On this date in 1939, Azerbaijani poet Mikayil Mushfig was shot during Stalin’s purges.
The 30-year-old former schoolteacher was a socialist enthusiast as a youth in the 1920s; his work celebrated officially sanctioned subjects like virtuous peasants and workers, and modernization of the alphabet.
How far to go to put aside the backward old ways? Poets debated in verse whether the traditional instrument tar ought to be banned.
In a cauldron of ethnic violence and against the military interventions of Turkey and Britain, these worthies were tasked with extending Soviet writ to the stupendous Azerbaijani oil fields* — the predominant source of tsarist Russia’s oil, and destined to be the engine of Soviet industry as well.
Shahumyan and his fellow commissars, meanwhile, fled by ship across the Caspian Sea to Krasnovodsk (now Turkmenbashi, Turkmenistan), where they fell into the hands of a the anti-Soviet factions — backed, once again, by the British — of a brand new locale’s incarnation of civil war.
The commissars’ “presence in Krasnovodsk was a matter of great concern to the [anti-Bolshevik] Ashkhabad Committee, the members of which were seriously alarmed that opposition elements in Transcaspia might take advantage of the presence of the Commissars to stage a revolt against the government.” Said concern was relieved by the expedient of escorting the Baku Soviet to the desert and shooting them en masse.
The Red Army recaptured Baku in 1920, this time for good, and Shahumyan and friends were raised to the firmament of Communist martyrology, and not only in the Azerbaijan Soviet Socialist Republic. Streets and schools throughout the USSR bore their names.
As with many Soviet icons, the commissars had a rough come-down after the Iron Curtain fell. Their monument in Baku stood untended for many years, its eternal flame extinguished … until it was finally (and somewhat controversially) torn down earlier this year.
The Baku Commissars’ monument and its dead eternal flame, prior to its early 2009 demolition. Image (c) denn22 and used with permission.