Here Dr Lambe, the conjurer lyes,
Against his will untimely dies
The Divell did show himselfe a Glutton
In taking this Lambe before he was mutton
The Divell in Hell will rost him there
Whome the Prentises basted here.
In Hell they wondred when he came
To see among the Goats a Lambe.
Friday the 13th of June in 1628 bore foul luck for John Lambe, an aged astrologer, magician, and folk healer so hated of Londoners that a mob fell on him as he returned from theater this evening and butchered him in the street.
While we hope to justify Lambe’s presence in these pages under our going interest in lynchings, his curious homicide transgresses the boundaries of Executed Today as surely as did Lambe transgress those of Stuart London.
North of 80 at the time of his death — although still vigorous enough at that age to defend himself with a sword — Lambe came to misfortunate public notoriety in the 1620s. These were crisis years when the crown sowed the dragon’s teeth that would in later years devour Charles I. Lambe’s slaughter was a little taste of worse to come.
Sources from the period view Lambe as both a shameless fraud and a vile wizard, with no consistency save between the propositions save for their vitriol. Lambe seems like he got the worst of both perceptions at once: he faced a 1619 complaint to the Royal College of Physicians that he was a “mountebank and impostor.” [sic] Three years after that, he was in the dock for witchcraft
What Lambe did do was beat two charges in as many years that could easily have hanged him: the aforementioned witchcraft case in 1622, and a rape charge in 1624. Evidence in either case was underwhelming, but the charges themselves were incendiary; Lambe’s knack for slithering out of the hangman’s grasp must have suggested for the man on the street a channel to sinister higher powers.
Commoners bestirred themselves about this time against the realm’s own higher powers — the politically ham-fisted new king Charles and his grapples with Parliament to secure sufficient tax revenue for his inept war with France and Spain.
In all this mess, the Duke of Buckingham — royal favorite and possible lover of Charles’s father — was the number two man in the kingdom, and the number one object of hate.
In the mid-1620s, Lambe became conjoined in the public eye with Buckingham — as Buckingham’s demon-summoning henchman, say. Was it the Duke’s pull that spared his familiar the noose? Was it Lambe’s necromancy that captured the king in the thrall of his detested aide?
Did it even matter?
From the distance of centuries the particulars of the supposed affiliation between the two seems difficult to establish,* but it sufficed for Lambe’s death (and Buckingham’s too) that they were analogues for one another, that their respective villainies could be multiplied one atop the other.
Despite all that tinder lying around, we don’t know the exact spark for Lambe’s murder on June 13, 1628. A few months before, Buckingham had fled a humiliating military defeat in France; Parliament and King were at loggerheads that June, forcing the reluctant Charles to accede to a Petition of Right on June 7 that remains to this day a bedrock document of Britons’ liberties.
On the 13th, Lambe was recognized by “the boyes of the towne, and other unruly people” attending a play at the Fortune Playhouse.
As he left it, some began to follow him. Maybe it was just one insult too tartly answered that multiplied these hooligans, or maybe there was a ready rabble that immediately took to his heels. The frightened Lamb picked his way to the city walls menaced all the way by his lynch mob, hired a few soldiers as an ad hoc bodyguard, and by the dark of night tried desperately to find some sort of shelter from the crowd growing in both number and hostility. Under the mob’s threat, a tavern put him out, and a barrister likewise; his guards fled their posts; and someone at last laid his hands on John Lambe. By the time the frenzy had passed, Lambe’s “skull was broken, one of his eyes hung out of his head, and all parties of his body bruised and wounded so much, that no part was left to receive a wound.” Many contemporaries must have understood it as the just punishment that courts could not manage to exact.
Woodcut of the assault on Lambe outside the Windmill Tavern, from the title page of A Briefe Description of the Notorious Life of Iohn Lambe (1628)
The libels now rejoiced openly in Lambe’s summary justice — nobody was ever prosecutor for his murder — and anticipated another one to follow it.
“Who rules the Kingdome? The King. Who rules the King? The Duke. Who rules the Duke? The Devill,” one menacing placard announced. “And that the libellers there professe, Lett the Duke look to it; for they intend shortly to use him worse then they did his Doctor, and if thinges be not shortly reformed, they will work a reformation themselves.”
Their thirst for “reformation” was not long delayed.
Ten weeks after Lambe’s murder, a disaffected army officer named John Felton at last enacted the swelling popular sentiment and assassinated Buckingham.
“The Shepheards struck, The sheepe are fledd,” one unsympathetic doggerel taunted, recalling the dead wizard whose supernatural exertions could no longer protect his wicked patron. “For want of Lambe the Wolfe is dead.”
