him and everything turned dark before his eyes, while there was a humming in his ears as if he had fainted. But he did not really faint. Although he felt frightened some of the time, the rest of the time he was quite calm. It seemed to him that in this world probably it was the fate of everybody at some time to have his head cut off.
He still recognized the road and felt rather surprised: why were they not going to the execution ground? He did not know that he was being paraded round the streets as a public example. But if he had known, it would have been the same; he would only have thought that in this world probably it was the fate of everybody at some time to be made a public example of.
…
Ah Q suddenly became ashamed of his lack of spirit, because he had not sung any lines from an opera. His thoughts revolved like a whirlwind: The Young Widow at Her Husband’s Grave was not heroic enough. The words of “I regret to have killed” in The Battle of Dragon and Tiger were too poor. I’ll thrash you with a steel mace was still the best. But when he wanted to raise his hands, he remembered that they were bound together; so he did not sing I’ll thrash you either.
“In twenty years I shall be another …”‡ In his agitation Ah Q uttered half a saying which he had picked up himself but never used before. The crowd’s roar “Good!!!” sounded like the growl of a wolf.
…
At that instant his thoughts revolved again like a whirlwind. Four years before, at the foot of the mountain, he had met a hungry wolf which had followed him at a set distance, wanting to eat him. He had nearly died of fright, but luckily he happened to have an axe in his hand, which gave him the courage to get back to Weichuang. He had never forgotten that wolf’s eyes, fierce yet cowardly, gleaming like two will-o’-the-wisps, as if boring into him from a distance. Now he saw eyes more terrible even than the wolf’s: dull yet penetrating eyes that, having devoured his words, still seemed eager to devour something beyond his flesh and blood. And these eyes kept following him at a set distance.
These eyes seemed to have merged into one, biting into his soul.
“Help, help!”
But Ah Q never uttered these words. All had turned black before his eyes, there was a buzzing in his ears, and he felt as if his whole body were being scattered like so much light dust.
…
As for any discussion of the event, no question was raised in Weichuang. Naturally all agreed that Ah Q had been a bad man, the proof being that he had been shot; for if he had not been bad, how could he have been shot? But the consensus of opinion in town was unfavourable. Most people were dissatisfied, because a shooting was not such a fine spectacle as a decapitation; and what a ridiculous culprit he had been too, to pass through so many streets without singing a single line from an opera. They had followed him for nothing.
* According to this footnote, it can be more specifically dated to the fall of Shaoxing, which would have been early November.
** Ah Q has no idea he is signing a confession; an illiterate, he makes his mark with a circle — fixated only on making it a perfect circle, at which endeavor he naturally fails “victoriously.”
† During Ah Q’s last night on earth, the scene cuts to two local officials arguing about the prisoner’s fate, where the man’s life is forfeit in some other mean contest of the municipal pecking order — “Punish one to awe one hundred! See now, I have been a member of the revolutionary party for less than twenty days, but there have been a dozen cases of robbery, none of them solved yet; and think how badly that reflects on me. Now this one has been solved, you come and argue like a pedant. It won’t do!”
‡ According to this footnote, “‘In twenty years I shall be another stout young fellow’ was a phrase often used by criminals before execution, to show their scorn of death.”
On this date in 1924, diplomatic maneuvering, oil patch politics, and a dead American consul put two Iranian teenagers in front of a firing squad.
Largely forgotten today, the affair which prompted their execution helped Cossack commander Reza Khan’s ongoing consolidation of power, culminating in another year’s time with his conquest of the Persian throne itself.
By the summer of 1924, he was by title Prime Minister and his domestic opponents could read the writing on the wall: he had made a premature bid for formal executive authority in 1923 only to be rebuffed.* At the same time, he was engaged in the perilous oil game with an attempt to use American companies to break a British oil monopoly.
On July 18, 1924, American Vice Consul Maj. Robert Imbrie and his civilian countryman Melvin Seymour were attacked by a Tehran mob while photographing a well which had become a Moslem devotional site for purported miraculous healings. Imbrie was beaten to death; Seymour was lucky to survive … and it soon emerged that soldiers from the nearby barracks had not only failed to protect the Americans but actually taken part in the assault.
Iran’s emerging strongman lost no time in making the most of it.
The event gave [Reza Khan] … the excuse for declaring martial law and a censorship of the Press … Numerous arrests have been made, chiefly of political opponents of the Prime Minister. (British military attache Col. W.A.K. Fraser)
It’s like Lenin said, you look for the person who will benefit and, uh, you know, uh, you know, you’ll, uh, you know what I’m trying to say …
Assuming one discerns some measure of design in the Imbrie murder, and the convenient outburst of anti-Baha’iparanoia that sparked the fatal incident, one can go a couple of different directions at this point.
