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On this date in 1833, Captain Henry Nicholas Nicholls was hanged in London for sodomy.

Sodomy — “buggery,” in the more evocative British phrase, often bowdlerized in court records as b-gg–y or the like — was a capital offense in England until 1861, when the penalty was reduced to “merely” life imprisonment.

The London Courier reported the event:

Captain Henry Nicholas Nicholls, who was one of the unnatural gang to which the late Captain Beauclerk belonged, (and which latter gentleman put an end to his existence), was convicted on the clearest evidence at Croydon, on Saturday last, of the capital offence of Sodomy; the prisoner was perfectly calm and unmoved throughout the trial, and even when sentence of death was passed upon him. In performing the duty of passing sentence of death upon the prisoner, Mr. Justice Park told him that it would be inconsistent with that duty if he held out the slightest hope that the law would not be allowed to take its severest course. At 9 o’clock in the morning the sentence was carried into effect. The culprit, who was fifty years of age, was a fine looking man, and had served in the Peninsular war. He was connected with a highly respectable family; but, since his apprehension not a single member of it visited him.

Even though once or twice a year someone would hang for it and the scandal would send family fleeing his name, Old Blighty still had a vigorous underground gay scene in the 19th century. While Lord Byron was enjoying the easier same-sex access of the Ottoman lands, a friend wrote to him, “that what you get for £5 we must risque our necks for; and are content to risque them.” (Cited here)

Quite accidentally, the senseless destruction this day of a respectable veteran helped set the put-upon gay underground upon its long march towards mainstream acceptance.

A first-person narrative written* in 1833 under the name of Lord Byron (who was in fact nine years dead, but whose queer identity clearly informs the work), Don Leon was a signal piece of literature: the first overt literary defense of homosexuality in English.**

It opens with a scene said to be inspired by Captain Nicholls:

Thou ermined judge, pull off that sable cap!
What! Cans’t thou lie, and take thy morning nap?
Peep thro’ the casement; see the gallows there:
Thy work hangs on it; could not mercy spare?
What had he done? Ask crippled Talleyrand,
Ask Beckford, Courtenay, all the motley band
Of priest and laymen, who have shared his guilt
(If guilt it be) then slumber if thou wilt;
What bonds had he of social safety broke?
Found’st thou the dagger hid beneath his cloak?
He stopped no lonely traveller on the road;
He burst no lock, he plundered no abode;
He never wrong’d the orphan of his own;
He stifled not the ravish’d maiden’s groan.
His secret haunts were hid from every soul,
Till thou did’st send thy myrmidons to prowl,
And watch the prickings of his morbid lust,
To wring his neck and call thy doings just.

The author — whose identity is still debated† — continues writing more or less autobiographically of Byron’s life, and using his illicit desires and lifestyle (with digressions into historical precedent) to defend homosexuality as ultimately natural and harmless.

The tree we plant will, when its boughs are grown,
Produce no other blossoms than its own;
And thus in man some inborn passions reign
Which, spite of careful pruning, sprout again.
Then, say, was I or nature in the wrong,
If, yet a boy, one inclination, strong
In wayward fancies, domineered my soul,
And bade complete defiance to control?

…

Though law cries “hold!” yet passion onward draws;
But nature gave us passions, man gave laws,
Whence spring these inclinations, rank and strong?
And harming no one, wherefore call them wrong?
What’s virtue’s touchstone? Unto others do,
As you would wish that others did to you.
Then tell me not of sex, if to one key
The chords, when struck, vibrate in harmony.
No virgin I deflower, nor, lurking, creep,
With steps adult’rous, on a husband’s sleep.
I plough no field in other men’s domain;
And where I delve no seed shall spring again.

…

Look, how infected with rank disease
Were those, who held St. Peter’s holy keys,
And pious men to whom the people bowed,
And kings, who churches to the saints endowed;
All these were Christians of the highest stamp-
How many scholars, wasting over their lamp,
How many jurists, versed in legal rules,
How many poets, honoured in the schools,
How many captains, famed for deeds of arms,
Have found their solace in a minion’s arms!
Nay, e’en our bard, Dame Nature’s darling child,
Felt the strange impulse, and his hours beguiled
In penning sonnets to a stripling’s praise,
Such as would damn a poet now-a-days.
To this conclusion we must come at last:
Wise men have lived in generations past,
Whose deeds and sayings history records,
To whom the palm of virtue she awards,
Who, tempted, ate of that forbidden tree,
Which prejudice denies to you and me.
Then be consistent; and, at once confess,
If man’s pursuit through life is happiness,
The great, the wise, the pious, and the good,
Have what they sought not rightly understood;
Or deem not else that aberration crime,
Which reigns in every caste and every clime.

