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May of 1297 marks the first appearance in the historical record of Braveheart hero William Wallace … so we mark today the undated (and presumably fictional) execution/murder of his wife that, by the most cinematic account possible, set Wallace on his own path to the scaffold.

The face that lifted a thousand claymores: Catherine McCormack as Braveheart’s version of Marion, Murron MacClannough. Murron’s “execution” inspires William Wallace.

Marion (or Marian) Braidfute, she’s called by the Scottish poet Blind Harry in the epic dating near two centuries after famed rebel’s rising. Not wanting audiences to confuse her with Robin Hood sweetie Maid Marian, the Braveheart script renamed her Murron MacClannough.

In Mel Gibson’s gory silver screen epic, Wallace is, at this point, a determinedly apolitical commoner — a stance contrasting markedly with a backstory of nationalistic identity-forming experiences, like having his father and brother killed by the English. He’s radicalized only after his attempt to protect Murron from rape results in her demonstrative summary execution.

And of course, Wallace then wreaks a bloody revenge (complete with summary execution of his own) that soon has the country in flames.

Hollywood’s avenging-his-woman angle exploits a folkloric embroidery of a female character perhaps created by Blind Harry, writing in the 15th century. In “The Wallace”, the titular hero is already well along his conflict with the English crown when he weds Marion — whose story arc differs greatly from that of the peasant eye candy Mel Gibson taps. In the poem, Marion is exposed to the vengeance of the Sheriff of Lanark, William Heselrig, when Wallace goes off to fight and refuses to take her along.

Now fierce with Rage the cruel Foe draws near,
Oh does not Heaven make Innocence its Care!
Where fled thy guardian Angel in that Hour
And left his Charge to the fell Tyrant’s Power,
Shall his fierce Steel be redned with thy Gore
And streaming Blood distain thy Beauties o’er?

But now awaken’d with the dreadfull Sound
The trembling Matron threw her Eyes around,
In vain alace were all the Tears she shed
When fierce he waves the Fauchion o’er her Head
All Tyes of Honour by the Rogue abjur’d
Relentless deep he plung’d the ruthless Sword;
Swift o’er her Limbs does creeping Coldness rise
And Death’s pale Hand seal’d up her fainting Eyes.

Wallace slays Heselrig the next day, according to the poem — the actual historical event of May, 1297,* that marks Wallace’s emergence from the dim fogs of history. (In the film Braveheart, the chronology is unstated, but Wallace is revenged before Murron’s burial.)

John of Fordun, writing in the 14th century, tells the tale.

The same year William Wallace lifted up his head from his den — as it were — and slew the English sheriff of Lanark, a doughty and powerful man, in the town of Lanark. From that time, therefore, there flocked to him all who were in bitterness of spirit, and weighed down beneath the burden of bondage under the unbearable domination of English despotism; and he became their leader. He was wondrously brave and bold, of goodly mien, and boundless liberality … So Wallace overthrew the English on all sides; and gaining strength daily, he, in a short time, by force, and by dint of his prowess, brought all the magnates of Scotland under his sway, whether they would or not.

* “In the month of May the perfidious race of Scots began to rebel.” (Walter of Hemingborough)

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Executed Today’s Guide to Halloween, Part I (Click here for Part II.)

Grim, ghastly, and gruesome — it must be election time Halloween!

The grisliest tricks of the past are the tastiest treats of the season, and that makes Executed Today purpose-built for the occasion. Heck … that’s why it’s our anniversary.

That’s also why it’s rich with ghoulish inspiration for your Halloween costume.

For all the severed heads and flayed skins around here, the set of execution victims who are Halloween-ready is a limited one. It’s just not enough to be famous (or infamous); one must also have an iconography recognizable enough to get the public credit you deserve for your inspired disguise.

If you happen to roll with a crowd that’s totally going to get your Savonarola outfit, more power to you. The rest of us have to play to the masses.

But some few of our principals fit the bill well enough to be fine Halloween choices without too much exertion in the prep department.

Anne Boleyn

Even a character as renowned as Anne Boleyn is a little hard to play: quick, what does she look like?

But between The Tudors and The Other Boleyn Girl, there’s a current pop-culture context for the character (and plenty of precedents). Tudor garb plus the famous “B” necklace will be a dead giveaway for those in the know. For extra credit, add a prosthetic sixth finger to simulate her alleged polydactylism.

Accessories: Date decked out as Henry VIII … or as the French swordsman who beheaded her.

Marie Antoinette

You could rock this collection of Antoinette portraits, but unless you’re designing for a movie, an 18th century gown and a big tall stack of hair ought to do the trick.

Though ahistorical for Marie herself, a red ribbon around the neck, a la the post-Terror “Victim’s Balls”, makes a nice twist.

Accessories: Bring cake.

Joan of Arc

Armor, a Christian emblem, and a tomboyish look will take you home. Totally roust any English you come across.

Accessories: Business cards reading “Miss of Arc”.

Mata Hari

There’s the intrinsic sensuality of death and all, but the famous stripper-spy is this blog’s best choice for a sexy look still true to the theme.

Mata Hari was known for her (supposedly) Indian outfits and routines.

Accessories: Orientalism, by Edward Said.

Guy Fawkes

“The only man to enter parliament with honest intentions”: that is, to blow it up.

That V for Vendetta mask is re-usable for Guy Fawkes Day on — remember, remember? — the fifth of November.

Accessories: Let’s just say it’s nothing they’ll let you take on an airplane.

Charles I

Cromwell succeeded where Fawkes failed, at least as pertains the royal person. And if you’re the type who can sell a Charles I costume — possibly requiring a fairly highbrow room — you’ll have nigh outstripped the achievements of both.

The lush coiffure, the wispy facial hair, the delicate movements … not everyone can pull that stuff off. If you can, get your Alec Guinness impression down and you’re on your way to a date at Whitehall.

Accessories: The whole point is to wear the silly hat, isn’t it?

William Wallace

Francophiles may go for Vercingetorix, but Mel Gibson made Wallace the barbarian everyone loves to hang, draw and quarter.

Don’t neglect to bellow “FREEDOM!” repeatedly at the top of your lungs. Everyone loves that.

Accessories: That big, swingin’ sword. You know what I’m talking about.

Saddam Hussein

Gone but not forgotten, Saddam offers a variety of looks:

• Beaten, older Saddam, with salt-and-pepper beard (wear the noose with this look, unless you’re a dead ringer);

• Haggard, fresh-captured Saddam (not recommended; neither the goofball look nor the implicit triumphalism square with the known sequel)
• Younger, despotic Saddam, with crazy smile and military fatigues;
• The Coen brothers’ “bowling alley Saddam” that can double as duds for your neighborhood Lebowski Fest.

Accessories: Be sure to complete the outfit by bringing Colin Powell. Seriously, he’ll be grateful for something to do.

Che Guevara

Love him or hate him, no post-World War II icon is more instantly recognizable than the Cuban guerrilla. Do your part, comrade! Contribute to the posthumous appropriation of his image with a “revolutionary” is-that-ironic-or-not-? Che costume.

Accessories: Che Guevara cigarettes. Che Guevara ankle socks. There’s no shortage of Che Guevara accessories to choose from; for a more meta look, go as Che’s mediated historical image by simply dressing entirely in various Che-branded apparel.

Creative Commons pumpkin image courtesy of fabbio

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