Posts filed under 'Rape'

1997: Ali Reza Khoshruy Kuran Kordiyeh, the Tehran Vampire

Add comment August 13th, 2018 Headsman

Taxi driver Ali Reza Khoshruy Kuran Kordiyeh was publicly hanged on this date for a killing spree that earned him the nickname “the Tehran Vampire.”

For four months, the vampire had preyed on women in the neighborhoods near the place of his ultimate demise. He stalked, abducted, raped and slew nine women and girls, ranging in age from 10 to 47 — including a mother-daughter pair.

He’d been subjected first to court-ordered flogging, many of the 214 strokes administered publicly by relatives of the victims who were cheered on by furious onlookers.

“Innocent blood will always be avenged,” a cleric intoned to the crowd. “This is punishment for the criminal but for us witnesses it is a lesson to be learned … We are responsible for our actions.” Others expressed the lesson less politely.

“Do you see finally that God is greater, you son of a dog?” a man shouted.

“He is not a human,” said Marzieh Davani, a 38-year-old woman.

“I really cannot understand a human can do what he did. He deserves to die surrounded by the hatred of people,” said Amir Ezati, who had taken his place in the crowd at 3 a.m.

“Damn you, you killer,” somebody shouted. The chant was taken up by the others as Kordiyeh, wearing a dark green prison uniform and staring ahead impassively, was led underneath the crane where a noose was tightened around his neck.

A 195-second video of the scene, featuring Mature Content images of Kordiyeh’s flogging and hanging, can be viewed here.

On this day..

Entry Filed under: 20th Century,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Hanged,Iran,Kidnapping,Mature Content,Murder,Public Executions,Rape,Serial Killers

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1991: Andrew Lee Jones, the last electrocuted in Louisiana

Add comment July 22nd, 2018 Headsman

Gruesome Gertie galloped her last on this date in 1991, when that Louisiana mercy seat claimed her final soul, Andrew Lee Jones.

Gertie’s reign in the Bayou State ran fifty years and 87 successful electrocutions (out of 88 attempts), although it was cheated of cinematic immortality when the Dead Man Walking film depicted a lethal injection where voltage had done the real work.*

Art was merely imitating life for by the time that film dropped in 1995, Louisiana had long since mothballed Gertie in favor of the the needle.**

As is usually the case, the the criminal himself was only an accidental distinction for the milestone. Andrew Lee Jones in 1984 had abducted eleven-year old Tumekica Jackson, the daughter of his on-again, off-again girlfriend. He raped and strangled to death the little girl — while drunk, he said. In the days after the crime, Jones had hinted to a friend that recently “he did something he didn’t want to do” and he “done fucked up.” But he seems to have had an inkling from death row that he was marked, telling a British pen-friend — more on her in a bit — “I’m definitely hoping that I won’t be the last one to set in that chair. I got the feeling that they are trying to get one more before they put an end to it.

Capital defense attorney David Dow, who joined Jones’s appellate team in its final weeks, remembered Jones’s last hours in his Machinery of Death: The Reality of America’s Death Penalty Regime:

Several of us sat with Andrew throughout the evening in a large room directly outside the execution chamber. In addition to Andrew and me, Debra Voelker (our investigator), Neal Walker, and Michelle Fournet were there. We sat around a table talking. There were guards in the room as well, but they kept their distance. Andrew was handcuffed and shackled at the waist throughout the evening. His feet were also shackled. We would talk for a while, then Andrew would get up and shuffle away to go call his family, and the rest of us would pull ourselves together. We tried as much as possible to take our cues from Andrew. More than anything he seemed to want distraction, and we took turns providing it. Surreal is the only word that comes to mind when I think about that evening. Yet it was real.

One of the most difficult times for Andrew in the long wait came at 9:30 p.m. when we received word that his last appeal had been denied by the Supreme Court. Andrew refused to talk to Nick, who had called from the office to give him the news, because Nick was crying. Andrew had forbidden any tears. He came back from the phone to the waiting room and sat down quietly. Then he looked straight into my eyes and asked, “Why can’t they just do it now? How am I going to get through the next few hours?” I had no answer. I tried to imagine that in a few hours his life would be over while mine would be beginning a new day. i tried to imagine what it was like for him to look at me, knowing this. We stared at each other, and I shook my head. Someone suggested that Andrew purchase something else from the vending machine, and we all laughed thankfully. For Andrew, one of the great thrills of the last day of his life was his ability to put coins in a vending machine, punch a button, and receive food or drink. It had been over seven years since he had come in contact with coins or a vending machine.

Forty-five minutes before Andrew was executed, guards removed him from the visiting room, saying he would return soon. Fifteen minutes later, he walked back in with that smile of his, but awkward and blinking ferociously. In preparation for attaching the electrodes, the guards had shaved his head, one leg, and, as Andrew pointed out, “even my eyebrows.” He was embarrassed. He wondered how he looked. Of course there were no mirrors. Andrew kept blinking. He explained that there were tiny bits of hair from his shaved eyebrows that were getting in his eyes. He was shackled at the waist and couldn’t reach his eyes. Neal pulled a handkerchief from his pocket and asked if it would be okay to wipe Andrew’s eyes for him.

One of the many silences crept over the table where we sat. Andrew laughed. “At least,” he said, “they let me keep my Air Jordans. I thought they’d take those too, but they didn’t. I’ve spent my whole life running and I want to hit the other side running.” Michelle reminded Andrew that he’d always dreamed a plane would crash at Angola, setting him free. Andrew said it wasn’t too late. We all laughed.

The worst moment came when Andrew was led into the execution chamber. It stays with me. Andrew had passed by us in the hall on the way to the door to the chamber. He gave a strained smile and flapped his shackled hands at us. I watched his back after he passed. At the door to the execution chamber, the guards stopped and made Andrew take off his Air Jordans. As he bent to do so, he looked back, directly into my eyes. I will never forget the raw fear in his eyes. There were tears in mine. All pretenses were gone.

After the execution, that British penpal we mentioned, Jane Officer,† co-founded an NGO to support capital appeals in Jones’s memory. Formerly called the Andrew Lee Jones Fund, it’s now known as Amicus. Officer’s book If I Should Die … (review) describes her correspondence and relationship with Jones.

* Artistic license: director Tim Robbins wanted to keep the focus on capital punishment as such instead of permitting the audience to get away with revulsion only at a “less humane” method.

** Ironically that circumstance has latterly jammed up the state’s death chamber; as of this writing, Louisiana hasn’t executed anybody since 2010 owing in large measure to problems with procuring the drugs. Reintroducing the electric chair has been one of the solutions bandied.

† Officer reportedly began writing to Jones after seeing the documentary 14 Days in May, about an egregious wrongful execution in Mississippi.

On this day..

Entry Filed under: 20th Century,Capital Punishment,Common Criminals,Crime,Death Penalty,Disfavored Minorities,Electrocuted,Execution,Louisiana,Milestones,Murder,Racial and Ethnic Minorities,Rape,USA

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2006: Sedley Alley

Add comment June 28th, 2018 Headsman

A gentleman with the interesting name of Sedley Alley was executed by lethal injection in Tennessee on this date in 2006, for the positively horrific rape-murder of Lance Corporal Suzanne Marie Collins.

True crime writer John Douglas has explored this case in Journey Into Darkness and Law & Disorder.

The ghastly crime occurred in 1985, when the 19-year-old Collins went for a jog at Millington Air Force Base; her attacker stabbed her about the head with a screwdriver and raped her with a tree branch so violently that the branch tore the young woman’s lung.

Alley’s next-day confession followed by his shifting accounts of the events led him to try a hail-mary insanity defense at trial … a surprising contrast to the innocence claim he floated late in his appeals process.

