November 7th, 2013
(Thanks to Meaghan Good of the Charley Project for the guest post. -ed.)
On November 7, 1918, mere days before the end of World War I, British privates Louis Harris and Ernest Jackson were shot for desertion and cowardice. Jackson, of the 24th Battalion Royal Fusiliers, and Harris, of the 10th Battalion West Yorkshire Regiment, were the last British soldiers shot for military offenses in the First World War.
Jackson had been conscripted into the military in July 1916 and sent to France in November. He first ran into trouble in April 1917, when he went AWOL for 28 hours and was sentenced to two years in prison. In most cases the sentence would have been suspended, but for some reason that didn’t happen with Jackson and he spent sixteen months behind bars before he was released and returned to his battalion in August 1918.
A little over a month later, on September 29, he disappeared from his battalion transport lines near Flesquières, where he’d been sick and waiting to be sent to the field ambulance.
Arrested on October 3, Jackson got sent back to the to the 24th Battalion, which was then at Noyelles, 3,000 yards from the front lines. By mid-afternoon he had dropped out of sight again, but was arrested by the military police the next day at Douellens. On October 8, Jackson’s NCO found his arms and equipment in a shelter not far from where he’d gone missing.
Jackson faced a Field General Court Martial (FGCM) on three charges:
- Going AWOL on September 29
- Deserting on October 4
- “Shamefully casting away his arms, ammunition and equipment in the presence of the enemy” on October 4
When asked to explain himself before the tribunal, Jackson said, “I left because I could not stand the treatment I was receiving. I wanted to get away from everything … I have been looked down on by everyone and that is the cause of my being here today.” He added that both his parents had died in insane asylums and he himself suffered from “mental problems caused by worries.”
The FGCM would have none of it and sentenced Jackson to death. He was shot at St. Python in northern France at 6:10 a.m. He was 32 years old.
Nineteen minutes later and 25 kilometers away, at Locquignol, Private Louis Harris faced the firing squad.
Harris had volunteered for the Army in 1915, but was discharged as unfit. He got conscripted in 1916, however, and was sent to France in July, where he served as part of a Lewis gun team. On September 2, in the middle of an attack at Rocquigny, while there was “no firing and practically no opposition,” Harris ditched his kit and his comrades and vanished. He was arrested the next day and faced an FGCM for desertion and cowardice.
The book Blindfold and Alone: British Military Executions in the Great War notes,
Harris — surprisingly … was not defended at his trial and made no attempt to cross-examine any of the witnesses, nor did he make a statement in his own defence. It would appear that the 23-year-old soldier either did not understand the seriousness of his position, or was resigned to his fate.
He was found not guilty of cowardice, but guilty of desertion, and his bad record (which included repeated charges of insubordination) was held against him. His CO wrote, “Pte. Harris L. has not got a good record in this Battalion. His fighting value is NIL.” The Brigade Commander agreed, summing up his case thusly:
I recommend that the extreme penalty be carried out for the following reasons:
- Pte. Harris’s action was deliberate.
- He has previously attempted to desert unsuccessfully.
- He is worthless as a soldier.
- During an action he deliberately abandoned his comrades.
- His example is a disgraceful one.
Harris’s execution was, as previously stated, the last. Four days later on November 11, the war ended and all death sentences for military offenses were commuted to penal servitude. In 1929 the death penalty was abolished for desertion and other military crimes.
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Tags: 1910s, 1918, ernest jackson, flesquieres, lewis gun, louis harris, november 7, shot at dawn, world war i
July 21st, 2011
On this date in 1915, Private Herbert Burden was shot for desertion — at age 17, still too young to even legally enlist in the Northumberland Fusilliers he’d deserted from.
This teenager rashly joined up at the outbreak of hostilities, fudging his age up by two years to qualify. It’s more than likely that he, and his real age, were known to the recruiters who signed him up. (He wasn’t the only child soldier in that war.)
A few months on into this less-noble-than-advertised perdition, with friends and comrades becoming burger meat all around him at the dreadful Battle of Bellewaarde Ridge,* the kid panicked and ran.
Burden is the “model” for the memorial statue a later, more soft-hearted British Empire put up in 2001 commemorating 306 British and Commonwealth soldiers shot during the first World War for desertion and cowardice.
* Here’s a book about an Irish battalion that was nearly annihilated in the battle.
