1513: Pietro Boscoli and Agostino Capponi, but not Niccolo Machiavelli

Add comment February 23rd, 2015 Headsman

Niccolo Machiavelli‘s exile from Florentine politics — and subsequent entry into the intellectual canon — was cinched this date in 1513 when two of his friends (or possibly co-conspirators) were executed for a plot against the Medici.

Before he was an adjective, Machiavelli was a powerful minister of state for the Florentine Republic — the polity ensuing the 1498 execution of Savonarola.

Days after that stern friar burned to ashes on the Piazza della Signoria, Machiavelli was named the secondo segretario fiorentino,* alongside a primo segretario counterpart, the older and more cautious Marcello Virgilio Adriani.

What a moment this was to be a Florentine! The mighty Medici had been chased out of Florence and with the fall of Savonarola and his grim morals police the humanist dream of a classical republic suddenly seemed within grasp.

Machiavelli was just 29 years old when he reached this office, bursting with a patriot’s reckless exuberance — and a virile young man’s hedonism. He delighted in whores and in boozing around with his Chancery cronies Agostino Vespucci** and Biagio Buonaccorsi.

The correspondence of these indiscreet young Turks fill with profane and cutting takes on the leading citizens of Florence; Machiavelli, who was known in his own time as a playwright and not a political philosopher, was even bold enough to put such ridicule in print. The 1504 play Le Maschere is tragically lost, but by surviving accounts it lampooned “under feigned names, many citizens who were still living.”†

A few books about Niccolo Machiavelli

While not scribbling pasquinades and getting laid, the Second Secretary had matters of state to attend to. We have met him in these pages, as the Florentine ambassador to the court of Cesare Borgia; Machiavelli could not help but admire the condottiero‘s ruthlessness. Machiavelli also represented Florence in Rome, Spain and France.

Showing an equal aptitude for politics by other means, Machiavelli moved the Florentine military muscle towards a citizen militia, presciently replacing its dependence on mercenaries. In 1509 this force captured Pisa.

But Machiavelli’s excessive regard for this strategic advance married to his excessive affinity for the republic of Piero Soderini undid him in the end. While the First Secretary, Adriani, quietly cultivated contacts of various political persuasions, Machiavelli went all in against the stirring Medicean party. This became a problem when the fortunes of peninsular war drove Florence’s French allies away, leaving the city ripe for recapture by Giuliano de’ Medici, who also happened to be the brother of the pope in waiting.

In 1512, a hastily-assembled city militia of about three or four thousand infantry and 100 men-at-arms met an overwhelming Spanish-Papal-Medicean force at Prato. Scrambling to defend a lost cause, Machiavelli had mustered about a third of the militia and was trying to organize the city’s defenses. Florence’s crushing defeat in this battle and the ensuing civic massacre in Prato (with “countless murders, sacrileges and rapes”) convinced the Florentines to depose Piero Soderini and throw open the gates to Giuliano de’ Medici.

This was the end of Machiavelli the statesman … and, of course, the birth of Machiavelli the philosopher. The ensuing 15 years’ frustrating exile left him no other outlet for his political passions save his pen; needless to say, works like The Prince and Discourses on Livy retain exalted seats in the canon down to the present day. (They made little impression on Machiavelli’s contemporaries; Florentines still knew him for the plays he kept writing.)

A few books by Niccolo Machiavelli

When evening comes, I return home and enter my study; on the threshold I take off my workday clothes, covered with mud and dirt, and put on the garments of the court and palace. Fitted out appropriately, I step inside the venerable courts of the ancients, where I nourish myself on that food that alone is mine and for which I was born; where I am unashamed to converse with them and to question them about the motives for their actions, and they, out of their human kindness, answer me. And for four hours at a time I feel no boredom, I forget all my troubles, I do not dread poverty, and I am not terrified of death. I metamorphose into them completely.

-Machiavelli, December 10, 1513

The cautious primo segretario Adriani, who could better see where the winds were blowing, survived the transition by having the wisdom not to align himself with the losing party. Whatever the verdict of posterity, the 1510s were Adriani’s time to bask in the center of events while Machiavelli did his work of ages in obscurity.

