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If you were a person of any privilege or official authority in late 19th century Russia, chances are that Narodnaya Volya was planning to take a shot at you.

If you were General Loris-Melikov, a Ukrainian Jew did that to you two days before this date in 1880.*

And if you were that errant assassin, Ippolit Mlodetsky, this was your execution date.

Even though Melikov rated as something of a liberal on the Russian autocracy spectrum, he had no qualms about ordering legal proceedings barely this side of summary.

Gen. Melikoff, on Wednesday evening, ordered a court-martial to assemble on Thursday morning. The trial of the prisoner was opened at 11 o’clock in the morning. The prisoner was insolent in his language and demeanor, and refused to stand up or take any part in the proceedings. He said he had nothing to add … that he did not want to be troubled any more, and wanted the matter finished. … at 1 o’clock … judgment was pronounced against him. The judgment on the prisoner sentenced him to be hanged, and his execution was appointed for 10 o’clock this (Friday) morning on the Simeonofsky Plain, near the Tsarskoe-selo Railway terminus.

And so he was.

Mlodetsky’s public hanging was witnessed by novelist Fyodor Dostoyevsky in the very square where Dostoyevsky himself had faced mock-execution for revolutionary activity 30 years before.

Dostoyevsky was, even then, pulling together his magnum opus, The Brothers Karamazov.

The very day Mlodetsky tried to kill Melikov found Fyodor Mikhailovich chatting with fellow reactionry journalist Aleksey Suvorin about the plague of terrorism and its accompanying social malaise.

On the day of the attempt by Mlodetsky on Loris Melikov I was with F. M. Dostoyevsky.

… Neither he nor I knew anything about the assassination. But our conversation presently turned to political crimes in general, and a [recent] explosion in the Winter Palace in particular. In the course of talking about this, Dostoyevsky commented on the odd attitude of the public to these crimes. Society seemed to sympathize with them, or, it might be truer to say, was not too clear about how to look upon them … (Quoted here.)

Dostoyevsky in this conversation revealed that for the planned sequel to The Brothers Karamazov — never to be realized in the event —

he was going to write a novel with Alyosha Karamazov as the hero. He planned to bring him out of the monastery and make a revolutionary of him. He would commit a political crime. He would be executed.

(Much more about this sequel in this paper.)

Melikov’s brush with death did not dissuade him from continuing to push for constitutional reforms as the antidote to terrorism, including introduction of a parliament. Tsar Alexander II was on the point of implementing that proposal … when he himself was assassinated by Narodnaya Volya, precipitating a political backlash.

That murder of Alexander II helped put the kibosh on the Karamazov sequel, which would thereafter have become politically problematic.

Nor was that the only artistic casualty of the Russian terrorists.

A discomfiting thematic similarity in Mlodetsky’s execution with that of the protagonist resulted in the cancellation of a just-opened opera: The Merchant Kalashnikov. (It would be a few more decades before that connection could appear ironic.)

* The assassination attempt occurred on February 20, with the execution on February 22, according to the Julian calendar still in use in Russia at that time. By the then-12-days-later Gregorian calendar, the dates were March 3 and March 5, respectively.

Also On This Date

• 1943: Sophie Scholl of the White Rose
• 1680: La Voisin, poisoner to the stars

On this date* in 1826, five leaders of the Decembrist revolt were hanged at St. Petersburg’s Peter and Paul fortress for their abortive eponymous uprising eight months before.

The most renowned and romantic of Russia’s hapless liberals, the Decembrists were a secret clique of idealistic young officers, many of whom had cut their teeth chasing Napoleon’s grande armee out of Russia in 1812.

In Russia’s complex interaction with the West — its ideas, its political institutions, its ways of life — these were the westernizers, who saw constitutionalism as the way of the future.

Upon the mysteriously sudden death of Tsar Alexander I, an irregular succession to the second-oldest surviving brother, Nicholas I, gave our day’s doomed and gallant youth cause to occupy St. Petersburg’s Senatskaya Square to uphold the rights of the first brother — and more to the point, to uphold the constitution to the extent of constraining the monarchy.