The generation-long labyrinth of judicial appeals between homicide and execution led Collins’s parents, Jack and Trudy, to become outspoken victims’ rights advocates. “There never will be closure,” Jack Collins once told a filmmaker. “What you get is a modicum of peace. You get a feeling that somebody cares. The state of Tennessee cared enough about our daughter that it carried out an execution on her killer. But no closure until the day we die.”

On this day..

Entry Filed under: 21st Century,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Lethal Injection,Murder,Rape,Tennessee,USA

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1942: Gordon Cummins, the Blackout Ripper

1 comment June 25th, 2018 Headsman

It was a black hood for the Blackout Ripper on this date in 1942.

Charming Royal Air Force serviceman Gordon Frederick Cummins gave rein that February to a theretofore unarticulated inclination to femicide, attacking six women in the course of a single week, four of whom were killed by strangulation. The pattern of perverse post-mortem mutilations led one examiner to characterize the wanted man as “a savage sexual maniac”. This predator’s opportunistic use of the city’s protective cloak of air raid darkness reminds a similar spree perpetrated on the Berlin S-Bahn: truly, all men are brothers.

For a few days, this special horror gripped the wartime capital, so recently under enemy blitz. As fingerprint expert Frederick Cherrill, whose evidence would help to tie up Gordon Cummins’ noose, wrote in his now-out-of-print autobiography,

Women police in ordinary clothes strolled about the streets in the hope of being accosted by the unknown killer. So great was the terror which swept like a wave over the square mile in which these crimes had been committed that the regular street-walkers who haunted the area were too scared to venture out. [several of the victims were prostitutes -ed.] Small wonder, for nobody knew when or where the killer would strike again. That he would strike again seemed certain, for the lust of killing appeared to have siezed him in a merciless grip

Unlike his permanently elusive Whitechapel namesake, the Blackout Ripper was not long at his liberty once he loosed the beast within: crime scene forensics were still coming of age in this period, but the ample evolution of the bureaucratic state did for Cummins. On lucky Friday, February 13, Greta Hayward had fought off her attacker with the help of a passerby’s interruption. Cummins, when he fled, abandoned his RAF gas mask case … which was helpfully stamped with a serial number identifying its owner. He was arrested on February 16, just eight days after the start of his spree. (Scotland Yard, however, would later claim that his fingerprints connected him to two previous London murders, from October 1941.) It took a jury 35 minutes to convict him.

On this day..

Entry Filed under: 20th Century,Capital Punishment,Common Criminals,Crime,Death Penalty,England,Execution,Hanged,History,Murder,Rape,Soldiers,Wartime Executions

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1989: Stephen McCoy, botched

Add comment May 24th, 2018 Headsman

Rapist-murderer Stephen McCoy succumbed to a badly botched lethal injection in Texas on this date in 1989.

McCoy, according to the Death Penalty Information Center,

had such a violent physical reaction to the drugs (heaving chest, gasping, choking, back arching off the gurney, etc.) that one of the witnesses (male) fainted, crashing into and knocking over another witness. Houston attorney Karen Zellars, who represented McCoy and witnessed the execution, thought the fainting would catalyze a chain reaction. The Texas Attorney General admitted the inmate “seemed to have had a somewhat stronger reaction,” adding, “The drugs might have been administered in a heavier dose or more rapidly.”

McCoy with two accomplices, James Paster and Gary LeBlanc, had committed a cut-rate murder for hire, grossing $1,000 to shoot someone’s ex-husband in the parking lot of a club. Paster, who actually pulled the trigger on that murder, suggested to his mates that they would all rest a little easier in one another’s silence if they jointly committed two more homicides, with each taking his own turn as the murderer.

To that end, they kidnapped one Diana Oliver in November 1980, gang-raped her, and had McCoy take her life with an improvised garrote. Their third victim was 18-year-old Cynthia Johnson, abducted from her stranded vehicle on New Year’s Eve 1980, and also raped and strangled to death.

Paster was also executed. LeBlanc copped a long prison sentence for cooperating with the state against his accomplices.

On this day..

Entry Filed under: 20th Century,Botched Executions,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Lethal Injection,Murder,Rape,Texas,USA

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Unspecified Year: Vilem, the Forest King

Add comment May 2nd, 2018 Headsman

On this date in an unspecified year, the bandit Vilem is broken on the wheel and beheaded in the classic Czech poem Maj, by Karel Hynek Macha.

Maj (“May”) commences with a lass called Jarmila on the first day of that month who waits on the shores of a Bohemian lake now named for Macha for her outlaw lover … only to be told by a boatman that her sweetheart in fact reposes across that body of water, weighted with irons in a castle dungeon, where he awaits a dawn execution for murdering his own father, who was also Jarmila’s seducer. All concerned reflect and pine through a melancholy night, and come morning Vilem is put to death as planned and gibbeted on his breaking-wheel; years later, his still-visible remains occasion a traveler-narrator to discover and somberly reflect on the events, and the ephemerality of all things: “My youth, alas, my youth! My season and song are May! / An eventide of May on a rocky, desolate shore: / Light laughter on the lips, deep grief in the heart’s core.”

This tale, recognizable to every Czech, has been put to the silver screen on several occasions. Macha’s timing was impeccable, for he self-published it in 1838, right when central Europe’s romantic social banditry mythos was forming. According to Mohmir Grygar, the name “Vilem” (Wilhelm, William) might allude to the executed Tyrolean chancellor Wilhelm Biener, although Biener himself — a fallen overmighty politico, not a gold-hearted brigand — bears little resemblance to his alleged literary descendant.

1

Late evening, on the first of May—
The twilit May—the time of love.
Meltingly called the turtle-dove,
Where rich and sweet pinewoods lay.
Whispered of love the mosses frail,
The flowering tree as sweetly lied,
The rose’s fragrant sigh replied
To love-songs of the nightingale.
In shadowy woods the burnished lake
Darkly complained a secret pain,
By circling shores embraced again;
And heaven’s clear sun leaned down to take
A road astray in azure deeps,
Like burning tears the lover weeps.

A haze of stars in heaven hovers—
That church of endless love’s communion—
Each jewel blanches and recovers
As blanch and burn long-parted lovers
In the high rapture of reunion.
How clear, to her full beauty grown,
How pale, how clear, the moon above,
Like maiden seeking for her love,
A rosy halo round her thrown!
Her mirrored image she espied,
And of self-love, beholding, died.
Forth from the farms pale shadows strayed,
Lengthening longing to their kind,
Till they embraced, and close entwined,
Coiled low into the lap of shade,
Grown all one twilight unity.
Tree in the shadows writhes to tree.
In the far mountains’ dark confine
Pine leans to birch and birch to pine.
Wave baunting wave the streamlets move.
For love’s sake—in the time of love—
Anguished goes every living thing.

A fair girl at the rim of land
Watches the evening’s rosy phases;
Under the oak-tree by the strand
Far out across the lakes she gazes.
Blue to her feet it coils and glimmers,
And green beyond, and greener, sleeps,
Till in the distances and deeps
In clear, pale light all melts and shimmers.
Over the wide and watery plain
The girl has fixed her weary gaze;
Over the wide and watery plain
Only the glint of starlight plays.
A lovely girl, an angel ravaged,
A bud that April winds have savaged,
In her pale cheeks doomed beauty hastens.
One hour has swallowed up her morrow,
One hour her promise chills and chastens,
Marries her May to grief and sorrow.

