1550: Jon Arason, the last Catholic bishop of Iceland

Add comment November 7th, 2009 Headsman

At dawn this date in 1550, two sons* of Jon Arason were beheaded at Skalholt, followed by the energetic sextegenerian prelate himself — cementing Lutheranism in Iceland.

As bishop of the northern diocese of Holar and one of the most powerful pols in Iceland, Arason did what he could to maintain papal authority when the Danish King Christian III began pushing Protestantism.

Arason was a practical guy; remote from any prospect of aid, he was content to maintain a cordial balance between his diocese and the southern one of Skalholt. (The two sees were political rivals of long standing; Skalholt’s previous Catholic representative, Ogmundur, had at one point many years before our narrative excommunicated Arason and forced the latter to flee to Denmark.)

Whether driven by the prince or the bishop within,** Arason took advantage of his Protestant opposite number’s timely passing in 1548 to make a play for power in the south as well. Early returns augured well; Arason arrested the Lutheran replacement, got the Icelandic parliament to throw in with him, and captured key points in the Holar diocese, reconsecrating ecclesiastical properties as Catholic.†

But his rival Dadi Gudmundsson turned the tables on the man who was becoming the de facto ruler of the island by ambushing him at a parley. The cleric and the two sons, having been declared outlaws months before by Danish decree, were executed on that basis without trial, lest holding them for the planned hearing the following spring enable their supporters to rally. Arason’s beheading was reportedly botched.

Legally doubtful but practically effectual, the axe that (eventually) decapitated the divine did likewise to his flock. Lutheranism thereafter settled comfortably into the ascendancy: Iceland would not have another Catholic bishop for nearly four centuries, by which time its Catholic population had shrunk near the vanishing point.

Although his faith didn’t have legs on the island, Arason reads very easily as a proto-nationalist figure and political actor; he’s been well-loved by Protestant, Catholic, and irreligious posterity alike.

He also gave Icelandic a bit of vernacular on his way to shuffling off this mortal coil. When a priest named Sveinn proffered the solace, “There is a life after this one!” as the last bishop approached the block, he replied, “Veit ég það, Sveinki!”“This I know, Sveinki!”

In everyday conversation in Iceland, that phrase is still used to tease someone who has just stated the obvious.

* Although this is well into the period when Catholic clergy were supposed to be practicing celibacy, Arason’s indifference to this particular mortification of the flesh is just another bit of his charm. With his mistress Helga Sigurdardottir, he sired nine sons and daughters, marrying them into politically advantageous allegiances where possible. At least eight subsequent Lutheran bishops sprang from his seed; by the present, “virtually all Icelanders can validly claim direct descent” from Jon Arason, according to Iceland, the First New Society.

** Jon Arason was also a notable poet. Ljomur, whose attribution to Arason is speculative, can be enjoyed for free here.

† More particulars about the Icelandic political chessboard are available in this 19th century text (the pdf is easier on the eyes than the text), or in “An Icelandic Martyr: Jón Arason,” by Thomas Buck, in the Jesuit publication Studies: An Irish Quarterly Review, Vol. 46, No. 182 (Summer, 1957), pp. 213-222.

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Entry Filed under: 16th Century, Artists, Beheaded, Borderline "Executions", Botched Executions, Capital Punishment, Death Penalty, Denmark, Execution, Famous, Famous Last Words, God, History, Iceland, Language, Martyrs, Milestones, No Formal Charge, Occupation and Colonialism, Politicians, Popular Culture, Power, Religious Figures

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1944: Hannah Szenes, who gambled on what mattered most

1 comment November 7th, 2008 Headsman

On this date in 1944, Hannah Szenes was shot by the Nazis in her native city of Budapest — a city she had left five years before, and to which she had returned as a British special operative.

Hannah Szenes (alternatively, “Chana Senesh”) grew up in interwar Hungary.

Reaching adulthood in a period of rising anti-semitism in the late 1930’s, she became a Zionist and emigrated to British-controlled Palestine.

But with the onset of war, she signed up with the British Special Operations Executive and was parachuted behind German lines in March 1944.

Her brief: to save both Jews and downed Allied pilots. It is often described as the only military expedition to relieve European Jewry during World War II.

And it was as dangerous as it sounds.

Hannah was nabbed crossing into Hungary on a mission that her colleagues (rightly, it seems) deemed too perilous to attempt, and withstood months of torture without divulging her codes.

By the time she went in the dock for treason, Nazi control of Hungary was collapsing and judicial administration itself was breaking down to the timpani of falling shells. Her sentencing November 4 was postponed; on November 7, an officer peremptorily informed her that she had been condemned to death. It’s believed that she was actually never formally sentenced, merely mopped up ahead of the unstoppable Red Army, which on this very day first entered Budapest’s suburbs.

A writer as well as a fighter, Szenes’ poetry survived as her monument to life — like the present-day Israeli standard “Blessed is the Match”, also the title of the documentary excerpted above; and, her “Halikha LeKesariya” (”A Walk to Caesarea”), also known as “Eli, Eli” (”My God, My God”). Here it is sung by Regina Spektor.

These lines were reportedly her last-known verses from prison:

One - two - three … eight feet long
Two strides across, the rest is dark …
Life is a fleeting question mark
One - two - three … maybe another week.
Or the next month may still find me here,
But death, I feel is very near.
I could have been 23 next July
I gambled on what mattered most, the dice were cast. I lost.

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Entry Filed under: 20th Century, Artists, Capital Punishment, Death Penalty, Disfavored Minorities, England, Execution, Germany, Guerrillas, History, Hungary, Jews, Martyrs, No Formal Charge, Occupation and Colonialism, Popular Culture, Shot, Soldiers, Summary Executions, Torture, Treason, Wartime Executions, Women

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