On this date in 1527, Anabaptist Felix Manz was trussed hand and foot and shoved into the Limmat in Zurich — the first martyr of the Radical Reformation.
As the Protestant Reformation made theologians of everyone without a concomitant social embrace of religious pluralism, it wasn’t long before men who would have been fire-eating heretics in Catholic eyes a decade before were turning their swords on one another for deviation from their own new orthodoxies.
this was also the century in which Luther in Germany, Zwingli in Switzerland, and afterwards Calvin in France, began to reform the Roman church; and to deny, oppose and contend with the authority of God’s holy Word against the supposed power of the Roman Pope, and many papal superstitions, however, in order to avoid too great dissatisfaction, as it seems, they remained in the matter of infant baptism, in agreement with the Roman church …
They also have retained with the papists, the swearing of oaths, the office of secular authority, war against enemies, and sometimes also against each other, etc.
Zwingli has been dinged by many a true believer then and now for his compromises, but the man had a city to run and better reason to worry about the movements of nearby Catholic armies than an endless disputation over baptism. When the city had had enough, it declared drowning for adult baptism (”rebaptism,” to its opponents). Water for water, see?
As he came down from the Wellenberg to the fish market and was led through the shambles to the boat, he praised God that he was about to die for His truth. For Anabaptism was right, and founded on the Word of God, and Christ had foretold that His followers would suffer for the truth’s sake. And the like discourse he urged much, contradicting the preacher who attended him. On the way his mother and brother came to him, and exhorted him to be stedfast; and he persevered in his folly, even to the end. When he was bound upon the hurdle, and was about to be thrown into the stream by the executioner, he sang with a loud voice: “In manus Tuas, Domine, commendo spiritum meum.” (”Into Thy hands, O Lord, I commend my spirit.”) And herewith was he drawn into the water by the executioner, and drowned.
Felix Manz drowned in the Limmat.
If this dispute seems rather shallow cause for spilling human blood, it’s part of a fathomless theological debate only now becoming water — ahem — under the bridge.
On this date in 1848, a pregnant 20-year-old socialite and her forbidden lover were shot at the order of an Argentine dictator.
Virtually a lens for the contradictory currents of gender, class and power in her time, Camila O’Gorman was the daughter of an elite family of (as her name suggests) Irish extraction, and a bosom friend of the daughter of her future executioner, dictator Juan Manuel de Rosas.
She fell into a torrid affair with Gutierrez, the family priest, and in 1847 eloped with him, a grand gesture of romanticism that brought a government warrant for their capture to “satisfy religion and the law and to prevent further cases of immorality and disorder.”
A scandal, as one might suppose — there was much chatter over who seduced whom, and whether it was a kidnapping — but a manhunt (and womanhunt)? Rosas appears psychotically enraged by two young people crazy in love, and still more so for summarily decreeing their death when he had them in his clutches. Another priest, it turned out, handed them over — more in sadness than in anger, in the manner of such folk, but understanding deep down that the arbitrary law is the law and immorality and disorder don’t go about preventing themselves.
O’Gorman was the first woman executed in independent Argentina, and she was eight months pregnant: the better to “satisfy religion” (though not the law, which forbade the execution of a pregnant woman), O’Gorman’s unborn child was baptized … by making her mother drink holy water.
The lovers were then shot together at the town of General San Martín, then known as Santos Lugares de Rosas.
The pregnant O’Gorman, borne to her firing squad. The image comes from this Argentinian page (in Spanish) about the heroine.
Camila and Uladislao’s brave sense of freedom upset the structured norms of a society used to obeying through fear. Their only way of facing the tyrannical power was escaping from a society which would never understand. They did not give up on their love to please the Restorer [Rosas], as was expected in those days. They never showed signs of repentment, [sic] on the contrary their peaceful minds reflected their clean consciences.
…
And among the many questions this tragic true story might raise, there’s one that particularly appals [sic] us: why did Rosas shoot Camila knowing the law stated a pregnant woman could not be murdered? Was that baby guilty of his parents’ “crime”?
He evidently was, since by being born he would symbolise the testimony not only of the criminal act, but also the evidence of “disobedience” of a moral code imposed by a fearful dictator.
On the screen, O’Gorman and Gutierrez’s doomed love was the topic of one of the first Argentine feature films (a century-old silent film now thought lost), and an Academy Award-nominated 1984 film with plenty of talking:
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