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On this date in 1540, two days after disposing of his former Vicegerent of Spirituals Thomas Cromwell, the just-wedded Henry VIII wrote a terrifying message of religious conformity in blood and smoke at Smithfield.

Edward Hall (as he did with Cromwell) records the scene.

The thirtie daie of July, were drawen on herdelles out of the Tower to Smithfield, Robert Barnes Doctor in Diuinitee, Thomas Garard, and Wyllyam Jerome Bachelers in Diuinitee, Powell, Fetherston and Abell. The firste three were drawen to a stake, there before set up, and were hanged, hedded, and quartered. Here ye must note, that the first three, wer menne that professed the Gospell of Jesu Christ, and were Preachers thereof … [the first three] were detestable and abhominable Heretickes, and … had taught many heresies, the nomber whereof was to greate in the atteindor to be recited, so that there is not one alleged … in deede at their deathe, they asked the Sherifes, wherefore they were condempned, who answered, thei could not tell: but if I maie saie the truthe, moste menne said it was for Preachyng, against the Doctryne of Stephen Gardiner Bishoppe of Wynchester, who chiefly procured this their death … but greate pitie it was, that suche learned menne should bee cast awaie, without examinaction, neither knowyng what was laied to their charge, nor never called to answere.

The laste three … were put to death for Treason, and in their attaindor, is speciall mencion made of their offences, whiche was for the deniyng of the kynge ssupremacie, and affirmyng that his Mariage with the Lady Katheryne was good: These with other were the treasons, that thei wer attainted of, and suffered death for.

Terrifying and confusing: here were burnt three Protestants (Barnes, Gerrard and Jerome) for heresy under the Six Articles, essentially for excess radicalism; beside them were hanged, drawn and quartered three Catholics (Powell, Fetherston and Abel) for treasonably refusing the Oath of Succession, that is, for refusing to admit the King of England as the head of the Church of England. It was that old dispute about Anne Boleyn, who was three queens ago by now. (All three Catholic theologians were advisors to Anne’s predecessor and rival Catherine of Aragon, back in the day.)

The one thing that couldn’t possibly be confused in the day’s proceedings was that matters of the faith were matters of state, and in them Henry would brook heterodoxy of neither the liberal nor conservative variety.

“Good Lord! How do these people live?” exclaimed a foreign observer (cited here). “Here are the papists hanged, there are the anti-papists burnt!”

Good for the martyr industry all-around, and fodder for contemporaries to imagine their respective hereafters, as in “The metynge of Doctor Barons and Doctor Powell at Paradise gate”. (pdf)

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On this date in 1546, Protestant martyr Anne Askew was martyred for her Protestantism.

One of the more intriguing religious martyrs of Tudor England, Askew was a gentlewoman forced to take her older sister’s place in an arranged betrothal when said sister (as was the style in the 16th century) dropped dead young.

Askew’s adherence to Protestantism put her at loggerheads with her Catholic husband, a domestic prefiguring of the factional political dispute that would see her to a Smithfield stake: the Reformation that rent England was itself contested within, with more aggressively reformist Protestant types resisted by the more conservative Catholic-without-Rome faction. Taking the wrong line at the wrong time was taking your life in your hands, and in the treacherous Tudor court, religion became the stalking-horse of deadly politics.

A like conflict played out in townships and households throughout the realm.

Askew and her husband separated (but were not granted divorce) over her conversion to Protestantism; she moved to London and started preaching doctrines anathema to the doctrinaire. As a noblewoman herself, she was absorbed into social circles reaching Henry VIII’s last wife, Katherine Parr.

Askew’s outspoken heterodoxy soon brought her into conflict with anti-Protestants, and when the “send her back to hubbie” strategy didn’t take, they had her clapped in the Tower.

Here she evidently became a pawn in courtly politics; with the obese and aging king liable to drop dead any moment, religious and political authority during the succession was at stake.

Askew was therefore racked in the Tower in an effort to extract evidence against powerful women of known Protestant inclinations, possibly up to and including the queen herself.

Then came Rich and one of the council, charging me upon my obedience, to show unto them, if I knew any man or woman of my sect. My answer was, that I knew none. Then they asked me of my Lady of Suffolk, my Lady of Sussex, my Lady of Hertford, my Lady Denny, and my Lady Fitzwilliam. To whom I answered, if I should pronounce any thing against them, that I were not able to prove it. Then said they unto me, that the king was informed that I could name, if I would, a great number of my sect. I answered, that the king was as well deceived in that behalf, as dissembled with in other matters.

…

Then they did put me on the rack, because I confessed no ladies or gentlewomen to be of my opinion, and thereon they kept me a long time; and because I lay still, and did not cry, my lord chancellor and Master Rich took pains to rack me with their own hands, till I was nigh dead.

Then the lieutenant caused me to be loosed from the rack. Incontinently I swooned, and then they recovered me again. After that I sat two long hours reasoning with my lord chancellor upon the bare floor; where he, with many flattering words, persuaded me to leave my opinion.

Askew didn’t talk, and the act of torturing a woman shocked contemporaries so much that it has never been officially repeated. She was burned to death with three fellow-heretics in Smithfield, so crippled by torture that she had to be carried in a chair to the pyre.

Anne Askew’s executed, together with John Lascelles, John Adams and Nicholas Belenian. Preaching in the pulpit is Nicholas Shaxton, who avoided the fagots with a timely recantation.

Askew survives to us as a particularly consequential Protestant martyr not only for her what-might-have-been proximity to a court plot that might have altered the course of English history, but because she left her own testimony to the ordeal.

Her Examinations — firsthand accounts of her interrogations — were reportedly smuggled out of England where they were published by John Bale. Still, we come by Anne’s own voice in the mediated form of other (male) publishers with their own agendas.

One reading of Bale’s editions that has now become conventional envisions Askew’s narrative as an embattled text: an authentic narrative, the autobiography of a learned and valiant woman, onto which Bale has imposed an insensitive, misogynistic misreading.

Specifically, Bale has been dinged for shoehorning source material that reveals a contentious and tough-minded critic into the vanilla pattern of the meek woman suffering for the faith — a cardboard cutout martyr shorn of less consumer-friendly unfeminine behavior.

While both Bale and Protestant martyrologist John Foxe, who also published versions of the Examinations, stand in that sense between us and the “real” Anne Askew, their polemical needs are precisely the reason we are able to descry the woman standing behind the martyr-archetype.

while her body was consumed by the flames, her identity remains at least partially preserved. The Henrician Anglo-Catholics made Askew famous through the process of her trial and public execution. The Protestant reformers rhetorically retrieved Askew’s broken, tortured, criminalized body from the stake and restyled it as a saint and symbol of their cause. Her identity thus paradoxically emerges in a variety of ways from the tensions … that we find in all the scraps of surviving archival material relating to her. (Theresa D. Kemp, “Translating (Anne) Askew: The Textual Remains of a Sixteenth-Century Heretic and Saint,” Renaissance Quarterly, Vol. 52, No. 4 (Winter, 1999))

Part of the Themed Set: The Feminine Mystique.

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