Of twenty days the last has died;
Still dreams the quiet countryside.
The last light hastens to its close,
And heaven, like a great, clear rose,
Over the deep blue mountains flushes.
“He comes not! Ah, such anguish takes me!
Another spoiled, and he forsakes me!”
A heavy sigh her sad voice bushes,
Her aching heart burns in her breast,
And with the water’s plaint unsleeping
Mingles the note of bitter weeping.
Snared in her tears the stars find rest,
Down her pale cheeks like bright sparks flowing
Till like quenched stars they burn to shades there,
On her cold countenance briefly glowing.
And where they fall, the blossom fades there.

At the rock’s rim she glimmers whitely;
A silken standard flies her gown,
In evening zephyrs fluttering lightly.
Her eyes on distance fix and frown—
In haste she dries her blinding tears,
Beneath her shading hand she peers,
And on the distant shore she fastens,
Where in the hills the lake creeps hiding;
Over the waves live sparks go gliding,
Star after watery starlet bastens.

Even as snow-white virgin doves
Against dark wastes of cloud in flight,
On water-lily flowering white
On deepest blue—so something moves—
Where in the hills the lake creeps hiding—
Over the dark waves nearer gliding,
Nearer in haste. A moment proves
Now as the stork’s grave flight it looms,
No dove so flies nor lily blooms,
But a white sail rocked by hasting breezes.
A slender oar the blue wave teases,
With flaming furrows the surface bazing.
The golden rose of heaven’s hold,
High in the mountain oakwoods blazing,
Gilds the ripples with rosy gold.
“Swift litlle boat! Near, nearer bounding!
‘Tis be! ‘Tis be! Those plumes bright beaming,
The hat, the eyes beneath it gleaming—
His cloak—” The boat in the beach is grounding.

Over the rocks his light step rings,
By a known path he climbs and closes.
The girl’s pale face flowers into roses;
From the tree’s shade in wild hope flying
She runs, high-calling, runs and springs,
And on the rower’s breast she’s lying-
“Alas, my heart!: The moonlight shows
In its full flood a face she knows.
Her pounding blood to terror knells her.
Where is Vilem?”

“See, by the lake,”
In low grim tone the boatman tells her,
“Above the night the forests make
Rises a tower, its image white
Deep in the lake’s heart drowned from sight;
But deeper, see, at the water’s rim,
From a little window a lantern’s gleam;
This night to vigil Vilem is giving:
Tomorrow sets him free from living.
His heavy guilt and yours he carries:
Deep your seducer’s blood has stained him,
That stroke a parricide arraigned him.
Still, still revenge the avenger barries!
A felon’s death! Peace to him bring,
Lord, when that face, the rose outshining,
In its high place stands withering,
And in the wheel his limbs are twining!
So dies the dreaded Forest King!
Bear for his guilt, and your own shame,
My bitter curse, and the world’s blame!”

He turns. His voice to silence falls;
Down he climbs through the rocky walls,
Outward his boat goes gliding.
Swift as the stork’s flight, beating fast,
Dwindling, dwindling, a lily at last,
Over the lake in the mountains hiding.

Hushed are the waters, dark, forlorn,
In deep dusk all things crouch to cover.
A white dress gleams on the waves that mourn
Over her: “Jarmila!” like a lover,
And the woods sigh: “Jarmila!” over and over.

Late evening, on the first of May—
The twilit May-the time of love.
To dalliance woos the turtle-dove:
“Jarmila! Jarmila!! Jarmila!!!”

2

Out of heaven a star falls questing,
Dying through the wastes of space,
Endlessly it falls unresting
Through its endless resting-place;
From the unbounded grave wild crying
Beats at heaven with bitter breath.
“Is there then no end of dying?”
Nowhere—never an end of death.
Around the white tower breezes shiver,
Beneath, the whispering wavelets quiver.
On the blanched walls in silver glance
The argent moon sheds radiance.
But deep within the tower is darkness only,
For the clear moon’s pale wealth of light
Through narrow window into the cell gropes lonely,
And dims into the assault of night.
Column by column the sombre vault’s recesses
Melt into darkness. The entering wind sighing
Circles the cell like murdered felons crying,
And stirs the prisoner’s tresses.
Beside a table hewn of stone,
His head upon his hands inclining
Half-sits, half-kneels this wretched one,
To deeps of thought his soul resigning.
As clouds the moon’s face veil and cover,
He draws their web his spirit over;
Thought into thought flows undesigning.

“Deep night, now in your veiling hold
My native village you enfold,
And friends weep for my end there.
Weep?—and for me? A dream outworn!
Long since I have no friend there.
The first gleam of tommorow’s morn
Over her forest breaking,
Will send me to my death forlorn,
And gild, as when her child was born,
Her merry, mild awaking.”

Silent he falls; but through the night,
About the high vault flying,
Far, far his voice goes sighing,
Till as with horror frozen in flight
At the cell’s end it chills there,
And into darkness stills there.

The silence in the darkness grieving
Calls back to heart the days departed;
Again in waking dreams he’s living
The long-lost life of a boy light-hearted.
Remembrance of green years and kind
Brings back a young man’s dreams to mind;
The prisoner’s eyes with tears are flowing,
And in his heart a great pain growing—
A lost world how shall the seeker find?

Mountain on mountain westward presses
Beyond the lake high-piled
And there in the pinewoods’ sweet recesses,
He dreams himself once more a child.
Early thrust from his father’s care,
Bred up by brigands in strifes and stresses,
Last to their leader fallen heir,
Gallant and daring they acclaim him.
Known to all men, thus all men name him,
Lord of the Woods, a name of fear.
Till the love of a broken rose inflames him;
His hand, to bitter vengeance straying,
Seeks the seducer, strikes him, claims him,
His stranger father strangely slaying.
Wherefore a prisoner he lies,
Doomed to the wheel’s embrace that kills;
Lord of the Woods, at dawn he dies,
At the first kindling of the hills.

Now at a table hewn of stone,
His head upon his hands reposing,
Half-sits, half-kneels this wretched one,
The abyss of thought his soul enclosing:
As clouds the moon’s face veil and cover,
He draws their web his spirit over,
Thought evermore new thought disclosing.

“He, sire and foe!-I, death and seed!
And he my love’s betrayer!
I knew him not! My fearful deed
recoiled and slew the slayer.
Why was I banished from his sight
The lawless woods to barry?
Whose crime does the dawn’s death requite?
Whose guilt is this I carry?
Not mine! ab, surely I was bent
A mute, unwitting instrument
God’s judgment to deliver.
Not mine the deed! Why, then, ah, why
Out to this hideous death go I
So soon-and, ah, for ever?
Soon, and for ever! Endless—death—”
For horror fails the prisoner’s breath,
Echoing from the dungeon wall;
The voiceless shadow of the night
In iron grip shuts sound and sight.
A new dream holds his mind in thrall.

“Ah, she, my saint, my rose embowered!
Why lost ere ever she was found?
Why at my father’s hands deflowered?
Accursed I!—” Deep anguish drowned
The struggling words. With sudden sound
Of clamorous chains he springs upright,
And from the little window strains
Over the waves his tortured sight.
Cloud veils the moon, and shadow reigns
Over the earth, but no shade mars
The zenith glittering with stars;
With points of fire the lake they stain,
That flash and fade in waters hollow.
Their glimmering flight his fixed eyes follow,
And all his heart is wrenched with pain.
“How fair the world! How rich the night!
Silver and shade agreeing!
Ah, tomorrow shuts my dying sight
On all the bliss of seeing!
And as grey cloud across the skies
Far, far and wide goes flying,
So—” Down he sinks, his hungering eyes
Torn from the scene, his chains’ harsh cries
Soon into silence dying.

