1842: Philip Spencer, Samuel Cromwell and Elisha Small, on the ship yardarm

Add comment December 1st, 2008 Headsman

On this date in 1842, three American sailors were hanged at sea for attempted mutiny.

To meet the circumstances of the only Americans put to death for mutiny, we travel a long way back to a time long before the U.S. Navy was (or could claim to be) this:

Here in the antebellum Atlantic, bereft for weeks of any outside communication, every ship is a world — and sometimes a law — unto itself.

Philip Spencer. From the Chi Psi Fraternity, which Spencer co-founded and which maintains a Philip Spencer Memorial Trust.

Aboard the USS Somers, the law was a disciplinarian captain named Alexander Slidell Mackenzie, who received report that ne’er-do-well brat Philip Spencer — whose dad just happened to be John Tyler’s Secretary of War — was talking mutiny with enlisted sailors chafing under Mackenzie’s liberal use of the flog.

Spencer was a midshipman; the cadets largely untested youth whose purpose in going to sea was to get their feet wet.

Rashomon-like, the viewer can draw dramatically different conclusions from the actions thereupon ensuing. Underneath it all is this: aboard a ship that had no recourse to outside aid or communication, that was its inhabitants’ sole lifeline athwart a vast ocean, and that was held by its officers against the overwhelming numerical superiority of its crew, every misapprehension became magnified and every decision became one of life or death.

The bare facts are that Mackenzie became convinced that the intention was real, and as he held first Spencer, and then two supposed conspirators, Samuel Crowell and Elisha Small, in chains on the deck, his fears hourly grew that the plot was metastasizing and might strike with effect at any moment.

No semblance of due process attended this determination; Mackenzie got the officers he did have to vouchsafe their opinion of the situation in writing:

the evidence which has come to our knowledge is of such a nature, that, after as dispassionate and deliberate a consideration of the case as the exigency of the time would admit, we have come to a cool, decided, and unanimous opinion, that they have been guilty of a full and determined intention to commit a mutiny on board of this vessel of a most atrocious nature, and … we are convinced that it would be impossible to carry them to the United States, and that the safety of the public property, the lives of ourselves, and of those committed to our charge, requires that … they should be put to death.

Spencer, Cromwell and Small were hanged with ten minutes’ notice from the yardarm of the ship, Spencer protesting that the others were innocent.


The USS Somers … with its supposed mutineers hanged from the yardarm, just under the American flag. This and other images of the Somers can be found at a Department of the Navy page.

As one might imagine, there was a bit of an uproar when the vessel finally made port stateside. Oddly (or maybe not so odd) Mackenzie was initially the toast of the town for putting down a mutiny, before that Secretary of War guy and others started picking apart the case.

Though Mackenzie won acquittal at a court martial* — a verdict that could not possibly not have been colored by the competing pressures of Spencer’s influential (and enraged) father on the one hand, and the navy’s institutional need for a whitewash on the other — the cloud of the USS Somers would hover over him for the rest of his life.

And no wonder.

The ominous suggestions of treachery that Mackenzie perceived all around him looked to some others like phantoms; having taken the conviction into his head that a mutiny was afoot, he perceived it everywhere — a doodle of a pirate ship! stealthy glances! men standing about talking! — and panicked. One politician of the day even wrote years later that he believed “the éclat which would follow the hanging of a son of the Secretary of War as a pirate” influenced the captain towards hanging, the opposite of one what might assume.

And even if Spencer really were guilty, Mackenzie had less good cause for suspicion about Small, and practically nothing but his gut on Cromwell. Other sailors Mackenzie considered certainly culpable were returned to dry land, held in chains, and eventually released uncharged because the evidence was so paltry. These three were hanged in part because Mackenzie thought he would have more prisoners than he could control on his small ship.

It’s a debatable premise, and among the point author James Fenimore Cooper later assailed in Mackenzie’s defense.

