On this date in 1801, 73-year-old James Legg(e) was hanged for murdering his mate William Lamb(e) at Chelsea Hospital.
Both men were pensioned ensigns from His Majesty’s service. According to the trial transcript, Legg was sinking into obvious depression. A nurse of long acquaintance remarked on
a lowness, a melancholy and deranged state; knowing him so long, I took the opportunity of asking him what was the matter with him, and the reason of his melancholy; he told me his mind was confused; that he had no rest night or day; that he was hurried from place to place, and could not tell what he was doing; and I really was afraid he would make away with himself; I was always unhappy when he was out of my sight, for fear he should do himself an injury; I never mentioned it to the doctor, because he was harmless … sometimes when I spoke to him, he would start like a person surprized out of a sleep; sometimes he would give me an answer, and sometimes only just a bow; I still observed that lowness and melancholy, and that his head was always confused down to the time of this unfortunate event.
Ah. The “unfortunate event.” Legg took it to mind that Lamb was “a tyrannical tempered man” who gave him “repeated insults” and challenged him to a duel. (Lamb’s widow, the only witness to the murder, said her husband had no beef with his killer.)
When Lamb quizzically (or scornfully) discarded the pistol that the irate Legg had forced into his hand, Legg just shot him dead.
He probably had no expectation that he’d just punched his ticket to artistic immortality.
It was a natural outgrowth of Europe’s long fascination with anatomical accuracy — a fascination that made liberal use of executed bodies.
Despite the centrality of Christ’s crucifixion to western culture, nobody had seen an actual crucifixion — not for centuries. So, sure, you can make the guy on the cross look like a proportioned, three-dimensional human being …
… but is this really what a proportioned, three-dimensional human being would look like when nailed to a cross?
That Chelsea surgeon Carpue and his artist friends had the best way to find out. (Well … the second-best.)
“A building was erected near the place of the execution; a cross provided,” Carpue recorded. After hanging, “the subject was nailed on the cross; the cross suspended … the body, being warm, fell into the position that a dead body must fall into … When cool, a cast was made, under the direction of Mr. Banks, and when the mob was dispersed it was removed to my theatre.” West supposedly exclaimed that he had “never before seen the human hand” until he saw James Legg’s nailed and stretched.
Carpue proceeded to flay the cadaver and make a second cast from the grisly skin-less ecorche … an artistic/anatomical practice of the age whose best-known product is Smugglerius, also cast from a hanged man.
Hanging has been the legal method of execution in the state of Illinois for 106 years, the first execution in the state being held at Belleville on September 3, 1821, when Timothy Bennett paid the penalty for murder resulting in a duel in which Timothy [sic -- the rest of the article refers to the victim as "Alphonso"] C. Stewart was killed.
According to the account appearing in an old history of St. Clair county, now in the state historical library, Timothy Bennett and Alphonso C. Stewart became involved in an argument while under the influence of liquor, on February 8, 1819, at Belleville. Friends interfered and sought to effect a reconciliation, but their efforts were unavail[ing]. Finally it was agreed to arrange a sham duel in the belief that the ridiculous issue would bring the two participants to their senses.
“The duel was arranged,” the account reads. “Jacob Short and Nathan Fike acted as seconds. When the word was given and the rifles discharged, it was proven the ‘sham’ duel was fought with powder and lead-at any rate Alphonso C. Stewart fell to the ground mortally wounded.
Special Session in Court
“Timothy Bennett was arrested and so were the seconds, Short and Fike. A special term of the circuit court was held March 8, 1919 [sic], under a special law of the legislature to hold said term. The officers of the court, John Reynolds, judge; John Hay, clerk, and W.A. Beard, sheriff, were all appointed by Governor Shadrack Bond.
“The grand jury found true bills of indictments for murder against Bennett and the two seconds after hearing the testimony of Reuben Anderson, James Parks, James Kincade, James Reed, Daniel Million, Ben Million, Peter Sprinkle and Michael Tannahill.
“When the case was called for trial the sheriff reported that Bennett had broken jail and was at large. Short and Fike had their trial in June 1819, and were acquited [sic].
“Bennett was captured and jailed about July 1, 1821. A special term of court was held July 26, 1821. The grand jury found a new indictment against him for the same offense
Trial Starts Immediately
“Bennett was put on trial July 27, 1821, before Judge Reynolds and a jury. The jury rendered a verdict July 28, and found the presoner [sic] guilty. He had entered a plea of not guilty.
“The court then proceeded to pass sentence upon him in the following words:
“And it being demanded of him if anything for himself he had or knew to say why the court should not proceed to pass sentence upon him, he said he had nothing more than he had before said. Therefore it was considered by the court that he be hanged by the neck until he is dead, and that the sheriff of the county do cause execution of this judgment to be done and performed on him, the said Timothy Bennett, on Monday, the third of September, next, between the hours of ten in the forenoon and four in the afternoon at or near the town of Belleville.”
“Neither Bennett nor his friends believed that this awful sentence would ever be executed. The latter made strenuous efforts to have him pardoned. Failing in this, they tried to have the sentence commuted. But the governor remained firm and against all entreaty.
“On the day appointed for his execution, Bennett was hanged near West Belleville, near the site of the Henry Raab school. The execution was witnessed by a multitude of men, women and children.
On this date in 1627, the Comte de Bouteville plus his cousin Des Chapelles lost their heads for fighting a duel — ultimately (because of the execution) one of the most notorious duels in French history.
Though this is the duel that everyone knows, Francois de Montmorency-Bouteville (English Wikipedia entry | French) had engaged in 22 such affairs of honor between the tender ages of 15 and 28. Like as not, he was the duellist par excellence in an age where demanding lethal satisfaction was all the rage among devil-may-care aristocratic straplings.