A monstrous bird’s extended wing,
From peak to peak the cloud is driven,
Under one vast pall gathering
In blackest marriage earth and heaven.
Hark! from the high hills lost to sight
A poignant voice is trilling,
A forest piper of the night,
The song of heaven distilling.
To all things which bave wakeful lain
It charms down sleep’s completeness;
The prisoner in his mortal pain
Finds Lethe in its sweetness.
“How beautiful, dear voice, the song
On the night’s breast you’re flinging!
But one more night-ah, God, not long!-
And deaf to your enchanted tongue,
No more I’ll hear such singing.”
Again be sings-the clank of chains
Rings through the cell, despairing-
Deep silence. Once again the pains
Of death his heart are tearing,
And fading far the voice complains
An anguish beyond bearing.
“Time yet to come? Tomorrow’s day?
Still, still some dream will time repay,
Or sleep too deep for dreaming?
Perhaps this life which here I live
Is but a sleep, and dawn will give
Only another seeming?
Or that best rose, long longed-for here,
That fruit the wide earth did not bear,
Will dawn and death disclose?
Who knows?—Ah, no one knows!”

Silence again. The hush of night
On all the earth is draped there.
Quenched is the moon’s benignant light,
Quenched are the stars, and all around
Is purest darkness, black, profound,
As if the grave’s mouth gaped there.
No winds blow more, nor waves complain,
Nor even the far, sweet pipe of pain,
And in the bosom in the cell
Dead silence, utter darkness dwell.
“How deep the night-how dark the night!
On me a darker closes—
Away, thought!” Panic shuts from sight
The grave his thought discloses.

Deep silence. From the streaming wall
Flows down a small, slow river,
And echoing drops the silence fret;
Through the long cell their hollow fall,
Measuring night’s moments of regret,
Chimes—ceases—chimes and ceases ever,
Chimes—ceases—chimes and ceases yet.

“How long the night—how long the night!
On me a longer closes—
Away, thought!” Horror shuts from sight
The grave his thought discloses.
Deep silence. Once again the chime
Of slow drops falling metes out time.

“A darker night! Here in the womb
Of veriest midnight shines some beam
Of moon or star—there—hideous gloom,
There never—never—never a gleam,
Only the dark for ever.
All’s one there, without part-they send
no hours, no moments to befriend,
Night fails not, never dawns the day,
For there time passes never.
There never—never—never an end!
From death that passes not away
Who shall my soul deliver?
“There utter emptiness, beneath,
Around, above, the void of death,
Quenching all live’s endeavour.
Unending silence—never a sound—
Unending space, night, time, surround
The dead mind dreaming on decay—
Mere nothingness—for ever!
And I to nothing—but one more day,
And I to nothing am cast away—”
He faints, he falls aquiver.

Lightly the waves at play come springing
Under the tower, their small spray flying,
Ever a gentle murmur bringing,
A cradle-song for captive singing,
Who in a deep half-death is lying.

The fearful clash of chains awakes
The guard, who with his lamp comes hasting;
So light a step, it scarcely breaks
The prisoner’s trance of dread unresting.
Pillar to pillar the lantern bright
Puts forth its little gleaming:
Still paler, paler grows its light,
Till fails at last the exhausted spark,
And absolute and moveless dark
On all beyond lies dreaming.
But still the prisoner’s eyes, adaze
As if night shrouded still their gaze,
Strain forward, nothing seeing,
Althought the lantern’s reddening ray
Lights his wan face, and drives away
The timid shadows fleeing.
Beside the table hewn of stone,
His head upon his hands inclining,
Half-sits, half-kneels the wredched one,
To sick despair his soul resigning;
And the faint whispering of his breath
Tells forth tormenting dreams of death.

“Alas, my soul-Alas, my love-”
Single and slow the sad words move
Out of his shut lips sighing.
Scarcely they reach the straining ear
When, newly born in pain and fear,
Already they are dying.

The gaoler’s light before him goes,
And on the prisoner’s face it glows.
The prisoner’s face—ah, dread and pain!—
His fixed eyes glare in wild distress
After an end of endlessness,
Tears, sweat and blood his pallor stain,
For speech his lips contend in vain.

The frightened gaoler stoops to snare
The thread of utterance from the air,
Lighter than lightest breeze he hears
The prisoner’s tale of blood and tears.
Lower he leans, and closer yet
To the wan mouth his ear is set,
Hard on the labouring lips now leaning,
Till fainting, fainting, they forget
Speech, as if sleep came unawares.

Still stands the guard in dreadful dreaming,
Like bees in swarm his tears come teeming,
Sorrow his heart within him sears.
Long he stands frozen there aghast,
Till thrusting off his helpless fears,
Out of the cell he flies in haste.
Long as he lived, he told no word
Of what his ears this night had heard:
Rather his whole life through thereafter
His pale lips said farewell to laughter.

The guard is fled, fast-closed the door.
Deep darkness shrouds the cell once more;
And through the night once more the chime
Of slow drops falling metes out time.

Beside the table hewn of stone
Half-sits, half-kneels Vilem alone;
His face a sight for fear and pain,
With fixed eyes staring in distress
After an end of endlessness—
Tears, sweat and blood his pallor stain.

Incessantly the watery chime
Of slow drops falling metes out time,
And wind and wawes as one complain;
To Vilem’s ear of death they tell.
He faints beneath the thought appalling.
Far through the night an owl is calling,
And louder beats the midnight bell.

Intermezzo I

Midnight

(a lonely place in the countryside)

In the wide plains sleeps sound the pale moon’s argent light,
Darkness is on the hills, the lake with stars is bright.
A hillock by the lake-shore rises,
A stake thereon, a wheel raised lightly,
Whereon a bleached skull glistens whitely,
While ghostly rout a dance devises,
About the high wheel revelling rightly.

Chorus of Phantoms

“Silent the midnight graveyard lies;
Through the graves the marshlight flies,
Its dead blue radiance lights the head
Of the newly-buried dead,
Who, while his fellows sleep, stands guard,
Last of the sepulchred, dead today,
Beside his own cross keeping ward.
A grey cloud in the zenith stays,
No moon beneath it but the ray
Of the dead man’s glassy gaze,
And through half-open lips beneath
The glitter of his gnashing teeth.”

A Voice

“This is the hour! The place prepare!
Lord of the Woods, the lord of fear,
Is one with us at dawn of day.”

Chorus of Phantoms (lifting down the skull)

“From death’s dim threshold come away,
Inherit life – a voice receive.
Be one among us, know us well,
No more be doomed alone to dwell.
Another must your place achieve.”

The Skull (joining in their dance)

“How my limbs long to join again
In one whole creature, only one!
What is this rout of terror and pain?
My newest dream – I still dream on!”

Voice

“His place of honour ready see!
When tomorrow’s course is o’er
The storm shall bear us here once more.
Glorious may his burial be!”

Chorus of Phantoms

“His place of honour ready see!
When tomorrow’s course is o’er
The storm shall bear us here once more.
Glorious may his burial be!”

Voice

Fly, voice, across the fields with power!
At midnight is the funeral hour.
His votive gift let each make known!

The Stake and Wheel

“I’ll be the coffin to his repose.”

Frogs in the Marsh

“The burial anthem we’ll intone.”

Storm over the Lake

“The gale funeral music knows.”

The Moon in the Zenith

“I’ll cover him with snow-white pall.”

Mist on the Mountains

“With veils I’ll drape his funeral.”

Night

“I’ll give black weeds to mourn the dead.”

The Hills Standing Round

“Give veils and garments to us all.”

The Falling Dew

“And I will give you tears to shed.”

The Barren Soil

“I’ll incense with sweet smoke his head.”

The Sinking Cloud

“With rain will I asperge his bed.”

The Falling Blossom

“I will weave garlands for his bier.”

Light Breezes

“We’ll bear them to the coffin lightly.”

St John’s Fireflies

“Our tiny candles shall burn up brightly.”