That these are complaints issued after the fact and from the safety of land does not invalidate them. Mackenzie had command of the ship, and with power to order boys hanged from the yardarm came as much responsibility for steady judgment as for a firm hand. At the same time, others look at the same set of facts and approve Mackenzie’s actions.

Mackenzie may have been a Queeg-like commander, temperamentally ill-suited to his charge of blooding young cadets. And Spencer may have been a dangerously irresponsible character with no business aboard a ship at all. Neither man’s character flaws, however, resolve the inquiry however much they may have contributed to the tragedy.

The Somers incident was the spur towards important reforms in the navy. Three years later, the U.S. Naval Academy opened at Annapolis, Md., institutionalizing cadet instruction away from the haphazard stick-a-boy-on-a-boat routine that was understood to have set the scene for this day’s hangings.

George Bancroft was the father of the professional school at Annapolis, but Alexander Slidell Mackenzie, in association with Philip Spencer, were among the academy’s remoter forebears. (The Captain Called It Mutiny, by Frederic Franklyn Van de Water)

In 1850, flogging was abolished — another issue that permeated the Somers case.**

And Spencer et al may have left a literary legacy as well: this event is often cited as a likely inspiration for Herman Melville’s Billy Budd, through Melville’s cousin Guert Gansevoort, a lieutenant on the Somers and one of the signatories of the officers’ opinion that the prisoners ought to hang.†

Of less literary pretention but more suitable for sending-off as we return young Masters Spencer, Cromwell and Small to the deep: this weirdly wonderful anime mashup to the shanty “Curse of the Somers” falls in the category of “you can find anything on YouTube.”

* The court of inquiry which preceded the court martial produced a report that can be read here.

** Ironically, the USS Somers was returning from a trip to the African coast to deliver dispatches to the USS Vandalia, which in 1838 had become a pioneering vessel in the reduction of corporal punishment under the command of Uriah Levy.

Aptly, the Somers never caught up with the Vandalia to deliver those dispatches.

† Gansevoort retired an admiral; a World War II destroyer was named for him.

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1849: Frederick and Marie Manning, a Dickensian scene

Add comment November 13th, 2008 Headsman

On this date in 1849, husband-and-wife murderers Frederick and Marie Manning (or Maria Manning) were publicly hanged together outside Horsemonger Lane Gaol in London.

An image of Marie Manning (nee Marie de Roux) from the Victorian popular press — from this romantic biography of Tolstoyan length available free from Google books.

The felonious pair — she a Swiss-born domestic; he a shifty laborer with a penchant for the inside job — lured to dinner in their Bermondsey home a wealthy friend who had designs on the redheaded knockout, then murdered him for his loot and stuffed the limed body under the floorboards. They were apprehended separately on the lam.

As is typical when a heartthrob femme fatale stands in the dock, a sensational trial of the “here today, gone tomorrow” variety ensued. The crime, nicknamed “the Bermondsey Horror” (here (pdf) is a book chapter-scale recounting), had each accusing the other, with the outcome usual for this site.

A massive, jeering throng turned out to see the two off (Mrs. Manning’s choice of black satin for the occasion is said to have caused the look to go out of fashion).

Among that crowd was Charles Dickens,* who took a break from working on David Copperfield to write The Times a letter published Nov. 14 demanding that executions be removed within prison walls on account of the unedifying conduct of the spectators.

Sir — I was a witness of the execution at Horsemonger-lane this morning. I went there with the intention of observing the crowd gathered to behold it, and I had excellent opportunities of doing so, at intervals all through the night, and continuously from daybreak until after the spectacle was over.

