69: Galba, in the Year of the Four Emperors

2 comments January 15th, 2013 Headsman

On this date in the year 69, the blink-and-you’ll-miss-him emperor of Rome Galba was slain — the first casualty in ancient Rome’s Year of the Four Emperors.

From the standpoint of this blog’s portfolio, Galba’s death admittedly makes for an edge case; in their time, the Romans experimented with every shade and interval for the span from extrajudicial execution to assassination to simple murder. Certainly the sudden homicide which forms our subject today proceeded under no purported legal color.

But dead is dead, and in Rome at that moment, dead was the essential fact. You had to get the incumbent into the ground to don the blood-drenched purple.

That’s exactly how Galba managed it himself: his predecessor was the infamous Nero, dead the previous June in a revolt that had set Galba up as the rival emperor.

Galba was a classic Peter Principle guy, a respected wealthy patrician who had been a prominent public figure for decades. At the end of Nero’s run, Galba was governor of a Spanish province and everyone thought would make a swell emperor … until he actually got the job.

As Suetonius observed, Galba’s “popularity and prestige were greater when he won, than while he ruled the empire.” Tightfisted (or fiscally responsible) and inflexible (or upright), the new emperor proved to have a gift for alienating his subjects.

The skinflint sovereign bullied enemies real and perceived, took an obnoxiously lordly attitude towards inferiors, and even decimated a legion (a practice long since out of date at this point). He set about restoring the ruined state finances by seizing even from parties at second and third hand goods which allegedly traced to Nero’s graft, then re-auctioning them … many of those auctions suspiciously won at a discount by Galba’s hated advisors-slash-controllers, the “Three Pedagogues.” And he “condemned to death divers distinguished men of both orders on trivial suspicions without a trial.” (Suetonius, again)

Very dangerously, Galba also refused to pay the customary donative to those arbiters of imperial succession, the Praetorian Guard.

All this mess brought the distant German legions into rebellion.

However, Galba triggered his downfall directly when he passed over for official heir an early Galba supporter, Otho — who had been dispensing liberal largesse on the understanding that he had the inside track to the throne — in favor of a youth named Piso.

Personally affronted and also in danger of having his now-unpayable debts called in, Otho brought the disaffected Praetorians over to his side and revolted.

The capital was thrown into a tumult. On January 15, Galba’s litter was being borne in the Roman Forum when Otho’s militia appeared,

loudly ordering all private citizens out of their way. The multitude, accordingly, took to their heels, not scattering in flight, but seeking the porticoes and eminences of the forum, as if to get a view of the spectacle. Hostilities began with the overthrow of a statue of Galba by Attilius Vergilio, and then the soldiers hurled javelins at the litter; and since they failed to strike it, they advanced upon it with their swords drawn. No one opposed them or tried to defend the emperor, except one man, and he was the only one, among all the thousands there on whom the sun looked down, who was worthy of the Roman empire. This was Sempronius Densus, a centurion, and though he had received no special favours from Galba, yet in defence of honour and the law he took his stand in front of the litter. And first, lifting up the switch with which centurions punish soldiers deserving of stripes, he cried out to the assailants and ordered them to spare the emperor. Then, as they came to close quarters with him, he drew his sword, and fought them off a long time, until he fell with a wound in the groin.

The litter was upset at the place called Lacus Curtius, and there Galba tumbled out and lay in his corselet, while the soldiers ran up and struck at him. But he merely presented his neck to their swords, saying: “Do your work, if this is better for the Roman people.” (Plutarch)

Piso tried to take refuge with the sacred Vestal Virgins, but was hauled out most impiously and abruptly put to death on the temple’s steps. Otho was said to greet this severed head of his rival heir with particular satisfaction. (Galba’s head was paraded through town on a spear, then given over to the servants of a guy Galba had executed so that they could dishonor it on the execution grounds.)

As for the victorious Otho, you’ll recall those restive German legions … and the fact that this is the Year of the Four Emperors. Galba was the first of those four; Otho, the second. As Cassius Dio tells it, “as he [Otho] was offering his first sacrifice, the omens were seen to be unfavourable, so that he repented of what had been done and exclaimed: ‘What need was there of my playing on the long flutes?’ (This is a colloquial and proverbial expression applying to those who do something for which they are not fitted.)”

