Alchemist, prophet, and dashing Italian rogue, the Jesuit-educated Giuseppe Francesco Borri (English | Italian) was burned on this date in 1661.
Luckily, he was hundreds of kilometers away.
A Milanese noble by birth, Borri was studying in Rome when he experienced a vision and started expounding a mystical theology decidedly not acceptable to Catholic orthodoxy.
That Mary’s mother was conceived of the Holy Spirit, and therefore that the Madonna was a goddess. That, with the limitless proceeds of the philosopher’s stone, he’d bankroll a spiritual army under the wings of the archangel St. Michael.
The charismatic young prophet began attracting quite a following — including the eccentric Swedish Queen Christina, then hanging around Rome after her abdication and indulging her own taste for alchemy — and was soon obliged to flee Rome for Milan, and then Milan for Switzerland, with the Inquisition at his heels. (He’s supposed to have left behind the occult markings that adorn the Porta Alchemica.)
to be punished as a heretic for his errors, that he had incurred both the ‘general’ and ‘particular’ censures, that he was deprived of all honour and prerogative in the Church, of whose mercy he had proved himself unworthy, that he was expelled from her communion, and that his effigy should be handed over to the Cardinal Legate for the execution of the punishment he had deserved.
Nothing daunted, the “executed” Borri set up as a doctor, scientist, astrologer, and alchemist in northern Europe — Strasbourg, Amsterdam, and Copenhagen. Throughout the 1660s his alchemical arts attracted the patronage of royalty as well as an endless stream of ailing patients and curious hangers-on. Borri even claimed to have accomplished the feat of transmuting a base metal into gold, which magical product can still be seen at a Danish museum.
Unfortunately his Danish patron died in 1670, and while en route to his next gig in Turkey he was arrested in Hapsburg territory and handed over the papacy. Borri was not put to death bodily, but spent the remainder of his life imprisoned in Rome, finally dying in the Castel Sant’Angelo in 1695.
Scores of trumped-up heresy charges did the work of ecclesiastical assassination for this renowned brotherhood originally founded to safeguard pilgrims in the Holy Land. (There’s a fine podcast episode on the Templars’ history here.)
This appears to be some sort of legitimate history. How droll!
Ruthless French King Philip the Fair, who owed the Templar banks a ton of cash, mounted in 1307 a, um, surprise nationalization — with the magnificently coordinated arrest of hundreds of members of the order on Friday, Oct. 13, 1307.**
This was, on the face of it, quite an infringement by the secular power upon the Church, but since Pope Clement V was Philip’s very own sock puppet — to the extent of relocating the papacy to Avignon the better to attend to his master — it was all good. Plus, of course, everyone made out with a big pile of loot.
As the interested parties jockeyed over those confiscated estates, there ensued for the once-powerful, now-proscribed order a years-long saga of torture, burnings (of lower-ranking Templars), salacious Baphomet-worship revelations, juridical maneuvering, and, finally, a compromise life-saving confession which Molay and his associate Geoffroi de Charney dramatically spurned.
The cardinals dallied with their duty until March 1314, when, on a scaffold in front of Notre Dame, Jacques de Molay, Templar Grand Master, Geoffroi de Charney, Master of Normandy, Ilugues de Peraud, Visitor of France, and Godefroi de Gonneville, Master of Aquitaine, were brought forth from the jail in which for nearly seven years they had lain, to receive the sentence agreed upon by the cardinals, in conjunction with the Archbishop of Sens and some other prelates whom they had called in. Considering the offences which the culprits had confessed and confirmed, the penance imposed was in accordance with rule—that of perpetual imprisonment. The affair was supposed to be concluded when, to the dismay of the prelates and wonderment of the assembled crowd, de Molay and Geoffroi de Charney arose. They had been guilty, they said, not of the crimes imputed to them, but of basely betraying their Order to save their own lives. It was pure and holy; the charges were fictitious and the confessions false. Hastily the cardinals delivered them to the Prevot of Paris, and retired to deliberate on this unexpected contingency, but they were saved all trouble. ‘When the news was carried to Philippe he was furious. A short consultation with his council only was required. The canons pronounced that a relapsed heretic was to be burned without a hearing; the facts were notorious and no formal judgment by the papal commission need be waited for. That same day, by sunset, a pile was erected on a small island in the Seine, the Isle des Juifs, near the palace garden. There de Molay and de Charney were slowly burned to death, refusing all offers of pardon for retraction, and bearing their torment with a composure which won for them the reputation of martyrs among the people, who reverently collected their ashes as relics.’
