“Thanks a lot, society, for railroading my ass!”
-Aileen Wuornos
On this date in 2002, the tragically, horrifically iconic serial killer Aileen Wuornos checked out at Florida’s Starke Prison (and into an afterlife as an Academy Award-winning role) with the appropriately bizarre last words,
“I’d just like to say I’m sailing with the rock, and I’ll be back like Independence Day, with Jesus June 6. Like the movie, big mother ship and all, I’ll be back.”
Her sensational FBI-bestowed reputation as America’s “first” female serial killer rests on exaggeration,* but there’s something of the larger-than-life about prostitute/manslayer Aileen Carol Wuornos.
Heck, Aileen herself sold rights to her story within weeks of her arrest. So did investigators who worked the case. A year before our day’s perp faced lethal injection, her surname titled “the world’s first opera about a lesbian prostitute serial killer survivor of child abuse who is now on death row.” (Here’s the opera’s home page.)
That’s not the sort of legacy usual for a seven-time murderer. But there wasn’t much usual about Aileen Wuornos.
Wuornos — “Lee,” to her friends — projects for all her trail of bodies an irrepressibly humanity; Charlize Theron played her in Monster as the most sympathetic serial killer ever put to celluloid, her crime spree a desperate and impossible cry after human love that her life’s many travails had warped but never drained.
Still professing love for the lover who had sold her out and thereby ducked prosecution, Wuornos resigned her appeals and went her own way out this date in 2002.
Books and Films about Aileen Wuornos
* Or, if you like, a precision of definition not likely shared by the majority of her headline-reading public. What made Wuornos distinctive was killing strangers in a pattern over time; the stereotypical female multiple-murderer kills in a single spree, and/or for distinct pecuniary motives, and/or kills family members or other intimates.
On this date in 1944, German Communist Ernst Thälmann was shot at the Buchenwald concentration camp.
A true proletarian turned proletarian leader (and reliable adherent to Moscow’s line), Thalmann stood for election to the German presidency no the Communist Party ticket against Hindenburg and Hitler in 1932 (he’d also run in 1925).
Hitler wasn’t a very good winner.*
The Gestapo nabbed Thalmann in its sweep for leftists following the Reichstag Fire. Eleven years he waited in prison — being tortured, naturally — for his turn on the stage of a show trial. Or any trial at all.
It never took place.
Instead, the Weimar Communist leader languished in detention as the horror of Naziism swallowed Germany, with nothing to give the anti-fascist cause but his name — here adopted by a Spanish Civil War battalion.
We have such cinematic treatment of the man because after the war, the legitimately proletarian, demonstrably antifascist, ideologically unsullied, and conveniently dead Thalmann made ideal material for the Communist East German state’s national pantheon.
The myth employed all of the media available to a modern industrialized state. In addition to the scholarship produced by professional historians, popular works with a similar agenda also appeared. Irma, the slain party leader’s daughter, wrote a biography of her father intended for children. Max Zimmering wrote one of several children’s novels about Thalmann, and East German poets lionized the martyred communist leader. … Thalmann memorials were built, and membership in the SED’s youth organization, the Free German Youth (FDJ), began with the Thalmann Pioneers. Finally, Thalmann’s life was the topic of several films and television movies, the most important being the two features, Ernst Thalmann - Sohn seiner Klasse (Ernst Thalmann - Son of His Class, 1954) and Ernst Thalmann - Fuhrer seiner Klasse (Ernst Thalmann - Leader of His Class, 1955).
* Yes, this is glib; Hindenburg, not Hitler, won the 1932 election. However, the Nazis’ plurality victory in that year’s Reichstag election also gave Hitler the juice to demand the Chancellorship and set himself up to wield total power in Germany. Whatever the ballot boxes on any particular day had to say, Hitler obviously won the early 1930’s.
On this date in 2002, the tragically, horrifically iconic serial killer Aileen Wuornos checked out at Florida’s Starke Prison (and into an afterlife as an Academy Award-winning role) with the appropriately bizarre last words,
A true proletarian turned proletarian leader (and reliable adherent to Moscow’s line), 
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