Thunder out of the Depths

“I’ll wake the great bell’s hollow tone.”

The Mole under the Earth

“I’ll dig his grave, I, lowly here.”

Time

“Over his bones a tomb I’ll rear.”

Flocks of Night-Birds Crossing the Moon

“We’ll make the funeral feast our own.”

Voice

“All honour to his grave we pay!
The moon pales in the heaven’s heart,
The gates of morning draw apart—
It is day! It is day!”

Chorus of Phantoms (as they vanish)

“It is day! It is Day!”

3

Over the dark hills rosy day
Arises, the May valley wakes;
Above the woods, as morning breaks,
Like mist lies long the dream of May.
Out of the forests bluely lifting
Faint vapours climb the rose-flushed sky,
And on the lake more bluely drifting
In delicate colours melt and die;
And on the shore, and in the shadow
Of hills and valleys flowering,
Shine out white courts through wood and meadow,
Waking; till like a mighty king—
Colossal as the shade of night
Against thwe heaven’s rosy light—
The highest peak stands towering.

But now the sun his first red blessing gives
Over the blue, dark hills, and by that token
Suddenly all the spell of dreams is broken,
And joy possesses everything that lives.
Whitely the lake’s green glass the flight of birds receives,
And fleets of little craft, and small, swift-rowing shallops,
Pattern the dim blue waves with glancing, fiery scallops.
Murmurous by the shore the pinewoods greet the day,
Sweet with the song of birds, the thrush’s shower of pearls,
And mingling with their psalm the mirth of straying girls,
As all that lives draws breath to praise the youthful May.
The morning wind, like song, through the green valley blowing,
Bears on its incensed breath a sweet white foam of flowers,
And wild geese ride its flight above the forest bowers,
And to its touch young trees unfold their eager growing.
One scene, and only one, the fair young morn defaces,
Where to the wide lake’s heart a narrow isle goes straying,
Bearing the little town, and the white tower, whose shade
Deep in the waters green in quiveringly laid.
Here wakes a clamorous cry, babel of human baying,
As from the gates of the town the hungry man-pack races.
From far the people haste, a swift stream rushing by,
And ever swells the food, a river strongly rolling,
A mighty multitude, its voice to thunder tolling;
The unhappy felon comes, led forth at dawn to die.

Now from the little town a troop of guards comes swinging,
In slow and sombre march the hapless prisoner bringing,
Whose old, proud habit soon the eager watchers spy.
The clamour stills around—a hush falls on the crowd—
Till babel bursts anew, with many a cry and loud:
“Tis he! The flowers, the plumes he’s wearing,
The hat, the eye beneath it glaring—
His very cloak—’Tis he,’tis he! The dreaded Forest King!”
About him beats the cry, his old name echoing;
And louder still it rings, as thundering waters clear,
As with a heavy step the criminal draws near.
Round him darkens the throng—like heavy clouds in heaven—
A sword flames from the dark—as heaven’s lightnings flare;
Slowly the doomed man goes, his gaze to earth is given.
The town bell tolls; the crowd pities and falls to prayer.

There stahd a little mound, on the lake-shore leaning lightly,
A long stake raised thereon, a wheel above it rearing,
A steep hill looms above, twin peaks its summit sharing,
And on the higher point a chapel gleaming whitely.
In sombre march thereto company is come;
Now all men move aside—the felon stands alone.
A last time led forth here, still he beholds his own,
The dark, deep-breasted hills which were his early home,
Where the lost coin was spent, the golden childhood days.
Yet once more, only once, in the rosy dawning light,
Let forth to the hills, a shade before the chapel white,
To the lord of heaven and earth his reverence he pays.
And deep compassion folds its hands on every heart.
His grief their grief inflames, they suffer his despair,
Fixing their eyes through tears on the summit where he stands
Adoring the fair earth well-fashioned at God’s hands,
A murderer praising God in the humbled hush of prayer.

The rising sun with ruddy grace
Flushes the prisoner’s pallid face;
His eyes, through mists of weeping,
A last love-tryst are keeping.
Beneath him deep the lovely vale
Dreams in its rugged mountain pale,
By forests circled greenly.
The lucid lake serenely
Nursed in the flowering valley drowses.
Blue to the shore it coils and glimmers,
And green beyond, and greener, sleeps,
Till in the distances and deeps
In clear, pale light all melts and shimmers.
About the wheel the white farmhouses
Dimpling the sunlit lake-shore lie.
Across the mirroring waters fast
Flocks of white birds and small boats fly,
Till bluely hides the lake at last,
Far in the hills retreating.
And white craft in the scalloped beaches—
The tower-the town-the white birds’ flight—
Hillocks and shadowy mountain reaches—
Gaze on that mirror with delight,
Their deep-drowned beauty greeting.
Rocks are piled heavy on that far shore
Where flowering land and lake are meeting,
And there an oak-tree old and hoar
Roots in the rocks-once, once the dove
Called there deliciously to love—
Oh, fair lost hour and fleeting!
Never again! The mound is nearing,
The column an the wheel appearing.
Beyond the hill there slips away
A young wood, murmuring mournfully;
Radiant the sun on vale and lea—
The morning dew—the morning May.

Beauty once more the felon’s eyes receive,
Beauty which now for ever he must leave,
And passionate regret his heart possesses:
Deeply he sighs—tear after tear flows over—
One last long look, lingering as looks the lover,
Then to the sky his tear-dimmed eyes he raises.
In the azure vault of heaven the blanching mists are dancing,
In light dissolving zephyrs tattered,
And on the far horizon scattered
White cloudlets over the placid sky go glancing.
The grieving prisoner greets them as they race:
“You clouds, who in your wandering course embrace
Like secret circling arm the earth her own course keeping,
You dissolutions of stars, shades in the blue of heaven,
You mourners ever to mutual sorrow given,
Who know so well the ways of silent weeping—
Bear you my charge, of all things that have birth.
Where you pass from me on your long, wide way
To the distant shore, there for a moment stay,
There, pilgrim clouds, greet reverently the earth.
Ah, well-beloved earth, beautiful earth,
My cradle and grave, the womb that gave me birth,
My sweet, sole land, left to my spirit’s keeping,
Ah, vast and single of beauty as of worth!-
Seek there that rock, and when your swift sails gain it—
If you shall see—by the shore—a woman weeping—”
There fails his voice, the strangling tears have slain it.
Down from the height the guards their prisoner lead
By a wide pathway through young pinewoods threading,
Down and still down; now on the mound they’re treading;
And now the multitude is hushed indeed.
The executioner with his sword stands ready.
Yet one more time the prisoner lifts his eyes,
Worships the sweet, encircling world-once sighs-
And on the approaching death his soul makes steady.
His breast and throat he bares, kneeling to earth he leaves it;
Back steps the headsman-an age the frozen mind believes it!—
The sword flashes; a rapid forward stride—
The sword circles; the bent white neck receives it—
The head falls—a tremor—and yet a tremor beside—
And falls the body after, one with the grieved earth growing.
Into the earth, so beautiful, so beloved.
His cradle and grave, the womb that gave him birth,
His sweet, sole land, his heritage approved,
In the generous earth, the single, holy earth,
Into the mother’s heart the blood of her son is flowing.

The prisoner’s shattered shell, limb after long limb broken,
Twined in the wheel’s embrace is raised, a terrible token,
And over the wheel his head, a blind, oblivious thing.
So died the lord of the woods, the dreaded Forest King.
On the dead countenance the last dream lingers still.
Gazing upon his face, mute round the little hill
The unquiet multitude awaits the long day’s ending,
Till the declining sun draws to the west once more,
Into the head’s blind eyes its gay last laughter sending.
Hushed is the broad lake-hushed is the evening shore.