Decembrists at Senate Square, as depicted by Karl Kolman.

Uh … Now What?

This badly organized affair failed in its aim to attract the mass of soldiery and, constitutionalists as its organizers were, did not even aim at mobilizing the general populace.

After the initial heady rush of marching into the square in the name of liberty, the Decembrists were left in a standoff against a much larger force of loyalists. When the latter started shooting, that was that.

Those that survived faced trial, with five — Peter Kakhovsky, Kondraty Ryleyev, Sergei Muravyov-Apostol, Mikhail Bestuzhev-Ryumin and Pavel Pestel — initially sentenced to drawing and quartering.

“Mere” hanging was deemed sufficient for the purpose. That would be about the maximum embrace of liberalism by the Russian autocracy, whose lesson from the uprising was to crack down against any hint of forward-thinking politics — ultimately an unsuccessful strategy for the Romanov dynasty.

St. Petersburg’s Senate Square — renamed Decembrist Square by the Soviet government — where the action happened. The iconic equestrian statue of Peter the Great, commissioned by Catherine the Great and unveiled in 1782, witnessed it all; the statue acquired its enduring moniker, “The Bronze Horseman”, from a poem of the same title penned in 1833 by Alexander Pushkin, a friend of several Decembrists.

One of the greatest works of Russian literature, Pushkin’s “Bronze Horseman” weaves an ambiguous Decembrist-tinged critique of cruel imperial power and overreach into a complex narrative of St. Petersburg whose upshot is still up for lively literary debate. “The Bronze Horseman’s crag rose up before the poet on an empty square,” wrote one historian, “washed with the blood of those who rebelled on December 14, 1825″

Appalling there
He sat, begirt with mist and air.
What thoughts engrave His brow! what hidden
Power and authority He claims!
What fire in yonder charger flames!
Proud charger, whither art thou ridden,
Where leapest thou? and where, on whom,
Wilt plant thy hoof?

“They don’t even know how to hang you …”

When the hangings were carried out, Kakhovsky, Muravyov-Apostol and Ryleyev all had their ropes break; while some in the crowd anticipated the old prerogative of mercy for any prisoner who survives an execution, they just got re-hung instead. “Unhappy country,” quipped Ryleyev as the fresh nooses were fixed up, “where they don’t even know how to hang you.”**

Other Decembrists not condemned to the unreliable craftmanship of the Russian gallows were shipped to Siberia, where they invigorated the cultural life of the Lake Baikal city of Irkutsk — many of them famously followed by their “Decembrists’ wives,” an iconic type that continues to denote heroically sacrificial loyalty since the women had to renounce their own right to return to European Russia.

These, at least, had a place to call their own, however distant. But the class of Russian elites to which they belonged would be thrust into a trackless wilderness by their failure (in the Decembrist rising and otherwise) to carve out some distinct place for themselves. Russia’s long reckoning with modernity still had many years to run.

A worn postcard of a 19th century Russian painting depicting (perhaps) a political prisoner in the Peter and Paul Fortress.

http://www.flickr.com/photos/seriykotik/ / CC BY-NC 2.0

* July 25 was the date on the Gregorian calendar; per the Julian calendar still in use in Russia at the time, the date was July 13.

** Ryleyev was quite the saucy one, having fought a “mysterious” duel with Pushkin in 1823, and instigated (and served as second at) a famous St. Petersburg jilted-love duel in 1825 that cost the lives of both antagonists.

A poet himself and a romantic to the point of fanaticism, Ryleyev wrote odes extolling executed national heroes like Artemy Volynsky and Severyn Nalyvaiko, seemingly alluding (as in this excerpt from the latter work) to his anticipation of joining them.

I know full well the dire fate
Which must upon the patriot wait
Who first dare rise against the foe
And at the tyrant aim the blow.
This is my destined fate

Also On This Date

• 1794: Andre Chenier, poet