ExecutedToday.com

At dawn this date in 1550, two sons* of Jon Arason were beheaded at Skalholt, followed by the energetic sextegenerian prelate himself — cementing Lutheranism in Iceland.

As bishop of the northern diocese of Holar and one of the most powerful pols in Iceland, Arason did what he could to maintain papal authority when the Danish King Christian III began pushing Protestantism.

Arason was a practical guy; remote from any prospect of aid, he was content to maintain a cordial balance between his diocese and the southern one of Skalholt. (The two sees were political rivals of long standing; Skalholt’s previous Catholic representative, Ogmundur, had at one point many years before our narrative excommunicated Arason and forced the latter to flee to Denmark.)

Whether driven by the prince or the bishop within,** Arason took advantage of his Protestant opposite number’s timely passing in 1548 to make a play for power in the south as well. Early returns augured well; Arason arrested the Lutheran replacement, got the Icelandic parliament to throw in with him, and captured key points in the Holar diocese, reconsecrating ecclesiastical properties as Catholic.†

But his rival Dadi Gudmundsson turned the tables on the man who was becoming the de facto ruler of the island by ambushing him at a parley. The cleric and the two sons, having been declared outlaws months before by Danish decree, were executed on that basis without trial, lest holding them for the planned hearing the following spring enable their supporters to rally. Arason’s beheading was reportedly botched.

Legally doubtful but practically effectual, the axe that (eventually) decapitated the divine did likewise to his flock. Lutheranism thereafter settled comfortably into the ascendancy: Iceland would not have another Catholic bishop for nearly four centuries, by which time its Catholic population had shrunk near the vanishing point.

Although his faith didn’t have legs on the island, Arason reads very easily as a proto-nationalist figure and political actor; he’s been well-loved by Protestant, Catholic, and irreligious posterity alike.

He also gave Icelandic a bit of vernacular on his way to shuffling off this mortal coil. When a priest named Sveinn proffered the solace, “There is a life after this one!” as the last bishop approached the block, he replied, “Veit ég það, Sveinki!” — “This I know, Sveinki!”

In everyday conversation in Iceland, that phrase is still used to tease someone who has just stated the obvious.

* Although this is well into the period when Catholic clergy were supposed to be practicing celibacy, Arason’s indifference to this particular mortification of the flesh is just another bit of his charm. With his mistress Helga Sigurdardottir, he sired nine sons and daughters, marrying them into politically advantageous allegiances where possible. At least eight subsequent Lutheran bishops sprang from his seed; by the present, “virtually all Icelanders can validly claim direct descent” from Jon Arason, according to Iceland, the First New Society.

** Jon Arason was also a notable poet. Ljomur, whose attribution to Arason is speculative, can be enjoyed for free here.

† More particulars about the Icelandic political chessboard are available in this 19th century text (the pdf is easier on the eyes than the text), or in “An Icelandic Martyr: Jón Arason,” by Thomas Buck, in the Jesuit publication Studies: An Irish Quarterly Review, Vol. 46, No. 182 (Summer, 1957), pp. 213-222.

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On this date in 1551, Alice Arden was put to death for one of 16th century England’s most shocking crimes.

Stuck in what one gathers was a dull marriage of political convenience, Alice Arden took up with a lover, Richard Mosby.

Although the whole scene was tolerated by her husband, Alice and Richard conspired to have Thomas murdered, because nobody would ever suspect the vivacious wife and her paramour to be behind the unexplained death of her husband. (And, Alice reckoned, Thomas “was so evil beloved that no man would make inquiry after his death.”) Holinshed’s chronicle saw fit to include this tabloid-esque crime in its narrative of English history.

Arden’s wife, Mistress Alice, young, tall, and well favoured of shape and countenance, formed a criminal connection with a paramour, named Mosbye, a black, swart man. Mosbye had been servant to Sir Edward North, Alice’s father in law; and then settled as a tailor in London. The infatuated wife, lost to all sense of duty and morality, conspired with Mosbye to put an end to her husband’s existence, in order that she might marry the profligate black, swart man.

