(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)
On this date in 2008, serial killer Tsutomu Miyazaki was hanged in Japan, alongside two men convicted of unrelated crimes. Sometimes called the “Nerd Cult Killer” for his fascination with anime and manga, Miyazaki had kidnapped, murdered and mutilated four young girls in the course of less than a year, between August 1988 and June 1989.
Like many serial killers, Miyazaki had a bad start in life. He was born premature, weighing in at only four pounds, and both his hands were badly deformed. His fingers were gnarled and his wrists fused, making it impossible for him to bend them upwards. The defect meant he was bullied in school, and at home, his entire family seemed to detest him. (Meanwhile, his father was sexually abusing his sister.)
Miyazaki was bright, and initially did well in school, even becoming the first student at his junior high school to pass the entrance exam to the exclusive Meidai Nakano High School. But in high school his grades got worse and he didn’t land a place in university. Instead he went to a tech school and learned to be a photography technician.
By his early twenties he had become obsessed with child pornography. Things got even worse when his grandfather, the only person he was close to, died in May 1988; Miyazaki killed his first victim a few months later.
Four-year-old Mari Konno walked out of her home in Saitana, Japan on August 22, 1988 and vanished. Robert Keller describes the ensuing search in detail in his book Asian Monsters: 28 Terrifying Serial Killers from Asia and the Far East:*
The little girl’s disappearance caused massive public distress in Saitana, an area unused to violent crime. Police cars with loudspeakers patrolled the streets warning parents not to allow their children out of their sight. Meanwhile the police spent nearly 3,000 man-days interviewing people who lived near Mari’s home. They distributed 50,000 missing person posters and brought in tracking dogs in hope of picking up a scent. Nothing.
A couple of people did report seeing Mari in the company of an adult man and the descriptions they gave, 5-foot-six with a pudgy face and wavy hair, were accurate, but the information lead nowhere. When the police received a genuine clue — a postcard sent to Mari’s mother with the cryptic message “There are devils about” — they dismissed it as a hoax.
Six weeks later, with Mari still missing, Miyazaki abducted seven-year-old Masami Yoshizawa, took her into the hills near Komine Pass, strangled her and sexually violated her corpse, leaving it 100 yards from where he’d dumped Mari’s body earlier.
The police thought the two disappearances were probably related, but they had almost nothing to go on and little hope that the children were still alive.
Miyazaki struck again on December 12, luring four-year-old Erika Namba into his Nissan, taking her to a park and telling her to undress. He started taking photos of her naked body, but then panicked and strangled her. He was driving away, with Erika’s body in the trunk of his car, when the car got stuck. Miyazaki carried the body into the woods and hid it, and when he returned to his vehicle, two men had stopped to help. They were able to get his car back on the road.
When Erika’s body was found the next day, the two witnesses told police about the man and his car, but they said it was a Toyota Corolla, not a Nissan. The police dutifully investigated 6,000 Toyota Corolla owners.
In the months that followed, as Keller records:
[Miyazaki] began stalking his victims’ families, calling them at all hours and then saying nothing on the other end of the line. When the distraught parents stopped picking up the phone, Miyazaki would allow it to continue ringing for upward of twenty minutes. Eventually he grew tired of taunting the grieving families by telephone and resorted to more sickening measures.
A week after Erika Namba was murdered, her father got a postcard with a message formed from cut-out magazine letters: “Erika. Cold. Cough. Throat. Rest. Death.”
On February 6, 1989, Mari Konno’s father found a box on his doorstep containing 220 human bone fragments and ten baby teeth — later identified as Mari’s — and photos of his late daughter’s shorts, underpants and sandals. There was a note also, typed on copier paper: “Mari. Bones. Cremated. Investigate. Prove.”
When the Konno family returned home after Mari’s funeral, they found another communication from the killer: a letter, titled “Confession,” where he described in detail the physical changes in Mari’s body as it decomposed.
On June 6, 1989, Miyazaki abducted five-year-old Ayako Nomoto and strangled her, then photographed and videotaped her body in various poses over the next three days. When the smell became too offensive, he dismembered the body, putting the torso in a public toilet and the head and limbs in the woods. He kept Ayako’s hands, roasted them and ate them.
Ayako’s torso was quickly found, but again the homicide investigation went nowhere. Like a lot of serial killers, Miyazaki was caught by accident.
On July 23, Miyazaki accosted some schoolgirls, sisters, playing in a park. The older one ran to get their father, leaving Miyazaki alone with the younger one. When the girls’ father arrived, he found Miyazaki taking pornographic pictures of his daughter. He was arrested and charged with “forcing a minor to commit indecent acts,” but after 17 days in custody he broke down and confessed to the four murders.
At his trial, he tried for an insanity defense, talking nonsensically and blaming an alternate personality named “Rat Man” for the murders. One court-appointed psychiatrist thought he did have multiple personality disorder; another thought he was schizophrenic; a third said Miyazaki believed the murders were resurrect his dead grandfather, his only friend in the world.
Nevertheless, the verdict was guilty and the sentence, death. The Supreme Court of Japan upheld the death sentence in 2006; Chief Justice Tokiyasu Fujita said, “The crime was cold-blooded and cruel. The atrocious murder of four girls to satisfy his sexual desire leaves no room for leniency.”
To his final breath, Miyazaki never expressed remorse for his crimes.
* We cite the titles, not write the titles. -ed.