1561: Sehzade Beyazit, inevitably

1 comment September 25th, 2012 Headsman

On this date in 1561, the Persian Shah abandoned Ottoman prince Sehzade Beyazit to the vengeance of his “magnificent” father.

A late and sad casualty of Istanbul’s pivotal family tragedy, Beyazit was actually a son of Suleiman the Magnificent‘s favorite wife, the freed Ukrainian slave Hurrem Sultan or Roxelana.

Unfortunately, he wasn’t the first son.

After Roxelana engineered the execution of heir apparent Mustafa on spurious grounds, Beyazit and his brother Selim were the last princes standing.

The natural rivalry between the two for eventual power was surely colored by the clear portent Mustafa’s execution had sent that the succession game was rigged for Selim. After several years of growing estrangement, Beyazit finally revolted outright only to be defeated in battle by Selim in 1559.

The loser found refuge in Persia, but only long enough for the Safavids to negotiate the price of his surrender to the hands of Suleiman … whose executioner went on the road to the Persian city of Qazvin to strangle not only Sehzade Beyazit but his four sons, too.

Extirpating the treasonable branch of the family tree cleared the succession for Selim, whose eight-year turn in power would be remembered as moment the hitherto-all-vanquishing Ottomans began their long, slow slide to Sick Man of Europe status. Particularly given that coda, Suleiman’s own

long reign is flawed by tragedy more subtle than the hubris which had overcome his ancestor Bayezit the Thunderbolt; more consequential than the gilded misery reserved for later sultans. The higher men rose in the empire, the closer they got to the bowstring; and the reign of Suleyman seems in retrospect coiled round with a silken garotte …

When the Austrian ambassador took leave of Suleyman in his old age, it was scarcely a living being he described, but a sort of metaphor of empire, rotting and majestic, fat, made up, and suffering from an ulcerous leg.

There’s more about this misfortunate lesser son in Turkish here, and a Turkish poem he wrote beseeching his father’s forgiveness here.

On this day..

Entry Filed under: 16th Century,Capital Punishment,Cycle of Violence,Death Penalty,Execution,History,Iran,Ottoman Empire,Persia,Power,Royalty,Strangled,Turkey

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1553: Prince Mustafa, heir to Suleiman the Magnificent

19 comments October 6th, 2010 Headsman

On this date in 1553, the capable heir apparent to Ottoman Emperor Suleiman the Magnificent was strangled at dad’s order — casualty of the the realm’s lethal harem politics.

If ’tis state thou seekest like the world-adorning sun’s array,
Lowly e’en as water rub thy face in earth’s dust every day.
Fair to see, but short enduring is this picture bright, the world;
‘Tis a proverb: Fleeting like the realm of dreams is earth’s display.
Through the needle of its eyelash never hath the heart’s thread past;
Like unto the Lord Messiah bide I half-road on the way.
Athlete of the Universe through self-reliance grows the Heart,
With the ball, the Sphere—Time, Fortune—like an apple doth it play.
Mukhlisi, thy frame was formed from but one drop, yet, wonder great!
When thou verses sing’st, thy spirit like the ocean swells, they say.

-Prince Mustafa, about himself

Suleiman’s first-born son by his first concubine, Mustafa seemed well-positioned to emerge in the Ottomans’ fratricidal succession.

The racket: when the current sultan dies, all his sons by his various concubines make a rush from their provincial outposts for the capital and fight it out, the winner killing off his half-brothers to consolidate his rule.

This disorderly ascension made, while dad still lived, for fraught internal politicking among the sons for the inside track: the most prestigious positions, and the assignments closest to Istanbul. The various mothers of the contenders jockeyed just as aggressively on behalf of their various entrants in the imperial sweepstakes.

Mustafa was the capable eldest son in a kingdom at its very acme,* but to his misfortune, and the empire’s too, he found himself pitted against one of the ablest women ever to call the Ottoman harem home: Hürrem Sultan, also known as Roxelana (or Roxolana).

A Ukrainian woman kidnapped to the harem by Tartar slavers, Roxelana enchanted Suleiman and soon became his favorite. Therefore, Roxelana also became the rival, with her son and her own potential heir, to Mustafa and his mother.

As the story is told, Roxelana at length contrived to convince Suleiman that Mustafa was in cahoots with the rival Safavid Empire to supplant Suleiman on the throne; Suleiman had his firstborn summoned to his tent on campaign in Anatolia, and straightaway put to death. He’s supposed to have sat by the body in grief for days afterwards, and barely averted a revolt by his elite Janissaries, who much favored the talented Mustafa.

“This terrible tragedy exercised an effect on Ottoman affairs resembling that which the Massacre of St. Bartholomew had on the history of France,” according to The Cambridge Modern History (vol. 3). Roxelana’s unimpressive son “Prince Selim, in whose favour the crime was committed, was the first of a series of degenerate Sultans, sunk in pleasure-seeking or stricken with Imperial mania, under whose sway the Empire went to ruin.”

Consequently, Mustafa is still mourned in Turkey as a tragic turning-point; visitors pay homage to his tomb at Bursa.

Westerners had word of this fascinating palace intrigue through diplomatic correspondents who were not privy to the actual harem, and adopted the story themselves while imaginatively filling in the orientalizing details. Inevitably these imaginings have helped shape the story as it comes to us.

The scenario blending the familiar and the exotic — a European in the court of the Turk; a slave woman dominating the conqueror; fratricidal princes and the alluring seraglio — all set in the heart of the feared Muslim state proved irresistible to literary interlocutors. These made of Suleiman, Mustafa (Mustapha), and Roxelana moral fables, theater (endorsed by Samuel Pepys!), symphony

… and opera (many librettos, this by Hasse):

Not to mention, of course, more titillating fare.

* The PBS documentary Islam, The Empire of Faith does engrossing coverage of Suleiman (including his relationship with Roxelana and the execution of Mustafa) in these video segments: 3, 4, 5.

On this day..

Entry Filed under: 16th Century,Artists,Arts and Literature,Borderline "Executions",Capital Punishment,Death Penalty,Execution,Famous,History,No Formal Charge,Ottoman Empire,Political Expedience,Power,Royalty,Strangled,Summary Executions,Turkey,Wrongful Executions

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