ExecutedToday.com

“Thanks a lot, society, for railroading my ass!”
-Aileen Wuornos

On this date in 2002, the tragically, horrifically iconic serial killer Aileen Wuornos checked out at Florida’s Starke Prison (and into an afterlife as an Academy Award-winning role) with the appropriately bizarre last words,

“I’d just like to say I’m sailing with the rock, and I’ll be back like Independence Day, with Jesus June 6. Like the movie, big mother ship and all, I’ll be back.”

Her sensational FBI-bestowed reputation as America’s “first” female serial killer rests on exaggeration,* but there’s something of the larger-than-life about prostitute/manslayer Aileen Carol Wuornos.

Heck, Aileen herself sold rights to her story within weeks of her arrest. So did investigators who worked the case. A year before our day’s perp faced lethal injection, her surname titled “the world’s first opera about a lesbian prostitute serial killer survivor of child abuse who is now on death row.” (Here’s the opera’s home page.)

That’s not the sort of legacy usual for a seven-time murderer. But there wasn’t much usual about Aileen Wuornos.

Wuornos — “Lee,” to her friends — projects for all her trail of bodies an irrepressibly humanity; Charlize Theron played her in Monster as the most sympathetic serial killer ever put to celluloid, her crime spree a desperate and impossible cry after human love that her life’s many travails had warped but never drained.

Still professing love for the lover who had sold her out and thereby ducked prosecution, Wuornos resigned her appeals and went her own way out this date in 2002.

* Or, if you like, a precision of definition not likely shared by the majority of her headline-reading public. What made Wuornos distinctive was killing strangers in a pattern over time; the stereotypical female multiple-murderer kills in a single spree, and/or for distinct pecuniary motives, and/or kills family members or other intimates.

Part of the Themed Set: Women Who Kill.

• 1967: Ernesto "Che" Guevara

As of 1:10 p.m. Bolivia time this date in 1967, Ernesto “Che” Guevara was no longer a man: he was only a god.

“The most famous photograph in the world and a symbol of the 20th century.”

The Argentinian-born doctor turned Cuban revolutionary icon and the man who wrote the book on guerrilla warfare had put abroad to foment insurgency. His efforts in the Congo foundered; his bid to replicate the Cuban revolution in Bolivia was doing likewise when he was captured.

After holding him overnight, the government sent a coded order to execute him in the field. Che had done the same thing with his own hands to several who betrayed the Sierra Maestra guerrillas.

Soldier Mario Teran drew the short straw for a footnote to destiny; when he hesitated, Che chastised him with the legendary parting words “that someone invented or reported”:

“Shoot, coward, you’re only going to kill a man.”

Maybe so, but the man looked Christ-like when they put his body on display for the press. As certain as they made his death, still Che lives.

CIA asset (and George Bush Sr. confidante) Felix Rodriguez took his watch as a trophy. The rest of Che Guevara belongs to the world.*

This site could hardly attempt a definitive rendering of such a towering and controversial figure, a task fit for two, three, many biographies.

Lengthy video documentaries are here and here. Many of Che’s own words are collected here. Declassified U.S. National Security Archive documents relating to his capture and death are here.

And highly recommended is SovMusic.ru’s huge library of Che Guevara mp3 files — like this Francesco Guccini song:

* Especially, of course, its marketers.

Also On This Date

• 2002: Aileen Wuornos, Monster