1468: Charles de Melun, governor of Paris

Add comment August 22nd, 2009 Headsman

On this date in 1468, Charles de Melun (French link) was executed at Andelys by Louis XI on a trumped-up treason charge.

The execution stemmed from a civil war fought by crown against nobles struggling to preserve their feudal rights — and specifically, a 1465 battle won by the nobles’ intrepid standard-bearer Charles the Bold. Louis was grumpy at his governor of Paris for not relieving him in time, and when the wheel of courtly politics turned sufficiently, that incident supplied enough suspicion to destroy Melun.

Hear now of Melun from The History of the Bastile, and of Its Principal Captives.

The war, caused by the League of the Public Good, which restored liberty and fortune to Chabannes, deprived his enemy, the count de Melun, not only of both, but of life also. When we are told that Melun was so addicted to pleasure, luxury and sloth, as to have acquired the name of the Sardanapalus of his times, we can form no very flattering estimate of his character. Yet he stood high in the good graces of Louis XI, and participated largely in the spoils of Chabannes. In his capacity of governor of Paris and the Bastile, he was also entrusted with the custody of that nobleman. It was not till after the battle of Montlheri that Louis began to suspect him. The monarch had, indeed, some excuse for suspicion. Melun had at least been criminally negligent, in a post which demanded the utmost vigilance. He had prevented a sally from the city during the battle, which might have turned the scale in the king’s favour, and he had been ignorant of, or winked at, a correspondence carried on with the chiefs of the League by some of the disaffected citizens. These indications of treachery were strengthened by two circumstances; some of the cannon of the Bastile had been spiked, and the gates of the fortress, on the side next the country, had been left open while the besiegers were making an attack. The escape of Chabannes might also afford a reason for doubting his keeper’s fidelity. Louis, however, was, at this moment, too closely pressed by his numerous enemies to enter into an investigation of the subject; and he, therefore, only dismissed the governor.


The Battle of Montlhery

Melun retired to his estates, and imagined that the storm was blown over. He was mistaken. As soon as Louis had disembarrassed himself, he instituted a rigid enquiry into the conduct of his disgraced favourite. One of the most active in pushing it on was a man who was indebted to the count for his rise in life; the cardinal Balue, of whom further mention is about to be made. The result of the enquiry was, a charge of having maintained a secret correspondence with the heads of the League, especially with the duke of Britanny. Melun was in consequence arrested, and conveyed to Chateau Galliard, in Normandy, by the provost Tristan l’Hermite, of infamous memory.*

The trial was commenced without delay, and, as he refused to confess to any crime, he was put to the torture. With respect to his correspondence with the chiefs of the League, he avowed it, but pleaded that it had the king’s sanction. It is probable that this was really the case. Many motives might have induced the king to allow of his officer corresponding with the enemy. But Louis had now resolved upon the destruction of Melun; and, as he never scrupled at falsehood when he had any point to gain by it, he denied that he had given the permission. By adding that he had long had cause to be dissatisfied with the prisoner, he gave a broad hint as to what kind of verdict he desired.** The judges, as in duty bound, pronounced Melun guilty, and he was consigned to the scaffold. His execution took place in 1468. Of his confiscated property, a considerable portion was bestowed on Charbannes.

It is said, that the executioner having only wounded him at the first stroke, Melun raised his head from the block, and declared, that he had not deserved death, but that, since the king willed it, he was satisfied. If this be true, we must own that tame submission to the injustice of a despot was never more strikingly displayed.

Had Melun lived but a little longer, he might have triumphed in the downfall and punishment of his ungrateful enemy, the cardinal, which took place in 1469 … The cardinal, and his his friend and agent William d’Harancourt, bishop of Verdun, were in close correspondence with his enemies.†

Though Melun generally goes down as a guy who caught a bum rap — probably even Louis XI thought so, given the subsequent fall of Melun’s rivals — this 19th century history of France observes that such consideration turns on noblesse oblige, for while “such crime on the part of a burgess was considered worthy of death, nobles practised breach of faith as a pastime, and a lucrative one, until it was rendered a serious matter by sending the guilty to the scaffold.”

* For instance, in Victor Hugo’s The Hunchback of Notre Dame, Tristan l’Hermite is the man dispatched by Louis XI to seize Esmeralda from the cathedral for hanging.

** According to The Law of Treason and Treason Trials in Later Medieval France, Louis XI actually testified at Melun’s trial. Talk about a star witness.

† More about Balue’s disgrace here.

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Entry Filed under: 15th Century, Beheaded, Botched Executions, Capital Punishment, Death Penalty, Execution, France, History, Nobility, Notable Participants, Public Executions, Torture, Treason, Wrongful Executions

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1832: Not Javert, spared by Jean Valjean

Add comment June 6th, 2009 Headsman

On this, the second day of the abortive 1832 June Rebellion in Paris, police inspector Javert is faux-executed — and mercifully released — by his longtime quarry Jean Valjean in Victor Hugo’s classic Les Miserables.