That the Prime Minister’s foes, allied with British oil interests (the British angle was so widely believed in Iran at the time that press censorship forbade the incendiary charge), were firing up the rowdies in an attempt to shake his power. This 1924 American cable makes that case:
“It had the earmarks from the beginning of an artificially inspired movement, of which the organized powers of evil were quick to take advantage in order to create disorder for the Government … Reza Khan found himself faced with a situation before which he was powerless. The fanaticism of the crowd was so incited by the continuous preaching of the Mullahs that any act on his part would have been interpreted as treason to Islam and prima facie evidence that he was a Bahai; hence his unfortunate orders to the military and the police not to intervene under any circumstances in religious demonstrations and under no circumstances to fire.”
That Pahlavi’s own agents fomented the disorder. According to Michael Zirinsky’s review of the case, another American official speculated that Reza Khan himself hoped a foreigner would die “so that he could declare martial law and check the power of the Mullahs.”
Which, in the event, is exactly what happened.
The U.S. made a great show of demanding exemplary justice, and it had the leverage to do so: Iran (how times change!) wanted American support and American oil exploitation.
Three were condemned to death for their parts in the riot, and after the first, a young soldier named Morteza said to have incited the mob, was shot on Oct. 2, the government announced leniency for the other two.
Not good enough.
“When you are dealing with a government like Persia … if you ask them to execute a Moslem for the death of a Christian … if they do it, you accomplish more for the prestige of your country than if they paid a million.” -a young Allen Dulles, in 1926 testimony to the U.S. House of Representatives.
At American insistence, those other two were recalled to death after all: 17-year-old mullah Sayyid Husain (various alternate transliterations - e.g., Seyid Hussein), who was supposed to have raised the riot-triggering “Baha’i well-poisoner” accusation in the first place, and 14-year-old camel driver Ali Reshti.
Zirinsky once again:
With the ending of the Iran-U.S. dispute by the execution of Ali and Husain on November 2, 1924, Reza was free to leave the capital city. He had support from the foreign legations, he had secured financing for the army, he had reestablished discipline in the Cossack Brigade, and by executing Sayyid Husain — a mullah — he had demonstrated his domination over the clergy … in the course of the next months’ campaign, he completed the unification of Iran and ensured that his government would get all the [Anglo-Persian Oil Company] royalties…
While the Imbrie affair was not the only critical event of Reza’s seizure of total power in Iran, it came at a critical moment in his rise … he used the murder to his best advantage.
And they all lived happily ever after.
* The future Shah’s future rival Mohammed Mossadegh was among the Iranian Majlis members who blocked Reza Khan’s attempt to rule Iran as a republic in 1923.
** “Blood, Power, and Hypocrisy: The Murder of Robert Imbrie and American Relations with Pahlavi Iran, 1924,” International Journal of Middle East Studies, vol. 18, no. 3 (Aug. 1986). Zirinsky quotes an American diplomat who believed Reza Khan was actually intentionally trying to create a situation where a foreigner would be killed, to give him a pretext for bringing his nation to heel with foreign support.
On this date in 1415, on the eve of the Battle of Agincourt, the young English King Henry V approved the execution of his onetime boon companion Bardolph in William Shakespeare’s Henry V.
The fictional Bardolph had been the ruddy-nosed friend of Henry’s in the Henry IV plays (Part 1, Part 2), where the hard-drinking, rabble-rousing young prince is a disappointment to the father who fears his heir will never merit the throne.
By Henry V, the boy has become the ruler, and launched an audacious incursion into France during the Hundred Years’ War.
Hal’s willingness to own the rough decisions of statecraft — in this case having his friend put to death further to his win-French-hearts-and-minds policy — is part of his coming of age as Henry V.
Whether that means Hal’s maturation into regal dignity or the corruption of his humanity by power is up to the reader.
KING
How now Fluellen, cam’st thou from the Bridge?
FLUELLEN
I, so please your Maiestie: The Duke of Exeter
ha’s very gallantly maintain’d the Pridge; the French is
gone off, looke you, and there is gallant and most praue
passages: marry, th’ athuersarie was haue possession of
the Pridge, but he is enforced to retyre, and the Duke of
Exeter is Master of the Pridge: I can tell your Maiestie,
the Duke is a praue man
KING
What men haue you lost, Fluellen?
FLUELLEN
The perdition of th’ athuersarie hath beene very
great, reasonnable great: marry for my part, I thinke the
Duke hath lost neuer a man, but one that is like to be executed
for robbing a Church, one Bardolph, if your Maiestie
know the man: his face is all bubukles and whelkes,
and knobs, and flames a fire, and his lippes blowes at his
nose, and it is like a coale of fire, sometimes plew, and
sometimes red, but his nose is executed, and his fire’s
out
KING
Wee would haue all such offendors so cut off:
and we giue expresse charge, that in our Marches through
the Countrey, there be nothing compell’d from the Villages;
nothing taken, but pay’d for: none of the French
vpbrayded or abused in disdainefull Language; for when
Leuitie and Crueltie play for a Kingdome, the gentler
Gamester is the soonest winner.
