ExecutedToday.com

On this date in 1937, Japanese intellectual Teido Kunizaki was shot as a “spy of the Japanese army” in Moscow.

The reader is not deceived to infer from the date and place the dread hand of Stalin’s NKVD at the height of the Soviet purges. The fate of the Soviet Union’s tiny community of Japanese emigres, one of the hidden chambers in a house of horrors, only became fully understood after the Soviet Union collapsed.

The leader of the Japanese section of the German Communist Party in Weimar Germany, Kunizaki’s opposition to Japanese intervention in China and involvement in a publication as subversively titled as Revolutionary Asians had made him unwelcome in Germany shortly before Hitler took power.

But arriving in Russia in September 1932 with his German wife, he stepped into a struggle for power within the Japanese Communist Party’s Russian organs.

According to Tetsuro Kato, the professorial Kunizaki was among those denounced by another seminal Japanese communist, Kenzo Yamamoto — a working-class activist who distrusted intellectuals.

Kunizaki’s execution this day was only one of many wrought on the Japanese party by the Soviet secret police in the dangerous exchange of accusations and denunciations. On this date, Yamamoto himself was already in prison; early in 1939, he would swallow the same draught as Kunizaki — denounced, as it emerged after the Cold War, by yet another of Japan’s revered old Marxists.

In the 1920s and 1930s, there were about 100 Japanese who dreamed of living in “the paradise of the working class” and went to the USSR. These people were mainly communists, who were oppressed by the imperial police in Japan. There were also ordinary workers, intellectuals and artists who were not communist … Almost all Japanese living in the USSR [in the 1930's] faced the same destiny. The exact number of victims is not yet known, but I now estimate there to have been about 80 Japanese [shot by the NKVD].

On an unspecified date in December 1793 is set one of literature’s immortal execution scenes, when ne’er-do-well Sydney Carton heroically goes to the guillotine in the place of his aristocratic doppleganger Charles Darnay at the climax of A Tale of Two Cities.

In Charles Dickens‘ classic 1859 novel of the French Revolution, Darnay, the good-hearted scion of the cruel Evremonde line, falls prey to the Revolutionary Terror.

The dissolute, tormented Carton is the respectable Darnay’s literary dark twin, whose appearance he also happens to strikingly resemble. Driven by an unrequited love for Darnay’s wife, who stands in danger not only of losing her husband but of following him to the scaffold, Carton contrives to switch places with the doomed noble.

While those saved by his sacrifice flee for England, Carton goes to the guillotine in a batch of 52 condemned prisoners,* one of them a sweet and frightened girl he comforts tenderly.

His prophetic thoughts as he awaits the blade form the conclusion of the novel, and the last sentence ranks among literature’s most recognizable lines.

“I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both.

“I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, fore-most of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place — then fair to look upon, with not a trace of this day’s disfigurement — and I hear him tell the child my story, with a tender and a faltering voice.

“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”

Here is the climactic sequence of the 1935 film based on the book:

A Tale of Two Cities is one of thousands of public-domain books available for free at Project Gutenberg. Stanford’s “Discovering Dickens” community reading project guide annotates the novel here.

* Never one for understatement, Dickens crowds his mass execution tableau with far too many extras. “The Terror” is usually dated from September 1793 through July 1794, but only during its bloodiest last two months would so many as 52 have been guillotined together; at the time of Carton’s execution, half as many would have constituted a large group.