Above the far dark hills the last radiance blazed.
The pale, dead face of the head is softly silvered o’er,
Silvered the silent mound, hushed by the lake-shore,
As in the evening hush the moon’s fair face is raised.
Distant are grown the towns, far as a cloud in air,
Beyond to the edge of seeing the dead eyes steadily stare,
To the edge of sight, to his youth-Oh, brief, bright childhood day!

Time in its headlong flight has carried that Spring away.
Far fled is his dream, a shadow no more found,
Like visions of white towns, deep in the waters drowned,
The last indignant thoughts of the defeated dead,
Their unremembered names, the clamour of old fights,
The worn-out northern lights, after their gleam is fled,
The untuned harp, whose strings distil no more delights,
The deeds of time gone by, quenched starlight overhead,
Heresy’s pilgrimage, the loving, lovely dead,
The deep forgotten grave, eternal board and bed;
As the smoke of burned-out fires, as the shattered bell’s chime,
Are the dead years of the dead, their beautiful childhood time!

Late eve—the second eve of May—
The twilit May—the time of love—
Meltingly calls the turtle-dove:
Vilem! Vilem! Vilem!!

Intermezzo II

Close the hills lean to each other,
Underneath a dark cloud hiding,
Like a vaulted ceiling riding
Taut from one peak to his brother.
Dark this place by evening gloom is,
Dark and silent as the tomb is.
In the portal deeply-shaded,
Where the hills shrink back dividing,
Sharp rocks in the opening spaces
Steeply rear their frowning faces,
Lower, narrower, blackly biding;
Underneath the cloud dark-braided
Shuts this gate of rocks and boulders.
In the valley’s heart deep-gladed,
Darkly red a camp-fire smoulders,
Broken from the west bright-beaming,
A long sliver of the sunset;
Round its red nocturnal gleaming
Circle night-birds, wheeling, plaining,
In a red and restless onset,
Till the blue of night they borrow.
Sinks the fire, still waning-waning,
Till the broad and bounteous heaven
Melts in nightly dews of sorrow,
And the earth to grief is given.

Oaks a hundred years a-growing,
Darkness within darkness throwing,
Hide a company of friends there.
Cloaked in white, as in the bright time,
Sit the comrades of the night-time.
Each before him groundward bends there,
Wordless, motionless, his vision,
As if terror’s chill transition
Into stone their flesh had stricken.
Through the valley seems to quicken
Whispered breath of lamentation
Round the moveless men who plain him,
Secretly, without cessation:
“Lost, our leader!—they have slain him!”

And the wind, the smoke-wreaths plying,
To the moveless men is crying:
“Lost, our leader!-they have slain him!”

And the restless leaves aquiver
Underneath the cold cliff-faces,
Trembling, murmuring, utter ever
These insistent, changeless phrases:
“Lost, our leader!-they have slain him!”

All the forests in their station
Sound the great, sad accusation:
“They have slain him—slain him!!—slain him—!!!”

4

Beautiful May is passed, withered the bloom of Spring;
The summer fire burns high, wanes, and as soon is gone,
Autumn, and winter after; another Spring comes on,
As time bears off the years on its unresting wing.

The seventh year it was, the seventh year’s last day;
Deep on it lay the night, and with the midnight chime
A new year would be born. The cold earth dreaming lay.
Lone hoof-beats by the lake troubled the silent time.
I was that wayfarer, bound for the town by night,
Led by chance to the mound, where, long ago at rest,
The dreaded Forest King lingered a quiet guest;
There first I saw Vilem- a bare skull glistening white.
There in the midnight land, far as the eye’s reach ranging,
Through valleys, over hills, by forest, lake and meadow,
A wide, white pall of snow lay level and unchanging,
Over the skull and wheel-all white without a shadow.
Deep clouds hemmed in the moon, which seemed to droop and sicken;
Sometimes the weird owl cried, ever the sad wind’s shaking
Plucked at the wheel above, and set the loud bones quaking,
So that my horse and I with panic dread were stricken.
Forward I spurred in fear, there where the safe town hailed me,
And asked what wheel, what bones were these which grimly grew there,
The old innkeeper told the story all men knew there-
The story I have told-and on that wheel impaled me.

Far I went through the world-and the world has enough of pain,
Many a storm of heart blew over me and bled me;
But still this old, worn woe beckoned me back again,
Till in a young Spring season home to the mound it led me.
Under the stake I sat, just as the sun descended,
Under the wheel which bore the skeleton and skull there,
Gazing sad-eyed on Spring, whose cup was fair and full there,
Even to the misty rim where earth and heaven blended.

Evening once more, the first of May-
The twilit May-the time of love.
Meltingly called the turtle-dove,
Where rich and sweet the pinewoods lay.
Whispered of love the mosses frail,
The flowering tree as sweetly lied
The rose’s fragrant sigh replied
To love-songs of the nightingale.
The lake within the dark woods straying
Softly complained a secret pain,
By circling shores embraced again
As brother sister in their playing.
About the head the sunset bright
Lay like a wreath of roses growing,
Gilding the bony face with light,
On fretted skin and white jaw glowing.
In the hollow skull the breezes sped
As if grim laughter mocked the dead,
and lifted lightly here and there
What time had left of his long hair;
Beneath his brows the dewdrops borrow
The sunset light, as if, discerning
The evening beauty of May’s returning,
His dead eyes brim with tears of sorrow.

There I sat on, until the young moon’s light
Blanched both my face and his with rays as pale as bright;
Now like a snowy pall its whiteness spreads before him
Over the vales and woods to the distant hills that bore him.
Sometimes from far away the cuckoo’s greeting sounds here,
Flung from the flowering vale, sometimes the owl’s grave warning;
From many a farmyard near the bark of dogs rebounds here;
Out of the dust arises a sweet incense of mourning,
The little tears of the Virgin upon the hill are flowering,
Deep in the heart of the lake a secret light is burning;
And the fireflies, shooting stars, about the wheel are showering,
Glittering in their play, touching the pale skull brightly,
Lighting to launch again, and launch again ac lightly,
Like fiery falling tears, all his spent tears embowering.

And in my grieving eyes two hot tears rise and break,
Glittering down my cheeks as sparks play in the lake;
For my young years, mine too, my childhood golden-gay,
Time in its headlong flight has seized and borne away.
Far is that lost dream now, a shadow no more found,
Like visions of white towns, deep in the waters drowned,
The last indignant thoughts of the defeated dead,
Their unremembered names, the clamour of old fights,
The worn-out northern lights after their gleam is fled,
The untuned harp, whose strings distil no more delights,
The deeds of time gone by, quenched starlight overhead,
Heresy’s pilgrimage, the loving, lovely dead,
The deep, forgotten grave, eternal board and bed,
The smoke of burned-out fires, the scattered bell’s chime—
Like the song of dead swam, like Eden snatched away,
So is my childhood time—
But what of following time?
My youth, alas, my youth! My season and song are May!
An eventide of May on a rocky, desolate shore:
Light laughter on the lips, deep grief in the heart’s core.

See you the pilgrim there, hastening on his quest
Through the long, sunset fields, beneath the dimming west?
Strain your eyes as you will, the end you cannot see,
As over the edge of vision he falters and finds no rest.
Never-ah, never! And this is all life offers me!
Comfort? Who comforts me? What charm this heart can move?
Love is without an end!—And bitter is my love!

Late evening, on the first of May—
The twilit May-the time of love—
Meltingly calls the turtle-dove:
“Hynek! Vilem! Ah, Jarmila!!!”

On this day..

