Tag Archives: caution

1947: Ding Mocun, not as hot a lay in real life

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On this date in 1947, Ding Mocun was shot for “conspiring with a foreign government to overthrow China” in Shanghai by the Kuomintang.

This former Communist turned right-wing radical may be most readily recognizable outside China as the real-life inspiration behind Ang Lee’s steamy 2007 art-house menace to undergarments Lust, Caution.

Based on a story by Eileen Chang (or Zhang Ailing), Lust, Caution fictionalizes Mocun’s real-life escape from an attempted assassination in 1939.

That incident was authored by Ding’s young plaything, who turned out to have a very serious side indeed. (Ding had her shot.)

While the attempt on the turncoat spy’s life really happened, there’s some dispute over whether Chang really had this particular woman strongly in mind over the twenty-plus years she composed her story. There’s more about the evolution of the fictional story here, but you’ll need Chinese skills to follow the links to Chang’s evolving text.

At any rate, Ding’s actual death would come by order of a more august character: Chiang Kai-shek.

Why so many people out to get him?

Despite his nationalist credentials, when Ding lost a party struggle in 1938, he found a gig with the collaborationist government of Japanese-occupied China running a nasty intelligence unit that made nationalists and Communists disappear. That’s the sort of resume anyone would be touching up come the mid-1940’s, and Ding went with a revision (not widely credited, though it has its advocates) that he was secretly passing information to the nationalist resistance all along. And as the nationalists and Communists turned on one another in the postwar power vacuum, it looked like his usefulness to the Kuomintang might get him off the hook after all.

It worked for a while, but Chiang — or so goes the story — caught a tabloid expose about Ding catching R&R at a lake when he’d used a medical pass to get out of prison, and impulsively ordered him shot.

Perhaps Ding’s status as official evildoer vis-a-vis a China whose messy birth many are old enough to remember helps account for the resonance of literary works that engage him as a human being. In a nonfiction vein, Konrad Lawson’s layered critique of the pro-Ding apologia linked above thoughtfully evokes the complexity of Ding’s era and the challenges it poses for historiography.

On this day..