On this date in 2001, an infamous crime lord and 13 members of his gang were put to death in two Hunan Province cities.
Suave serial bank robber Zhang Jun had a reported 28 deaths on his conscience, including such underworld classics as forcing a lover to execute someone in order to prove her loyalty, in a years-long spree of robbery and mayhem. He was a major catch early in China’s execution-rich “strike hard” crime crackdown.
Despite-slash-because of the body trail, the cool Zhang — who appeared in court dressed modishly and flaunting such indifference to death that he disdained to defend himself — attracted a strain of fandom for his “gangland chic”.
He’s kind of like the gangsters in the movies, really likable.
The authorities, and his many victims, liked him less.
A still shot from the broadcast of Zhang Jun’s trial.
Zhang Jun’s trial was notable for its ripples in other media as well. The Committee to Protect Journalists reported that several writers and editors were demoted or fired after publishing a story in Nanfang Zhoumo (Southern Weekend) exploring the gang’s roots in poverty and inequality … a take deemed inimical to the dialectical historical march of the Peoples’ Republic. (See here for some of the more approved commentary angles.)
Around noon of February 1, 1968, in the opening days of the communist Tet Offensive, South Vietnamese General Nguyen Ngoc Loan summarily executed a Viet Cong prisoner on the streets of Saigon — and photographer Eddie Adams captured perhaps the war’s most unforgettable image.
An American cameraman also captured it in on celluloid. Caution: The last few seconds of this clip show … well, a man being shot in the head at point-blank range.
The general killed the Viet Cong; I killed the general with my camera … photographs do lie, even without manipulation.
For Adams, the lie was the omission of context — that the plainclothes Lem had allegedly just been caught having murdered not only South Vietnamese police but their civilian family members; that Loan was a good officer and not a cold-blooded killer.
Adams’ editor has said that many such summary executions were taking place during the Battle of Saigon — a broader context to the image no matter its specific fairness to the executioner.
But of course, the shot gained its deeper resonance from the growing disgust with the Vietnam War … and from its concise tableau of a century’s brutality. Here is a frozen image of Orwell’s boot stamping on a human face, forever.
Like any great work of art, Adams’ serendipitous photograph took on a life of its own … and a tapestry of meanings richer than its creator could ever have intended.
You read it here first:
Recently Commented