Entry Filed under: 18th Century,Arts and Literature,Broken on the Wheel,Capital Punishment,Common Criminals,Crime,Czechoslovakia,Death Penalty,Execution,Fictional,Gibbeted,Gruesome Methods,Murder,Outlaws,Popular Culture,Public Executions,Rape,Sex,Uncertain Dates

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1774: Daniel Wilson

1 comment April 29th, 2018 Headsman

On this date in 1774, Daniel Wilson was hanged before a throng of 12,000 in Providence, Rhode Island, for rape.

A journeyman carpenter turned small-time New England crook, Wilson had a gift for escape and busted out of the Providence jail three times — never retaining his liberty long enough to get clear of the gallows’ shadow. Our friends at the wonderful Early American Crime blog cover the man’s career here … absent the rape, whose particulars seem to have escaped the documentary trail and which Wilson also delicately elides in his hang-day broadsheet.

On this day..

Entry Filed under: 18th Century,Capital Punishment,Common Criminals,Crime,Death Penalty,England,Execution,Hanged,Public Executions,Rape,Rhode Island,USA

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1948: Thomas Henry McGonigle, murder without a body

1 comment February 20th, 2018 Meaghan

(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)

The Latin legal term corpus delicti literally translates to “the body of the crime,” and many people are under the impression that it means the actual corpse of a murdered person and that no one may be convicted of murder without the victim’s body.

This is erroneous. Although it is true that no person can be convicted of murder without the corpus delicti, the term doesn’t mean the murdered person’s body but rather the body of evidence that proves a crime has been committed. Every criminal case must have the corpus delicti and, in most murder cases, that includes the victim’s body … but it doesn’t have to.

In the United States, murder-without-a-body prosecutions are not unheard of and happen with increasing frequency due to the advancement of forensic technologies like DNA analysis. Tad DiBiase, a former federal prosecutor, even wrote a book about them, titled No-Body Homicide Cases: A Practical Guide to Investigating, Prosecuting, and Winning Cases When the Victim Is Missing, which includes an appendix of over 400 cases.

On this day in 1948, Thomas Henry McGonigle was executed in California’s gas chamber in what was one of the earliest, perhaps THE earliest no-body homicide prosecution in the state. His victim was a fourteen-year-old high school sophomore named Thora Afton Chamberlain, and her body was never found and is believed to have been washed out to sea.

The prosecution would later call the case “one of the best organized and most intense investigations in the annals of the crime of kidnapping and murder.”

McGonigle, a married construction laborer with an arrest record for a variety of crimes including assault with intent to commit rape, was waiting in his car outside Campbell High School when classes ended for the day on November 2, 1945. Thora’s classmates saw her talking to him, and he offered her a job: he needed someone to babysit his sister’s children. It would only be for half an hour, he said.

For whatever reason, Thora trusted the stranger. Perhaps it was because he was dressed respectably in a Navy uniform with medals, including a Purple Heart. She didn’t know they weren’t his, that he’d never been in any branch of the military. He’d stolen the clothes and medals six weeks earlier.

Thora Chamberlain was never seen again after she got into the strange man’s car. McGonigle was an immediate suspect because of his record, and several witnesses identified him from a photo lineup, but in the immediate aftermath of Thora’s disappearance he skipped town.


Murderer and victim.

McGonigle told his wife he was taking a bus to Los Angeles, but in fact he hitchhiked to Illinois where his father lived. The FBI kept on his trail as he drifted across the country, registering in hotels under alias names. Finally he took an overdose of sleeping pills while on a bus bound for San Francisco, and was semiconscious on arrival. The Feds were waiting for him, but instead of jail they had to take him to the hospital for treatment. He was arrested upon discharge.

In custody, McGonigle gave a series of statements admitting culpability but providing wildly differing details as to what happened. He’d stabbed Thora. He’d shot her. He’d strangled her. She’d jumped from his car and was fatally injured. Her death was an accident. He hadn’t killed her at all; she was alive and well and working as a prostitute.

Although the entire truth about what happened is only known to Thora and her killer, the shooting story has the most evidence to support it.

McGonigle said he had shot Thora in his car and the bullet passed through her and got stuck in his car door. He said he’d removed the bullet and buried it under a certain tree in his yard, and also ripped out the vehicle’s bloodstained padding and upholstery and buried it near the construction site where he worked. There was a bullet hole in the door of McGonigle’s car, police recovered the bullet from under the tree where he said it would be, and ballistics later proved it had been fired from a .32 caliber revolver he owned. The police also found the ripped car upholstery at the indicated spot, and it was stained with human blood.

McGonigle lead the authorities to a coastal cliff in San Mateo County known as the Devil’s Slide. He said he’d thrown Thora’s body off the cliff, 350 feet down into the ocean. An extensive search revealed important, chilling evidence that may well have been the clincher: on the day of her abduction, Thora was dressed in her school colors of red and blue, including one pair of red socks and one pair of blue socks, one on top of the other. Searchers found both pairs wedged in separate crevices on the cliff face, and Thora’s parents identified them.

At the trial, prosecutor John McCarthy told the jury how it might have happened, painting a word picture of McGonigle killing Thora in a rape or attempted rape, then lifting her from his car by her armpits and dragging her along the ground to the edge of the Devil’s Slide. In the process her loafers come off and her socks are pulled down her feet. As she falls, they come off entirely and get stuck in the crevices of the cliff.

“In finding the socks,” McCarthy concluded, “the crime was solved.”

Given McGonigle’s string of confessions — which continued even at his trial — and the eyewitnesses who identified him, and the physical evidence that backed it all up, it’s no wonder the jury only deliberated half an hour. He was convicted on March 1, 1946.

While his conviction was under appeal he retracted his previous statements and denied everything. It was a frame-up, he said, all of it: he’d never confessed to anything and the FBI had planted all the evidence and the witnesses had lied. The police, meanwhile, stated he’d also confessed (over and over again…) to the murder of an unnamed “Negro waitress” from San Francisco and the only reason they weren’t going to charge him was because he was already under sentence of death.

The day he was executed, McGonigle wrote down a statement in longhand and left it with the warden:

I, Thomas Henry McGonigle, in this last testimony to the people declares [sic] that I did not shoot Thora Chamberlain and did not throw her body over a cliff and I have never made any such confession that I shot Thora Chamberlain in Santa Cruz County.

Santa Cruz County Sheriff Wallace P. “Bud” Hendrick didn’t agree. He witnessed the execution and later told reporters, “He threw his head back and gasped three times. Every time he gasped with that look of pain and death about him, I smiled. He was the most despicable … that ever walked the face of the earth. I only wish it could have taken longer.”

(Robert E. Cornish, a mad scientist and former child prodigy who made various Frankensteinian attempts to raise dead animals, wanted to try reviving a death row inmate after an execution. McGonigle volunteered himself for the experiment, but permission was denied.)

As for Thora, her body is presumed to have washed out to sea. She remains listed in missing persons databases, however, in the unlikely event that it turns up.

On this day..

Entry Filed under: 20th Century,California,Capital Punishment,Common Criminals,Crime,Death Penalty,Execution,Gassed,Guest Writers,Murder,Other Voices,Rape,USA

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1830: Benito de Soto, a pirate hanged at Gibraltar

1 comment January 25th, 2018 Headsman

On this date in 1830, the Galician or Portuguese pirate Benito de Soto was hanged at Gibraltar.