They employed as their confederates one John Green, a Faversham tailor; George Bradshaw, a goldsmith of the same town; and one Black Will, of Calyce (Calais), a murderer, which murderer was privily sent for to Calyce by the earnest sute, appoyntment, and confederate of Alice Arden and Thomas Mosbye.

The conspirators watched Master Arden walking in Poule’s (St. Paul’s Cathedral, the nave of which was a public promenade in those days), but could not find an opportunity to murder him; they then lay in wait for him on Rainham Down, and a second time in the Broomy Close (two places near Faversham), but on all these occasions failed in obtaining an opportunity.

The wicked wife then laid a plot for murdering her husband in his own house. She procured the services of Mosbye’s sister, Cicely Pounder, and of two of Arden’s domestic servants, Michael Saunderson and Elizabeth Stafford. On a particular day selected Sunday, too Black Will was hidden in a closet at the end of Arden’s parlour. After supper, Arden sat down to play some kind of game with Mosbye; Green stood at Arden’s hack, holding a candle in his hand, to shaddowe Black Will when he should come out; and the other conspirators had their cue. At a given signal in the game, Black Will came with a napkyn in his hand, and sodenlye came behind Arden’s back, threw the said napkyn over his hedd and face, and strangled him; and forthwith Mosbye stept to him, and strake him with a taylor’s great pressing iron upon the scull to the braine, and immediately drew out his dagger, which was groat and broad, and therewith cut the said Arden’s throat.

Having failed to convincingly position the body, and thereby leading police straight back to her house, Alice was immediately implicated in the crime. The conspiracy unraveled and the various people involved were brought to swift and merciless justice, including one poor bastard who had known nothing of the plot but had inadvertently supplied the credentials of that colorful assassin “Black Will” by decrying him as a murderous villain.

Alice Arden herself was burned in Canterbury while her confederates suffered various executions in various places around a country duly scandalized by the bold crime.

Six lives were taken for that of a worthless miser who connived at his wife’s infidelity. It was a sign of the horror inspired by husband murder among the Elizabethans. (Source*)

Indeed, the homicide and resulting executions kept as public scandal so long that the tale was reproduced as an Elizabethan tragedy, Arden of Faversham, in the 1590’s.

A possible uncredited Shakespeare play, it can be read for free in The Shakespeare apocrypha

Gentlemen, we hope youle pardon this naked Tragedy,
Wherin no filed points are foisted in
To make it gratious to the eare or eye;
For simple trueth is gratious enough,
And needes no other points of glosing stuffe.

FINIS.

Intriguingly, Richard Helgerson argues in Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting that this play restores some relevant political context to the Arden crime that Holinshed, perhaps deliberately, obscures. The Arden of Faversham victim is an apparatchik of the Duke of Somerset, a connection perhaps exaggerating Thomas Arden’s rank but not his position as the king’s man, with some important sponsors. Alice Arden and Richard Mosby, too, were national-level elites, Helgerson says.

The very (still-standing) Arden house was obtained through the English Reformation’s dissolution of the monasteries; the London transplant Arden apparently used his (some must have felt) ill-gotten lands and power to impinge upon the prerogatives of his neighbors.

Helgerson doesn’t quite have an ah-ha conclusion to the tale, but the suggestion of a more layered meaning lurking behind what typically plays as straight Tudor police blotter throws a different light on the affair.

Arden’s appropriation of the abbey lands in Faversham finds its counterpart in Mosby’s appropriation of Alice Arden’s body … Seen this way, adultery is no longer a purely private crime … [but] rather a vehicle for thinking about history, for thinking, in particular, about that “improvement in the sovereignty” that was responsible both for the emergence of politic history and for the dissolution of the English monasteries, including Faversham Abbey.

* This source also supplies the date of March 14. However, the date is difficult to come by generally, and it may not be fully dependable.

Also On This Date

• 1957: Evagoras Pallikarides, teenage guerrilla poet