Shot at Dawn memorial/Herbert Burden likeness photo (cc) Noisette.
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Entry Filed under: 20th Century,Arts and Literature,Capital Punishment,Children,Death Penalty,Desertion,England,Execution,France,History,Military Crimes,Shot,Soldiers,Wartime Executions,Wrongful Executions
Tags: 1910s, 1915, battle of bellewaarde ridge, fear, herbert burden, july 21, shot at dawn, statuary, world war i
August 11th, 2010
On this date in 1916, 19-year-old Durham Private William Nelson was shot for desertion by the British military.
The Pity of It
by Thomas Hardy
I walked in loamy Wessex lanes, afar
From rail-track and from highway, and I heard
In field and farmstead many an ancient word
Of local lineage like “Thu bist,” “Er war,”
“Ich woll,” “Er sholl,” and by-talk similar,
Nigh as they speak who in this month’s moon gird
At England’s very loins, thereunto spurred
By gangs whose glory threats and slaughters are.
Then seemed a Heart crying: “Whosoever they be
At root and bottom of this, who flung this flame
Between folk kin tongued even as are we,
“Sinister, ugly, lurid, be their fame;
May their familiars grow to shun their name,
And their brood perish everlastingly.”
According to the archive capture of the lamentably defunct Shot at Dawn site — which campaigned (successfully) for clearing the names of World War I soldiers who had been executed for military failings like desertion or cowardice — Nelson gave a pitiable account of his situation. It was less the horror of trench warfare and mustard gas than desperation on his own home front that undid Nelson’s “nerves”.
“I have had a lot of trouble at home, and my nerves are badly upset. My father is a prisoner in Germany and is losing his eyesight there through bad treatment. My mother died while I was still in England, leaving my sister aged 13 and my brother aged 10. I am the only one left. I had to leave them in charge of a neighbour. I had no intention of deserting. I did not realise what I was doing when I left the camp. When I did so I went and gave myself up. When I went to the store my object was to get a night’s sleep and then go and surrender in the morning. I thought it was too late to do so that night. I did not know when the battalion was coming out of the trenches.”
by Thomas Hardy
If but some vengeful god would call to me
From up the sky, and laugh: “Thou suffering thing,
Know that thy sorrow is my ecstasy,
That thy love’s loss is my hate’s profiting!”
Then would I bear it, clench myself, and die,
Steeled by the sense of ire unmerited;
Half-eased in that a Powerfuller than I
Had willed and meted me the tears I shed.
But not so. How arrives it joy lies slain,
And why unblooms the best hope ever sown?
–Crass Casualty obstructs the sun and rain,
And dicing Time for gladness casts a moan. . . .
These purblind Doomsters had as readily strown
Blisses about my pilgrimage as pain.
That 13-year-old sister whom Nelson worried over long suffered her brother’s senseless death. In 2004, that woman’s daughter (Billy Nelson’s niece), Nora High, told the Guardian:
Every Armistice Day, my mother shed buckets of tears. We’ve got Billy’s Bible, I got that when mother died. She used to lay that out on a piece of blue satin cloth, and she would cry. She always said: ‘I won’t cry any more because that only upsets Billy. He doesn’t want me to cry. Everything’s fine for him now.’
In Time of “The Breaking of Nations”*
by Thomas Hardy
Only a man harrowing clods
In a slow silent walk
With an old horse that stumbles and nods
Half asleep as they stalk.
Only thin smoke without flame
From the heaps of couch-grass;
Yet this will go onward the same
Though Dynasties pass.
Yonder a maid and her wight
Come whispering by:
War’s annals will cloud into night
Ere their story die.
* The title is a Biblical allusion to Jeremiah 51:20.
As a slight stretch, part of the Themed Set: Thomas Hardy.
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Entry Filed under: 20th Century,Capital Punishment,Death Penalty,Desertion,England,Execution,France,History,Military Crimes,Shot,Soldiers,Wartime Executions
Tags: 1910s, 1916, billy nelson, nora high, poetry, shot at dawn, thomas hardy, war, william nelson, world war i
March 17th, 2008
On this date in 1915, four French corporals were shot at a farm in Suippes for refusing to advance out of their trenches through the carnage of a World War I no man’s land.
It was not only Corporals Theophile Maupas, Louis Lefoulon, Louis Girard and Lucien Lechat who had refused. The entire 21st Company of the 336th Infantry regiment, exhausted and already decimated by combat, was ordered over the trench at dawn on March 10.