Three months later, it was time to pay the flautist. Those German legions arrived, bumped off Otho, and made their own commander into emperor number three. (Otho, not theretofore viewed as particularly noble soul, redeemed himself for posterity by committing suicide for the good of Rome rather than press a ruinous civil war — uttering the Spock-like sentiment, “It is far more just to perish one for all, than many for one.”)

The History of Rome podcast series covers Galba’s abortive reign here.

On this day..

Entry Filed under: Ancient,Borderline "Executions",Cycle of Violence,Execution,Famous Last Words,Heads of State,History,Italy,No Formal Charge,Nobility,Politicians,Power,Put to the Sword,Roman Empire,Summary Executions,Wartime Executions

Tags: , , , , , , , , , ,

46 B.C.E.: Vercingetorix the Gaul

2 comments September 19th, 2008 Headsman

On an uncertain date around this time — sort of — in 46 B.C.E., the Gallic chief Vercingetorix was marched as Julius Caesar’s star captive in Rome, then strangled in prison.

A nobleman who in the course of things would have been destined for that class of domestic elites bought off by Rome for orderly management of conquered provinces, Vercingetorix instead mounted a massive and effective semi-guerrilla resistance. A few months after Caesar had declared “Mission Accomplished” and Gaul at peace, it rose in arms … and, as Vercingetorix rolled out a scorched-earth defense, in flames.

Julius Caesar, then serving a long and lucrative career as Governor of Gaul, managed only with difficulty — and staggering bloodshed — to pacify the province at the Battle of Alesia. It was a signal military engagement in the development of the Roman Empire, cementing Roman power in Gaul for centuries to come.

The wily barbarian’s revolt and the very serious danger it posed to Caesar’s ambitions are the subject of a five-part BBC documentary.

Vercingetorix’s allegedly theatrical surrender to Caesar essentially ended the Gauls stubborn, centuries-long resistance to Roman dominion.


Reddition de Vercingétorix à Alésia – Christophe Lambert
Uploaded by EvivaEuropa

Yes, that’s the Highlander, Christopher Lambert, playing the French Braveheart version of barbarian heroism in Druids. HBO’s series Rome went with a less romantic version:

Either way, the once-intractable province became the bastion from which Caesar would overthrow the foundering Roman Republic.

Political rivals in the capital for whom Caesar’s Gallic campaign was nothing to celebrate denied Caesar a ceremonial Triumph and maneuvered to check the ambitious general. When the conflict came to a head in 49 B.C.E., Caesar’s bold move from the provincial borders of Gaul into Italy — crossing the Rubicon — ignited civil war in Rome.

Vercingetorix languished in Roman chains all along, until Caesar finally mopped up his enemies in the field and returned to Rome, where he celebrated an extravagant quadruple Triumph for his various military achievements.

As described by Appian,

when he returned to Rome he had four triumphs together: one for his Gallic wars, in which he had added many great nations to the Roman sway and subdued others that had revolted; one for the Pontic war against Pharnaces;* one for the war in Africa against the African allies of L. Scipio, in which the historian Juba (the son of King Juba), then an infant, was led a captive. Between the Gallic and the Pontic triumphs he introduced a kind of Egyptian triumph, in which he led some captives taken in the naval engagement on the Nile.** Although he took care not to inscribe any Roman names in his triumph (as it would have been unseemly in his eyes and base and inauspicious in those of the Roman people to triumph over fellow-citizens), yet all these misfortunes were represented in the processions and the men also by various images and pictures, all except Pompey, whom alone he did not venture to exhibit, since he was still greatly regretted by all. The people, although restrained by fear, groaned over their domestic ills, especially when they saw the picture of Lucius Scipio, the general-in-chief, wounded in the breast by his own hand, casting himself into the sea, and Petreius committing self-destruction at the banquet, and Cato torn apart by himself like a wild beast. They applauded the death of Achillas and Pothinus, and laughed at the flight of Pharnaces.