But what cinched Machiavelli’s unhappy permanent banishment from Florentine politics — notwithstanding unctuous expedients like dedicating The Prince to the Medici ruler — were the events culminating in two February 23, 1513 beheadings.

Machiavelli had been dismissed in November 1512. Four months later, a nascent (or wildly exaggerated) anti-Medici conspiracy led by a republican named Pietro Boscoli came to light. Its chief, and paltry, evidence was little more than a written list of around 20 fellow-travelers, upon which appeared the name of Niccolo Machiavelli. It’s more than likely that the “treason” comprised merely to the idle chatter of some disaffected republicans, but after a generation in exile the newly restored Medici dynasty wasn’t taking any chances.

For the onetime Second Secretary, this meant prison and torture by the strappado. Three months on, he was released to his estate with no political succor save the haunts in his head.

But the head he got to keep — and that was better than one could say for Pietro Boscoli.

Boscoli and one Agostino Capponi were beheaded early in the morning of February 23, a bare eight hours after their death sentences were announced. Their last hours were recorded as a Recitazione by a young friend named Luca della Robbia: the tender Passion scene of Boscoli in particular struggling to come to grips with his shockingly sudden fate. The full narrative can be found in translation by Alison Knowles Frazier in The Art of Executing Well: Rituals of Execution in Renaissance Italy. We excerpt a little taste below:

At about 8 o’clock, having had his supper, Boscoli was brought with his legs in irons to the chapel where … he was told that he had to die …

Pietro Paolo cried out “Oh Pietro Paolo, oh poor Pietro Paolo! What has become of you!”

Then I, moved by the greatest compassion, seeing my beloved friend in such great distress, went first to him as lovingly as I could, with a gesture full of mercy, and greeted him like this: “God save you, dearest friend. ‘Do not fear those who kill the body, for they cannot kill the soul.’

Poor Pietro Paolo struggles on here for 15-odd pages in evident anguish, veering between practical considerations of the family he is leaving behind and whom to rustle up as his last-minute confessor, and his uncertain spiritual readiness for death (he was particularly upset at being told of his fate after dinner, for “I am too loaded down with food, and I have eaten salty things, so that I don’t feel able to join my spirit to God”). Della Robbia stays with him the whole time; in the latter’s introduction, he says he “noted diligently all his words, both questions and replies, and kept them in my memory … that such a great and well-formed example of strength and spiritedness would not be lost” and recorded them faithfully later on.

By the end, Boscoli has reconciled his mind to the scaffold.

He is escorted down the stairs from the chapel of the Bargello to its interior courtyard where

leaving the first step, he encountered the Confraternity’s‡ crucifix.

“What am I to do?” [Boscoli] said.

“This is your captain, who comes to arm you,” the friar responded. “Greet him, honor him, ask him to make you strong.”

Then he said, “Greetings, Lord Jesus. I adore you, hanging on the cross. Make me, I beg you, like to your Passion. True Lord, I ask you for peace.”

And thus, going down the second step, he kept commending himself, saying, “‘Into your hands, Lord, I commend my spirit. You redeemed me, Lord, God of truth.’” When he was on the little platform of the stair, he said, “Is it enough, a good preparation towards God? For I feel some battle. Recall to me those three things.”

Then I, who was behind him, said, “Well you know that it is enough. Say to him, Fra Cipriano, that verse by David, ‘Your ear heard the preparation of their heart, Lord.’

“Okay, yes,” the friar replied, “Your ear heard the preparations …,” and told him once again the three things.§

And he answered, and said, “‘Let your ear hear the preparation of my heart, Lord Jesus.'”


Then the executioner, because he wanted to put a kerchief over his eyes, asked his forgiveness and offered to pray to God for him.

“Go ahead and do your duty,” Pietro Paolo said. “And when you have put me at the block, leave me like that for a bit and then finish me off, and that you pray God for me, I accept.”

