ExecutedToday.com

On this date in 1793, in a revolutionary Paris where the machinery of the Terror was clattering to life, five tumbrils bore to the guillotine twenty former Girondist ministers to the National Convention — plus the corpse of their late colleague Dufriche de Valazé, who had cheated the executioner by killing himself.

Named for the region of Aquitaine from which their leading lights hailed, the Girondists (or Girondins) had in the compressed history of the Revolution ascended from fringe democratic party to governing party even as the political facts shifted under their feet. Finding themselves the conservative party in an assembly increasingly dominated by radical Montagnards and the Paris mob, the Girondists’ tactlessness and stubborn refusal to deal with Georges Danton after his (still historically murky) involvement in the riotous slaughter of prisoners during the September Massacre eroded their position.

As the terrible year of 1793 unfolded, the Girondins discovered themselves successively overthrown, expelled from the Convention, proscribed, and hunted. Though many more — Girondists and others — were to follow in their steps, the trial of these 21 before the Revolutionary Tribunal and subsequent guillotining, the first notable mass-execution of the Revolution, raised the curtain on the Terror.

Decades later, the English historian Lord Acton remembered the faction’s doomed heroism.

[The Girondins] stood four months before their fall. During that memorable struggle, the question was whether France should be ruled by violence and blood, or by men who knew the passion for freedom. The Girondins at once raised the real issue by demanding inquiry into the massacres of September. It was a valid but a perilous weapon. There could be no doubt as to what those who had committed a thousand murders to obtain power would be capable of doing in their own defence.

…

Almost to the last moment Danton wished to avoid the conflict. Again and again they rejected his offers. Open war, said Vergniaud, is better than a hollow truce. Their rejection of the hand that bore the crimson stain is the cause of their ruin, but also of their renown. They were always impolitic, disunited, and undecided; but they rose, at times, to the level of honest men.

…

They were easily beaten and mercilessly destroyed, and no man stirred to save them. At their fall liberty perished; but it had become a feeble remnant in their hands, and a spark almost extinguished. Although they were not only weak but bad, no nation ever suffered a greater misfortune than that which befell France in their defeat and destruction.

That Pierre Vergniaud who scorned the hollow truce was the last to mount the scaffold this day — a shining orator of the Revolution who captured the calamity engulfing his nation in another well-remembered aphorism, “the Revolution devours its own children.”

Also On This Date

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On this date in 1792, Jacques Cazotte, a writer distinctly out of step with his times, was guillotined for treason in Paris.

The Martinique-born Cazotte (English Wikipedia entry | French) was into his 40’s when he launched the writing career that earns him notice enough for this blog.

He wasn’t a liberte, egalite, fraternite kind of guy: Cazotte’s works, like Le Diable Amoureux (The Devil in Love),* were fantastical, Gothic — far from the rationalist fare of the Enlightenment.

And that wasn’t exclusively a literary posture.

Cazotte fancied himself gifted with prophecy — enthusiasts’ accounts have him prophesying the course of the Revolution — and preferred the mystical enlightenment of the illuminati to the Voltairean kind.** He viewed the onset of the French Revolution with horror.

When some scribblings to that effect were discovered in his papers, the mystical goose was cooked. The French Wikipedia entry credits his daughter with saving his life during the September Massacres … buying the 72-year-old only a few weeks of life.

Cazotte’s Le Diable Amoureux has the devil as a young man’s servant girl, endeavoring to seduce him. Here is Cesare Pugni’s balletic rendition, Satanella, with its grand pas de deux, “Le Carnaval de Venise,” from the Kirov:

Cazotte finds his way to us, as the dark arts are wont to do, through more meandering channels as well.

Le Diable Amoureux inspired supernatural mystery The Club Dumas by Spanish author Arturo Perez-Reverte. That novel in turn was riffed by Roman Polanski for the weird 1999 flick The Ninth Gate (review), starring Johnny Depp. (Cazotte’s book is explicitly referenced in both its progeny.)

Although only tangentially related, this digression into the occult gives us leave to notice one of the many cultural ephemera of executions linked to no particularly blog-friendly date. The Club Dumas and The Ninth Gate make use of striking woodcuts of modern vintage but after a style of centuries past that help unlock the central puzzle.

Charged with esoterica, the topical-looking “hanged man” print comes clearly modeled after its tarot cousin … although the tarot version, in most instances, is hoped to be of less deadly effect upon the plot.

* Available free in the original French at Project Gutenberg.

** Voltairean rationalism had its own ways of getting in trouble. It may have been an age of ideas, but it was hardly safe to have them.