I believe that a sight so inconceivably awful as the wickedness and levity of the immense crowd collected at that execution this morning could be imagined by no man, and could be presented in no heathen land under the sun. The horrors of the gibbet and of the crime which brought the wretched murderers to it, faded in my mind before the atrocious bearing, looks and language, of the assembled spectators. When I came upon the scene at midnight, the shrillness of the cries and howls that were raised from time to time, denoting that they came rom a coucourse of boys and girls already assembled in the best places, made my blood run cold. As the night went on, screeching, and laughing, and yelling in strong chorus of parodies on Negro melodies, with substitutions of “Mrs. Manning” for “Susannah,” and the like, were added to these. When the day dawned, thieves, low prostitutes, ruffians and vagabonds of every kind, flocked on to the ground, with every variety of offensive and foul behaviour. Fightings, faintings, whistlings, imitations of Punch, brutal jokes, tumultuous demonstrations of indecent delight when swooning women were dragged out of the crowd by the police with their dresses disordered, gave a new zest to the general entertainment. When the sun rose brightly — as it did — it gilded thousands upon thousands of upturned faces, so inexpressibly odious in their brutal mirth or callousness, that a man had cause to feel ashamed of the shape he wore, and to shrink from himself, as fashioned in the image of the Devil. When the two miserable creatures who attracted all this ghastly sight about them were turned quivering into the air, there was no more emotion, no more pity, no more thought that two immortal souls had gone to judgment, no more restraint in any of the previous obscenities, than if the name of Christ had never been heard in this world, and there were no belief among men but that they perished like the beasts.

… I am solemnly convinced that nothing that ingenuity could devise to be done in this city, in the same compass of time, could work such ruin as one public execution, and I stand astounded and appalled by the wickedness it exhibits. I do not believe that any community can prosper where such a scene of horror and demoralization as was enacted this morning outside Horsemonger-lane Gaol is presented at the very doors of good citizens, and is passed by, unknown or forgotten.

Dickens would base a French maid named Mademoiselle Hortense in his next novel, Bleak House on Marie Manning.

This question of public as opposed to private hangings was a lively debate at the time, and Dickens’s view was hardly uncontested. A letter in response from one F.B. Head of Oxenton countered thus:

The merciful object of every punishment which the law inflicts is not so much to revenge the past crime as to prevent its recurrence. Now, Mrs. Manning’s last moments clearly explain, or rather indisputably prove, the benefit which society practically derives from a public execution. … as for a few fleeting moments she stood, with bandaged eyes, beneath the gibbet, how unanswerably did the picture mutely expound the terror which the wicked very naturally have of being publicly hanged before the scum and refuse of society! “The whistlings — the imitations of Punch — the brutal jokes and indecent delight of the thieves, low prostitutes, ruffians and vagabonds,” so graphically described by Mr. Charles Dickens were — by her own showing — not only the most fearful portion of her sentence but, under Providence, these coarse ingredients may possibly have effected that momentary repentance which the mild but fervent exhortations of the chaplain had failed to produce.

But, besides the impolicy of divesting the death by law of a murderer of the most effective portion of its terrors, there are, Sir, I submit, higher and infinitely more important reasons, which make it our bounden duty to require that every criminal who suffers death should be executed in public.

So long as it shall be deemed advisable by us, by laws divine as well as human, to deprive the murderer of his life, the whole process of his trial, ending in an act of such awful responsiblity, ought to be performed in open day, in order that the community may at all events clearly see what it is they are doing — what it is they have done. The purple hands of the wretched sufferer sufficiently explain what the white nightcap hypocritically conceals, namely, the dreadful act that has been performed; and, although thieves and prostitutes may ridicule the convulsions they witness, there will, it is to be hoped, in a free country and with a free press, always be found among an English crowd some one fellow-creature possessing the kindly feelings of Mr. Charles Dickens, who, should he see sufficient reasons for doing so, will not only call upon the country most seriously to consider whether the punishment he delineates has not exceeded the offence, but, as an honest witness, will condemn and expose any unnecessary harshness or cruelty that may have accompanied it.”

Public executions would continue in England until 1868.

* Not the only literary big wheel in the crowd: Herman Melville also checked it out. No indication they bumped into each other.

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