Javert depicted in an theatrical poster, from the Les Miserables Gallery. The site identifies this as an 1899 poster, which may be mistaken since the actor billed for Javert died in January 1898.

Hugo’s monumental novel is structured by the implacable policeman’s pursuit of Jean Valjean, an absconded ex-con with a heart of gold.

Fate brings them together accidentally at the barricade of the (historical, but now forgotten) student uprising — Javert to spy on the student revolutionaries, who unmask him, and Jean Valjean to keep an eye on his adoptive daughter’s idealistic lover.

The latter’s timely contribution gives him the pull to ask the favor of being the one to execute the spy.* As he’s been hunted relentlessly by the lawman since breaking parole nearly two decades before, the hero has ample motivation to turn executioner.

Instead…

When Jean Valjean was left alone with Javert, he untied the rope which fastened the prisoner across the middle of the body, and the knot of which was under the table. After this he made him a sign to rise.

Javert obeyed with that indefinable smile in which the supremacy of enchained authority is condensed.

Jean Valjean took Javert by the martingale, as one would take a beast of burden by the breast-band, and, dragging the latter after him, emerged from the wine-shop slowly, because Javert, with his impeded limbs, could take only very short steps.

Jean Valjean had the pistol in his hand.

In this manner they crossed the inner trapezium of the barricade. The insurgents, all intent on the attack, which was imminent, had their backs turned to these two.

Marius alone, stationed on one side, at the extreme left of the barricade, saw them pass. This group of victim and executioner was illuminated by the sepulchral light which he bore in his own soul.

Jean Valjean with some difficulty, but without relaxing his hold for a single instant, made Javert, pinioned as he was, scale the little entrenchment in the Mondetour lane.

When they had crossed this barrier, they found themselves alone in the lane. No one saw them.

Jean Valjean thrust the pistol under his arm and fixed on Javert a look which it required no words to interpret: “Javert, it is I.”

Javert replied:

“Take your revenge.”

Jean Valjean drew from his pocket a knife, and opened it.

“A clasp-knife!” exclaimed Javert, “you are right. That suits you better.”

Jean Valjean cut the martingale which Javert had about his neck, then he cut the cords on his wrists, then, stooping down, he cut the cord on his feet; and, straightening himself up, he said to him:

“You are free.”

Javert was not easily astonished. Still, master of himself though he was, he could not repress a start. He remained open-mouthed and motionless.

Jean Valjean continued:

“I do not think that I shall escape from this place. But if, by chance, I do, I live, under the name of Fauchelevent, in the Rue de l’Homme Arme, No. 7.”

Javert snarled like a tiger, which made him half open one corner of his mouth, and he muttered between his teeth:

“Have a care.”

“Go,” said Jean Valjean.

Javert began again:

“Thou saidst Fauchelevent, Rue de l’Homme Arme?”

“Number 7.”

Javert repeated in a low voice: — “Number 7.”

He buttoned up his coat once more, resumed the military stiffness between his shoulders, made a half turn, folded his arms and, supporting his chin on one of his hands, he set out in the direction of the Halles. Jean Valjean followed him with his eyes:

A few minutes later, Javert turned round and shouted to Jean Valjean:

“You annoy me. Kill me, rather.”

Javert himself did not notice that he no longer addressed Jean Valjean as “thou.”

“Be off with you,” said Jean Valjean.

Javert retreated slowly. A moment later he turned the corner of the Rue des Precheurs.

When Javert had disappeared, Jean Valjean fired his pistol in the air.

Then he returned to the barricade and said:

“It is done.”

Or, has played in the modern hit musical adaptation:

In saving his own soul, Jean Valjean (conveniently!) manages to kill his pursuer just the same: the cognitive dissonance for such a hard, emotionless man being on the receiving end of this bit of redemptive mercy leads Javert to break character so far as to allow his man to escape. The inspector then commits suicide.

Les Miserables is available free several places online, including Gutenberg.org and The Literature Network.

* While the recent musical production of Les Miserables is ambiguous as to what was planned for Javert, Hugo leaves no room for doubt: as the students prepare for the fatal onslaught, their leader Enjolras decrees that “[t]he last man to leave this room will smash the skull of this spy.”

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Entry Filed under: 19th Century, Arts and Literature, Borderline "Executions", Cycle of Violence, Escapes, Espionage, Execution, Fictional, France, History, Last Minute Reprieve, Lucky to be Alive, No Formal Charge, Not Executed, Pardons and Clemencies, Popular Culture, Shot, Spies, Summary Executions, Wartime Executions

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