* So says Alastair Bellany, whose “The Murder of John Lambe: Crowd Violence, Court Scandal and Popular Politics in Early Seventeenth-Century England” in Past and Present, vol. 200, no. 1 is a principal source for this post. (It’s here, but behind academic paywalls.)
Late this night* in 1628 was the fictional execution of The Three Musketeers antagonist Milady de Winter.
Milady de Winter, as the heroine of Agnes Maupre’s revisionist French graphic novel series (Author interview | Another (Both in French)).
This conniving minx bears the fleur-de-lis brand of a teenage crime upon her shoulder — a very naughty beauty-mark indeed — but becomes a secret agent of Cardinal Richelieu. (Richelieu is a point of friction for the Musketeers right from the start.)
To skip to the end of things, Milady is portrayed as having orchestrated at Richelieu’s behest the (actual, historical) assassination of the Musketeers’ buddy the (actual, historical) Duke of Buckingham, which Milady accomplishes by seducing and manipulating his (actual, historical) assassin, John Felton. In reality, Felton was motivated by the stirring Republican sentiment that would soon generate a revolution; in Dumas, he’s a horny dupe who sees his seductress escaping by sea even as he’s placed under arrest.
Buckingham was (actually, historically) murdered on August 23.
The fictional narrative picks up on August 25, when the escaped Milady writes to Cardinal Richelieu from the safety of Boulogne. Unknown to her, her hours are numbered.
Milady proceeds the next morning to a convent in Bethune where she chances to encounter the mistress of her old foe d’Artagnan … and, by that night, to slay said mistress with poison just ahead of the arrival of the Musketeers.** But the Musketeers are able to track the escaping murderess down by the next evening. There, they subject her to a snap “trial”:
“We wish to judge you according to your crime,” said Athos; “you shall be free to defend yourself. Justify yourself if you can. M. d’Artagnan, it is for you to accuse her first.”
“Before God and before men,” said he, “I accuse this woman of having poisoned Constance Bonacieux, who died yesterday evening.”
He turned towards Porthos and Aramis.
“We bear witness to this,” said the two Musketeers, with one voice.
D’Artagnan continued: “Before God and before men, I accuse this woman of having attempted to poison me, in wine which she sent me from Villeroy, with a forged letter, as if that wine came from my friends. God preserved me, but a man named Brisemont died in my place.”
“We bear witness to this,” said Porthos and Aramis, in the same manner as before.
“Before God and before men, I accuse this woman of having urged me to the murder of the Baron de Wardes; but as no one else can attest the truth of this accusation, I attest it myself. I have done.” And d’Artagnan passed to the other side of the room with Porthos and Aramis.
“Your turn, my Lord,” said Athos.
The baron came forward.
“Before God and before men,” said he, “I accuse this woman of having caused the assassination of the Duke of Buckingham.”
“The Duke of Buckingham assassinated!” cried all present, with one voice.
“Yes,” said the baron, “assassinated. On receiving the warning letter you wrote to me, I had this woman arrested, and gave her in charge to a loyal servant. She corrupted this man; she placed the poniard in his hand; she made him kill the duke. And at this moment, perhaps, Felton is paying with his head for the crime of this fury!”
And so forth.
Then these obviously impartial judges judge her guilty, and have the executioner of Lille — whom they have thoughtfully procured in advance — chop off her head and dump her in a river.
“The executioner may kill, without being on that account an assassin,” said the man in the red cloak [i.e., the executioner himself], rapping upon his immense sword. “This is the last judge; that is all. Nachrichter, as say our neighbors, the Germans.”
Extrajudicial is as extrajudicial does. And in this case, Richelieu is just as happy to be rid of his duplicitous agent and, admiring the protagonist’s moxie, commissions d’Artagnan a lieutenant in the Musketeers. D’Artagnan is the fourth of the titular “three Musketeers”, so this denouement means that he’s finally made it … and he should stand by for duty in sequels continuing to mix-and-match Dumas’s fictional characters with actual, historical events.
This date’s captivating femme fatale has appropriately been portrayed by a ravishing host of silver screen sirens including Lana Turner, Mylene Demongeot, Antonella Lualdi, Faye Dunaway, Rebecca de Mornay, Emmanuelle Beart, and (most recently as of this writing), Milla Jovovich.
* August 27-28, right around midnight. Dumas isn’t specific as to pre- or post-midnight.