…

To this conclusion we must come at last:
Wise men have lived in generations past,
Whose deeds and sayings history records,
To whom the palm of virtue she awards,
Who, tempted, ate of that forbidden tree,
Which prejudice denies to you and me.
Then be consistent, and, at once confess;
If man’s pursuit through life is happiness,
The great, the wise, the pious, and the good,
Have what they sought not rightly understood;
Or deem not else that aberration crime,
Which reigns in every caste and every clime.
…

Statesmen, in your exalted station know
Sins of omission for commission go;
Since ships as often founder on the main
From leaks unstopped as from the hurricane.
Shore up your house; it totters to the base;
A mouldering rot corrodes it; and the trace
Of every crime you punish I descry:
The least of all perhaps is sodomy.

…

I stand a monument, whereby to learn
That reason’s light can never strongly burn
Where blear-eyed prejudice erects her throne,
And has no scale for virtue but her own.

* Don Leon circulated initially in manuscript form, and was not published in England until years later — a known printing in 1866, and possibly another lost edition from before 1853.

** Here lagging well behind France, which had burned only a bare handful of homosexuals under monarchist anti-sodomy laws in the 18th century, and decriminalized homosexuality full stop in 1791. In Philosophy in the Boudoir the Marquis de Sade preened casually triumphant over the bad old days while Lord Byron was still a boy.

We wonder that savagery could ever reach the point where you condemn to death an unhappy person all of whose crime amounts to not sharing your tastes … Nature, who places such slight importance upon the essence that flows in our loins, can scarcely be vexed by our choice when we are pleased to vent it into this or that avenue.

† Candidates include parliamentarian William Bankes, who was arrested for sodomy in 1833 but acquitted later in the year; fellow MP John Cam Hobhouse; and playwright and Byron-idolizer George Coleman.

On this date in 1425, the Marquess of Ferrara had his wife and son beheaded for an incestuous affair, along with a courtier who had kept their secret.

The “incest” was social rather than sanguinary: the lovers were not related. Like many a Renaissance despot, Niccolò III d’Este produced a multitudinous assortment of illegitimate children and underaged dynastic wives. Small wonder, one might think, that the 14-year-old (at her marriage) Parisina Malatesta (the link is to her Italian Wikipedia page) should come to prefer the attentions of the Duke’s eldest bastard Ugo (one year her junior) to those of a spouse more than twenty years older.

Awww.

Still, the affair has its curious aspect, apart from the obvious. The Duke was on that timeless monarchical quest for legitimate male issue; Parisina Malatesta would bear him two surviving daughters and a son who died in infancy during her teenage years.

One can hardly fail to think of that more renowned decapitated queen of the next century Anne Boleyn. Like Anne, Parisina lost her head to an incest allegation after a few years’ failure to give her husband an heir.

The need for specifically legitimate succession, however, was somewhat less pressing in tightly run Ferrara than early Tudor England. As the oldest illegitimate son, Ugo himself had a chance to succeed by his father’s appointment — in fact, the second illegitimate son Leonello ultimately did just that. For this reason, Ugo and Parisina — the latter threatening to supplant the former with a legitimate child of her own — might have been natural rivals, and there is some hint of initial enmity between the two. One wonders if there might not have been a twist of obscured courtly skullduggery about this day’s bloody climax.

In any event, interlocutors have preferred the personal aspect, and little wonder. The Marquess played his part by being stricken with anguish and remorse for his ruthless treatment of a favored son, possibly aided by a general reaction of horror among most contemporaries.*

Retold in later years as scandal (though never with much sympathy for the marquess**) its Byronic potential as tragic love story was eventually seized by, well, Lord Byron. His “Parisina” gives us two true hearts in the flower of youth crushed by the cruel weight of their unjust world … although he found it more apt to conclude with only the boy losing his head while the wail of his lover signals a more ambiguous fate.

With all the consciousness that he
Had only passed a just decree;
That they had wrought their doom of ill;
Yet Azo’s† age was wretched still.
The tainted branches of the tree,
If lopped with care, a strength may give,
By which the rest shall bloom and live
All greenly fresh and wildly free:
But if the lightning, in its wrath,
The waving boughs with fury scathe,
The massy trunk the ruin feels,
And never more a leaf reveals.

Mascagni also adapted it for the opera in 1913 — a legendarily tiresome four-hour affair. One review’s famous recommendation (apt enough for the subject as well as the performance) was “Cut, cut, cut!”

* The Marquess was less troubled about his wife, and promulgated a decree imposing like punishment for any other wife guilty of such a crime. The sentence was actually carried out upon a magistrate’s wife.

** Gibbon tut-tutted the affair, simultaneously helping circulate it anew:

Under the reign of Nicholas III, Ferrara was polluted with a domestic tragedy. By the testimony of a maid, and his own observation, the Marquis of Este discovered the incestuous loves of his wife Parisina, and Hugo his bastard son, a beautiful and valiant youth. They were beheaded in the castle by the sentence of a father and husband, who published his shame, and survived their execution. He was unfortunate, if they were guilty: if they were innocent, he was still more unfortunate; nor is there any possible situation in which I can sincerely approve the last act of the justice of a parent.

† Niccolo is “Azo” in the poem, for metric convenience.