And this, of course, is why he was nominated for condign punishment in Louis XIII’s struggling anti-dueling campaign. One might say he nominated himself.
Dueling, a mano-a-mano vindication of feuds between fops, was an archaic holdover of Burgundian clan violence turned preposterous baroque ritual of conspicuous consociation.
It was also incredibly epidemic in France at this period.
During the reign of Louis’s predecessor Henri IV, 7,000 to 8,000 people are reported to have died in duels, which works out to the suspect rate of one per day for the entire period. Then again, France did have an excess supply of noble progeny whose violent impulses were no longer preoccupied by fratricidal religious warfare.*
Henri IV had tried to ban dueling, even in 1610 executing for lese majeste a couple members of his own guard who defied the ban. Just weeks later, and for no reason connected to dueling, Henri was assassinated. Then-nine-year-old heir Louis XIII was in no position at the time to follow up his father’s policy, and the naughty sport continued to flourish.
“Duels had become so common among the French nobility that the streets of Paris usually served as the field of combat,” according to the Mercure Francois. And as Richard Herr described in his “Honor versus Absolutism: Richelieu’s Fight against Dueling” (The Journal of Modern History, September 1955; this is also the source of all other quotes in this post), they often arose over utterly trivial “slights.”**
Typical was a duel in Lent of 1626 in which Bouteville [i.e., the subject of our post] with two seconds engaged the Comte de Thorigny and his two seconds. The fight was over a dispute between Thorigny and the Marquis de Chalais, who was in prison accused of treason. Bouteville was merely defending the honor of a friend. All six spent the night before the engagement in an inn outside Paris, and in the course of a fairly amicable conversation, they expressed regret that being good friends, they were going to kill each other over another gentleman’s quarrel. But they agreed that they had gone too far to be able to abandon the project without loss of honor. The next day Bouteville killed Thorigny after the latter’s sword broke.
By the 1620s, Louis was old enough to make another run at this intractable elite-on-elite crime wave, and did so with the full encouragement of his famous consigliere Cardinal Richelieu. Depriving the aristocracy of this weird extra-judicial prerogative fit right into the latter’s going campaign to centralize the French state and bring its quarrelsome lords to heel.
What with all those duels he liked to fight, Francois de Montmorency-Bouteville was a great test case. Fighting a public duel in January 1627 — at which his second was slain — made Bouteville a target, and he fled to the Netherlands for safety.
Our fugitive figured he’d send word that a pardon would be appreciated, and everything would blow over like it always did. But Louis was determined to disabuse this type of any privilege to commit public mayhem, and refused to grant Bouteville his absolution.
Honor offended — his default state, to judge by his career — Bouteville vowed angrily to “fight in Paris and in the Place Royale!” This he did on May 12, 1627, slipping back into France for the express purpose of dueling Guy Harcourt, the Marquis de Beuvron. And Bouteville disdained a private fight for the occasion, insisting, as he had declared, on a daytime melee where everyone could see it at the grand new Place Royale (today, Places des Vosges).
Bouteville and Beuvron fought to a bloodless stalemate and agreed to call it a draw. But Bouteville’s second Des Chapelles mortally wounded Beuvron’s second.
Everyone fled, and while Beuvron made it out of the country, Montmorency and Des Chapelles were nabbed, and condemned to death by the Parlement of Paris for violating Louis’s royal edict against duels.
From the king’s standpoint, this was just about the most egregious possible arrangement of factors.
The guy was a serial offender, and he was already a fugitive for his last duel.
The fight had produced a fatality.
Worst, the whole scene — sneaking back into Paris, fighting openly within the potential view of the sovereign — had been overtly staged to scorn the royal ban.
If Louis intended his decree to mean anything at all, he had to come down hard on this one. “It is a question of cutting the throat of duels or of your majesty’s edicts,” Richelieu summarized.
But as clear-cut as were the case indicia, this was still a hard one for Louis, and even for the usually-ruthless Richelieu. Bouteville was a well-born noble, with powerful friends and family who were also close to the king, and they besieged the royal person with petitions for mercy. A sorrowing but firm Louis had to personally refuse mercy to Bouteville’s tearful wife. “Their loss affects me as much as it does you,” he said. “But my conscience prevents my pardoning them.”
Although the poor wife couldn’t make any headway for clemency, she had the better of Bouteville’s swordsmanship off the field of honor. The doomed duke bequeathed one last rapier thrust to posterity by leaving his widow-to-be pregnant with a posthumous son who eventually generalled French armies to any number of routs of the Dutch in the late 17th century.
And while Richelieu’s memoirs would depict this instance of executive implacability as a decisive turn, Herr argues that it was nothing but a brief interruption. The pernicious hobby was back in all its glory within a couple of years, an evil that even Richelieu could never master. France’s aspired-to absolutism could not reach that ancient and intimate noble right save in the very most exemplary case.
In Dumas’s Three Musketeers, set in 1620s France, D’Artagnan is charged by his father in the opening pages to “[n]ever fear quarrels … Fight on all occasions. Fight the more for duels being forbidden, since consequently there is twice as much courage in fighting.” And indeed, it is by blundering into silly duels (e.g., the “offense” caused by bumping into Porthos while hurrying down the stairs, the latter of whom considers D’Artagnan’s apology discourteously perfunctory) that D’Artagnan becomes the fourth of their cadre … because Richelieu’s men arrive to break up the illegal D’Artagnan-vs.-Musketeer melees, and D’Artagnan joins with his “foes” to defend, all for one and one for all, their privilege as gentlemen to slaughter one another.
* Also worth noting relative to the casualty numbers: each side’s seconds also fought, so it wasn’t strictly a one-on-one affair. A move for taking seconds out of the fight eventually prevailed, long before the end (if there has been a real end) of dueling, but in 1627 that time was not yet come.