The rack, or question, to extort a confession from criminals, is a practice of a different nature: this being only used to compel a man to put himself upon his trial; that being a species of trial in itself. And the trial by rack is utterly unknown to the law of England; though once when the dukes of Exeter and Suffolk, and other ministers of Henry VI, had laid a design to introduce the civil law into this kingdom as the rule of government, for a beginning thereof they erected a rack for torture; which was called in derision the duke of Exeter’s daughter, and still remains in the tower of London: where it was occasionally used as an engine of state, not of law, more than once in the reign of queen Elizabeth but when, upon the assassination of Villiers duke of Buckingham by Felton, it was proposed in the privy council to put the assassin to the rack, in order to discover his accomplices; the judges, being consulted, declared unanimously, to their own honour and the honour of the English law, that no such proceeding was allowable by the laws of England.
Although the jurisprudence of 17th century England with its proscription of legal torture* still stacks up favorably next to that of Berkeley law professors, it certainly did not stand in the way of assassin John Felton‘s execution on this date in 1628.
Or you, late tongue-ty’d judges of the land,
Passe sentence on his act, whose valiant hand
Wrencht off your muzzels, and infranchiz’d all
Your shakl’d consciences from one man’s thrall?
But O! his countrie! what can you verdict on?
If guiltie; ’tis of your redemption.
Felton’s victim, the Duke of Buckingham — portrayed in 1625 by Rubens.
Villiers, “handsomest-bodied” scion of the minor gentry, had parlayed his comeliness into power as the favorite (and possibly the lover) of King James I. He had, as Alexandre Dumas put it in The Three Musketeers (in which adventure Buckingham is an important character) “lived one of those fabulous existences which survive, in the course of centuries, to astonish posterity.”†
Buckingham latched himself to the king’s 20-something son and heir Charles I and became a dominant influence in foreign policy as well as wildly unpopular in England. He raised Protestant hackles with Machiavellian statecraft like angling for a Spanish queen and aiding the French against the Huguenots, and since he exercised a share of the royal power he vigorously upheld the rights of the crown as against those of the commons. An opponent once compared him to Sejanus.
Indeed, Buckingham helped the youthful Charles, king since March of 1625, set the tetchy tone for his relationship with Parliament that would define his rule and ultimately cost the monarch his own head. When Parliament demanded Buckingham “be removed from intermeddling with the great affairs of State” as a condition for coughing up any more money, Charles haughtily dissolved Parliament rather than give up his favorite.
That forced the king into sketchy expedients like the “forced loan” and, when the money disputes continued after Buckingham’s death, the king’s eventual legislature-free Personal Rule that set up the Civil War.
So one can see how the sudden 1628 murder of this resented courtier, to whom was imputed every fault and abuse of Charles himself, would have been celebrated. “Honest Jack” — the assassin’s widely-honored nickname — was likewise credited with every perceived virtue of the Parliamentarian party. Juridically, the man was doomed — but in the popular eye,
[t]he passage of Felton to London, after the assassination, seemed a triumph. Now pitied, and now blessed, mothers held up their children to behold the saviour of the country; and an old woman exclaimed, as Felton passed her, with a scriptural allusion to his short stature, and the mightiness of Buckingham, “God bless thee, little David!” Felton was nearly sainted before he reached the metropolis. His health was the reigning toast among the republicans.
While he’s sometimes described — or dismissed — as merely a disgruntled careerist, the assassin’s own ideological commitment ought not be downplayed. Whatever Felton’s personal pique, the assassination was unambiguously political: our killer had returned from war wounded and melancholy and proceeded to marinate in the era’s anti-monarchical currents. In time, Felton came to understand — surely in concert with many of his countrymen now forgotten by time — that there was a greater good to be served by the sin of murder.
He had left behind in his trunk a few propositions that underscored his state of mind: “There is no alliance nearer to any one than his country” and “No law is more sacred than the safety and welfare of the commonwealth.” He justified himself at trial in similar terms, and did so without desiring to escape the extremities of the law that his crime demanded.
Felton had really expected to be killed in the act of the assassination himself. To that end, he had left a note pinned in his hat that is as good an elegy for him as any a republican ballad. “That man is cowardly and base and deserveth not the name of a gentleman that is not willing to sacrifice his life for the honor of his God, his king, and his country. Let no man commend me for doing it, but rather discommend themselves as to the cause of it, for if God had not taken away our hearts for our sins, he would not have gone so long unpunished.”
While Felton played his part in the generations-long struggle to subordinate king to parliament, the most immediate beneficiary of this affair was not so much the Commons as it was the noble rival who usurped the late Buckingham’s power — the Earl of Strafford.
* Certain though we are of the human rights commitment of Felton’s prosecutors, the man himself made sure of it by dint of a deft bit of interrogatory jujitsu. Menaced with the prospect of torture, he cheerfully resigned himself to it — “Yet this I must tell you by the way,” he added. “That if I be put upon the rack, I will accuse you, my Lord of Dorset, and none but yourself.”