It is said that money to the amount of 60,500 silver talents was borne in the procession and 2822 crowns of gold weighing 20,414 pounds, from which wealth Caesar made apportionments immediately after the triumph, paying the army all that he had promised and more. Each soldier received 5000 Attic drachmas, each centurion double, and each tribune of infantry and perfect of cavalry fourfold that sum. To each plebeian citizen also was given an Attic mina. He gave also various spectacles with horses and music, a combat of foot-soldiers, 1000 on each side, and a cavalry fight of 200 on each side. There was also another combat of horse and foot together. There was a combat of elephants, twenty against twenty, and a naval engagement of 4000 oarsmen, where 1000 fighting men contended on each side. He erected the temple to Venus, his ancestress, as he had vowed to do when he was about to begin the Battle of Pharsalus, and he laid out ground around the temple which he intended to be a forum for the Roman people, not for buying and selling, but a meeting-place for the transaction of public business, like the public squares of the Persians, where the people assemble to seek justice or to learn the laws. He placed a beautiful image of Cleopatra by the side of the goddess, which stands there to this day. He caused an enumeration of the people to be made, and it is said that it was found to be only one half of the number existing before this war.

War is hell.

At the Gallic triumph, Vercingetorix — by far the most fearsome enemy Caesar had to display vis-a-vis a five-year-old child and the sister of his lover — was at last the center of attention again for a day. Still defiant, he was marched through the Eternal City, then strangled at the Tullianum, or Mamertine Prison.

But which day? The bare fact is that we just don’t know, but this one has more than the typical imprecision that characterizes dating ancient events. This footnote on a page about Egyptian royalty grapples with the timing.

Suetonius gives us that his Triumphs were celebrated

four times in one month, each Triumph succeeding the former by an interval of a few days.

Since Cassius Dio claims that Caesar dedicated the Temple of Venus (datable to late September of 46) on the last day of the last Triumph, that presumably makes September the “one month” of the various celebrations.

That’s about as close as it gets, but even “September” comes with a caveat. During his few months in Rome between campaigns, Caesar accomplished a frenetic civil agenda (it helps to be dictator). Perhaps none is of such recognizable consequence for posterity as reform of the wacky solar-lunar hybrid Roman calendar — and 46 B.C.E. was the very year he implemented it.

Disdaining incrementalism, Caesar tackled the mess the Roman calendar had become at once, by stuffing the year 46 up to 445 days. As a result, 365 days after the execution of Vercingetorix was not September of 45, but July (or possibly June) — and those months are sometimes given for the dates of Caesar’s Triumphs on this basis. Since Caesar actually won his decisive battle in April of 46 B.C.E. and returned to Rome that July, the potential for confusion multiplies: if you’re not accounting for the exceptional calendar, July Triumphs appear initially plausible.

It is here that one beholds the essential subjectivity behind a putatively mechanistic device like a calendar: if Vercingetorix was executed in spring or summer, was he executed in September?

Whenever it was that he was throttled in the Mamertine, Vercingetorix did not go quietly. If his cause of resistance to Roman authority was doomed for the time being, the eternal allure of rebellion — and, as the Gallic lands later germinated France, the proto-nationalism of his cause — secured him his own symbolic immortality.


Napoleon III, with his complex relationship to the Gallic and Italic dreams of another age, was just the man to put up this statue of Vercingetorix where the barbarian was thought to have made his last stand. Its inscription reads:

La Gaule unie
Formant une seule nation
Animée d’un même esprit,
Peut défier l’Univers.

* The speedily resolved Pontic War gave us Caesar’s “veni, vidi, vici”.

** It was at the Egyptian triumph that Cleopatra’s sister Arsinoe was marched, though she was not executed afterwards.

On this day..

Entry Filed under: Ancient,Capital Punishment,Death Penalty,Execution,Famous,France,Guerrillas,Heads of State,History,Italy,Martyrs,No Formal Charge,Nobility,Notable Participants,Occupation and Colonialism,Popular Culture,Power,Revolutionaries,Separatists,Soldiers,Strangled,Uncertain Dates

Tags: , , , , , , , , , , , , , , , , ,


Calendar

October 2019
M T W T F S S
« Sep    
 123456
78910111213
14151617181920
21222324252627
28293031  

Archives

Categories

Execution Playing Cards

Exclusively available on this site: our one-of-a-kind custom playing card deck.

Every card features a historical execution from England, France, Germany, or Russia!