-A History of the Inquisition of the Middle Ages, Vol III
Not bad, but the for a real plot twist, check the Templars’ turn — most famously in Dan Brown’s leaden bestseller The Da Vinci Code, but more entertainingly rendered as nonfiction “speculative history” in Holy Blood, Holy Grail — as mystic guardians of Christological secrets.†
Their most sensational secret: the Holy Grail.
In this reworking, the Cup of Christ is not the San Greal but the Sang Real, God’s own royal bloodline, by way (for some reason) of the French Merovingian dynasty.
Thither this blog dares not venture, but those with the requisite inclination towards the occult will find limitless explorations of the theme for ready sale. All we ask, gentle reader, is that you kindly cut us in on the action by using our handy affiliate links.
In what may be yet another mystical just-so story, Molay is said to have foretold, as the flames consumed him, the deaths of his persecutors.
Pope Clement, Chevalier Guillaume de Nogaret [the prosecuting inquisitor], King Philip! I summon you to the Tribunal of Heaven before the year is out!
The curse worked: none of those gentlemen lived to see 1315. Someone, somewhere, has also attributed every bum turn for the French crown since then to Molay’s anathema. There’s a legend that an onlooker at Louis XVI‘s execution dipped his handkerchief in Citizen Capet’s Sang Real and cried out, “Jacques de Molay, tu es vengé!”
† It is a fact that these guys liked sweeping their crusading conquests for supposed holy relics, like this Roman nail recently unveiled from a Templar fort that was reverentially “handled by a lot of people over a long period of time.”
On this date in 1792, Jacques Cazotte, a writer distinctly out of step with his times, was guillotined for treason in Paris.
The Martinique-born Cazotte (English Wikipedia entry | French) was into his 40′s when he launched the writing career that earns him notice enough for this blog.
He wasn’t a liberte, egalite, fraternite kind of guy: Cazotte’s works, like Le Diable Amoureux (The Devil in Love),* were fantastical, Gothic — far from the rationalist fare of the Enlightenment.
And that wasn’t exclusively a literary posture.
Cazotte fancied himself gifted with prophecy — enthusiasts’ accounts have him prophesying the course of the Revolution — and preferred the mystical enlightenment of the illuminati to the Voltairean kind.** He viewed the onset of the French Revolution with horror.
When some scribblings to that effect were discovered in his papers, the mystical goose was cooked. The French Wikipedia entry credits his daughter with saving his life during the September Massacres … buying the 72-year-old only a few weeks of life.
Cazotte’s Le Diable Amoureux has the devil as a young man’s servant girl, endeavoring to seduce him. Here is Cesare Pugni‘s balletic rendition, Satanella, with its grand pas de deux, “Le Carnaval de Venise,” from the Kirov:
Cazotte finds his way to us, as the dark arts are wont to do, through more meandering channels as well.
Le Diable Amoureux inspired supernatural mystery The Club Dumas by Spanish author Arturo Perez-Reverte. That novel in turn was riffed by Roman Polanski for the weird 1999 flick The Ninth Gate (review), starring Johnny Depp. (Cazotte’s book is explicitly referenced in both its progeny.)
Although only tangentially related, this digression into the occult gives us leave to notice one of the many cultural ephemera of executions linked to no particularly blog-friendly date. The Club Dumas and The Ninth Gate make use of striking woodcuts of modern vintage but after a style of centuries past that help unlock the central puzzle.
Charged with esoterica, the topical-looking “hanged man” print comes clearly modeled after its tarot cousin … although the tarot version, in most instances, is hoped to be of less deadly effect upon the plot.