That’s the way to convince judges not to torture you.
† Felton also appears in The Three Musketeers, committing the murder of Buckingham at the instigation of the seductive fictional villain Milady de Winter just days before the musketeers execute Milady herself.
Thomas Wentworth, Earl of Strafford had cut his teeth in Parliament in the 1620s as an advocate of the rights of the Commons as against those of the king, but the notion that he’d be hoisted by his own petard would be little comfort to a King soon destined to find himself in similar straits.
The authority of a king is the keystone which closeth up the arch of order and government.
The authority of that king, which Wentworth now worked vigorously to uphold during the crown’s Parliament-free Personal Rule of the 1630s, also elevated Wentworth to higher honors.
He would have occasion to exercise his own “personal rule” as dictatorial viceroy in Ireland, and when push came to shove between King and Commons, advocated the most tyrannical measures to compel the compliance of obstinate Englishmen.
By 1640, Wentworth had become in the eyes of his enemies the very embodiment of the monarch’s every sin, and when Charles was obliged by his deteriorating situation to summon Parliament once more, its first order of business was the impeachment of this obnoxious retainer. When Wentworth skillfully repelled the charges and won acquittal on April 10, his parliamentarian opponents simply passed a bill of attainder condemning him to death anyway.
The only thing that stood in the way of the chop was the signature of that ruler whom Wentworth had served so loyally. As Charles dithered — for he had personally guaranteed Wentworth his safety upon his most recent summons to London — popular hatred for the Earl threatened to escalate the crisis into something much more dangerous for the throne.
In one last gesture of fealty, Wentworth dashed off a note to his sovereign, magnanimously releasing him from any obligation save political calculation.
Sire, out of much sadness, I am come to a resolution of that which I take to be the best becoming me; and that is, to look upon the prosperity of your sacred person and the commonwealth as infinitely to be preferred before any man’s private interest. And therefore, in few words, as I have placed myself wholly upon the honour and justice of my peers, I do most humbly beseech you, for the preventing of such mischiefs as may happen by your refusal to pass this bill, by this means to remove this unfortunate thing forth of the way towards that blessed agreement, which God, I trust, shall for ever establish betwixt you and your subjects. Sire, my consent herein shall acquit you more to God than all the world can do beside. To a willing man there is no injury done; and as, by God’s grace, I forgive all the world with a calmness and meekness of infinite contentment to my disloding soul, so, Sire, I can give the life of this world with all cheerfulness imaginable, in the just acknowledgment of your exceeding favours; and only beg that, in your goodness, you would vouchsafe to cast your gracious regard upon my poor son and his three sisters, less or more, and no otherwise, than their unfortunate father shall appear more or less guilty of this death. (Quoted here)
This letter’s place in the annals of sacrificial loyalty is compromised only slightly by its author’s dismay upon finding out that his feckless majesty had quickly taken up the offer:* Wentworth rolled his eyes heavenward and exclaimed
Put not your trust in princes, in a son of man, in whom there is no salvation.**
But the miscalculation was done.
Two days after Charles signed off, Wentworth was beheaded on Tower Hill to the rapture of an audience supposed to have numbered 200,000 strong.
Strafford Led to Execution, by Paul Delaroche, with Thomas Wentworth, Earl of Stafford, receiving the blessing of his ally, the imprisoned Archbishop William Laud.
1642 pamphlet illustration of the beheading, from here.
As things went from bad to worse for Charles in the years ahead, he would have many occasions to regret the sacrifice of so loyal and energetic a minister … and to lament, upon hearing his own death sentence, that he was suffering divine judgment for this date’s act of expedient faithlessness.
A few books about Thomas Wentworth
* In acceding to the sentence, Charles proposed giving Strafford the best part of a week to prepare himself. Parliament ignored that request and set the execution for the very next day.
In 1626, Henri de Talleyrand-Périgord, Comte de Chalais, head of wardrobe to King Louis XIII, was one member of that house whose neck was shortened for an offense against the king’s court.
Henri — as he shall be herein known, so as not to confuse him with his many relatives — was the youngest of three children. Born in 1599, he served in the military at the unsuccessful Siege of Montauban in 1621 and 1622. (The defeat (temporarily) preserved Huguenot rights in France.)
In 1623, Henri returned from war and married Charlotte de Castille (not to be confused with the modern porn star!). It was not long after that rumors of Castille’s impropriety started making the rounds, as immortalized in Tallemant de Réaux‘s verse, whose rough translation is as follows:
On seeing the slit
Of the Countess of Alais
Who likes the strong ballet,
And says hers is more charming
Than the Chalais’.
