1477: Gerolamo Olgiati, ducal assassin

Add comment January 2nd, 2015 Headsman


Dramatization of events in this post for the video game-derived film Assassin’s Creed: Lineage.

On this date in 1477, the assassins of the Duke of Milan suffered bitter death for fame eternal.

Famous for both his astute political machinations and for cruelty verging on the sadistic, Galeazzo Maria Sforza inherited leadership of Milan in at the age of 22 with the passing of his father, the great condottiero Francesco Sforza.

Francesco, the founder of the Sforza dynasty, had dynastically married himself to one Bianca Maria Visconti, a daughter of Milan’s previous ruling house.* But not all of the Visconti were at home with the Sforza.

A brash young man of that noble family, Carlo Visconti, as full of humanistic idealism as he was of bile for the licentious Duke’s alleged violation of his sister, joined a conspiracy also compassing two other gentlemen, Giovanni Andrea Lampugnani and Gerolamo Olgiati, to do Galeazzo Sforza to death.

At a St. Stephen’s Day service in a basilica christened to Stephen Lampugnani approached the prince feigning supplication for some audience, then produced a hidden blade and stabbed Galeazzo Sforza. Visconti and Olgiati then rushed on Sforza as well and before anyone realized what was happening the Duke, croaking some half-heard invocation of Mary, was falling dead on the church floor.


Illustration of Galeazzo Sforza’s murder on the title page of a 1476 Lament for the Duke decrying the assassination.

Pandemonium ensued, and in the ensuing helter-skelter, Sforza’s bodyguards fell on Lampugnani and killed him on the spot, while Olgiati managed to escape.**

“It now only remains for us to consider those dangers which follow after the execution of a plot,” Machiavelli mused in his “Of Conspiracies” typology of his Discourses. “These in fact resolve themselves into one, namely, that some should survive who will avenge the death of the murdered prince. The part of avenger is likely to be assumed by a son, a brother, or other kinsman of the deceased.”

Well, yeah.

The assassins of the Duke of Milan appear not to have burdened themselves overmuch with advance consideration of this danger, possibly indulging the dream of Brutus that by a dagger’s stroke alone they could restore the lost republic.

Needless to say, this beautiful hope vanished in the bloody revenge carnival that actually ensued the murder. Just a few days after the assassination, having taken refuge with a priest — his justly frightened family had closed its door on him and needed to make theatrical denunciations of his treason for their own safety — Olgiati was captured, put to a torturous interrogation, and publicly butchered. He had outlived the Duke by only a week, and his gashed carcass was hung up in sections around town by way of warning. The rotting heads of the conspirators remained impaled on lances on the city’s bell tower well into the 1490s.

According once again to Machiavelli, Olgiati “exhibited no less composure at his death than resolution in his previous conduct, for being stripped of his apparel, and in the hands of the executioner, who stood by with the sword unsheathed, ready to deprive him of life, he repeated the following words, in the Latin tongue, in which he was well versed

“‘Mors acerba, fama perpetua, stabit vetus memoria facti.'”

That is,

‘Death is bitter but fame is eternal, and the memory of the deed will endure.’

This attempt, quixotic and doomed, to depose an Italian tyrant by murdering him in church might well have formed the blueprint for a similar plot in Florence in 1478, the Pazzi conspiracy. That version was even less successful than its Milanese predecessor: at least Olgiati and company could say that they actually managed to kill their target before everything else hit the fan.

And republic or not, Sforza’s murder did shake up the polity. It put the Duchy of Milan in the hands of his wife, as the unsteady regent of a seven-year-old heir. A few years later, the late duke’s brother Ludovico displaced the regent and effectively bossed Milan until the French imprisoned him in 1500 during the Italian Wars.

While he had the run of the place, Ludovico Sforza commissioned of Leonardo da Vinci a monumental equestrian statue in memory of his brother that da Vinci never finished.† Quite strangely, the master’s notes were plumbed by a 20th century Pennsylvania airline pilot who dedicated the latter part of his life to actually casting “Leonardo’s Horse”.

* The names Visconti and Sforza are also associated with some of the earliest tarot decks and among the first to introduce to playing cards the use of trionfi, or “triumph” cards — that is, “trumps”. One can readily purchase present-day reprints of this historic pack.

** There is a positively maddening inconsistency, thus far irresolvable for this author, between accounts (here’s one example | and another) asserting that Carlo Visconti was slain by Sforza’s bodyguards directly after the assassination, and other accounts (like Gregory Lubkin’s 1994 history of Sforza’s Milan) that put Visconti on the scaffold beside Olgiati.

† Da Vinci’s ponderously slow progress on this high-profile project led Michelangelo to cattily impugn the rival artist’s bronze-casting aptitude.

On this day..