One of the very last of the dying breed of high-seas pirates, de Soto mutinied aboard an Argentine slave smuggler in 1827, re-christened her Burla Negra (“Black Joke”), and ran up the black flag.*

The pirates now entered freely into their villianous [sic] pursuit, and plundered many vessels; amongst others was an American brig, the treatment of which forms the chef d’oeuvre of their atrocity. Having taken out of this brig all the valuables they could find, they hatched down all hands to the hold, except a black man, who was allowed to remain on deck, for the special purpose of affording in his torture an amusing exhibition to Soto and his gang. They set fire to the brig, then lay to, to observe the progress of the flames; and as the miserable African bounded from rope to rope, now climbing to the mast head — now clinging to the shrouds — now leaping to one part of the vessel, and now to another, — their enjoyment seemed raised to its highest pitch. At length the hatches opened to the devouring element, the tortured victim of their fiendish cruelty fell exhausted into the flames, and the horrid and revolting scene closed amidst the shouts of the miscreants who had caused it.

Of their other exploits, that which ranks next in turpitude, and which led to their overthrow, was the piracy of the Morning Star. They fell in with that vessel near the Island Ascension, in the year 1828, as she was on her voyage from Ceylon to England. This vessel, besides a valuable cargo, had on board sevreal [sic] passengers, consisting of a major and his wife, an assistant surgeon, two civilians, about five and twenty invalid soldiers, and three or four of their wives. As soon as Benito de Soto perceived the ship, which was at day-light on the 21st of February, he called up all hands, and prepared for attacking her; he was at the time steering on an opposite course to that of the Morning Star. On reconnoitring [sic] her, he at first supposed she was a French vessel; but Rabazan, one of his crew, who was himself a Frenchman, assured him the ship was British. “So much the better,” exclaimed Soto, in English, (for he could speak that language,) “we shall find the more booty.”

The Burla Negra was much the faster and better-armed ship — in fact the Morning Star was completely unarmed, with not even a store of small arms for her frightened passengers — and soon corralled her prey, murdered the captain and mate, plundered the ship, and gang-raped the women aboard. The only mercy was that the marauders, out of tenderness or drunkenness (having also helped themselves to the Morning Star‘s wine), only imprisoned the human cargo below when they scuttled the ship and sailed away — and the passengers and crew were able to free themselves before they drowned and return safe home to tell the tale of their outrage.

Benito de Soto sailed next for his home port of Corunna, with the aid of a hostage navigator commandeered from his next prize. (The captain ruthlessly shot said unwilling helmsman dead upon arrival.) This adventure, however, marked the last of his career for on the way back to sea the corsairs were shipwrecked and had to take refuge at British Gibraltar where, after residing some time under false identities, a survivor of the Morning Star recognized them.

Easy come, easy go. “Adeus todos!” were his understated last words, not counting those syllables whistled by the salt winds through his posthumous pike-mounted skull.

However, British authorities — who were very conscious that they had detected the villain by pure chance — were not at all amused by the ease with which he had set up in Gibraltar. His legacy would be an impetus to Gibraltar officials to tighten up entrance regulations and, later that same year of 1830, to institute the Royal Gibraltar Police — the oldest police force in the Commonwealth outside the British isles.

* The slaver was full of African slaves, so the first profitable thing the buccaneers did was complete the vessel’s “legitimate” purpose by smuggling them to the West Indies. A black cabin boy that de Soto chose to retain would be captured with the rest and give evidence against the pirates. “The black slave of the pirate stood upon the battery trembling before his dying master to behold the awful termination of a series of events, the recital of which to his African countrymen, when he shall return to his home, will give them no doubt, a dreadful picture of European civilization,” muses our reporter.

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Entry Filed under: 19th Century,Capital Punishment,Crime,Death Penalty,England,Execution,Gibbeted,Gibraltar,Hanged,History,Murder,Piracy,Pirates,Public Executions,Rape,Theft

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1772: Bryan Sheehen, cuck

Add comment January 16th, 2018 Headsman

Colonial Massachusetts sailor Bryan Sheehen culminated a life of warped relations with the opposite sex at his hanging on this date in 1772.

According to the pamphlet An Account of the Life of Bryan Sheehen, as a child in Ireland, Sheehen‘s family split up by gender with the Catholic father taking the boys and the Anglican mother taking the girls. While the legacy of this childhood trauma can only be guessed at, it looks suggestive in hindsight

Sheehen migrated to Newfoundland and then to Massachusetts where he eventually indentured himself as a household servant to colonial shipwright Benjamin Hallowell, a “father” from whom the young adult Sheehen again fled, this time to fight in the Seven Years’ War.

Unfortunately upon his return from only six years away he found that his wife had impatiently [re]married herself to a Frenchman, a humiliating risk and fear of the seagoing set. Sheehen forced the woman to choose between the rivals but when she chose Sheehen, the latter found that he was still so disgusted with her that he preferred to abandon the wife, and the child she had borne him, and the child she had borne the Frenchman. Psychologists have a lot to unpack here already.

Relocating to Marblehead, Mass. our reborn swinging single now developed “the character of a wicked, profligate person” and eventually began stalking a woman named Abial Hollowell … her surname eerily echoing that of Sheehen’s own former master. In fact, Abial’s husband was also named Benjamin Hollowell. His advances rebuffed, Sheehen

went up, in the middle of the night, to the room where Mrs. Hollowell lay, found her asleep, awaked her, and swore, if she made the least noise, he would kill her; and then stopping her mouth, perpetrated the atrocious crime. After which (to prevent, it seems, a pregnancy) he abused her with his hand, in an unheard-of, cruel and shocking manner: Insomuch that her life was for some time almost despaired of; and she was not able for ten days after to get off her bed without help.

That’s as per a case summary appended to “A Sermon Preached at Salem, January 16, 1772″ by the Salem Rev. James Diman. The good preacher was so chagrined that Sheehen’s persistent denials had led some citizens to murmur against Mrs. Hollowell that for “justice to the woman’s character” he devotes about a page and a half to traducing Sheehen’s. Sheehen, Diman charged, was just the sort of vicious wretch who would imperil his soul by going to the gallows with a lie upon his lips, perhaps because, as a Catholic, “he might swear falsely, he might doubtless speak falsely to Hereticks, as they call all whose religious principles differ from theirs.”

Last and most important, Diman claimed to have it on good authority from “two credible persons”

that there was a young woman, daughter of one Williams, of Goldsborough, in the Eastern part of this province, abased in the same manner Mrs. Hollowell was. That she was way-layed in the the evening, between her father’s house and a neighbour’s; was seized, forced, and wounded to such a degree, that her friends were obliged to carry her home, she being unable to walk, and that the next morning early she died. That the villain, who perpetrated this crime, returned after he had done it, to his companions, who, it seems, were before, or then, made acquainted with his enterprize; for such wretches declare their sin as Sodom: And that one of them told him he would probably have a child to maintain: He answered so, that he had taken care to prevent that, and that she would never have a child by him, nor by any other man.

This guy, his informants said, was an Irishman named something like Bryan Sheehen — and he had escaped town after the incident.

* The Hallowells were notable British loyalists during the American Revolution, and returned to England when their estates were sacked by Patriots. The grandson of Bryan Sheehen’s employer, Admiral Sir Benjamin Hallowell Carew, was one of Lord Nelson‘s Band of Brothers. During the Battle of the Nile, Admiral Hallowell’s supplied the literal fireworks by defeating the French battleship Orient — whose spectacularly exploding magazines highlighted all the artistic commemorations of that victory. He later presented to Nelson as a gift a coffin fashioned from the Orient‘s mast, “that when you have finished your military career in this world you may be buried in one of your trophies.” Nelson was indeed laid to rest in Hallowell’s trophy in 1805.


The flaming Orient illuminates Thomas Luny’s Battle of the Nile, August 1st 1798 at 10 pm.

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Entry Filed under: 18th Century,Capital Punishment,Common Criminals,Crime,Death Penalty,Disfavored Minorities,England,Execution,Hanged,History,Massachusetts,Public Executions,Racial and Ethnic Minorities,Rape,Sex,USA

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