Under withering machine gun fire, and with French artillery carelessly dropping shells just in front of their own lines, the 21st stayed put. Frantic to force the advance, the French commander ordered artillery to drive the troops ahead by shelling his own trenches — an order the artillerists refused to carry out unless someone put it in writing.*
In that slaughterhouse of trench warfare, insubordination in the ranks met stern reprisals. Generals with no strategy but to make mincemeat of their countrymen could not well abide the meat’s reluctance to be minced. Examples must be made, especially inasmuch as the impracticality of executing entire companies impressed even the brass.
On March 16, six corporals and 18 soldiers of the intransigent company faced military trial in the Suippes town hall; the four condemned were shot the next day and buried under dishonorable black crosses.
According to Shot At Dawn, a campaign for rehabilitating soldiers executed during World War I, France carried out some 600 military executions during those bloody years, more than any other country. A 1999 study numbered 550 French executions. In an essay in Handbook on Death and Dying, Prof. J. Robert Lilly suggests that many more “unofficial” executions may have taken place, especially during the war’s panicked opening stages.
Whatever their precise number, the shootings, around Europe, of hundreds of men for cowardice — most in obscurity, many chosen arbitrarily, some whose descendants still struggle for recognition to this day — is one of the enduring legacies of World War I: the collision of that most individual penalty with that most faceless and indiscriminate war. A witness to a different French military execution discomfitingly describes the near-total dehumanization of the victims:
The two condemned were tied up from head to toe like sausages. A thick bandage hid their faces. And, a horrible thing, on their chests a square of fabric was placed over their hearts. The unfortunate duo could not move. They had to be carried like two dummies on the open-backed lorry, which bore them to the rifle range. It is impossible to articulate the sinister impression the sight of those two living parcels made on me.
The padre mumbled some words and then went off to eat. Two six-strong platoons appeared, lined up with their backs to the firing posts. The guns lay on the ground. When the condemned had been attached, the men of the platoon who had not been able to see events, responding to a silent gesture, picked up their guns, abruptly turned about, aimed and opened fire. Then they turned their backs on the bodies and the sergeant ordered “Quick march!”
The men marched right passed them, without inspecting their weapons, without turning a head. No military compliments, no parade, no music, no march past; a hideous death without drums or trumpets.
The shootings this day became emblematic of those lost and obscured legions. The circumstances of the “crime” — the senselessness of the advance, the order to bombard their own troops, the fury of the reprisal — recommended it to novelist Humphrey Cobb, and subsequently to a young Stanley Kubrick who adapted a fictionalized form to the 1957 film Paths of Glory. (The title comes from this poem.)
In the film, three soldiers face a firing squad under circumstances very similar to this day’s backstory, including the detail of the general ordering his own men shelled (and that of the order being refused). Kubrick renders the insanity of the resulting court-martial against hapless soldiers each of whom did little but what anyone in their situation would have done, with one of their officers, Kirk Douglas, mounting a vain defense.
This day’s executions, as with many of the others carried out across Europe in those years, sparked a long campaign for posthumous exoneration, in this case led by Maupas’ widow. In 1934, a French panel did exonerate them — awarding the surviving widows a symbolic one franc apiece.
Maupas himself was reinterred in a cemetery in Sartilly, where a monument was erected in honor of the four; just last year, opposite the courthouse where the Frenchmen were condemned, a life-sized white stone sculpture was dedicated, showing Maupas, Girard, Lechat and Lefoulon on their execution posts just after they have been shot.
The surety of the corporals’ posthumous exoneration contrasts intriguingly with the rigor of their sentence and points to the complex and shifting terms upon which the First World War entered subsequent national consciousness in France (and elsewhere) — the never-definitive story of the individual’s right place amid social structures hopelessly beyond individual control.
The history of the struggle over these men’s memory is extensively covered on this French website and the French blog Monuments aux morts pacifistes. The affair also has its own entry on the French wikipedia.
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Entry Filed under: 20th Century,Arts and Literature,Capital Punishment,Chosen by Lot,Death Penalty,Execution,Fictional,France,History,Military Crimes,Posthumous Exonerations,Shot,Soldiers,Wartime Executions,Wrongful Executions
Tags: 1910s, 1915, louis girard, louis lefoulon, lucien lechat, march 17, shot at dawn, theophile maupas, world war i