1944: Hannah Szenes, who gambled on what mattered most

1 comment November 7th, 2008 Headsman

On this date in 1944, Hannah Szenes was shot by the Nazis in her native city of Budapest — a city she had left five years before, and to which she had returned as a British special operative.

Hannah Szenes (alternatively, “Chana Senesh”) grew up in interwar Hungary.

Reaching adulthood in a period of rising anti-semitism in the late 1930’s, she became a Zionist and emigrated to British-controlled Palestine.

But with the onset of war, she signed up with the British Special Operations Executive and was parachuted behind German lines in March 1944.

Her brief: to save both Jews and downed Allied pilots. It is often described as the only military expedition to relieve European Jewry during World War II.

And it was as dangerous as it sounds.

Hannah was nabbed crossing into Hungary on a mission that her colleagues (rightly, it seems) deemed too perilous to attempt, and withstood months of torture without divulging her codes.

By the time she went in the dock for treason, Nazi control of Hungary was collapsing and judicial administration itself was breaking down to the timpani of falling shells. Her sentencing November 4 was postponed; on November 7, an officer peremptorily informed her that she had been condemned to death. It’s believed that she was actually never formally sentenced, merely mopped up ahead of the unstoppable Red Army, which on this very day first entered Budapest’s suburbs.

A writer as well as a fighter, Szenes’ poetry survived as her monument to life — like the present-day Israeli standard “Blessed is the Match”, also the title of the documentary excerpted above; and, her “Halikha LeKesariya” (”A Walk to Caesarea”), also known as “Eli, Eli” (”My God, My God”). Here it is sung by Regina Spektor.

These lines were reportedly her last-known verses from prison:

One - two - three … eight feet long
Two strides across, the rest is dark …
Life is a fleeting question mark
One - two - three … maybe another week.
Or the next month may still find me here,
But death, I feel is very near.
I could have been 23 next July
I gambled on what mattered most, the dice were cast. I lost.

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Entry Filed under: 20th Century, Artists, Capital Punishment, Death Penalty, Disfavored Minorities, England, Execution, Germany, Guerrillas, History, Hungary, Jews, Martyrs, No Formal Charge, Occupation and Colonialism, Popular Culture, Shot, Soldiers, Summary Executions, Torture, Treason, Wartime Executions, Women

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1849: Lajos Batthyány and the 13 Martyrs of Arad

Add comment October 6th, 2008 Headsman

On this date in 1849, the shining lights of Hungary’s 1848 revolution met the Austrian Empire’s firing squads.

Probably no polity in Europe stood more fundamentally in danger from the wave of 1848 revolutions than the Habsburg Empire. While governments would be overthrown and power renegotiated across the continent, the Austrian state’s dynastically welded hodgepodge of mingled ethnicities appeared existentially at odds with the nationalist stirrings afoot.

And none of those ethnicities answering to Vienna stirred as vigorously as the Hungarians.

The Hungarian Diet established a national government under Lajos Batthyány (English Wikipedia page | Hungarian) (or Louis Batthyani) in the spring of 1848* and soon pushed for more self-determination than Austria was prepared to countenance.

When Austrian troops turned on Hungary, the aspiring nation issued an 1849 declaration of independence full of vituperation for the ancient noble line.

[T]he house of Hapsburg-Lorraine, as perjured in the sight of God and man, has forfeited its right to the Hungarian throne …

Three hundred years have passed since the Hungarian nation, by free election, placed the house of Austria upon its throne, in accordance with stipulations made on both sides, and ratified by treaty. These three hundred years have been, for the country, a period of uninterrupted suffering.

This dynasty … which can at no epoch point to a ruler who based his power on the freedom of the people, adopted a course toward this nation from father to son, which deserves the appellation of perjury.

The house of Austria has publicly used every effort to deprive the country of its legitimate independence and constitution, designing to reduce it to a level with the other provinces long since deprived of all freedom, and to unite all in a common link of slavery.

Guess how that turned out.

Lajos Batthyany portrait by Hungarian painter Miklos Barabas.

It wasn’t much of a contest in the field, leaving this day’s doings the shooting of Batthyany at Pest (the city later merged with Buda and Obuda to form Budapest) and 13 Hungarian generals — the so-called 13 martyrs of Arad — in a Translyvanian city that is today part of Romania.

This was not, however, the last the Habsburg dynasty would hear of Hungary’s frustrated national aspirations.

Three years later, a Hungarian nationalist attempted to assassinate the youthful Emperor Franz Joseph,** and the strength of the Magyar lands’ self-determination movements would eventually drive a formal ratification of Hungarian privileges that rechristened the state as the Austro-Hungarian Empire, or simply Austria-Hungary.

All that stuff we said about you Habsburgs? Bygones.

While becoming half of a dual capital opposite Vienna meant a late 19th-century renaissance for Budapest, this cure by the Empire for its internal pressures proved almost as harmful as the disease. The pressures immediately discharged would pale in comparison to the conflicts Hungarians’ now-privileged status helped provoke with Slavs and other ethnic minorities (exacerbated by Hungarians’ ability to block Austrian foreign policy). In an early preview of a now-familiar pattern, the proto-nation-state of Hungary was a nastier piece of work for its ethnic minorities than the decadent old melting-pot ruled from Vienna … and the road from this day’s executions to the Austro-Hungarian Compromise ran straight on to 1914 Sarajevo and the graveyard of Habsburg history.

As for the executions this day, Batthyany was saluted by the great Hungarian composer Franz Liszt in his Funerailles:

More prosaically and much more pervasively, a legend that Austrians were jovially toasting the death of the 13 Martyrs as they were being executed translated into a still-active tradition against clinking beer glasses in Hungary.

* Hungary’s March 15 National Day derives from this period.

** Franz Joseph was no mere abstract emblem of imperial absolutism: he had assumed the Austrian throne in December 1848 upon the abdication of his feebleminded uncle specifically to free the crown from the oaths his predecessor had taken to various reforms. From the Hungarian perspective — and the declaration excerpted above dwells at length on the perfidy of this maneuver — he was installed to crush the revolution.

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Entry Filed under: 19th Century, Arts and Literature, Austria, Capital Punishment, Death Penalty, Disfavored Minorities, Execution, Famous, Habsburg Realm, Heads of State, History, Hungary, Martyrs, Mass Executions, Occupation and Colonialism, Politicians, Popular Culture, Power, Racial and Ethnic Minorities, Revolutionaries, Romania, Shot, Soldiers, Treason

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