The reason why he asked for a little time at the block, was that he had all night long always desired a great joining with God and he didn’t feel that he had achieved it as he desired, so that he hoped in that last moment to make a great effort and so to offer himself wholly to God …

And placing himself down, and the executioner, giving him the shortest time, cleanly removed his head, which, so cut, continued to move its mouth for a time.

Agostino Capponi, whom della Robbia has seen only glancingly over his long narrative, follows Boscoli. Although Capponi required two blows of the executioner’s blade, he perhaps went into the hereafter with a soul better at peace — for he “retained on his face a certain wry expression, perhaps not distant from true sincerity.”

* Summary of Machiavelli’s career based on William Landon’s Politics, Patriotism and Language: Niccolò Machiavelli’s «Secular Patria» and the Creation of an Italian National Identity.

** Machiavelli’s clerk Agostino Vespucci — a cousin of the explorer Amerigo Vespucci for whom the American continents were named — made the headlines recently when discovery of a scribble he left in the margin of a 16th century text established the identity of the long-mysterious first lady of Renaissance art, Mona Lisa: she was Lisa del Giocondo, the wife of a Florentine cloth merchant.

† Landon says the primo segretario Adriani encouraged Machiavelli to publish this play, even though Adriani himself is one of its targets — in Landon’s view, because Adriani was playing a long game for power, and revenge: quietly encouraging Machiavelli’s excesses while positioning himself politically to profit from his consequent fall.

‡ The Confraternity of the Blacks: a lay brotherhood associated with Florence’s [former] Chiesa di Santa Maria Vergine della Croce al Tempio, tasked with the spiritual assistance of prisoners condemned to death.

§ Shortly before proceeding to execution, Boscoli steeled himself for the ordeal by resolving that “In this journey I have to have three things. I have to believe the faith. I have to have firm hope that God will pardon me. And the third is that I have to suffer this death for love of Christ and not for others.”

On this day..

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1479: Bernardo di Bandino Baroncelli, sketched by Leonardo da Vinci

3 comments December 29th, 2010 Headsman

On this date in 1479, a fugitive of the previous year’s Pazzi Conspiracy — an ill-starred attempt by the Pazzi family to overthrow the Medici — was hanged in Florence.

Bernardo Baroncelli had actually struck the first blow on the Pazzi conspiracy’s big day, planting a dagger in the chest of Giuliano di Piero de’ Medici in the theatrical setting of Florence’s Duomo, with the theatrical declaration, “Here, traitor!”

Must’ve been a sight to see. Giuliano wound up dead, but the rest didn’t work out so well.

Baroncelli, however, managed to evade the resulting paroxysm of civic vengeance and hightail it to Ottoman Istanbul, where he had some contacts.

Unfortunately for Bernardo, Florence had some contacts there, too. Ottoman relations with the various Italian city-states were actually quite strong, and Florence in particular enjoyed lucrative trade arrangements bringing its wool textiles to Bursa to exchange for silk.

So you can understand the effusion for Mehmet the Conqueror* (and the interest of said Mehmet the Conqueror) in this bit of Florentine diplomatic correspondence quoted in The Papacy and the Levant:

By letters of Bernardo Peruzzi we have learned with great pleasure how that most glorious prince [Mehmet] has seized Bernardo Bandini, most heinous parricide and traitor to his country, and declares himself willing to do with him whatever we may want — a decision certainly in keeping with the love and great favor he has always shown toward our Republic and our people as well as with the justice of his most serene Majesty … although as a result of the innumerable benefits done by his most glorious Majesty in the past for the Republic and our people, we owe him the greatest indebtedness and are the most faithful and obedient sons of his Majesty, nevertheless because of this last benefit it would be impossible to describe the extent to which our obligation to his most serene Majesty has grown.

A Florentine representative quickly sailed for the Ottoman capital to make the arrangements, and returned with the hated Bandini on Dec. 24. Five days later, he was hanged over the side of the Bargello.

Florentine native son Leonardo da Vinci sketched the hanging man (the sketch is now in the Musee Bonnat), diligently noting his clothing.