And that, not so roughly translated, is why Pontgibault received a visit from an irate Henri.
Henri is alleged to have challenged a duel, where he cock-blocked his cuckold — permanently. The European ideals of chivalry yet persisted, so there was some question whether this affair constituted murder, and the trial was the talk of France through the winter of 1623.
Madame de Chevreuse, former lover of Henry Rich (later Earl of Holland), had a string of lovers, and it’s questionable whether Henri was among them. Whether he was or not, she ignited in him a passion that would lead to his execution.
The impetus for this execution was ostensibly a plot to save Gaston d’Orléans, who, by decree of Louis XIII, was to marry Marie de Bourbon, duchesse de Montpensier. The union would bring significant wealth into the family of Louis XIII.
Backed by his First Minister Cardinal Richelieu, the king was insistent. For several years, Richelieu had also been reducing the power of the nobility and consolidating central authority around the king, which was not the way Madame de Chevreuse envisioned the world.
Instead, she sought to install Gaston d’Orléans on the throne, thus advancing her agenda to restore power to the nobility. The forced marriage became a convenient excuse to enact her plan against Richelieu. And her charming way with men made it easy to find participants.
Madame de Chevreuse and d’Ornano were at the heart of the conspiracy, but their reach extended as far as England and Spain. She was also supported by Anne of Austria, who is thought to have played a critical role in organizing the conspirators. At the very least, the collective hope was to make Monseiur abandon Louis XIII’s court and seek an alliance with the Hugenots, who would be sympathetic to a cause against the Catholic Church.
At some point, Richelieu caught wind of d’Ornano’s involvement in a conspiracy against the throne; not knowing the extent of the effort, he had d’Ornano detained. Lest their plot be found out, the conspirators encouraged Gaston to initiate a war; this was particularly true of Comte de Soissons, who posted a reward should Monseiur take up arms against his brother.
Gaston hesitated, and a new plan was enacted.
Instead, some of the conspirators would take audience with Richelieu and either detain or kill him, depending on the story. Needless to say, the plan failed, and the conspirators were found out. Chalais tried to lay low while the plot against the king and his minister unfolded, but he did not sufficiently distance himself from Madame de Chevreuse: Gaston was exposed and named names, and Chalais, not well-connected enough to fight the charges against him, was captured at Nantz on July 8.
Henri de Talleyrand-Périgord, Comte de Chalais, was sentenced to death by beheading for lèse-majesté, and on August 19, 1626, he mounted the scaffold at Place de Bouffay in Nantz. In a last, cruel twist, the conspiracy had bought off the town executioner in hopes that, lacking a practitioner of the macabre art, Chalais might be spared. But a replacement had been hastily found: a man himself condemned to death:
The [replacement] was so unskillful that, besides two blows from a Swiss sword, which had been purchased on the spot, he gave him thirty-four with an adze such as carpenters use; and was obliged to turn the body round to finish the severing of the neck, the patient exclaiming up to the twentieth blow: ‘Jesus, Maria et Regina Cali!’
No other conspirators were put to the sword, and Gaston and his brother eventually made up. Richelieu, meanwhile, gained more power and transitioned France from a feudal state to an absolute monarchy under Louis XIII and his successor, Louis XIV. His dealings form the backdrop of The Three Musketeers.
As for Madame de Chevreuse — who also figures in The Three Musketeers, scheming behind the scenes against Richelieu and crushed on by Aramis — she fled to Château d’Dampierre, then was exiled to England, where she fell in with the Duke of Lorraine (and became his mistress); she attempted to organize several more coups against the Red Eminence, but each fell short of the mark.
Madame de Chevreuse eventually ended up in Spain, then moved back to England, then shipped out to Flanders, where she connected once again with the Comte de Soissons and attempted to usurp the throne before it could be passed to Louis XIV. When Richelieu finally passed, she sought to oust his replacement, this time relying on César de Bourbon, duc de Vendôme, who was also involved in the Chalais conspiracy. After this failure, Madame de Chevreuse retired to Gagny.
Elizabeth Stone writes of Madame de Chevreuse in Political Women, “It was not she evidently who made of Buckingham a species of paladin without genius; a brilliant adventurer of Charles IV of Lorraine; of Chalais a hair-brained blunderer, rash enough to commit himself in a conspiracy against Richelieu, on the faith of the faithless Duke d’Orleans; of Châteauneaf, an ambitious statesman, impatient of holding second rank in the Government, without being capable of taking the first.”
Be that as it may, she is a compelling historical figure, and the Chalais conspiracy formed the basis for the operatic tragedy Maria di Rohan.