1661: Thomas Venner and the Fifth Monarchy Men

2 comments January 19th, 2010 Headsman

On this date in 1661, the restored English monarchy made an end to the interregnum’s religious crazies.

A few other images of Thomas Venner are available here.

“It is difficult in these days to follow with patience, or even with complete seriousness, all the ramifications of Fifth Monarchy speculation,” writes historian Louise Fargo Brown, whose gratis tome The Political Activities of the Baptists and Fifth Monarchy Men in England proceeds to do just that.

This blog wants for both patience and seriousness, so we’ll sum up that Venner et al were the holy rollers of the day, the true whack-jobs in the millenarian hustle of Cromwellian England.

Venner himself was born in New England, and there’s a zippy bio of him in The New England Historical and Genealogical Register. The North American colonies and Parliamentarian Britain helped to incubate political/religious heterodoxy for one another, and Venner was not the only budding religious zealot in the distant marches to emigrate to London after Charles I lost his head.

There the cooper became an outspoken apostle of the Fifth Monarchists, a part of Cromwell’s coalition made for disappointment with the mundane machinations of statecraft. Relieved in time of any a share in General Ironsides’ burden of helming the state in choppy waters, the men of the Fifth Monarchy were at liberty, to retire with their slide rules and philosopher’s stones to calculate the (imminent) date of the apocalypse foretold by Daniel and pursue the maxim not yet born that, starting with a mistake, a remorseless logician can end up in Bedlam.

All well and good to mock from posterity, and from a country where Left Behind is a bestseller no less. To be fair to the Monarchy Men, one could as well say that the egalitarian political language of these “arrant Radicals and levellers” just happened to be scriptural.* They would hardly be the last to foretell a golden age made ready by the slaying of a king, not by a long shot.

At any rate, our Bostonian tradesman became such an outspoken prophet of the return of “King Jesus” that Cromwell was obliged to clap him in irons.

Venner didn’t take the hint well, nor other more salutary warnings, and Venner instigated a riot of his few dozen followers at the start of January 1661 that took London unawares and did some damage before it was put down.

Diarist Samuel Pepys records of the riots that

[a] thing that never was heard of, that so few men should dare and do so much mischief. Their word was, “The King Jesus, and the heads upon the gates.” Few of them would receive any quarter, but such as were taken by force and kept alive; expecting Jesus to come here and reign in the world presently, and will not believe yet but their work will be carried on though they do die.

Thomas Venner and his compatriot Roger Hodgkins died that traitor’s death this day, along with William Oxman and Giles Pritchard, the latter two having their sentences commuted to simple hanging and posthumous beheading. The remaining survivors of his band climbed the scaffold two days later.

* e.g., “Then shall the Oppressor cease and no more complaining be heard in the streets. Taxes should be no more. And Trade and industry should abound. … The poor should have bread, and the Army no more in Arrears. Prison doors should be open and Debtors satisfied without Arrests … then peace and safety, plenty and prosperity, should overflow the land.” (Cited by Brown)

Part of the Themed Set: Resistance and Rebellion in the Restoration.

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Entry Filed under: 17th Century, Capital Punishment, Death Penalty, Drawn and Quartered, England, Execution, God, Gruesome Methods, Hanged, History, Mass Executions, Power, Public Executions, Religious Figures, Revolutionaries, Treason

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1870: Jean-Baptiste Troppmann, mass murderer

3 comments January 19th, 2009 Headsman

Outside Paris’s La Roquette prison this morning in 1870, mass murderer Jean-Baptiste Troppmann was guillotined for the sensational butchery of a family of eight.

Katherine Taylor’s In the Theater of Criminal Justice conceptualizes Troppmann’s crime and trial as a test case for the evolving public performance of justice.

The Alsatian-born Troppmann, or Traupmann (French Wikipedia page | German) was apprehended trying to catch a ship for America shortly after a murdered woman and her five murdered children were discovered on the Plaine de Pantin on the outskirts of Paris.

The horrific state of the bodies (caution: link displays grisly post-mortem photos) produced a public sensation with the curious phenomenon of mass citizen pilgrimmages to the “field of cadavers” such that the Parisian police chief would later remember that “[i]t was necessary to close the entrance gate of the train station on the crowd that could no longer go in or out, that screamed from every direction in explosions of terror and rage: ‘Yet another victim of Pantin!’”

Troppmann had last been seen accompanying family father Jean Kinck on a business trip from which the latter was destined never to return … and it soon came to light that Jean Kinck had been the first of Troppmann’s victims, followed by the eldest son, interspersed with letters written to Kinck’s unwitting widow requesting bank transfers in the name of his deceased business partner.

As a judicial matter, this case was open and shut; Troppmann was convicted three months after his arrest, and went under the blade three weeks after that.

But the immense public fascination he generated would be a milestone in the development of the French tabloid press, which did brisk business* stoking the lucrative hysteria.

Small wonder such a staggering throng assembled for the dawn beheading — assembled even from the previous evening, to catch a glimpse of the grim apparatus being assembled for the next day’s play.

Among the multitude were various intellectual worthies, including the liberal Russian author Ivan Turgenev. His subsequent “Kazn’ Tropmana” (”The Execution of Troppmann” — the link is in Russian; I haven’t found a full English version), which includes meeting the remorseless prisoner and witnessing his pre-execution “toilette,” reflects the writer’s discomfiture with Madame Guillotine. Too appalled to watch the beheading, he turns away and narrates its sound.

a light knocking of wood on wood — that was the sound made by the top part of the yoke with the slit for the passage of the knife as it fell round the murderer’s head and kept it immobile … Then something suddenly descended with a hollow growl and stopped with an abrupt thud … Just as though a huge animal had retched … I felt dizzy. Everything swam before my eyes. … None of us, absolutely none looked like a person who realized that he had been present at the implementation of an act of social justice; each one tried mentally to turn aside and, as it were, throw off any responsibility for this murder

“I will not forget that horrible night,” Turgenev later wrote to a friend (pdf link), “in the course of which ‘I have supp’d full of horrors’ and acquired a definite loathing for capital punishment in general, and in particular for the way it is carried out in France.”

Most others present are presumed to have experienced the opposite sensation, as made plain in this more democratic English-language account freely available from Google books. Nevertheless, Troppmann enjoyed a literary afterlife with a poetic name-check in Maurice Rollinat’s Les Nevroses (French link; “Soliloque de Troppmann” is about 75% of the way down the page); and as noted in Richard Burton’s Blood in the City, death-obsessed Georges Bataille used the infamous surname for both a pen name and the name of a main character in two separate works more than half a century later. (Update: Victor Hugo got in on the act, too. See the comments.)

Although Troppmann’s name appears on some lists of serial killers, his eight homicides do not fit the term’s usual definition of a compulsive pattern of murders spread over time. Troppmann’s blood offerings were meant for no other idol but Mammon.

* According to Thomas Cragin’s Murder in Parisian Streets: Manufacturing Crime and Justice in the Popular Press, 1830-1900, the circulation of everyman broadsheet Le Petit Journal surged by 50% overnight after the discovery of Troppmann’s victims — “But just as cases such as this one could boost sales, their absence temporarily reduced circulation … [and] its publishers tried to ensure a steady supply [of murder stories].”

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Entry Filed under: 19th Century, Beheaded, Capital Punishment, Common Criminals, Crime, Death Penalty, Execution, France, Guillotine, Mature Content, Murder, Pelf, Public Executions, Theft

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