A tan colored skull-cap, a doublet of black serge, a black jerkin, lined and the collar covered with a black and red stippled velvet.
A blue coat lined with fur of fox’s breasts.
Black hose.
Bernardo di Bandino Baroncelli.

In the video game Assassin’s Creed II, one of the missions (assigned by Giuliano’s surviving brother, Lorenzo the Magnificent) is to kill Bernardo Baroncelli … but not with trade relations and diplomacy.

* Conqueror of Istanbul/Constantinople, among other things.

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Entry Filed under: 15th Century,Arts and Literature,Assassins,Capital Punishment,Death Penalty,Execution,Florence,Hanged,History,Italy,Murder,Nobility,Notable for their Victims,Power,Public Executions,Treason

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1501: Antonio Rinaldeschi, bad gambler

2 comments July 22nd, 2010 Headsman

This date in 1501,* the Italian city-state of Florence celebrated a “double feast”: that of St. Mary Magdalene, which marked a civic carnival every July 22; and, the hanging of sacrilegious gambler Antonio Rinaldeschi on the walls of the Bargello.

Eleven days prior, Rinaldeschi was having a bad run of wagering at The Fig Tree tavern.

Like Jesus is some people’s co-pilot, the Virgin Mary must have been Rinaldeschi’s card-counter — for, stalking out of the premises much the poorer, our doomed punter blasphemously uttered “words that are better kept silent” about her. Then, passing an image of Holy Mother at the piazza Santa Maria de Alberighi, he gathered up some nearby dung and flung it at the sacred pic.

This dry poo maybe should have just slid right off, but the Lord works in mysterious ways.

Write William Connell and Giles Constable in “Sacrilege and Redemption in Renaissance Florence: The Case of Antonio Rinaldeschi” (Journal of the Warburg and Courtauld Institutes, vol. 61 (1998), and the source of most of this entry’s narrative),

a portion of it, resembling a rosette (‘quasi pareva una rosetta secha’), stuck to the Virgin’s diadem, above the nape of her neck. The dirtied image drew much attention. The archbishop came to look. Candles and votive images were brought before the fresco, which quickly became an object of popular devotion.

Someone saw something and the trail led back to the ill-tempered cardsharp within days, who tried to stab himself to death when he realized what was about to go down. He copped to the crime pretty quickly (at least one source says it was so that he could be executed in preference to being lynched), and his corpse dangling out the Bargello window decorated the other Mary’s regularly-scheduled homage of parades and horse-races.

(And, now that it was no longer needed as evidence, the miraculous ordure was cleaned off the statue.)

Florence at the dawn of the 16th century was truly a place where religion could get you killed. This was the city that had elevated severe Dominican friar Savonarola to dictator and morals enforcer in the 1490s (Savonarola especially hated gambling), then overthrew and burned him in 1498.

Our authors think there’s some evidence that the first couple years of the 1500s were a period when the populist religious fanatics who once grooved on Savonarola’s violent party pooper act were back on the march as against, say, the more out-of-touch syphilitic reckless gambling blasphemer element that was now, post-Savonarola, enjoying free run of the town. Having one of the latter excrement-ize a Marian monument is the sort of thing that would have led the Florentine Fox News: naturally, he had to be made an example of.

To help you bear that example in mind, a nine-panel painting, “The History of Antonio Rinaldeschi”, attributed to the hanged man’s contemporary Filippo Dolciati, can be seen in Firenze’s Stibbert Museum.

Madonna + manure, meanwhile, has its own art legacy … and the combination is still good for raising a ruckus to this day.


The Holy Virgin Mary, by Chris Ofili: a black Mary smeared with elephant dung.

* The primary sourcing on the chronology of the execution is sketchy enough that it’s possible Rinaldeschi was hanged on July 21, before midnight — rather than in the dark early hours of July 22.

On this day..

Entry Filed under: 16th Century,Arts and Literature,Capital Punishment,Death Penalty,Execution,Florence,God,Hanged,History,Italy,Notable for their Victims,Pelf,Public Executions,Scandal

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