This is Laurence Olivier’s 1944 version of the scene, with the commoner Bardolph well off-camera:
… and Kenneth Branagh’s more pathos-laden 1989 interpretation, with the king wavering a moment as he locks eyes with his doomed subject, and flashing back to bygone scenes of conviviality before delivering his troop the stern lesson of his friend’s strangling:
(Thanks to Jonathan Shipley of A Writer’s Desk for the guest post. -ed.)
Like father like son … unfortunately, in this case.
It was on this date or thereabouts that Ptolemy XV Philopator Philometor Caesar, “Caesarion” to his pals, the son of Julius Caesar and Cleopatra, was put to death by orders of the autocratic Octavian.
Cleopatra and Caesarion walk like Egyptians at the temple of Dendera, Egypt.
Caesarion (”Little Caesar”) was the only known son of Julius Caesar. Octavian, whose claim to power proceeded from his status as Caesar’s adoptive son, became the Emperor Augustus after eliminating the dangerous rivalry of his “brother”.
While most of us at the age of three were putting Matchbox cars in our mouths and eating macaroni and cheese, little Ptolemy XV was co-ruler of Egypt with his famous mom. King in name only, he must have seen his mother still grieving because of Caesar’s assassination March 15, 44 B.C.
The little tyke, though born in Egypt, spent the first couple of years in Rome with Caesar and his mother. Then his dad was stabbed, repeatedly, and Cleopatra took the boy home to Egypt. Proclaimed “King of Kings,” little Caesarion couldn’t realize at his young age the power struggles roiling around him and his mother.
Indeed, things were a little tense outside the family home. (And inside.)
There was some wrestling going on, and not Greco-Roman. No, there were men who wanted power. Lots of power.
There was Mark Antony, Cleopatra’s lover and a Roman General. He was Julius Caesar’s second cousin.
There was the patrician Marcus Lepidus, Caesar’s, for lack of a better word, deputy dictator.
Then, the aforementioned Octavian (Julius Caesar was his great uncle).
Together, the three were the Second Triumvirate, a dream team of Roman political heavyweights. Supreme rule they had. Ambition, sometimes, makes a mess of things. Only one of the three would stand victorious at the end, and there’d be casualties, like Caesarion.
Lepidus was driven into exile to Circeii. At least he died peacefully years later, securely ensconced as the Triumvir You’re Most Likely To Forget.
Conflict between Octavian and Antony climaxed at the Battle of Actium, one of history’s signal events.* (Its anniversary is next week, September 2.)
Octavian won the battle.
Antony escaped to Egypt, but as Octavian’s legions closed in the following year, Antony committed suicide by stabbing himself with a sword. He died in Cleopatra’s arms. Cleopatra’s arms would be cold with death soon after when she committed her famous (supposed) suicide-by-asp on August 12, 30 B.C.
Before the Queen died, she sent her son Caesarion away from the political tumult.
Now 17, Caesarion bolted to the Red Sea port city of Berenice. Things were looking bleak for the young man. Octavian controlled Alexandria in early August, annexing Egypt to the Roman Empire. Antony died. His mother died. His father had been dead most of his young life. And now Octavian — making an offer he couldn’t refuse — was asking for the lad, the closest living blood relation to Caesar, to come to Alexandria. He was to be spared. There was nothing to fear. Mercy would be heaped upon Caesarion.
It was not to be. “Two Caesars are too many,” Octavian declared … so Caesarion was subtracted. No documentation has been discovered about his death; because of his young age, it is thought he died of strangulation.
Octavian assumed absolute power, became known as Augustus, and died of illness August 19, AD 14. While Augustus, during his reign, was proclaimed a god by the Senate, Caesar’s only known son became a footnote in history, long dead and buried.
On this date in 1997, the wait was over for a writer who had spent his entire adult life awaiting the noose.
Norio Nagayama witnessed another (eventually executed) murderer’s Tokyo shooting spree in 1965, and three years later popped four people (two security guards and two cabbies) himself. The killing spree shocked Japan.
Only 19 at the time, which made him a juvenile by Japanese law, Nagayama was sentenced, unsentenced, re-sentenced. Twenty-eight years he spent from his arrest until his execution, not necessarily an atypical span for Japan.
It’s what Nagayama did with those years that makes him so remarkable: entering the criminal justice system from an impoverished background, Nagayama became a literary figure and a prominent public spokesman for social justice. He’s still commemorated years after his death.
Nagayama is credited with nine works, the first (Tears of Ignorance) about the poverty he blamed for his murders; the last (Hana) published posthumously from his manuscripts; he donated proceeds to victims’ families and poor children, especially in Peru.
Nagayama’s death was triggered, at last, by apprehension of a 14-year-old for a sensational crime barely a month prior to this date; in hanging Nagayama, the government aimed “to foster support for legislation that would ‘get tougher’ on juvenile offenders. Indeed, in 2000 Japan’s Juvenile Law was revised to make it easier to transfer minors to adult court.”
Nagayama was hanged in Tokyo with another murderer, Hideki Kanda; a husband-wife convict couple were executed the same day in Sapporo.
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