Entry Filed under: 15th Century,Arts and Literature,Assassins,Capital Punishment,Death Penalty,Dismembered,Execution,Gibbeted,Gruesome Methods,History,Italy,Martyrs,Milan,Murder,Nobility,Notable for their Victims,Public Executions,Torture,Treason

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1479: Bernardo di Bandino Baroncelli, sketched by Leonardo da Vinci

3 comments December 29th, 2010 Headsman

On this date in 1479, a fugitive of the previous year’s Pazzi Conspiracy — an ill-starred attempt by the Pazzi family to overthrow the Medici — was hanged in Florence.

Bernardo Baroncelli had actually struck the first blow on the Pazzi conspiracy’s big day, planting a dagger in the chest of Giuliano di Piero de’ Medici in the theatrical setting of Florence’s Duomo, with the theatrical declaration, “Here, traitor!”

Must’ve been a sight to see. Giuliano wound up dead, but the rest didn’t work out so well.

Baroncelli, however, managed to evade the resulting paroxysm of civic vengeance and hightail it to Ottoman Istanbul, where he had some contacts.

Unfortunately for Bernardo, Florence had some contacts there, too. Ottoman relations with the various Italian city-states were actually quite strong, and Florence in particular enjoyed lucrative trade arrangements bringing its wool textiles to Bursa to exchange for silk.

So you can understand the effusion for Mehmet the Conqueror* (and the interest of said Mehmet the Conqueror) in this bit of Florentine diplomatic correspondence quoted in The Papacy and the Levant:

By letters of Bernardo Peruzzi we have learned with great pleasure how that most glorious prince [Mehmet] has seized Bernardo Bandini, most heinous parricide and traitor to his country, and declares himself willing to do with him whatever we may want — a decision certainly in keeping with the love and great favor he has always shown toward our Republic and our people as well as with the justice of his most serene Majesty … although as a result of the innumerable benefits done by his most glorious Majesty in the past for the Republic and our people, we owe him the greatest indebtedness and are the most faithful and obedient sons of his Majesty, nevertheless because of this last benefit it would be impossible to describe the extent to which our obligation to his most serene Majesty has grown.

A Florentine representative quickly sailed for the Ottoman capital to make the arrangements, and returned with the hated Bandini on Dec. 24. Five days later, he was hanged over the side of the Bargello.

Florentine native son Leonardo da Vinci sketched the hanging man (the sketch is now in the Musee Bonnat), diligently noting his clothing.

A tan colored skull-cap, a doublet of black serge, a black jerkin, lined and the collar covered with a black and red stippled velvet.
A blue coat lined with fur of fox’s breasts.
Black hose.
Bernardo di Bandino Baroncelli.

In the video game Assassin’s Creed II, one of the missions (assigned by Giuliano’s surviving brother, Lorenzo the Magnificent) is to kill Bernardo Baroncelli … but not with trade relations and diplomacy.

* Conqueror of Istanbul/Constantinople, among other things.

On this day..

Entry Filed under: 15th Century,Arts and Literature,Assassins,Capital Punishment,Death Penalty,Execution,Florence,Hanged,History,Italy,Murder,Nobility,Notable for their Victims,Power,Public Executions,Treason

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1945: Denise Bloch, Lilian Rolfe and Violette Szabo

1 comment February 5th, 2010 Headsman

On or about this date in 1945, three women who had been caught behind German lines working for the British Special Operations Executive were shot at Ravensbruck.

Left to right: Denise Bloch, Lilian Rolfe, Violette Szabo.

Denise Bloch, Lilian Rolfe, and Violette Szabo were all fluent young Francophones who volunteered their services for Britain’s dangerous spying-and-sabotage operations in support of the French Resistance.

Bloch and Rolfe were wireless operators; Szabo, the most famous of the three, got her hands dirtier with explosives and sabotage.

One evening towards 1900 hours they were called out [of the punishment block] and taken to the courtyard by the crematorium. Camp Commandant Suhren [German Wikipedia link] made these arrangements. He read out the order for their shooting in the presence of the chief camp doctor, Dr. Trommer, SS Sergeant Zappe, SS Lance Corporal Schult, SS Corporal Schenk, and the dentist Dr. Hellinger

All three were very brave, and I was deeply moved. Suhren was also impressed by the bearing of these women. He was annoyed that the Gestapo did not themselves carry out these shootings.

Extensive and illustrated biographies on all three, as well as other SOE agents, can be found at 64 Baker Street: Bloch; Rolfe; Szabo.

Violette Szabo in particular was much written-of after the war (long out of print, the classic Carve Her Name With Pride was recently republished), and was posthumously awarded a variety of decorations by both England and France.

Szabo has what looks to be a charming museum in Herefordshire (phone ahead to Miss Rigby before visiting!); for a younger generation, she’s the inspiration behind “Violette Summers”, the protagonist of the video game Velvet Assassin.

On this day..

Entry Filed under: 20th Century,Capital Punishment,Concentration Camps,Death Penalty,Disfavored Minorities,England,Espionage,Execution,Famous,France,Germany,History,Jews,No Formal Charge,Shot,Soldiers,Spies,Summary Executions,Torture,Uncertain Dates,Wartime Executions,Women

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